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    Can anything...or anyone make her realise she needs to let go of the past and live for today?

    

    There was no need to be nervous—Cloud Nine would be considered his greatest achievement since the seminal, All Things Must Pass.In George Harrison: Reconsidered, the process of getting to that pressing is presented—as well as remembrance of those things past.Timothy White honed his journalistic skills the old-fashioned way, working first as a copyboy for the Associated Press, then moving on to cover sports and entertainment. White was managing editor, then senior editor, of the music magazine Crawdaddy. He joined Rolling Stone as an associate editor, and rose through the ranks to become senior editor. In the last eleven years of his life, he served as editor-in-chief of Billboard. A prolific, award-winning writer, Timothy White interviewed hundreds of musicians, and became known as a champion of unknown artists.

    As a high schooler in 1976, Berloni had rescued an Airedale mixed breed only hours before it was slated for euthanasia. The terrier was cast as Sandy in the musical Annie and performed there for seven years. The bulldog currently starring in Legally Blonde and her bulldog understudy were rescued from Newark and from North Carolina. Berloni's story is completely engaging as he talks about being the first to train actors to work with animals on stage, his love for mutts over purebreds, as well as the four-acre animal retirement compound where he lives. With photos throughout this delightful book, we learn details about how his dogs are trained, how they react to Broadway life, and his own personal rise to fame. An enchanting writer (whose first book, Doga, has sold more than 350,000 copies for Chronicle) with an inspiring story for animal lovers, theatergoers, and anyone who loved books such as Marley & Me.

    Pivotal are the questions surrounding why Johnson was ignored by the core black audience of his time yet now celebrated as the greatest figure in blues history.Trying to separate myth from reality, biographer Elijah Wald studies the blues from the inside -- not only examining recordings but also the recollections of the musicians themselves, the African-American press, as well as examining original research. What emerges is a new appreciation for the blues and the movement of its artists from the shadows of the 1930s Mississippi Delta to the mainstream venues frequented by today's loyal blues fans.

    For the updated edition, Marcus has written a new preface, two new chapters, and an epilogue, detailing the development and implications of Ethiopia as a Federal state and the war with Eritrea.

    And then there’s the demented son who returns home to live with his mother and stepfather, and one night in their beautiful mansion sitting atop a high bluff overlooking the Ohio River, slaughters them. Each case will keep you on the edge of your seat. From The Author:As I began my research into past Kentucky killers and their victims, I was well aware there were a good number of very unusual homicides from the Bluegrass State, as I’d read about them over the years in newspapers accounts, heard the strange tales from relatives and friends, or watched the occasional newscasts on TV. But these sources were never in-depth studies of the cases in question; and worse still, very often, erroneous information came forth, and it wasn’t until I began the research, using the original case files, that I’d find out what really happened. And it would be in these moments of discovery, that an accurate picture of each individual tragedy would rise and take shape from the seemingly innumerable police reports and interviews of those involved. Indeed, many of these ten stories I’ve “unearthed” would have been lost forever had I not sought them out from the dusty archives and storage facilities scattered throughout the state; stories that would, ultimately, be destined for obscurity and eventual disposal as the decades dragged on. Recently, one radio interviewer, contemplating their bizarre aspects, quite rightly stated how all of these Kentucky murders resembled something out of The Twilight Zone, and I quickly had to agree with his assessment. That’s the nature of these cases, and frankly, it was what I was looking for in my quest to uncover true crime in Kentucky. From The Story "Blood In The Moonlight": “As Bauer led the officer to the side door where they entered the house through the kitchen, Kendrick asked if he knew who’d done this, and Bauer said, “No.” Just before stepping inside the home, Kendrick radioed the Emergency Medical Services unit, telling them to continue on to this address – code 3 – and that homicide units should be sent as well. Having notified dispatch, Kendrick then drew his weapon and entered a nightmare."

    In this richly textured anthology, well-known scholar David Brackett brings together more than 100 readings from a wide range of sources and by writers who have played an integral part in the development of popular music criticism. Brackett includes articles from mainstream and specialized magazines, newspapers, and scholarly journals, as well as interviews and autobiographies of musicians and other music industry insiders. Organized into broad time periods, the chapters are divided into sections by genre, and these sections are organized chronologically. The chapter divisions parallel those found most frequently in textbooks on popular music. Representing a wide variety of time periods, styles, and genres--and including groundbreaking criticism on disco, hip-hop, rap, and techno--the selections introduce students to important social and cultural issues raised by the study of popular music. Topics covered include the role of race, class conflict, gender roles, regional differences in the reception of popular music, and the relative value of artistry versus commerce. Extensive editorial introductions and headnotes supply context for the selections, provide links between different eras and genres, clarify the issues raised by the documents, and explain their historical significance. The second edition of this captivating anthology features eleven new source readings and introductions, further reading and discography selections for each chapter, and a companion website containing student and instructor resources.

    For the past five years he's been touring colleges and universities, delivering three hour lectures on everything from the music industry's corruption of young talent, the history of black music from Blues to Rap, his own controversial lyrics, problems in the black community, self-empowerment, contemporary culture and current political leaders to Public Enemy's rise to international stardom. All while maintaining his solo and Public Enemy's recording careers.Fight the Power examines a multitude of complex social, racial and artistic issues. In his unmistakable voice, Chuck discusses the role of heroes and role models in the black community, Hollywood's negative images of blacks, the effect of gangsta rap, its images on the country's youth and the war between east and west coast rappers that may have spawned the murder of Tupac Shakur, the role of athletes and entertainers in eroding and strengthening values, and other vital contemporary concerns. Candid, thoughtful, and in your face, Fight the Power, the first substantial book by a rapper, offers readers a look into the culture of hip hop and the future of Black culture. -->

    Angela Davis provides the historical, social, and political contexts with which to reinterpret the performances and lyrics of Gertrude Ma Rainey, Bessie Smith, and Billie Holiday as powerful articulations of an alternative consciousness profoundly at odds with mainstream American culture.The works of Rainey, Smith, and Holiday have been largely misunderstood by critics. Overlooked, Davis shows, has been the way their candor and bravado laid the groundwork for an aesthetic that allowed for the celebration of social, moral, and sexual values outside the constraints imposed by middle-class respectability. Through meticulous transcriptions of all the extant lyrics of Rainey and Smith--published here in their entirety for the first time--Davis demonstrates how the roots of the blues extend beyond a musical tradition to serve as a conciousness-raising vehicle for American social memory. A stunning, indispensable contribution to American history, as boldly insightful as the women Davis praises, Blues Legacies and Black Feminism is a triumph.

    Did you know that Jews originated from black African tribes? Did you know that Jesus and the people of the Bible were black people? Did you know that the names of authors of the Old Testament are African tribal names? Did you know that modern Jews still carry tribal names. Did you know that the word Israel is an African word? These are some of the ancient secrets this book reveals to readers.

    Only one man knew everything about Ronnie and Reggie Kray and that was their brother Charlie. Until now nobody has ever revealed the truth about the Firm.- Gossip and rumor have been rife, fact has blended into fiction and the unwritten law of the street meant that the real story was buried. But before his death, the eldest Kray brother, Charlie, decided to set the record straight once and for all. Revealing everything to Colin Fry, his co-author, he finally told his incredible story. By the man who knew them best, this is the ultimate history of the twins who ruled the East End with their peculiar blend of seductive glamour and terrifying violence.

    He kept a day-by-day journal of his overland journey. Abbey provides a wealth of information about what it was like to travel overland by wagon in 1850.

    Part comedy of manners, part social commentary, love story, mystic narration and thriller, it is a sort of Indian version of Oliver Goldsmith's THE VICAR OF WAKEFIELD.