It is 1971, a year after the Biafran War, and Nigeria is under military rule—though the politics of the state matter less than those of her home to Enitan Taiwo, an eleven-year-old girl tired of waiting for school to start. Will her mother, who has become deeply religious since the death of Taiwo's brother, allow her friendship with the new girl next door, the brash and beautiful Sheri Bakare? Everything Good Will Come charts the fate of these two African girls, one born of privilege and the other, a lower class "half-caste"; one who is prepared to manipulate the traditional system while the other attempts to defy it.Written in the voice of Enitan, the novel traces this unusual friendship into their adult lives, against the backdrop of tragedy, family strife, and a war-torn Nigeria. In the end, Everything Good Will Come is Enitan's story; one of a fiercely intelligent, strong young woman coming of age in a culture that still insists on feminine submission. Enitan bucks the familial and political systems until she is confronted with the one desire too precious to forfeit in the name of personal freedom: her desire for a child. Everything Good Will Come evokes the sights and smells of Africa while imparting a wise and universal story of love, friendship, prejudice, survival, politics, and the cost of divided loyalties.

    It's the dream and the possibility that give meaning to Yearsonend. . . . For years now it hasn't been about gold . . . it's been about much more than that. . . . Take Mario Salviati, for instance: once the gold is found, the general will let him go. We'd be able to leave the past where it belongs. . . . Secrets abound in the South African Karoo -- a remote landscape of mountains and desert, where legend weaves its way into daily life. A fabulous merman sculpture miraculously appears one morning in the yard of eccentric artist Jonty Jack, and Ingi Friedlander, a young art curator for the National Gallery at Cape Town, comes to Yearsonend to buy the masterpiece. When Jonty refuses her offer, Ingi resolves to stay and win him over. Intrigued by hints of the town's unusual history, Ingi persistently questions its inhabitants, who reveal that a mythical trove of gold is buried nearby. For several centuries gold fever has gripped the town and sent ripples of suspicion through those who live there. Tracing the roots of Yearsonend's violent and magical history of feuding families, troubled love, and corrosive greed, the narrative shuttles between the past and the present, linking two patriarchs with shadowy pasts, an earthy angel, a woman without a face, a ragtag band of soldiers, and a host of other colorful characters. As Ingi delves deeper into the mysteries of Yearsonend, she is inexplicably drawn to Mario Salviati, a deaf, dumb, and blind Italian stonecutter who holds the key to many of the town's secrets. A spectacular climax sheds light on many unanswered questions, and Ingi and the Yearsonenders learn thatthey are searching not only for their past, but also for the promise of the future. With extraordinary imagination and lyricism, Etienne van Heerden captures the essence of a land steeped in myth, and of a culturally diverse people, for whom storytelling and history are inextricably linked. In the rich magic-realism tradition of One Hundred Years of Solitude, The Long Silence of Mario Salviati is an unforgettable journey toward understanding and inspiration.

    As Alison McCulloch noted in the New York Times, “Wicomb deftly explores the ghastly soup of racism in all its unglory—denial, tradition, habit, stupidity, fear—and manages to do so without moralizing or becoming formulaic.”Caught in the narrow world of private interests and self-advancement, Marion eschews national politics until the Truth and Reconciliation Commission throws up information that brings into question not only her family’s past but her identity and her rightful place in contemporary South African society. “Stylistically nuanced and psychologically astute” (Kirkus), Playing in the Light is as powerful in its depiction of Marion’s personal journey as it is in its depiction of South Africa’s bizarre, brutal history.

    Another Man's Son by Katherine Stone released on Nov 24, 2004 is available now for purchase.

    It is set in the Yoruba village of Ilunjinle. The main characters are Sidi (the Jewel), 'a true village belle' and Baroka (the Lion), the crafty and powerful Bale of the village, Lakunle, the young teacher, influenced by western ways, and Sadiku, the eldest of Baroka's wives. How the Lion hunts the Jewel is the theme of this ribald comedy.

    Alicia is at once dazzled by the large and charismatic family, in particular the oldest son, a rising politician named Jack. Alicia and Jack are soon engaged, but his domineering father forbids the marriage. And so, Alicia trades Hyannisport for Hollywood, and eventually Rome. She dates famous actors and athletes and royalty, including Gary Cooper, Kirk Douglas, and Katharine Hepburn, all the while staying close with Jack. A decade after they meet, on the eve of Jack’s inauguration as the thirty-fifth President of the United States, the two must confront what they mean to each other. The Summer I Met Jack is based on the fascinating real life of Alicia Corning Clark, a woman who J. Edgar Hoover insisted was paid by the Kennedys to keep quiet, not only about her romance with Jack Kennedy, but also a baby they may have had together.

    Beginning their relationship when Sonny is just fourteen and Felicity thirty-four, the couple share a poignant history together that ends only upon Felicity's passing — despite four marriages, numerous obstacles, and enough misadventures to challenge the most loyal of lovers.At once heartbreaking and euphoric, their story mirrors the tale that Felicity has passed down to Sonny, a story uncanny in its similarity to their own: when a prehistoric outcast locates her former tribe, she falls in love with a young boy.A masterful novel first published a quarter of a century ago, The Crying Heart Tattoo keeps the impossible within reach, proving once and for all that the struggle for true love is worth everything.

    In Cocktail Hour Under the Tree of Forgetfulness, Alexandra Fuller braids a multilayered narrative around the perfectly lit, Happy Valley-era Africa of her mother's childhood; the boiled cabbage grimness of her father's English childhood; and the darker, civil war-torn Africa of her own childhood. At its heart, this is the story of Fuller's mother, Nicola. Born on the Scottish Isle of Skye and raised in Kenya, Nicola holds dear the kinds of values most likely to get you hurt or killed in Africa: loyalty to blood, passion for land, and a holy belief in the restorative power of all animals. Fuller interviewed her mother at length and has captured her inimitable voice with remarkable precision. Cocktail Hour Under the Tree of Forgetfulness is as funny, terrifying, exotic, and unselfconscious as Nicola herself. We see Nicola and Tim Fuller in their lavender-colored honeymoon period, when East Africa lies before them with all the promise of its liquid equatorial light, even as the British Empire in which they both believe wanes. But in short order, an accumulation of mishaps and tragedies bump up against history until the couple finds themselves in a world they hardly recognize. We follow the Fullers as they hopscotch the continent, running from war and unspeakable heartbreak, from Kenya to Rhodesia to Zambia, even returning to England briefly. But just when it seems that Nicola has been broken entirely by Africa, it is the African earth itself that revives her. A story of survival and madness, love and war, loyalty and forgiveness, Cocktail Hour Under the Tree of Forgetfulness is an intimate exploration of the author's family. In the end, we find Nicola and Tim at a coffee table under their Tree of Forgetfulness on the banana and fish farm where they plan to spend their final days. In local custom, the Tree of Forgetfulness is where villagers meet to resolve disputes and it is here that the Fullers at last find an African kind of peace. Following the ghosts and dreams of memory, Cocktail Hour Under the Tree of Forgetfulness is Alexandra Fuller at her very best.

    When he is angry, clouds darken. When he cries, rivers burst their banks. And when he touches a basketball, deities want courtside seats. Half Nigerian mortal, half Grecian God: Demi is the Half-God of Rainfall.His mother, Modupe, looks on with a mixture of pride and worry. From close encounters, she knows that Gods are just like men: the same fragile egos, the same subsequent fury, the same sense of entitlement to the bodies of mortals. The Gods will one day tire of sports fans, their fickle allegiances and their prayers to Demi.And when that moment comes, it won’t matter how special he is. Only the women in Demi’s life, the mothers, the Goddesses, will stand between him and a lightning bolt.

    . .Young, alone, and far from her family in Britain, Hope Clearwater contemplates the extraordinary events that left her washed up like driftwood on Brazzaville Beach. It is here, on the distant, lonely outskirts of Africa, where she must come to terms with the perplexing and troubling circumstances of her recent past. For Hope is a survivor of the devastating cruelities of apes and humans alike. And to move forward, she must first grasp some hard and elusive truths: about marriage and madness, about the greed and savagery of charlatan science . . . and about what compels seemingly benign creatures to kill for pleasure alone.

    Three of the author's most popular works — widely admired for their satiric wit, subtlety, and perfection of style — brilliantly re-create the provincial world of the early-19th-century English countryside, focusing, respectively, on husband-hunting mothers and daughters, the humbling of proud lovers, and the return of a once-rejected lover.

    Her mother has been vigilant about helping--forcing--her to stay well within the Nigerian dating pool ever since. But when another match-made-by-mom goes wrong, Azere ends up at a bar, enjoying the company and later sharing the bed of Rafael Castellano, a man who is tall, handsome, and white.When their one-night stand unexpectedly evolves into something serious, Azere is caught between her growing feelings for Rafael and the compulsive need to please her mother who will never accept a relationship that threatens to dilute Azere's Nigerian heritage. Azere can't help wondering if loving Rafael makes her any less of a Nigerian. Can she be with him without compromising her identity? The answer will either cause Azere to be audacious and fight for her happiness or continue as the compliant daughter.

    Now nearly twenty years later they've both begun to ask themselves if that long-ago romance was the enduring love that they've been searching for.

    Lachlan Peace’s true passion in life is music and surfing. He also can’t take his eyes off his new admin assistant, Miranda Flowers.Miranda can’t believe her luck she’s finally landed a well-paying job working for Peace at his sprawling Malibu estate. Dazzled by the opulence of her new workplace, which boasts a private beach amongst other fine trappings, Miranda thinks she’s won a celestial lottery. One of her more pleasant tasks, missing from the job description, involves accompanying her handsome boss to lavish balls as his pretend date. Miranda soon discovers that her unfriendly and very demanding manager has her sights on Lachlan Peace, with whom the CFO shares a complicated history. When this scheming manager notices that Miranda has caught the eye of the man that she’s determined to marry she hatches a plan to force his hand.Although the obstacles come thick and fast, there’s only one thing Lachlan Peace is certain about: he’s crazy about Miranda. But can Miranda compete with her sly and crafty manager, who has something over Lachlan? And will Miranda and Lachlan’s off-the-charts chemistry survive the SEC, the mob, and the sharp claws of a dangerously ambitious woman?

    By the author of The Concubine and Estrangement.