In this sordid and hilarious tale of whopping academic grants, sleeping on the job, sexual confusion and consenting adults, terrifying departmental secretaries, surprise impregnations and alcoholic lecturers we might conclude that most people are just not cut out for university life.

    Lottie is barraged with memories of the past as she packs up her mother's house and witnesses the rekindling of an old romance between Cameron and Elizabeth. When a senseless tragedy intrudes upon them, Lottie is forced to examine the consequences of what she has done for love.

    Together with Ingrid, the family au pair, she has worked hard to create a real "old-fashioned family life." But beneath its postcard sheen, the picture is clouded by a distant father, Alison's inexplicable emotional outbursts, and long-repressed secrets that no one dares mention. For years, Alison's adult children have protected her illusion of domestic perfection-but as each child confronts the effects of past choices on their current adult lives, it becomes evident that each must face the truth. Penelope Lively's novels of history, memory, and character have earned her a loyal readership. Like Ian McEwan's "Atonement," this novel is a measured, thoughtful look at how events of the past, both small and large, seen and unseen, deeply inform character and the present. Quietly provocative and disturbing, "Family Album" is a highly nuanced work that showcases a master of her craft.

    For Jim Nashe, it all started when he came into a small inheritance and left Boston in pusuit of "a life of freedom." Careening back and forth across the United States, waiting for the money to run out, Nashe met Jack Pozzi, a young man with a temper and a plan. With Nashe's last funds, they entered a poker game against two rich eccentrics, "risking everything on the single turn of a card." In Paul Auster's world of fiendish bargains and punitive whims, where chance is a shifting and powerful force, there is redemption, nonetheless, in Nashe's resolute quest for justice and his capacity for love.

    There, relying on his rich sister Audrey's beneficence, Simon obsessively digs a secret system of tunnels from which to spy on others. When Josh, a good-looking naif, becomes a gardener at Audrey's home, the two women of the household, Audrey and her distant relative and housekeeper, Marion, find Josh's strength and seeming innocence a potent spell, and his response escalates unacknowledged tensions between them. Meanwhile, Simon, worried about Josh, takes steps to prevent the exposure of his underground labyrinth. The explosive chemistry between the characters will eventually rip apart and rearrange all their lives.

    Once he realizes he’s a mercenary, however, he is not at all concerned. Ever since his young secretary was killed by a grenade at their bureau office in Beirut a couple of years before, he has lost all volition. Which is why he so readily capitulates not only to Colfax, but also, and more dangerously so, to every command of Jeremy Nordstrand, the mystical megalomaniac determined to achieve greatness on their seemingly suicidal mission. Set in the forsaken yet exotic deserts of Ethiopia, Horn of Africa is a vividly detailed and masterfully plotted novel chronicling a broken man’s struggle for salvation and inner freedom in the midst of a broken nation’s fight for stability and peace.

    Told from the point of view of one of Dunne's most familiar fictional characters-Gus Bailey-Another City, Not My Own tells how Gus, the movers and shakers of Los Angeles, and the city itself are drawn into the vortex of the O.J. Simpson trial. We have met Gus Bailey in previous novels by Dominick Dunne. He is a writer and journalist, father of a murdered child, and chronicler of justice-served or denied-as it relates to the rich and famous. Now back in Los Angeles, a city that once adored him and later shunned him, Gus is caught up in what soon becomes a national obsession. Using real names and places, Dunne interweaves the story of the trial with the personal trials Gus endures as he faces his own mortality. By day, Gus is at the courthouse, the confidant of the Goldman and Simpson families, the lawyers, the journalists, the hangers-on, even the judge; at night he is the honored guest at the most dazzling gatherings in town as everyone-from Kirk Douglas to Heidi Fleiss, from Elizabeth Taylor to Nancy Reagan-delights in the latest news from the corridors of the courthouse. Another City, Not My Own does what no other book on this sensational case has been able to do because of Dominick Dunne's unique ability to probe the sensibilities of participants and observers. This book illuminates the meaning of guilt and innocence in America today. A vivid, revealing achievement, Another City, Not My Own is Dominick Dunne at his best. From the Hardcover edition.

    The woman is an “examiner,” the man, her “claimant.” The examiner is both doctor and guide, charged with teaching the claimant a series of simple functions: this is a chair, this is a fork, this is how you meet people. She makes notes in her journal about his progress: he is showing improvement, yet his dreams are troubling. One day, the examiner brings him to a party, and here he meets Hilda, a charismatic but volatile woman whose surprising assertions throw everything the claimant has learned into question. What is this village? Why is he here? And who is Hilda? A fascinating novel of love, illness, despair, and betrayal, A Cure for Suicide is the most captivating novel yet from one of our most exciting young writers.

    With each new book, his instinct for playing upon our deepest dread has grown only stronger and more sinister. He?s never been afraid to push the boundaries of suspense and confront us with what frightens us most.After his father?s untimely death sends fifteen-year-old Ryan McIntyre into an emotional tailspin, his mother enrolls him in St. Isaac?s Catholic boarding school, hoping the venerable institution with a reputation for transforming wayward teens can work its magic on her son. But troubles are not unknown even at St. Isaac, where Ryan arrives to find the school awash in news of one student?s violent death, another?s mysterious disappearance, and growing incidents of disturbing behavior within the hallowed halls.Things begin to change when Father Sebastian joins the faculty. Armed with unprecedented knowledge and uncanny skills acquired through years of secret study, the young priest has been dispatched on an extraordinary and controversial mission: to prove the power of one of the Church?s most arcane sacred rituals, exorcism. Willing or not, St. Isaac?s most troubled students will be pawns in Father Sebastian?s one-man war against evil?a war so surprisingly effective that the pope himself takes notice of the seemingly miraculous events unfolding an ocean away.But Ryan, drawn ever more deeply into Father Sebastian?s ministrations, sees?and knows?otherwise. As he witnesses with mounting dread the transformations of his fellow pupils, his certainty grows that forces of darkness, not divinity, are at work. Evil is not being cast out . . . something else is being called forth. Something that hasn?t stirred since the Inquisition?s reign of terror. Something nurtured through the ages to do its vengeful masters? unholy bidding. Something whose hour has finally come to bring hell unto earth.

    Pete Ross, forty-six, knows he’s crazy. He’s wrecked his marriage, slashed his wrists, and done time in a psychiatric institution, and now he's being cared for by his mother, who’s a nun. Forty-five-year-old Helen Harland, a spirited Unitarian Universalist minister, is being driven crazy by her hostile church administration. Living in Los Feliz, California, the three meet at Helen’s Wednesday midweek services. Though initially incompatible, the sheer force of Helen’s idiosyncratic ministering (her “variety show of religious experience”)–paired with Alice’s illustrious ancestor William James–proves to be a catalyst for friendship and a kind of transcendence. Generous and compassionate, Michelle Huneven delivers a joyful new novel about love, faith, and a few wayward souls waiting for life to begin. From the Trade Paperback edition.

    Now, poised to sell his company for a luxurious sum, Mistler receives alarming news: He has only months to live. But his reaction is not what one would expect. Rather than hysteria, Mistler experiences a sense of clarity and a feeling of being set free. From what, he is unsure. In a decision that breaks the mold of his superbly organized routine, Mistler conceals his illness from his family and seeks a moment of grace to be savored alone in the decadent splendor of Venice. There, he meets a young, lustful photographer and, later, a love from his youth. But his attempts to recapture passion only magnify the reconciliations he has yet to make--with the father to whom he sacrificed his own dreams, the son with whom he has never truly accepted, and the wife to whom he has given everything but respect.A startling blend of grace and satire, Mistler's Exit is charged with unexpected moments of beauty and eroticism, pathos and humor. Like the city of Venice itself, it is a creation of timeless appeal.

    Setting out to see the world in the summer of 1926, Theophilus North gets as far as Newport, Rhode Island, before his car breaks down. To support himself, Theophilus takes jobs in the elegant mansions along Ocean Drive, just as Wilder himself did in the same decade. Soon the young man finds himself playing the roles of tutor, spy, confidant, lover, friend, and enemy as he becomes entangled in the intrigues of both upstairs and downstairs in a glittering society dominated by leisure.Narrated by the elderly North from a distance of fifty years, Theophilus North is a fascinating commentary on youth and education from the vantage point of age, and deftly displays Wilder's trademark wit juxtaposed with his lively and timeless ruminations on what really matters about life, love, and work at the end of the day—even after a visit to Newport.

    But when Dorsey returns to their small Michigan hometown with a successful career as an astrophysicist and a happy family life, Hugh, who has a long habit of worrying about his sister, realizes that it s his own life he has to cure, not Dorsey s. As they explore their complicated history over one hot Fourth of July weekend, they ll come to terms with the experiences that put such distance between them and discover the imperfect love that ties them as siblings."

    Colonel Nugent Corvoisie, better known as "The Boo," was the Lt. Commandant in charge of discipline at the military college. He was both loved and feared by his "lambs." The book is a collection of stories explaining life at The Citadel and interactions between the cadets and The Boo (Conroy twice nearly got dismissed from the school for infractions but remained a staunch fan of The Boo). Col. Corvoisie was the model for "The Bear" in Conroy's later novel "The Lords of Discipline."

    Somehow they ended up at the river, whooping and hollering on a two-lane bridge. Somehow the boy was shoved, he jumped, he slipped—acounts vary—into the icy water. The kids told police they never heard a splash; one reported seeing a brilliant flash of light. (Several people in the area witnessed a similar light, while others recalled hearing something "kind of like thunder.") All night, volunteers walked the river's edge, but it was dawn before the body was found in a barn a good mile from the bridge . . .The owner of the barn had been the one to discover the body, and she said the boy's cheeks were rosy, his skin warm to the touch. A sweet smell hung in the air. "It was," she said, "as if he were just sleeping." And then she told police she believed an angel had carried him there.For years, it had been said that an angel lived in the river. Residents flipped coins into the water for luck, and a few claimed they had seen the angel, or known someone who'd seen it. The historical society downtown had a farmwife's journal, dated 1898, in which a woman described how an angel had rescued her family from a flood. Now, as the story of the boy's death spread, more people came forward with accounts of strange things that had happened on that night. Dogs had barked without ceasing till dawn; livestock broke free of padlocked barns. Someone's child crayoned a bridge and, above it, a wide-winged tapioca angel.A miracle? A hoax? Or something in between? With acute insight and great compassion, A. Manette Ansay captures the inner life of a town and its residents struggling to forge a new identity in the face of a rapidly changing world.