Olivia, Nick, their two little girls, and Charlie still live in the old boarding house. It has been nine years since Mourning left Olivia. Nine years since the last time she saw him – though he has always arranged to have Charlie with him for a few weeks each year.But today Olivia is anxiously awaiting Mourning’s arrival. Yesterday he sent a message with Michelle – he needs to talk with Olivia. Why now? What will he say? Does he intend to take Charlie for good?On this already emotionally-charged day, a cryptic telegram from Missouri arrives. It will take Olivia, Mourning, and Nick on a different kind of journey together.Historical Fiction, Women's Fiction, Literary Fiction

    He's good with his gun and his fists, but doesn't fight except when forced. Smart, loyal and tough, John captures your heart, and the heart of "Andy" Blaine the heroine. Andrea is a bit of a tom-boy, but a beautiful, strong and true western woman. John gets involved in the war for water rights on Silver Creek and neighboring ranches because his father seems to be involved on the wrong side of the law. He and his father haven't spoken for six years, but John feels it his duty to try to clear his father's name.

    His father is an abusive drunk with muddled religious views, and his mother, as hard as she tries to defend her son, only ever ends up delaying the inevitable. Things take a turn for the worse one Friday when Bobby brings home a black eye from school. The following day his father brings him out into the woods on a mission to do “God’s Work” and bring him into adulthood. A coming-of-age story about the sins of a father and a son’s chance to absolve himself from them.

    In the apartment of Oliver's old professor at Cambridge, there is a painting on the wall, a mysterious depiction of masked revelers at the Venice carnival. On this cold winter's night, the old professor has decided to reveal the painting's eerie secret. The dark art of the Venetian scene, instead of imitating life, has the power to entrap it. To stare into the painting is to play dangerously with the unseen demons it hides, and become the victim of its macabre beauty.By the renowned storyteller Susan Hill--whose first ghost story, The Woman in Black, has run for eighteen years as a play in London's West End--here is a new take on a form that is fully classical and, in Hill's able hands, newly vital. The Man in the Picture is a haunting tale of loss, love, and the very basest fear of our beings.

     Geneva Snow commits the unforgivable Southern sin. No longer the apple of her father’s eye, she is a pariah, defying her society's most sacrosanct rule. To protect her—and hoping for a change of heart—her shattered yet steadfast father hides her at Cairnaerie, his mountain estate. But his iron-willed daughter is unrepentant. After years of solitude, an older and wiser Geneva is finally mellowing, and she is desperate to leave a legacy worthy of the father she loved and lost. To that end, she engages an unwitting young history professor for help to escape Cairnaerie long enough to attend the wedding of her granddaughter—a girl dangerously unaware of her lineage. But when a postman’s malevolence and a colleague’s revenge converge, Geneva's long-kept secret is exposed. For a second time, she faces a calamity of her own making. Only this time, there is no place to hide.