How did he allow the other person to die? How did he help the other person to hang himself to death? He was terribly upset about this. The moment his eyes saw a rope in any form he used to remember everything.........

    Technically brilliant, using strict, classical prosody, yet entirely modern in sensibility, Virginia Adair's poetry will play a central role in the ongoing American poetry renaissance.

    Utilizing medical terminology and iconography to work through loss and detachment, McHugh’s startling rhymes and rhythms—along with her sarcastic self-reflection and infectious laughter—serve as antidotes to the sufferings of the world. Being “upgraded to serious” from critical condition is a nod to the healing powers of poetry."Not to Be Dwelled On"Self-interest cropped up even there,the day I hoisted three insteadof the ceremonially called-for twospadefuls of loamonto the coffin of my friend.Why shovel more than anybody else?What did I think I’d prove? More love(mud in her eye)? More will to work?(Her father what, a shirker?) Christ,what wouldn’t anybody giveto get that gesture back?She cannot die again; and Ido nothing but re-live.

    Drawing from his eleven collections and including twenty-three previously unpublished poems, Search Party is the essential compilation of this beloved poet's work. Edited by his son, Sebastian Matthews, and William Matthews's friend and fellow poet Stanley Plumly (who also introduces the book), Search Party is an excellent introduction to the poet and his glistening riffs on twentieth-century topics from basketball to food to jazz.

    But that’s what happens when medical technology goes awry. Doctors said they could train her brain to interpret digital signals from the camera in her artificial eye. The module even has wi-fi so they can monitor signal traffic across her optic nerve. What they didn’t anticipate was that her brain would figure out how to use the wi-fi connection both ways. Asha can now see the Internet. ASHA'S INTELLIGENCE IS NOT ARTIFICIAL As her digital brain develops, she creates an online AI by copying part of her mind to the cloud. The AI she calls Abbot becomes her right hand as she goes to work for the FBI tracking down international terrorists. Unfortunately, she is so effective, the government believes she may be a co-conspirator. When they refuse to pay her, she walks out. IT'S NOT JUST THE FBI WHO SUSPECT HER When Asha crosses paths with Chinese military hackers, she stops them by taking out Shanghai’s electrical grid. Now the communist government wants to know who did it and how. Things go downhill after Asha gives a copy of Abbot to her husband’s company. When the Chinese military steals a copy of it, they immediately recognize its military significance. Their top priority, however, is to take out the woman who came up with it in the first place. CHINA FLEXES ITS NEW CYBER WARFARE TOOL Using her own technology against her, the Chinese suddenly become a serious threat to the US. The FBI calls Asha back and ask one last favor: stop the Chinese attack. She agrees, but this time there are conditions. Either they pay upfront, or she will take care of the Asian threat in her own way, and knowing Asha, that could mean World War Three.

    We follow the progression of Daniel Boone's life, a life led in war and in the wilderness, and see the birth of a new nation. We track the bountiful animals and the great, undisturbed rivers. We stand beside Boone as he buries his brother, then his wife, and finds comfort in his friendship with a slave named Derry. Praised for his originality, Maurice Manning is an exciting new voice in American poetry. The darkest place I've ever beendid not require a name. It seemedto be a gathering place for the lintof the world. The bottom of a hollowbeneath two ridges, sunk like a stone.The water was surely old, the dregsof some ancient sea, but purifiedby time, like a man made better by his years, his old hurts absorbed intohis soul, his losses like a springin his breast. -from "Born Again"

    This well-chosen and comprehensive collection offers a compact and affordable alternative to larger and more expensive anthologies.

    

    

    Is it true? In the case of Radhika, maybe it did. She’s all ready for a fresh start in a new city. She starts living with her cousin, Meera and a series of unexpected events start to unfold which turns her life upside-down. She meets someone new, Rishi. He is very different from what she likes yet intriguing. When everything is going smooth, a lover from the past, Sameer, suddenly re-appears. Now she’s torn between the past and the present. Adding to this craziness, appear two funny characters Zain and Nancy. They are cousins and work in the same office with Radhika. Also, in the picture is Radhika’s aunt, a single lady in her fifties; who’s way too much interested in Radhika’s love life. While Nancy wants Radhika to date Sameer her aunt wants her to pair with Rishi. All entangled, no way out. Now with both the males trying hard to get her, her life becomes more troubled.

    And Rain of Gold is possibly his finest work -- a sweeping tableau of family ties and cultural traditions.pA pair of strong families, two proud but embattled lineages, find themselves bound together by time and circumstance. Through political upheavals, loves gained and lives lost, the families struggle to keep what is precious to them. This premise would make a mesmerizing novel -- but this story is all true.p"A great love story...magnificent." (Albuquerque Journal)

    He draws inspiration from censored histories, subsumed myths and invokes imagined voices from the exiled, demanding of the reader to witness the ubiquitous ideological fictions that surround us.This is one of the most dissonant and penetrating voices in Singapore poetry.A History of Amnesia is listed in the notable books list by the Kiriyama Pacific Rim Book Award (administered by University of San Francisco).

    Formally innovative and blazingly direct, The Bad Wife Handbook cross-examines marriage, motherhood, monogamy, and writing itself. Rachel Zucker's upending of grammatical and syntactic expectations lends these poems an urgent richness and aesthetic complexity that mirrors the puzzles of real life. Candid, subversive, and genuinely moving, The Bad Wife Handbook is an important portrait of contemporary marriage and the writing life, of emotional connection and disconnection, of togetherness and aloneness.

    A man and a woman sit at the same dinner table, an ocean of worry separating them. An iceberg sets out to dance. A sword swallower ponders his dating prospects. "The vessel is simple, a rowboat among yachts," the poet observes in "Ukulele." "No one hides a Tommy gun in its case. / No bluesman runs over his uke in a whiskey rage."Beasley's voice is pithy and playful, with a ferocious intelligence that invites comparison to both Sylvia Plath and Dorothy Parker. In one of six signature sestinas, she warns, "You must not use a house to build a home, / and never look for poetry in poems." The collection’s centerpiece is a haunting sequence that engages The Traveler's Vade Mecum, an 1853 compendium of phrases for use by mail, telegraph, or the enigmatic “Instantaneous Letter Writer."Assembled over ten years and thousands of miles, these poems illuminate how intimacy is lost and gained during our travels. Decisive, funny, and as compassionate as she is merciless, Beasley is a reckoning force on the page.

    I believe everyone should understand that we all go through things in life, it's all about how we react and recover from them. If you've felt as though you didn't have a voice in a situation, or you weren't sure if you'd get through it "fluid." may be the book for you.