Khumalo’s salon, and she is secure in her status until the handsome, smooth-talking Dumisani shows up one day for work. Despite her resistance, the two become friends, and eventually, Vimbai becomes Dumisani’s landlady. He is as charming as he is deft with the scissors, and Vimbai finds that he means more and more to her. Yet, by novel’s end, the pair’s deepening friendship—used or embraced by Dumisani and Vimbai with different futures in mind—collapses in unexpected brutality.The novel is an acute portrayal of a rapidly changing Zimbabwe. In addition to Vimbai and Dumisani’s personal development, the book shows us how social concerns shape the lives of everyday people.

    Ndalu is a normal twelve-year old boy in an extraordinary time and place. Like his friends, he enjoys laughing at his teachers, avoiding homework and telling tall tales. But Ndalu's teachers are Cuban, his homework assignments include writing essays on the role of the workers and peasants, and the tall tales he and his friends tell are about a criminal gang called Empty Crate which specializes in attacking schools. Ndalu is mystified by the family servant, Comrade Antonio, who thinks that Angola worked better when it was a colony of Portugal, and by his Aunt Dada, who lives in Portugal and doesn't know what a ration card is. In a charming voice that is completely original, Good Morning Comrades tells the story of a group of friends who create a perfect childhood in a revolutionary socialist country fighting a bitter war. But the world is changing around these children, and like all childhood's Ndalu's cannot last. An internationally acclaimed novel, already published in half a dozen countries, Good Morning Comrades is an unforgettable work of fiction by one of Africa's most exciting young writers.

    Josef meets his wife, Kveta, before the Second World War at a public lecture on Hittite culture. Kveta chooses to marry Josef over their mutual friend Hynek, but when her husband is later arrested and imprisoned for an unnamed crime, Kveta gives herself to Hynek in return for help and advice. The author explores the complexities of what is not spoken, what cannot be said, the repercussions of silence after an ordeal, the absurdity of forgotten pain, and what it is to be an outsider.   In Zmeškal’s tale, told not chronologically but rather as a mosaic of events, time progresses unevenly and unpredictably, as does one’s understanding. The saga belongs to a particular family, but it also exposes the larger, ongoing struggle of postcommunist Eastern Europe to come to terms with suffering when catharsis is denied. Reporting from a fresh, multicultural perspective, Zmeškal makes a welcome contribution to European literature in the twenty-first century.

    It is 1945, World War II has just ended, but those bloody events have had no impact on a country that is only on the cusp of industrializing. One day, more bored than usual, Demetrio visits a bordello in search of a libidinous solution to his malaise. There he begins an all-consuming and, all things considered, perfectly satisfying relationship with a prostitute named Mireya.A letter from his mother interrupts Demetrio’s debauched idyll: she asks him to return home to northern Mexico to accompany her to a wedding in a small town on the edge of the desert. Much to his mother’s delight, he meets the beautiful and virginal Renata and quickly falls in love—a most proper kind of love.Back in Oaxaca, Demetrio is torn, the poor cad. Naturally he tries to maintain both relationships, continuing to frolic with Mireya and beginning a chaste correspondence with Renata. But Mireya has problems of her own—boredom is not among them—and concocts a story that she hopes will help her escape from the bordello and compel Demetrio to marry her. Almost Never is a brilliant send-up of Latin American machismo that also evokes a Mexico on the verge of dramatic change.

    A Greek journalist is tried and convicted for the murder . . . but when he’s released twelve years later, he claims his confession was the result of torture.Flash forward to modern day Greece, where a young, disaffected high school student is given an assignment for a school project: find the truth.Based on the real story of famed CBS reporter George Polk—journalism’s prestigious Polk Awards were named after him—who was investigating embezzlement of U.S. aid by the right-wing Greek government, Nikolaidou’s novel is a sweeping saga that brings together the Greece of the post-war period with the current era, where the country finds itself facing turbulent political times once again.Told by key players in the story—the dashing journalist’s Greek widow; the mother and sisters of the convicted man; the brutal Thessaloniki Chief of Police; a U.S. Foreign Office investigator—it is the modern-day student who is most affecting of them all, as he questions truth, justice and sacrifice . . . and how the past is always with us.

    Five years later, a young government employee finds a box containing evidence of human involvement in the affair.

    “But you can’t sit down and wait for him cuz that’s a longer and more painful death.” Living in Santo Domingo, she waits for her father to come back from the United States and lavish her with the glorious rewards of his fame and fortune—shiny new cars and polo shirts, gold chains and Nikes. But when Papi does come back, he turns out to be more “like Jason, the guy from Friday the 13th," than a prince. Papi is a drug dealer, a man who is clearly unreliable and dangerous but nevertheless makes his daughter feel powerful and wholly, terrifyingly alive.Drawing on her memories of a childhood split between Santo Domingo and visits with her father amid the luxuries of the United States, Rita Indiana mixes satire with a child’s imagination, horror with science fiction, in a swirling tale of a daughter’s love, the lure of crime and machismo, and the violence of the adult world. Expertly translated into English for the first time by Achy Obejas, who renders the rhythmic lyricism of Indiana’s Dominican Spanish in language that propels the book forward with the relentless beat of a merengue, Papi is furious, musical, and full of wit—a passionate, overwhelming, and very human explosion of artistic virtuosity.

    Awkward young Huru's adventures begin when her brother abandons her during a journey from Istanbul to Baghdad. By the end, when she trades her musical talent for something more valuable, Huru has spent time disguised as a boy and has married a woman; she has seen Persia, Turkey and Syria and traveled through time; she has married a sultan, borne his son and survived--with help from the spirit world--by her wits and her talent for playing her stone lyre. Along the way, she encounters many renowned figures, including Shahrazad, the witty and driven writer, and Lady Zubaida, a successful and independent businesswoman married to the infamous ruler Harun-er-Rashid. Through these anecdotes, the reader catches sometimes magical glimpses of a different world and a tumultuous era. But the novel's density and jarring mix of formal, archaic rhythms with modern language discourage a reader's total immersion.

    Even today, little is known about this remote Himalayan Buddhist kingdom nestled between two giant neighbours, India and China. Often described as the Last Shangri La, Bhutan is still a country of pristine forests, alpine valleys and glacial lakes, rich in rare flora and fauna such as the blue poppy, the golden langur and the red panda. As spectacular as its natural beauty are the architecture of its towering dzongs (fortresses) and the art treasures that fill its monasteries and temples.Ashi Dorji Wangmo Wangchuck’s portrait of her country is a captivating blend of personal memoir, history, folklore and travelogue. It provides unique and intimate insights into Bhutanese culture and society, with its vivid glimpses of life in Bhutan’s villages and hamlets, monasteries and palaces. Her engaging account of her childhood, growing up in a village in western Bhutan and the changes she witnessed when the country decided to end its isolation also tells a larger story—that of Bhutan’s rapid transition from a medieval kingdom to a modern nation within the space of a decade.The author shares with us her delight in some of the hidden treasures of her country, which she discovered during her journeys on foot to every corner of Bhutan—from highland villages in the shadow of the great Himalayan peaks to serene monasteries wreathed in myth and legend to the rainforests in the south and centre of the country, which are among the world’s richest biodiversity hotspots. This book, with its specially commissioned illustrations by young Bhutanese artists, and photographs from the author’s family album, is essential reading both for those who plan to visit the Kingdom of the Thunder Dragon and for armchair travellers who yearn to experience the magic of Bhutan through their imaginations.

    Miguel “Turing” Saenz, a veteran cryptanalyst, is the most famous code-breaker in the employment of a secret government organization known as the Black Chamber. He is leading the pursuit of the Chamber’s latest target: Kandinsky, a “cyberhacktivist” leader who is staging a war against both the government and the country’s transnational corporations as part of an antiglobalization revolution. As Turing finds himself drawn into a web of murder, intrigue, and deception, he begins to suspect that his work is not as innocent as he once believed.

    Tony, a senior police officer in Maputo, has apparently been supporting four other families for many years. Rami remains calm in the face of her husband's duplicity and plots to make an honest man out of him. After Tony is forced to marry the four other women--as well as an additional lover--according to polygamist custom, the rival lovers join together to declare their voices and demand their rights. In this brilliantly funny and feverishly scathing critique, a major work from Mozambique's first published female novelist, Paulina Chiziane explores her country's traditional culture, its values and hypocrisy, and the subjection of women the world over.

    Challenging the prevailing racial stereotypes by demonstrating her intelligence and business acumen, she is determined to marry a white man in defiance of all established norms and conventions. Set amidst the rich backdrop of the Golden Age of Suriname, this biographical account depicts the complex social and racial stratifications which were features of slave colonies of the era as well as this remarkable woman who overcame institutionalized discrimination and prejudice to become one of the wealthiest individuals in the slave colony of Dutch Guyana.

    Through the eyes of Hang, a young woman in her twenties who has grown up amidst the slums and intermittent beauty of Hanoi, we come to know the tragedy of her family as land reform rips apart their village. When her uncle Chinh‘s political loyalties replace family devotion, Hang is torn between her mother‘s appalling self–sacrifice and the bitterness of her aunt who can avenge but not forgive. Only by freeing herself from the past will Hang be able to find dignity –– and a future.

    A boy named David sits beside her. She’s not his mother. He’s not her child. Together, they tell a haunting story of broken souls, toxins, and the power and desperation of family. Fever Dream is a nightmare come to life, a ghost story for the real world, a love story and a cautionary tale. One of the freshest new voices to come out of the Spanish language and translated into English for the first time, Samanta Schweblin creates an aura of strange psychological menace and otherworldly reality in this absorbing, unsettling, taut novel.

    The boxer is fleeing an unhappy love. The father hopes to escape his dull routine. Both know that, eventually, they will have to return to the place each calls 'home'.