This revised and expanded edition includes two new primary documents and an additional essay by Lerner. In a revised introduction Lerner reinterprets her own work nearly forty years later and gives new recognition to the major significance of Sarah Grimke's feminist writings.

    Isabel is experimenting with the new medium of photography, and is inspired by Annie, who becomes her muse. The two form a close relationship, but when Eldon devises his own plans for the young maid, Annie nearly loses herself, until disaster reveals her power over the Dashells' work and hearts.

    It has dazzled more than 100 million people in 22 countries, and went on to become a major feature film. This pictorial companion is the definitive account of the award-winning masterpiece.  It traces the Phantom legend from its origins in historical fact through numerous artistic incarnations to the present-day theater production and film. Arranged in three parts, the first introduces the reader to Gaston Leroux’s classic story, while the second part offers a unique insight into the acclaimed theater production, with backstage photos and commentary from the director, designers, and crew. The final section, which contains the original screenplay, looks at the making of Joel Schumacher’s film, introducing the cast and featuring exclusive photos and interviews. A splendid celebration of  a classic story and its many incarnations. This ravishing volume features the complete original screenplay and more than 150 color images from both the film and theater productions worldwide. Now in an elegant and affordable smaller-format edition.

    I's put you to live with Rufus for dat purpose. Now, if you doesn't want whippin' at de stake, you do what I wants." I thinks 'bout Massa buyin' me off de block and savin' me from bein' separated from my folks, and 'bout bein' whipped at de stake. Dere it am. What am I to do? So asks Rose Williams of Bell County, Texas, whose long-ago forced cohabitation remains as bitter at age 90 as when she was "just a ingnoramus chile" of 16. In all her years after freedom, she never had any desire to marry. Firsthand accounts of female slaves are few. The best-known narratives of slavery are those of Frederick Douglass and other men. Even the photos most people have seen are of male slaves chained and beaten. What we know of the lives of female slaves comes mainly from the fiction of authors like Toni Morrison and movies like Gone With the Wind. Far More Terrible for Women seeks to broaden the discussion by presenting 27 narratives of female ex-slaves. Editor Patrick Minges combed the WPA interviews of the 1930s for those of women, selecting a range of stories that give a taste of the unique challenges, complexities, and cruelties that were the lot of females under the "peculiar institution."Patrick Minges worked for 17 years for Amnesty International and Human Rights Watch. He teaches in Stokes County Schools and at Forsyth Technical Community College in Winston-Salem. He is also the author of Slavery in the Cherokee Nation: The Keetowah Society and the Defining of a People, 1855-1867 and Black Indian Slave Narratives.

    The authors' accompanying history of both societal and psychiatric standards for women reveals the degree to which the prevailing societal conventions could reinforce the perception that these women were mad.

    In this shocking tale of sexual deception, Gautier draws readers into the bedrooms and boudoirs of a French château in a compelling exploration of desire and sexual intrigue, and gives voice to a longing which is larger in scope, namely, the wish for completeness in oneself.

    The relations between film style and mode of production are, according to the authors, reciprocal and mutually influencing. The authors trace such topics as style, economics, and technology over time, demonstrating how significant changes occurrred in Hollywood from the earliest days through the sixties.

     Excerpt: John, who was ambitious, met her advances more than half way, and finally, encouraged by her father, offered her his heart and hand. Under other circumstances, Matilda would undoubtedly have spurned him with contempt; but having heard that her recreant lover was about taking to himself a bride, she felt a desire, as she expressed it, "to let him know she could marry too." Accordingly, John was accepted, on condition that he changed the name of Nichols, which Miss Richards particularly disliked, to that of Livingstone. This was easily done, and the next letter which went to Oakland carried the news of John's marriage with the proud Matilda. A few months later and Mr. Richards died, leaving his entire property to his daughter and her husband. John was now richer far than even in his wildest dreams he had ever hoped to be, and yet like many others, he found that riches alone could not insure happiness

    The ton explodes with malicious gossip.Where did Phoebe’s mysterious riches come from? Everyone wants to know—and so does she. But too many people in her glittering new world aren’t who they seem to be. And then there’s the confusing behavior of handsome Captain Anthony Grenville—the man who once ruined her.With scandalous rumors flying, Phoebe can’t afford to succumb to passion again. But can the newly-minted Heiress of Holborn discover the truth about her fortune... before her secret enemies can ruin her life?

    Although widely popular in its time, the work in its entirety has been out of print since the early twentieth century. This volume returns Sesame and Lilies to easy availability and reunites the two halves of the work: Of Kings’ Treasuries, in which Ruskin critiques Victorian manhood, and Of Queens’ Gardens, in which he counsels women to take their places as the moral guides of men and urges the parents of girls to educate them to this end. Feminist critics of the 1960s and 1970s regarded Of Queens’ Gardens as an exemplary expression of repressive Victorian ideas about femininity, and they paired it with John Stuart Mill’s more progressive Subjection of Women. This volume, by including the often ignored Of Kings’ Treasuries, offers readers full access to Ruskin’s complex and sometimes contradictory views on men and women. The accompanying essays place Sesame and Lilies within historical debates on men, women, culture, and the family. Elizabeth Helsinger examines the text as a meditation on the pleasures of reading, Seth Koven gives a wide-ranging account of how Victorians read Sesame and Lilies, and Jan Marsh situates the work within controversies over educational reform. Deborah Epstein Nord is professor of English and director of the Program in the Study of Women and Gender at Princeton University.

    An analysis of Victorian women writers, this pathbreaking book of feminist literary criticism is now reissued with a substantial new introduction by Sandra Gilbert and Susan Gubar that reveals the origins of their revolutionary realization in the 1970s that "the personal was the political, the sexual was the textual."Contents:The Queen's looking glass: female creativity, male images of women, and the metaphor of literary paternity --Infection in the sentence: the women writer and the anxiety of authorship --The parables of the cave --Shut up in prose: gender and genre in Austen's Juvenilia --Jane Austen's cover story (and its secret agents) --Milton's bogey: patriarchal poetry and women readers --Horror's twin: Mary Shelley's monstrous Eve --Looking oppositely: Emily Brontë's bible of hell --A secret, inward wound: The professor's pupil --A dialogue of self and soul: plain Jane's progress --The genesis of hunger, according to Shirley --The buried life of Lucy Snowe --Made keen by loss: George Eliot's veiled vision --George Eliot as the angel of destruction --The aesthetics of renunciation --A woman, white: Emily Dickinson's yarn of pearl.

    Yet few in America are aware of the role she played in protecting some of England's most beautiful landscapes and in designing romantic interiors and a lovely garden at Hill Top, her beloved Lake District farmhouse.Taking the reader through her picturesque house and the breathtaking scenery around it that inspired many of her famous stories, this charming book is the first to look at the intimate connection between the English countryside and Potter's work. Her own exquisite sketches and watercolors, as well as personal ephemera, appear alongside specially commissioned full-color photographs, revealing a home filled with treasured old furniture and beautiful objects and celebrating an artist-storyteller whose legacy as a conservationist at last receives the attention it deserves.

    Saul is sending Josiah as far away as he can and hopes never to see him again. Josiah's wife is ill and knows she can never return to England.What will these people make of their new lives? As it often does, migration causes other people to follow the group out to the Peel Region of Western Australia, bringing new complications in their lives. Some will die, some will succeed, and others will move on from Western Australia, either back to England or across to Victoria. For Liza and Benedict, the central characters, there will be cruel disappointments before they can win their way through to a happier life.

    Regarded as one of the sacred texts of liberalism, his great work On Liberty argues lucidly that any democracy risks becoming a 'tyranny of opinion' in which minority views are suppressed if they do not conform with those of the majority. Written in the same period as On Liberty, shortly after the death of Mill's beloved wife and fellow-thinker Harriet, The Subjection of Women stresses the importance of equality for the sexes. Together, the works provide a fascinating testimony to the hopes and anxieties of mid-Victorian England, and offer a compelling consideration of what it truly means to be free.

    Drew Faust offers a compelling picture of the more than half-million women who belonged to the slaveholding families of the Confederacy during this period of acute crisis, when every part of these women's lives became vexed and uncertain.