These are some of the things we think about when we think about Japan. This small island nation looms large in the popular imagination, in often contradictory ways: as the epitome of refinement and tradition, and as an embodiment of a shiny, soulless future. What is Japan to those who really know it? This issue includes translated work from the most exciting Japanese writers today, alongside work in English. There will be contributions from the Man Asia-shortlisted Hiromi Kawakami, the Booker-shortlisted Ruth Ozeki, David Mitchell, David Peace, Richard Lloyd Parry and more.

    Available in English for the first time, The Scarlet Gang of Asakusa, by Nobel Prize winner Yasunari Kawabata, captures the decadent allure of this entertainment district, where beggars and teenage prostitutes mixed with revue dancers and famous authors. Originally serialized in a Tokyo daily newspaper in 1929 and 1930, this vibrant novel uses unorthodox, kinetic literary techniques to reflect the raw energy of Asakusa, seen through the eyes of a wandering narrator and the cast of mostly female juvenile delinquents who show him their way of life. Markedly different from Kawabata's later work, The Scarlet Gang of Asakusa shows this important writer in a new light. The annotated edition of this little-known literary gem includes the original illustrations by Ota Saburo. The annotations illuminate Tokyo society and Japanese literature, bringing this fascinating piece of Japanese modernism at last to a wide audience.

    He has been commissioned to write a full account of the case, from its bizarre and grisly details to the nature of the man behind the crime. The suspect, while world-renowned as a photographer, has a deeply unsettling portfolio—lurking beneath the surface of each photograph is an acutely obsessive fascination with his subject.He stands accused of murdering two women—both burned alive—and will likely face the death penalty. But something isn't quite right, and as the young writer probes further, his doubts about this man as a killer intensify. He soon discovers the desperate, twisted nature of all who are connected to the case, struggling to maintain his sense of reason and justice. What could possibly have motivated this man to use fire as a torturous murder weapon? Is he truly guilty, or will he die to protect someone else?The suspect has a secret—it may involve his sister, who willfully leads men to their destruction, or the "puppeteer," an enigmatic figure who draws in those who have suffered the loss of someone close to them. As the madness at the heart of the case spins out of control, the confusion surrounding it only deepens. What terrifying secrets will this impromptu investigator unearth as he seeks the truth behind these murders?

    Taken to a snowy mountainside, she was left there by her family and her village according to the tradition of sacrificing the lives of the elderly for the benefit of the young. Kayu was supposed to have passed quickly into the afterlife. Instead, she finds herself in Dendera, a utopian community built over decades by old women who, like her, were abandoned. Together, they must now face a new threat: a hungry mother bear.

    So succinct are the author's insights that these writings have outlasted the dissolution of the samurai class to come down to the present and be read for guidance and inspiration by the captains of business and industry, as well as those devoted to the practice of the martial arts in their modern form.

    Using as a frame of reference The Tale of Genji and other major literary works from Japan's Heian period, Morris recreates an era when woman set the cultural tone. Focusing on the world of the emperor's court-the world so admired by Virginia Woolf and others-he describes the politics, society, religious life, and superstitions of the times, providing detailed portrayals of the daily life of courtiers, the cult of beauty they espoused, and the intricate relations between the men and women of this milieu.

    In spite of his preeminent stature, this is the first edition of Po Chü?-i's poetry to appear in the West. It encompasses the full range of his work, from the early poems of social protest to the later recluse poems, whose spiritual depths reflect both his life-long devotion to Taoist and Ch'an (Zen) Buddhist practice. David Hinton's translations of ancient Chinese poetry have earned wide acclaim for creating compelling English texts that have altered our conception of Chinese poetry. Among his books published by New Directions are The Selected Poems of Tu Fu, and The Selected Poems of Li Po. His work has been supported by fellowships from The National Endowment for the Arts and The National Endowment for the Humanities.

    Set in a facetious near-future that is both mind-bendingly bizarre and achingly familiar. Sayonara, Gangsters is an inventive novel about language, expression and the creative process that unfolds through hilarious sketches. The peaceful if bizarre life of a poetry teacher is forever transformed by a group of terrorists called "the gangsters" in what is, incredibly, a semi-autobiographical novel. On this literary gonzo trip in which a man of letters finds out, too late, that flirting with extremist politics can have unsavoury consequences for one's mind, we encounter the likes of Virgil, the refrigerator (a memorable three-dimensional character) and "Henry IV" the feline aficionado of books. Endlessly resourceful, relentlessly erudite, but always accessible, Sayonara, Gangsters is a unique masterpiece of literary postmodernism that aims to entertain rather than to intimidate. From the outrageous beginning, which reads like an oblique reference to the war on terror but is no such thing (it was written more than twenty years ago), to the sobering, devastating end, through the lyrical, poignant middle, Takahashi's legendary first novel is candy for your brain. Sayonara, Gangsters is a must-read for all fans of world literature, available for the first time in English.

    In the space of a single night, the lives of a diverse cast of Tokyo residents—models, prostitutes, mobsters, and musicians—collide in a world suspended between fantasy and reality. Utterly enchanting and infused with surrealism, After Dark is a thrilling account of the magical hours separating midnight from dawn.

    But this coffee shop offers its customers a unique experience: the chance to travel back in time.In Before the Coffee Gets Cold, we meet four visitors, each of whom is hoping to make use of the café’s time-travelling offer, in order to: confront the man who left them, receive a letter from their husband whose memory has been taken by early onset Alzheimer's, to see their sister one last time, and to meet the daughter they never got the chance to know.But the journey into the past does not come without risks: customers must sit in a particular seat, they cannot leave the café, and finally, they must return to the present before the coffee gets cold . . .Toshikazu Kawaguchi’s beautiful, moving story explores the age-old question: what would you change if you could travel back in time? More importantly, who would you want to meet, maybe for one last time?

    Born into the burakumin -- an outcast class shunned in feudal Japan and still suffering discrimination today -- Nakagami depicts the lives of his people in powerful, sensual prose and stark, sometimes horrifying detail. The Cape is his breakthrough novella about a burakumin community in a small coastal city and their struggles with complicated family histories and troubled memories. Poverty, violence, suicide, and the harsh natural conditions of their home constantly disrupt their lives. Two more early stories, "The Burning House" and "Redhead, " continue these themes, relieved by small moments of profound tenderness.

    This collection of translations of the classical Zen poets of China, Japan, and Korea includes the work of Zen practitioners and monks as well as scholars, artists, travelers, and recluses, ranging from Wang Wei, Hanshan, and Yang Wanli, to Shinkei, Basho, and Ryokan.

    973 c. 1020), author of The Tale of Genji, is an intimate picture of her life as tutor and companion to the young Empress Shoshi. Told in a series of vignettes, it offers revealing glimpses of the Japanese imperial palace the auspicious birth of a prince, rivalries between the Emperor's consorts, with sharp criticism of Murasaki's fellow ladies-in-waiting and drunken courtiers, and telling remarks about the timid Empress and her powerful father, Michinaga. The Diary is also a work of great subtlety and intense personal reflection, as Murasaki makes penetrating insights into human psychology her pragmatic observations always balanced by an exquisite and pensive melancholy.In his illuminating introduction, Richard Bowing discusses what is known of Murasaki's life, and the religion, ceremonies, costumes, architecture and politics of her time, to explain the cultural background to her vivid evocation of court life. This edition also includes an explanation of Japanese names and dates, appendices and updated further reading.Translated and introduced by RICHARD BOWRING

    Far from her native country of Nigeria and now living as a single mother of two, Salimah works the night shift at a supermarket in small-town Australia. She is shy and barely speaks English, but pushes herself to sign up for an ESL class offered at the local university. At the group's first meeting, Salimah meets Sayuri, who has come to Australia from Japan with her husband, a resident research associate at the local college. Sayuri has put her own education on hold to take care of her infant daughter and she is plagued by worries about financial instabilities and her general precariousness. When Sayuri's daughter dies in daycare and one of Salimah's boys leaves to live with his father, the two women look to one another for comfort and sustenance, as they slowly master their new language. Written with great warmth, Farewell, My Orange offers optimism in the face of adversity. In the stories of Salimah and Sayuri, readers will find a touching portrait of our need for others and the certainty of change.

    This chart-topping 2014 album release from Lana Del Rey is presented in piano/vocal/guitar arrangements for all 11 songs: Brooklyn Baby * Cruel World * Money Power Glory * Old Money * The Other Woman * Pretty When You Cry * Sad Girl * Ultraviolence * West Coast * and more.