1901–10) first son and heir to the throne, popularly known as Eddy, has virtually been airbrushed out of history. Eddy was as popular and charismatic a figure in his own time as Princess Diana a century later. As in her case, his sudden death in 1892 resulted in public demonstrations of grief on a scale rarely seen at the time, and it was even rumored (as in the case of Diana) that he was murdered to save him besmirching the monarchy. Had he lived, he would have been crowned king in 1911, ushering in a profoundly different style of monarchy from that of his younger brother, who ultimately succeeded as the stodgy George V. Eddy's life was virtually ignored by historians until the 1970s, when myths began to accumulate and his character somehow grew horns and a tail. As a result, he is remembered today primarily as a suspect in the Jack the Ripper murders of 1888 and for his alleged involvement in the Cleveland Street homosexual scandal of 1889. But history has found Eddy guilty of crimes he did not commit. Now, for the first time, using modern forensic evidence combined with Eddy's previously unseen records, personal correspondence, and photographs, Andrew Cook proves his innocence. Prince Eddy reveals the truth about a key royal figure, a man who would have made a fine king, and changed the face of the British monarchy.

    This period of mid-Victorian London covers a huge span: Victoria's wedding and the place of the royals in popular esteem; how the very poor lived, the underworld, prostitution, crime, prisons and transportation; the public utilities - Bazalgette on sewers and road design, Chadwick on pollution and sanitation; private charities - Peabody, Burdett Coutts - and workhouses; new terraced housing and transport, trains, omnibuses and the Underground; furniture and decor; families and the position of women; the prosperous middle classes and their new shops, e.g. Peter Jones, Harrods; entertaining and servants, food and drink; unlimited liability and bankruptcy; the rich, the marriage market, taxes and anti-semitism; the Empire, recruitment and press-gangs. The period begins with the closing of the Fleet and Marshalsea prisons and ends with the first (steam-operated) Underground trains and the first Gilbert & Sullivan.

    For some, royal employment was the defining experience of their lives; for others it came as an unwelcome duty, or a prelude to greater things. Serving Victoria follows the lives of six members of her household, from the governess to the royal children, and her maid-of-honor to her chaplain and personal physician.Drawing on their letters and diaries - many hitherto unpublished - Serving Victoria offers a unique insight into the Victorian court, with all its frustrations and absurdities, as well as the Queen herself, sitting squarely at its center. Seen through the eyes of her household as she traveled between Windsor, Osborne and Balmoral, and to the French and Belgian courts, Victoria emerges as more vulnerable, more emotional, more selfish, more comical than the austere figure depicted in her famous portraits. We see a woman who was prone to fits of giggles, who wept easily and often, who gobbled her food and shrank from confrontation but insisted on controlling the lives of those around her. We witness her extraordinary and debilitating grief at the death of her husband Albert, and her sympathy towards the tragedies that afflicted her household.Witty, astute and moving, Serving Victoria is a perfect foil to the pomp and circumstance - and prudery and conservatism - associated with Victoria's reign, and gives an unforgettable glimpse of what it meant to serve the Queen.

    Such drudgery was routine for the parents of people still living, but the knowledge of it has passed as if it had never been. Following the daily life of a middle-class Victorian house from room to room; from childbirth in the master bedroom through the kitchen, scullery, dining room, and parlor, all the way to the sickroom; Judith Flanders draws on diaries, advice books, and other sources to resurrect an age so close in time yet so alien to our own. 100 illustrations, 32 pages of color.

    For any student of the city and its secret life, it is indispensable reading." -Peter Ackroyd, The Times (London)Before his murder in 1831, the "Italian boy" was one of thousands of orphans on the streets of London, begging among the livestock, hawkers, and con men. When his body was sold to a medical college, the suppliers were arrested for murder. Their high-profile trial would unveil a furtive trade in human corpses carried out by "resurrection men" who killed to satisfy the first rule of the cadaver market: the fresher the body, the higher the price. Historian Sarah Wise reconstructs not only the boy's murder but the chaos and squalor of his world. In 1831 London, the poor were desperate and the wealthy petrified, the population swelling so fast that class borders could not hold. All the while, early humanitarians were attempting to protect the disenfranchised, the courts were establishing norms of punishment, and doctors were pioneering the science of anatomy.As vivid and intricate as a novel by Charles Dickens, The Italian Boy restores to history the lives of the very poorest Londoners and offers an unparalleled account of England's great metropolis at the brink of a major transformation.

    Ludlow, propelled by fierce ambition, is a key member of a small consortium whose ambition is to lay the first transatlantic telegraph cable. He has abandoned his fragile wife, Franny, on their estate in Maine. The couple are still in deep mourning for their daughter who died in a tragic accident, aged only four. The charismatic Ludlow meets a woman who will exert the most powerful influence on his life and work - the beautiful and enigmatic Katerina Lindt. As both Ludlow and Franny's lives start to unravel, they find themselves caught up in a relentless tide of change crashing across both continents and blurring the boundaries between the physical and the spiritual worlds.

    Over the past century it has been known by many names -- the Bone War, the Fossil Feud -- but the tragic story of the competition for fame and natural treasure between Edward Drinker Cope and Othniel Charles Marsh, two leading paleontologists of the Gilded Age, remains prophetic of the conquest of the West as well as a watershed event in science. With a historian's eye and a novelist's skill, David Rains Wallace charts in fascinating detail the unrestrained rivalry between Cope and Marsh and their obsession to become the first to make available to the world the abundant, unknown fossils of the western badlands. This story will surely fascinate anyone who has had to confront the myriad facets of professional jealousy, its sterile brooding, and how it leads to an emotional abyss.

    The sentence was military degradation and life imprisonment on Devil’s Island, a hellhole off the coast of French Guiana. Five years later, the case was overturned, and eventually Dreyfus was completely exonerated. Meanwhile, the Dreyfus Affair tore France apart, pitting Dreyfusards—committed to restoring freedom and honor to an innocent man convicted of a crime committed by another—against nationalists, anti-Semites, and militarists who preferred having an innocent man rot to exposing the crimes committed by ministers of war and the army’s top brass in order to secure Dreyfus’s conviction.Was the Dreyfus Affair merely another instance of the rise in France of a virulent form of anti-Semitism? In Why the Dreyfus Affair Matters, the acclaimed novelist draws upon his legal expertise to create a riveting account of the famously complex case, and to remind us of the interest each one of us has in the faithful execution of laws as the safeguard of our liberties and honor.

    Historically accurate, it is a story of murder and betrayal, of a failed rebellion, and the love of a national scandal.  Charles Trevelyan was Secretary of the Treasury, and Director of the Famine Relief Programme at a time when famine raged and antipathy in English politics towards the plight of those affected raged equally. Kathryn, Charles' daughter, likewise felt no sympathy until the very scale of the tragedy became apparent. Joining the underground, she preached insurrection, stole food for the starving, and became the lover of the leader of the rebellion. She became known as Dark Rosaleen, the heroine of banned nationalist poem, was branded as both traitor and cause celebré. This is her story.

    Generations of innovators tried and failed to develop speedier messaging devices. But in the mid-1800s, a few extraordinary pioneers at last succeeded. Their invention--the electric telegraph--shrank the world more quickly than ever before.A colorful tale of scientific discovery and technological cunning, The Victorian Internet tells the story of the telegraph's creation and remarkable impact, and of the visionaries, oddballs, and eccentrics who pioneered it. By 1865 telegraph cables spanned continents and oceans, revolutionizing the ways countries dealt with one another. The telegraph gave rise to creative business practices and new forms of crime. Romances blossomed over the wires. Secret codes were devised by some users, and cracked by others. The benefits of the network were relentlessly hyped by its advocates and dismissed by its skeptics. And attitudes toward everything from news gathering to war had to be completely rethought. The telegraph unleashed the greatest revolution in communications since the development of the printing press. Its saga offers many parallels to that of the Internet in our own time--and is a fascinating episode in the history of technology.

    

    

    The angels on our Christmas cards, the stained glass in our churches, the great paintings in our galleries - Edward Burne-Jones's work is all around us. The most admired British artist of his generation, he was a leading figure with Oscar Wilde in the aesthetic movement of the 1880s, inventing what became a widespread 'Burne-Jones look'. The bridge between Victorian and modern art, he influenced not just his immediate circle but artists such as Klimt and Picasso. In this gripping book Fiona MacCarthy explores and re-evaluates his art and life - his battle against vicious public hostility, the romantic susceptibility to female beauty that would inspire his art and ruin his marriage, his ill health and depressive sensibility, the devastating rift with his great friend and collaborator William Morris as their views on art and politics diverged. With new research and fresh historical perspective, The Last Pre-Raphaelite tells the extraordinary, dramatic story of Burne-Jones as an artist, a key figure in Victorian society and a peculiarly captivating man.

    Putting people into places and situations unprecedented in history is stirred the imagination while the human experience was expanding and redefining. Yet, space exploration compels humans to confront a hostile environment of cosmic radiations, radical changes in the gravity and magnetic fields, as well as social isolation. Therefore, any space traveller is submitted to relevant health-related threats. In the twenty-first century, human space flight is poised to continue, but it will enjoy the ongoing developments in science and technology. It will become more networked, more global, and more oriented toward primary goals. A novel international human space flight policy could help achieve these objectives by clarifying the rationale, the ethics of acceptable risk, the role of remote presence, and the need for balance between funding and ambition to justify the risk of human lives. In order to address such a challenge, a preliminary careful survey of the available scientific data is mandatory to set forth adequate countermeasures. Envisaged solutions should provide a sound and technically feasible approach for counteracting microgravity and cosmic rays effects, which represent the main health risk for space crews. This objective must necessarily be sustained by national/international space agencies, which would coordinate their common efforts into a defined international spaceflight program.

    Thirty ready-to-color illustrations depict lavish dresses and gowns of velvet and damask; smart riding outfits trimmed with braid and gilt; an elegant cashmere shawl, children's outfits; as well as hair ornaments, footwear, and other accessories. A lovely collection that offers an authentic glimpse of what well-dressed ladies and youngsters of the Victorian era were wearing, this is a must-have for coloring book fans, costume designers, and cultural historians.