Butler.We are a people who do not forget.Survivors from a flooded kingdom struggle alone on an ark. Resources are scant, and ravenous beasts circle. Their fangs are sharp.Among the refugees is Iraxi: ostracized, despised, and a commoner who refused a prince, she’s pregnant with a child that might be more than human. Her fate may be darker and more powerful than she can imagine.Zin E. Rocklyn’s extraordinary debut is a lush, gothic fantasy about the prices we pay and the vengeance we seek.

    We meet a school teacher, his wife, and their young son, Billy. One thing, one seemingly minor thing, goes wrong. And all that was safe and ordinary slowly unravels into nightmare. This familiar premise for the contemporary horror novel has rarely, if ever, been developed so brilliantly as in Bentley Little's The Mailman. A tall, pale postal carrier with carrot-red hair may seem an unlikely candidate for the embodiment of evil, but Little reveals the personality behind the mailman's ever-present smile with such finesse, you'll be more than happy to fall under his spell. By the time the frightened town folk are chanting, "No mail! No mail! No mail! No mail!"--and Billy ends up half-naked in a dark room, next to a soiled wedding dress--you'll be jumping right out of your skin.

    The locals of Edda's Meadow, if they suspect it of her, say nary a word—Gideon has been good to them, and it's always better to keep on her good side. Just in case.When a foolish young shapeshifter goes against the wishes of her pack, and gets herself very publicly caught, the authorities find it impossible to deny the existence of the supernatural in their midst any longer; Gideon and her like are captured, bound for torture and a fiery end.Should Gideon give up her sisters in return for a quick death? Or can she turn the situation to her advantage?

    Fans of The Mortal Instruments and The Infernal Devices can get to know warlock Magnus Bane like never before in this collection of New York Times bestselling tales, in print for the first time with an exclusive new story and illustrated material.This collection of eleven short stories illuminates the life of the enigmatic Magnus Bane, whose alluring personality, flamboyant style, and sharp wit populate the pages of the #1 New York Times bestselling series, The Mortal Instruments and The Infernal Devices.Originally released one-by-one as e-only short stories by Cassandra Clare, Maureen Johnson, and Sarah Rees Brennan, this compilation presents all ten together in print for the first time and includes a never-before-seen eleventh tale, as well as new illustrated material.

    The advanced AI system was supposed to protect a fleet of survivors who’d escaped the deadly attack on Kerenza IV. AIDAN was supposed to be infallible. But in the chaotic weeks and months that followed, it became clear that something was terribly, terribly wrong with AIDAN…

    When his ghost refuses to leave, that's a bigger problem. Daniel Faust is the solution. Called in to clean up the casino's mess, the modern-day sorcerer soon learns that the restless spirit isn't going down without a fight. To set things right, he'll have to delve someplace even seedier, even more treacherous, than the Vegas Strip: the Los Angeles music industry. In a snare between a scheming record producer, an embattled songstress and a lethal drug cartel, Daniel and his crew hit the streets of LA. Opportunity is knocking. There's a score to be had. And with a quarter of a million dollars on the table, this murder mystery just became a heist in the making. (The White Gold Score is a 46,000-word novella in the Daniel Faust series, a side-story that takes place between The Long Way Down and Redemption Song.)

    . . . This twisty example of the new weird genre examines love, loss and loyalty, packing skilful world-building and a powerful emotional punch into a little over 200 pages."—The GuardianShe lived where the railway tracks met the saltpan, on the Ahri side of the shadowline. In the old days, when people still talked about her, she was known as the end-of-the-line woman.Vasethe, a man with a troubled past, comes to seek a favor from a woman who is not what she seems, and must enter the nine hundred and ninety-nine realms of Mkalis, the world of spirits, where gods and demons wage endless war.The Border Keeper spins wonders both epic—the Byzantine bureaucracy of hundreds of demon realms, impossible oceans, hidden fortresses—and devastatingly personal—a spear flung straight, the profound terror and power of motherhood. What Vasethe discovers in Mkalis threatens to bring his own secrets into light and throw both worlds into chaos.Praise for The Border Keeper"Beautifully and vividly imagined. Eerie, lovely, and surreal."—Ann Leckie“A labyrinth of demons, dead gods, cranky psychopomps, and broken all-too-human lives. Hall is by turns wry and lush, genuine and venomous. So can I have the next one already?”—Max Gladstone

    Memory-blind himself, he can’t feel those wounds. Clara can, and she prefers them irretrievable. Until her sister, Beatrice, ultrasensitive to memory, raises one that could change Clara’s mind. For Gui, the past is gone. For Clara and Beatrice, deciding what to remember reaches to the heart of their shared history.

    Johannes Cabal, a brilliant scientist and notorious snob, is single-mindedly obsessed in heart and soul with raising the dead. Well, perhaps not "soul" . . . He hastily sold his years ago in order to learn the laws of necromancy. But now, tormented by a dark secret, he travels to the fiery pits of Hell to retrieve it. Satan, who is incredibly bored these days, proposes a little wager: Johannes has one year to persuade one hundred people to sign over their souls or he will be damned forever. To make the bet even more interesting, Satan throws in that diabolical engine of deceit, seduction, and corruption known as a "traveling circus" to aid in the evil bidding. What better place exists to rob poor sad saps of their souls than the traveling carnivals historically run by hucksters and legendary con men? With little time to lose, Johannes raises a motley crew from the dead and enlists his brother, Horst, a charismatic vampire (an unfortunate side effect of Johannes's early experiments with necromancy), to be the carnival's barker. On the road through the pastoral English countryside, this team of reprobates wields their black magic with masterful ease, resulting in mayhem at every turn. Johannes may have the moral conscience of anthrax, but are his tricks sinful enough to beat the Devil at his own game? You'll never guess, and that's a promise! Brilliantly written and wickedly funny, "Johannes Cabal the Necromancer" combines the chills and thrills of old-fashioned gothic tales like "The Legend of Sleepy Hollow," the mischievous humor of "Wicked," and the sophisticated charms of" Jonathan Strange &Mr. Norrell "and spins the Faustian legend into a fresh, irreverent, and irresistible new adventure.

     The ancient building has been the subject of rumours for close to a century. Its owner, Edith, refused to let guests inside and rarely visited the nearby town. Following Edith's death, her sole surviving relative, Adrienne, inherits the property. Adrienne's only possessions are a suitcase of luggage, twenty dollars, and her pet cat. Ashburn House is a lifeline she can't afford to refuse. Adrienne doesn't believe in ghosts, but it's hard to ignore the unease that grows as she explores her new home. Strange messages have been etched into the wallpaper, an old grave is hidden in the forest behind the house, and eerie portraits in the upstairs hall seem to watch her every movement. As she uncovers more of the house's secrets, Adrienne begins to believe the whispered rumours about Ashburn may hold more truth than she ever suspected. The building has a bleak and grisly past, and as she chases the threads of a decades-old mystery, Adrienne realises she's become the prey to something deeply unnatural and intensely resentful. Only one thing is certain: Ashburn's dead are not at rest.

    She's a half-breed who dresses like a boy, raised by folks who don't call her a slave but use her like one. She knows of nothing else. That is, until the day a stranger attacks her. When nothing, not even a sickle to the eye can stop him, Nettie stabs him through the heart with a chunk of wood and he turns to black sand.And just like that, Nettie can see.But her newfound sight is a blessing and a curse. Even if she doesn't understand what's under her own skin, she can sense what everyone else is hiding—at least physically. The world is full of evil, and now she knows the source of all the sand in the desert. Haunted by the spirits, Nettie has no choice but to set out on a quest that might lead her to find her true kin . . . if the monsters along the way don't kill her first.

    Steep-banked, fast-moving, it offers the promise of fine fishing, and of something more, a possibility too fantastic to be true. When Abe and Dan, two widowers who have found solace in each other's company and a shared passion for fishing, hear rumors of the Creek, and what might be found there, the remedy to both their losses, they dismiss it as just another fish story. Soon, though, the men find themselves drawn into a tale as deep and old as the Reservoir. It's a tale of dark pacts, of long-buried secrets, and of a mysterious figure known as Der Fisher: the Fisherman. It will bring Abe and Dan face to face with all that they have lost, and with the price they must pay to regain it.

    The animals gathering in the yard as if summoned. The people who speak in reverse. The lights and sounds. The music. The grass dying overnight...and the ten-foot clown on the second floor.And as long as there are mysteries, people will be compelled to solve them.Here, then, is the most comprehensive account of the Abigail House phenomenon, the result of sixty years of eyewitness accounts, news reports, scientific research, and parapsychological investigations, all in an attempt to decode the enduring mystery that is......THE HOUSE ON ABIGAIL LANE.

    As they travel, they discover how cruel the world can be, but also how wondrous.

    A young English gentleman of means, Aubrey is immediately intrigued by Lord Ruthven, the mysterious newcomer among society’s elite. His unknown origin and curious behavior tantalizes Aubrey’s imagination. But the young man soon discovers a sinister character hidden behind his new friend’s glamorous facade.   When the two are set upon by bandits while traveling together in Europe, Ruthven is fatally injured. Before drawing his last breath, he makes the odd request that Aubrey keep his death and crimes secret for a year and a day. But when Ruthven resurfaces in London—making overtures toward Aubrey’s sister—Aubrey realizes this immortal fiend is a vampyre.   John William Polidori’s The Vampyre is both a classic tale of gothic horror and the progenitor of the modern romantic vampire myth that has been fodder for artists ranging from Anne Rice to Alan Ball to Francis Ford Coppola. Originally published in 1819, many decades before Bram Stoker’s Dracula, and misattributed to Polidori’s friend Lord Byron, The Vampyre has kept readers up at night for nearly two hundred years.