Told from the perspective of a young wife who’s become increasingly frustrated with her mild-mannered husband, “The Trespassers” begins as a quiet domestic drama and quickly escalates into a nightmare. When Evan refuses to confront men who are illegally hunting on the couple’s remote homestead, Chris takes matters into her own hands, with terrifying results. Written in 1958, when Leonard was working at a Detroit advertising agency and writing short stories on the side, “The Trespassers” shows the emerging talent of a man whose spare style and dark wit would redefine a literary genre. Filled with as much sexual menace as Sam Peckinpah’s classic thriller “Straw Dogs,” this timelessly relevant story delivers a sly surprise that could only come from the mind of Elmore Leonard. ABOUT THE AUTHOR Elmore Leonard wrote forty-five novels across his six-decade career, including the bestsellers “Road Dogs,” “Up in Honey’s Room,” “The Hot Kid,” “Mr. Paradise,” “Tishomingo Blues,” and the critically acclaimed collection of short stories “When the Women Come Out to Dance.” Many of his books have been made into movies, including “Get Shorty,” “Out of Sight,” and “Jackie Brown.” “Justified,” the hit series from FX, is based on Leonard’s character Raylan Givens, who appears in “Riding the Rap,” “Pronto,” the short story “Fire in the Hole,” and the novel “Raylan.” Leonard received the National Book Foundation’s Medal for Distinguished Contribution to American Letters, the Lifetime Achievement Award from PEN USA, and the Grand Master Award of the Mystery Writers of America. He was known to many as the “Dickens of Detroit” and had lived in the Detroit area since 1934. PRAISE FOR ELMORE LEONARD “Elmore Leonard can write circles around almost anybody active in the crime novel today.” —The New York Times Book Review “There is no greater writer of crime fiction than Elmore Leonard, and no one who has more resplendent energy.” —The Guardian (UK) “Elmore ‘Dutch’ Leonard is more than just one of the all-time greats of crime fiction. He’s … an authentic American icon.” —The Seattle Times “People look on writers that they like as an irreplaceable resource. I do. Elmore Leonard, every day I wake up and—not to be morbid or anything, although morbid is my life to a degree—don’t see his obituary in the paper, I think to myself, ‘Great! He’s probably working somewhere. He’s gonna produce another book, and I’ll have another book to read.’ Because when he’s gone, there’s nobody else.” — Stephen King “The King Daddy of crime novelists.” —The Seattle Times “As crime fiction goes, Leonard has few living equals. His characters leap from the page with a few short keystrokes, like a form of bloodstained haiku.” —The Cleveland Plain Dealer “[Leonard’s] finely honed sentences can sound as flinty/poetic as Hemingway or as hard-boiled as Raymond Chandler. His ear for the way people talk—or should—is peerless.” —The Detroit News “A master of narrative … A poet of the vernacular … Leonard paints an intimate, precise, funny, frightening, and irresistible mural of the

     A body entombed in a London tube station. DCI Grant Foster is called in to investigate, but within days a second corpse is discovered in the bowels of a disused underground ‘ghost’ station. With the possibility of the murders being linked, Foster enlists the help of his friend, genealogist Nigel Barnes. Between them, they try to untangle the twisted secrets of the past, buried deep beneath London’s streets – where no one can hear you scream, and the murderer is closing in on his next victim . Includes an extract from The Blood Detective, the first book in the Blood Detective series.

    Someone else is out there with him, though. Watching. Waiting to harm… Who is drugging people, forcing them to kill? Why are kids involved? And who is the mastermind behind the callous murders? Oliver trails DI Langham on the investigation, hoping they catch the killers sooner rather than later—before more bodies turn up, eviscerated, so wrecked they’re barely recognisable…

    The only person Max can trust is his new-found love, beautiful Karis Deen, a scientist with the Smithsonian Tropical Research Institute. Except Karis herself holds a dangerous secret that could not only destroy Max, but could change the entire balance of world power.

    The world, as we know today, is not the same anymore. Blatant threats of war by ‘world leaders’ is the new normal. Gone are the days when mobilizing armies at borders, or aiming missiles at adversaries, was a rare phenomenon.With every nation or their allies possessing nuclear weapons, victory through conventional means is no longer possible, paving way for covert warfare to emerge as the preferred weapon. New Delhi is an easy target and Doshi, the unassailable supremo of the regime, is on the ‘hit list’. The threat assessment being at an all time high, Ajay Kaamte, the director of SPG (Special Protection Group), is tasked with protecting the PM.Intelligence claims that the PM is susceptible to cyanide attacks and situation is grim, to say the least. Will Doshiji survive to serve another term or will he very soon be having his last chai?

    Cool and efficient as always, Wyatt bypasses the alarm system, snatches the cash and eludes the cops. But can he make it safely back to his bolthole in Hobart?Port Vila Blues is Wyatt's fifth heist, this time leading him to a reckoning far from home. The Fallout finds Wyatt on a boat with policewoman Liz Redding and a fortune in stolen gems. He escapes, triggering a manhunt, but who exactly is hunting him? In this sixth Wyatt novel, Wyatt joins forces with his nephew to pull off one of his trickiest robberies-and his most dangerous task yet.'Disher's writing is as lean and relentless as his hero. No one does dryly poetic evocations of paranoia and human folly more seductively.' Australian