His research appeared in four books: The Book of the Damned, New Lands, Lo!, and Wild Talents.In these four volumes Fort organized and commented on a wild host of phenomena: flying saucers seen in the sky before the invention of aircraft, flying wheels, strange noises in the sky; correlations between volcanic activity and atmospheric phenomena; falls of red snow; falls of frogs, fishes, worms, shells, jellies; finding of "thunderbolts"; discrepancies in the schedules of comets, sightings on Mars and the moon; infra-Mercurian planets; inexplicable footprints in snowfields; flat earth phenomena, disruptions of gravity; poltergeist phenomena; stigmata; surviving fossil animals; the Jersey devil; Kaspar Hauser; spontaneous combustion; and similar weird effects.While Charles Ford never actually explained the phenomena, beyond making vague hints of an organic universe and neo-Hegelianism, through the years his following has grown. At first his work was picked up by literary men such as Theodore Dreiser, Booth Tarkington, Clarence Darrow, Havelock Ellis, and Oliver Wendell Holmes. Later, "Fortean themes" influenced the development of science fiction, and today his work remains the great predecessor to all extraterrestrial speculations.

    Federman gives each of these pages a shape or structure, most often a diagram or picture. The words move, cluster, jostle, and collide in a tour de force full of puns, parodies, and imitations. Within these startling and playful structures Federman develops two characters and two narratives. These stories are simultaneous and not chronological. The first deals with the narrator and his effort to make the book itself; the second, the story the narrator intends to tell, presents a young man's arrival in America. The narrator obsesses over making his narrative to the point of not making it. All of his choices for the story are made and remade. He tallies his accounts and checks his provisions. His questioning and indecision force the reader into another radical sense of the novel. The young man, whose story is to be told, also emerges from his obsessions.Madly transfixing details—noodles, toilet paper, toothpaste, a first subway ride, a sock full of dollars—become milestones in a discovery of America. These details, combined with Federman's feel for the desperation of his characters, create a book that is simultaneously hilarious and frightening. The concrete play of its language, its use of found materials, give the viewer/reader a sense of constant and strange discovery. To turn these pages is to turn the corners of a world of words as full as any novel of literary discourse ever presented. Double or Nothing challenges the way we read fiction and the way we see words, and in the process, gives us back more of our own world and our real dilemmas than we are used to getting.Picked for American Book Review's 100 Best First Lines from Novels

    Science Fiction

    Europe is in turmoil, and mysterious forces seem to be edging England into a disastrous war with France. Not quite at the center of the political maelstrom is James Tilly Matthews, a Welsh tea merchant and antiwar advocate who holds covert meetings with the leaders of both countries. But Matthews also believes his mind is being controlled by a gang of revolutionary "terrorists" and their diabolical secret machine called the Air Loom. The only man aware of the Air Loom's existence, Matthews is promptly declared mad and exiled to Bedlam, where he is held against his will for the rest of his life — by order of England's home secretary, Lord Liverpool. At Bedlam his "delusions" are celebrated as the most complex and bizarre ever recorded, but the truth of his case is even stranger than his doctors realize: many of the incredible political episodes in which he claims to have been involved are entirely real.

    And it keeps getting worse and worse. No, unfortunately for Bev, he's completely sane. What's taking control of him is far more terrifying than insanity. And it has an unimaginable purpose. Bev has become an innocent pawn in an infernal game, a victim of hellish forces beyond understanding. His visions of blood and debauchery are growing more ghastly every day. Some of them the most shocking are real. Bev can feel his mind, his body, his very soul slipping away. Will his only hope or his eternal damnation come from the demonologist?

    

    And a rotund little boy feels ill. What'¬?s a mother to do? Why, call the doctor, quick, quick, quick! After one look at the boy, the doctor decides to operate and investigate. But no one is quite prepared for what he finds. Acclaimed children'¬?s author and illustrator, Remy Charlip, presents an updated and expanded version of his original, fanciful story.‚Ä¢ Great source of inspiration for classroom and at-home shadow play‚Ä¢ Updated edition of a classic, with six newly created backgrounds!

    Each

    Filled with clear step-by-step instructions for how to fold each model and clever routines for performing them in front of audiences, this book aims to literally move origami on to a new stage!

    I know lots about you...From the moment I saw you in the park I haven't been able to get you out of my mind. Thoughts of you fill my days and haunt my nights...With all my heart,Your Secret Admirer"Janice's best friend things the guy who's writing these letters is looney--and may be dangerous! After all, what kind of person goes around sending anonymous letters? But Janice is secretly thrilled about the mystery person who is in love with her. Maybe now, Mike, the guy she really likes, will hear about her secret admirer and begin to take notice!

    Homicide Detective Harvey Skinner, frustrated by his failure to catch them, decides to use an unconventional method to punish Clayton and Chastity. He releases a notorious serial killer from death row and sends him to hunt and torture Clayton and Chastity in a brutal game of cat-and-mouse... Jon Athan, the author of The Law of Retaliation and Cannibal Creek, takes you on a bloody road trip in this story of moral ambiguity, lawless vengeance, and extreme violence. WARNING: This book contains scenes of graphic violence, including some violence towards children.. This book is not intended for those easily offended or appalled.

    We are told that whether a picture, a movement, a text, or sound qualifies as a "work of art" largely depends on social attitudes and convention. Drawing on examples ranging from Paleolithic cave paintings to modern pop music and building on the ideas of James Joyce, Oscar Wilde, Gilles Deleuze, Carl Jung, and others, J.F. Martel argues that art is an inborn human phenomenon that precedes the formation of culture and even society. Art is free of politics and ideology. Paradoxically, that is what makes it a force of liberation wherever it breaks through the trance of humdrum existence. Like the act of dreaming, artistic creation is fundamentally mysterious. It is a gift from beyond the field of the human, and it connects us with realities that, though normally unseen, are crucial components of a living world.While holding this to be true of authentic art, the author acknowledges the presence--overwhelming in our media-saturated age--of a false art that seeks not to liberate but to manipulate and control. Against this anti-artistic aesthetic force, which finds some of its most virulent manifestations in modern advertising, propaganda, and pornography, true art represents an effective line of defense. Martel argues that preserving artistic expression in the face of our contemporary hyper-aestheticism is essential to our own survival.Art is more than mere ornament or entertainment; it is a way, one leading to what is most profound in us. Reclaiming Art in the Age of Artifice places art alongside languages and the biosphere as a thing endangered by the onslaught of predatory capitalism, spectacle culture, and myopic technological progress. The book is essential reading for visual artists, musicians, writers, actors, dancers, filmmakers, and poets. It will also interest anyone who has ever been deeply moved by a work of art, and for all who seek a way out of the web of deception and vampiric diversion that the current world order has woven around us.

    Who is responsible for the strange happenings? Who would want to tamper with his rich uncle's dusty library? And why?Jud's search succeeds just before the great San Francisco earthquake and fire of 1906 wipe out every clue forever.

    He’s everybody’s buddy, has a great sense of humor, works hard at his typical boring job to provide for the wife and kids. And he is a Stranger. Michael seethes with furious impatience for the coming of the Time of the Strangers, when he and millions like him will be able at last to reveal their true selves to a horrified, helpless world.

    Tourists and New Agers all talk about the strange energy coming from Eternity’s greatest attraction: a mountain called Icehouse. But the locals talk about something else.The seemingly quiet town has been haunted by strange deaths, grisly murders, unspeakable mutilations, all the work of a serial killer who some say is the same serial killer for over a century. Now as the first snow starts to fall, terror grips Eternity as an undying evil begins its hunt once again…