Bright and brilliant, they are destined for great things, and the youngest of the group—Aurora Jackson—is delighted to be allowed to tag along. The evening starts like any other—they drink, they dance, they fight, they kiss. Some of them slip off into the woods in pairs, others are left jealous and heartbroken. But by morning, Aurora has disappeared. Her friends claim that she was safe the last time they saw her, right before she went to sleep. An exhaustive investigation is launched, but no trace of the teenager is ever found.Thirty years later, Aurora’s body is unearthed in a hideaway that only the six friends knew about, and Jonah Sheens is put in charge of solving the long-cold case. Back in 1983, as a young cop in their small town, he had known the teenagers—including Aurora—personally, even before taking part in the search. Now he’s determined to finally get to the truth of what happened that night. Sheens’s investigation brings the members of the camping party back to the forest, where they will be confronted once again with the events that left one of them dead, and all of them profoundly changed forever.

    While out celebrating with a group of friends a few nights before the wedding, Michael suddenly and unexpectedly finds himself enclosed in a coffin equipped only with a flashlight, a dirty magazine, a walkie-talkie, and a tiny breathing tube. It's all in good fun — payback for the grief his mates suffered due to his own penchant for tomfoolery — that is until the four are killed in a drunk driving accident just moments after leaving Michael completely alone and buried alive.Detective Superintendent Grace—himself dealing with the pain of losing his wife—is brought on to the case when Ashley reports Michael missing. Suspicions are raised when Michael's only friend not at the bachelor party refuses to cooperate, and Ashley's faithfulness—not to mention her increasingly mysterious past—are suddenly thrown in to question. As Superintendent Grace soon discovers, one man's disaster is another man's fortune.

    She survived—and famously testified that her fifteen-year-old brother, Ben, was the killer. Twenty-five years later, the Kill Club—a secret secret society obsessed with notorious crimes—locates Libby and pumps her for details. They hope to discover proof that may free Ben. Libby hopes to turn a profit off her tragic history: She’ll reconnect with the players from that night and report her findings to the club—for a fee. As Libby’s search takes her from shabby Missouri strip clubs to abandoned Oklahoma tourist towns, the unimaginable truth emerges, and Libby finds herself right back where she started—on the run from a killer.

     But one discovery can change everything… Eight-year-old Billy goes missing one day, out flying his kite with his sister Rose. Two days later, he is found dead. Sixteen years on, Rose still blames herself for Billy’s death. How could she have failed to protect her little brother? Rose has never fully recovered from the trauma, and one of the few people she trusts is her neighbour Ronnie, who she has known all her life. But one day Ronnie falls ill, and Rose goes next door to help him… and what she finds in his attic room turns her world upside down. Rose thought she knew the truth about what happened to Billy. She thought she knew her neighbour. Now the only thing she knows is that she is in danger…

    It's the name the media has given a brutal murderer who has beaten four young women to death before setting their bodies ablaze in secluded areas of London's parks. And now there's a fifth. Maeve Kerrigan is an ambitious detective constable, keen to make her mark on the murder task force. Her male colleagues believe Maeve's empathy makes her weak, but the more she learns about the latest victim, Rebecca Haworth, from her grieving friends and family, the more determined Maeve becomes to bring her murderer to justice. But how do you catch a killer no one has seen when so much of the evidence has gone up in smoke? Maeve's frenetic hunt for a killer in Jane Casey's gripping series debut will entrance even the most jaded suspense readers.

    She lives on her own in a faded mansion just outside Marlow, there’s no man in her life to tell her what to do or how much whisky to drink, and to keep herself busy she sets crosswords for The Times newspaper. One evening, while out swimming in the Thames, Judith witnesses a brutal murder. The local police don’t believe her story, so she decides to investigate for herself, and is soon joined in her quest by Suzie, a salt-of-the-earth dog-walker, and Becks, the prim and proper wife of the local Vicar.Together, they are the Marlow Murder Club.When another body turns up, they realise they have a real-life serial killer on their hands. And the puzzle they set out to solve has become a trap from which they might never escape…

    But is he a killer? Even liars tell the truth... sometimes.Twenty-six-year-old Cat Kinsella overcame a troubled childhood to become a Detective Constable with the Metropolitan Police Force, but she's never been able to banish these ghosts. When she's called to the scene of a murder in Islington, not far from the pub her estranged father still runs, she discovers that Alice Lapaine, a young housewife who didn't get out much, has been found strangled.Cat and her team immediately suspect Alice's husband, until she receives a mysterious phone call that links the victim to Maryanne Doyle, a teenage girl who went missing in Ireland eighteen years earlier. The call raises uneasy memories for Cat--her family met Maryanne while on holiday, right before she vanished. Though she was only a child, Cat knew that her charming but dissolute father wasn't telling the truth when he denied knowing anything about Maryanne or her disappearance. Did her father do something to the teenage girl all those years ago? Could he have harmed Alice now? And how can you trust a liar even if he might be telling the truth?Determined to close the two cases, Cat rushes headlong into the investigation, crossing ethical lines and trampling professional codes. But in looking into the past, she might not like what she finds...

    In this tantalizing new novel, Christie’s mysterious ten-day disappearance serves as the starting point for a gripping novel, in which Christie herself is pulled into a case of blackmail and murder.“I wouldn’t scream if I were you. Unless you want the whole world to learn about your husband and his mistress.”Agatha Christie, in London to visit her literary agent, is boarding a train, preoccupied with the devastating knowledge that her husband is having an affair. She feels a light touch on her back, causing her to lose her balance, then a sense of someone pulling her to safety from the rush of the incoming train. So begins a terrifying sequence of events—for her rescuer is no guardian angel, rather he is a blackmailer of the most insidious, manipulative kind.“You, Mrs. Christie, are going to commit a murder. But, before then, you are going to disappear.”Writing about murder is a far cry from committing a crime, and Agatha must use every ounce of her cleverness and resourcefulness to thwart an adversary determined to exploit her expertise and knowledge about the act of murder to kill on his behalf.In A Talent for Murder, Andrew Wilson ingeniously explores Agatha Christie’s odd ten-day disappearance in 1926 and weaves an utterly compelling and convincing story around this still unsolved mystery involving the world’s bestselling novelist.

    Black Death ravages London. A killer stalks the streets in a plague doctor’s hood and mask...When a girl is gruesomely murdered, thief taker Charlie Tuesday reluctantly agrees to take on the case. But the horrific remains tell him this is no isolated death. The killer’s mad appetites are part of a master plan that could destroy London – and reveal the dark secrets of Charlie’s own past.Now the thief taker must find this murderous mastermind before the plague obliterates the evidence street by street. This terrifying pursuit will take Charlie deep into the black underbelly of old London, where alchemy, witchcraft and blood-spells collide.In a city drowned in darkness, death could be the most powerful magic of all.

    On a freezing day in December, another child goes missing: 13-year-old Alison Carter vanishes from the isolated Derbyshire hamlet of Scardale. For the young George Bennett it is the beginning of his most difficult and harrowing case: a murder with no body, an investigation with more dead ends and closed faces than he'd have found in the inner city; an outcome that reverberates down the years.Decades later he tells his story to journalist Catherine Heathcote, but just when her book is poised for publication, Bennett tries to pull the plug. He has new information that he will not divulge, and that threatens the very foundation of his existence. Catherine is forced to reinvestigate the past, with results that turn the world upside down.A taut psychological thriller that explores, exposes and explodes the border between reality and illusion in a multilayered narrative that turns expectations on their head and reminds us that what we know is what we do not know...

    But the residents of the domestic violence shelter where Katie worked disagree. These women have spent weeks or even years waiting for the men they're running from to catch up with them. They know immediately: This was murder.Still, Detective Dan Whitworth and his team expect an open-and-shut case--until they discover evidence that suggests Katie wasn't who she appeared. Weaving together the investigation with Katie's final months as it barrels toward the truth, The Keeper is a riveting mystery and a searing examination of violence against women and the structures that allow it to continue, marking the debut of an incredible new voice in crime fiction.

    A high school English teacher specializing in the Gothic writer R. M. Holland, she teaches a course on it every year. But when one of Clare’s colleagues and closest friends is found dead, with a line from R. M. Holland’s most famous story, “The Stranger,” left by her body, Clare is horrified to see her life collide with the storylines of her favourite literature. To make matters worse, the police suspect the killer is someone Clare knows. Unsure whom to trust, she turns to her closest confidant, her diary, the only outlet she has for her darkest suspicions and fears about the case. Then one day she notices something odd. Writing that isn't hers, left on the page of an old diary: "Hallo, Clare. You don’t know me." Clare becomes more certain than ever: “The Stranger” has come to terrifying life. But can the ending be rewritten in time?

    Because, although I didn't know it yet, I was about to meet Ben and nothing would ever be the same again.Martin Gilmour is an outsider. When he wins a scholarship to Burtonbury School, he doesn’t wear the right clothes or speak with the right kind of accent. But then he meets the dazzling, popular and wealthy Ben Fitzmaurice, and gains admission to an exclusive world. Soon Martin is enjoying tennis parties and Easter egg hunts at the Fitzmaurice family’s estate, as Ben becomes the brother he never had.But Martin has a secret. He knows something about Ben, something he will never tell. It is a secret that will bind the two of them together for the best part of 25 years.At Ben’s 40th birthday party, the great and the good of British society are gathering to celebrate in a haze of champagne, drugs and glamour. Amid the hundreds of guests–the politicians, the celebrities, the old-money and newly rich–Martin once again feels that disturbing pang of not-quite belonging. His wife, Lucy, has her reservations too. There is disquiet in the air. But Ben wouldn’t do anything to damage their friendship. Would he?

    She's disturbed to discover the culprit is a raven, and tries to shoo it away. Which is when the killer strikes.DS Nathan Cody, still bearing the scars of an undercover mission that went horrifyingly wrong, is put on the case. But the police have no leads, except the body of the bird - and the victim's missing eyes.As flashbacks from his past begin to intrude, Cody realises he is battling not just a murderer, but his own inner demons too.And then the killer strikes again, and Cody realises the threat isn't to the people of Liverpool after all - it's to the police.Following the success and acclaim of the Callum Doyle novels, A Tapping at My Door is the first instalment of David Jackson's new Nathan Cody series.From the bestselling author of Cry Baby, the beginning of a brilliant and gripping police procedural series set in Liverpool, perfect for fans of Peter James and Mark Billingham"Recalls Harlan Coben - though for my money Jackson is the better writer." Guardian

    But now she’s suddenly reappeared in her best friend Olivia’s life—in the form of a chilling confession. Olivia’s father-in-law, wracked with guilt, says he murdered her all those years ago. Tom suffers from Alzheimer’s and his story is riddled with error and confusion. Except for one terrifying certainty: he knows where the body is buried.As Olivia and the police piece together the evidence, they are left with one critical question. They have a crime, they have a confession, and now they have a body—but can any of it be trusted?