Prefacing these stories are contributions from 5 local commentators who share their personal reflections on the gay, lesbian, bisexual and transgender communities in Singapore. They are: Mrs Juliana Toh, Executive Director of Counselling and Care Centre; Reverend Yap Kim Hao, former Methodist Bishop of Singapore; transgender activist Ms Leona Lo; and former Nominated Members of Parliament Ms Braema Mathi and Mr Siew Kum Hong. The book also contains a glossary of the common terms used to describe the diversity within the gay, lesbian, bisexual and transgender communities, and a listing of relevant community and professional resources in Singapore. The editor’s proceeds from sales of the ebook will be donated to Oogachaga, a counselling and support service.

    It finds in the lives of Maggie, her family and her neighbours not only all the tragedy that appalling housing, massive unemployment and grinding poverty can produce, but alo a rich vein of comedy - the sense of the ridiculous, the need for a good laugh.

    She was fighting for the legal right to marry as a woman. The author tells of her childhood in Norfolk, the operations that liberated her sexually and her persecution by the tabloid press.

    Unfurling and unrelenting in its delivery, Candrilli has painted “the mountain” in excruciating detail. They show readers a world of Borax cured bear hides and canned peaches, of urine-filled Gatorade bottles and the syringe and all the syringe may carry. They show a violent world and its many personas. What Runs Over, too, is a story of rural queerness, of a transgender boy almost lost to the forest. The miracle of What Runs Over is that Candrilli has lived to write it at all."When Roethke said 'energy is the soul of poetry,' he might have been anticipating a book like What Runs Over, which is so full of energy it practically vibrates in your hand. Here, Candrilli’s speaker sticks their tongue 'into the heads / of venus fly traps just to feel the bite,' then later, burns holy books in the backyard and rolls around in the ashes until they become 'a painted god.' This is the verve of an urgent new poetic voice announcing itself to the world. As Candrilli writes: 'This is what I look like / when I’m trying to save myself.'"-Kaveh Akbar

    Chess Bitch, written by the 2004 U.S. Woman's Chess Champion, is an eye-opening account of how today's young female chess players are successfully knocking down the doors to this traditionally male game, infiltrating the male-owned sporting subculture of international chess, and giving the phrase "play like a girl" a whole new meaning. Through interviews with and observation of the young globetrotting women chess players who challenge male domination, Chess Bitch shines a harsh light on the game's gender bias. For those who think of chess as two people sitting quietly across a table, Shahade paints a colorful world that most chess fans never knew existed.

    His award-winning work was featured in Davis Guggenheim's documentary Waiting for "Superman," and he has been hailed by media, activists, teachers, and national leaders. Michelle Obama called him "one of my heroes," and Oprah Winfrey refers to him as "an angel from God." Here, Canada draws on his years of work with inner-city youth and on his own turbulent boyhood to offer a moving and revelatory look at the little-understood emotional lives of boys. And who better for this task than the man Elizabeth Mehren of the Los Angeles Times calls "one of this country's leading advocates for youth."

    That past assumed a new dimension when seen from the people's viewpoint. The present work undertakes to prove that the essence of these past relations has persisted in the present era. The authors have therefore chosen to call this period The Continuing Past in order to emphasize the fact that while there are apparent changes, the new refinements of external control and exploitation merely conceal the persisting subjection. The authors express the hope that their "re-examination of the Philippine neocolonial experience...and the brief focus on evolving American imperialist objectives and the techniques used to attain them may not only reveal this historical period in a new light but may help to provide the basis for new historic initiatives on the part of the people in the attainment of their final liberation."As in the previous volume, events and personalities are subjected to stringent analysis from the point of view of the people's larger interest, thus giving the layman a better grasp of the forces that influence contemporary society. The process of demystification proceeds with greater intensity as sacred cows are re-evaluated in terms of the people's long-range objectives.The Continuing Past is a very relevant work; and also irreverent as the previous writings of Constantino have been.

    It also includes practical insights and useful tips on how women and men can learn how to talk, and to change men's non-verbal, action-oriented communications into the language of emotional dialogue.

    It is the journey of a young woman who discovers herself in the stories of other women who share her same name and coincidentally share experiences of violence and abuse that plagued her own childhood. Through her physical journey across the country she is thrust into her own emotional journey. She embraces each woman she meets, is strengthened by their connections, confronts the father that molested her, and ultimately finds faith, divine purpose, and wholeness.

    But now she has to find a caterer who doesn't charge a fortune for a cupcake, a dressmaker who doesn't make her cry and a way to bring Great Auntie Betty down from Dundee for the sixpence she is willing to spend - isn't it meant to be HER special day?

    What he found was a rich array of personalities and a panoply of stories, ranging from the profoundly tragic to the intensely personal. Pauw's stories range from South Africa to Rwanda, from Sierra Leone and the Sudan to Mozambique. Readers are taken behind the scenes of sensational news reports with compassion, humor and occasional cynicism and emerge in the knowledge that, even if it s true that there is nothing new out of Africa, the writer has found fresh ways to present time-honored tales of love, life, misery and mortality.