Poems consider women's roles in society, childhood, home, nature, language, communications, the past, and mortality.

    The result is a poetry that upends the deeply and dangerously assumed concepts of such a culture—that new knowledge is always better knowledge, that history is a steady progress, that humans are in control of the natural order. Nick Lantz’s poems hurtle through time from ancient theories of physics to the CIA training manual for the practice of torture, from the history of the question mark to the would-be masterpieces left incomplete by the deaths of Leonardo da Vinci, Nikolai Gogol, Bruce Lee, and Jimi Hendrix. Selected by Linda Gregerson for the esteemed Bakeless Prize for Poetry, We Don’t Know We Don’t

    It is his first published book. The included poems span a wide range of subjects and themes, covering such topics as love, abuse, suicide, poverty, and many many others.

    In this revised and expanded collection, renowned translators Chana Bloch and Stephen Mitchell have selected Amichai's most beloved and enduring poems, including forty new poems from his recent work.from Tourists:Once I was sitting on the steps near the gate at David's Citadel and I put down my two heavy baskets beside me. A group of tourists stood there around their guide, and I became their point of reference. "You see that man over there with the baskets? A little to the right of his head there's an arch from the Roman period. A little to the right of his head." "But he's moving, he's moving!" I said to myself: Redemption will come only when they are told, "Do you see that arch over there from the Roman period? It doesn't matter, but near it, a little to the left and then down a bit, there's a man who has just bought fruit and vegetables for his family."

    Yet despite the distinctive differences from poem to poem, Bernstein's characteristic explorations of how language both limits and liberates thought are present throughout. Modulating the comic and the dark structural invention with buoyant soundplay, these challenging works give way to poems of lyric excess and striking emotional range. This is poetry for poetry's sake, as formally radical as it is socially engaged, providing equal measures of aesthetic pleasure, hilarity, and philosophical reflection. Long considered one of America's most inventive and influential contemporary poets, Bernstein reveals himself to be both trickster and charmer.

    The major works of the movement’s six most famous poets—William Wordsworth, George Gordon Byron, Percy Bysshe Shelley, Samuel Taylor Coleridge, John Keats, and William Blake—are represented in this handsome Word Cloud Classics volume, The Romantic Poets. One of the largest and most influential artistic movements in history, Romanticism valued intuition and pastoralism, and its themes are well represented in the verse of its stars.

    Covering topics from love and heartbreak to chaos and self-discovery, each poem is laced in a cozy, magical energy that is sure to hold the reader suspended in the in-between.

    Her arresting, edgy poems about aging and grief are surprising and invigorating: a defiant balm. At the same time, she revels in the quirkiness and whimsy of the natural world: the vision of a fly, the naming of an eggplant, and a woman who — not unhappily — finds that cockroaches are drawn to her.“God draws a life. And then begins to rub it out / with the eraser on his pencil.” Lorna Crozier draws a world in What the Soul Doesn’t Want, and then beckons us in. Crozier’s signature wit and striking imagery are on display as she stretches her wings and reminds us that we haven’t yet seen all that she can do.

    People living happy lives, some not-so-happy lives, people in love, hopeless romantics, people dealing with heartbreak, the ones who believe life is better with a bit of whimsy, this book, hopefully, has a little something that resonates with everybody, lets the reader find the silver lining when needed and discover the joie de vivre even when times are hard.

    Winner of the 2011 Norma Farber First Book Award from the Poetry Society of America. John Beer's first collection, THE WASTE LAND AND OTHER POEMS, employs the wit of a philosopher and the ear of a poet to stage ways of reading that are political, personal, and theoretical. The speaker of these poems also brings humor to the dissecting table, to prod the legacies of great works of the imagination while balancing irony and affection.

    A blogger, illustrator, and doodle artist--Puty Puar- shares her simplest yet deepest thought about life. What is happiness? Where do we find it? She tried to picture it; that happiness isn't a matter of size; big or small, near or far, alone or together. The book offers a bunch of inspirations and some sources of happiness: - Giving a sincere comment and accepting one. - Unexpectedly finding money forgotten inside your pocket. - Getting home on time, just before the rain started.- Deleting messages you thought you'll never let go. Eventually, happiness is indeed inside our heart. And home is wherever out heart is, and happiness is homemade. You may take pictures of this book and share to the others if you want to. Do tag @byputy and @hihomemade on Instagram!

    In Taboo he examines the role of blacks in Western history, and how these roles are portrayed in art and literature. In taut, meticulously crafted three-line stanzas, Rubens paints his wife looking longingly at a black servant; Aphra Behn writes Oroonoko "as if she'd rehearsed it/for years in her spleen"; and in Monticello, Thomas Jefferson is "still/at his neo-classical desk/musing, but we know his mind/is brushing aside abstractions/so his hands can touch flesh." Taboo is the powerful first book in a new trilogy by a Pulitzer Prize-winning poet whose work never ceases to challenge and delight his readers.

    With Drinking from the River of Light, this bestselling poet and philosopher will lead you on a journey to discover just how art and authentic expression can bring our deepest truths to bear in the world.In this collection of interconnected essays and poetry—covering subjects ranging from the importance of staying in conversation with other forms of life to a consideration of how innovators such as Matisse, Rodin, and Beethoven saw the world—Nepo presents a lyrical ode to the creative urge that stirs in each of us. Whether it’s the search for a metaphor to reveal life’s beauty or the brushstroke that will thoroughly capture the moment, Drinking from the River of Light examines what it means to go “. . . beyond the boundaries of art, where the viewer and participant are one.”Here you will discover:· The importance of openly embracing the full scope of your emotions· The need for raw honesty and self-exploration in education· Why a new perspective always waits only a “quarter turn” away· The importance of staying in constant conversation with other creative voices· The crucial difference between giving and getting attention· Concrete guidelines for respectful peer review· What it means to channel the sound of your innermost being—and the universeIn Nepo’s words, “This book is meant to be experienced and journeyed with.” Including dozens of journaling prompts and personal exercises meant to enliven the reader’s creative instincts, Drinking from the River of Light traces the search for our most essential selves and the importance of the life of expression to bear witness to the sorrow, depth, and joy of life.

    While at times poignantly personal, McGrath also returns for the first time to the characteristically comic and visionary public voice displayed in the renowned "Bob Hope Poem." Moving effortlessly from prehistory to the space age, he catalogues Florida's natural wonders and historical figureheads, from Ponce de León to Walt Disney, William Bartram to Chuck E. Cheese -- "the bewhiskered Mephistopheles of ring toss,/the diabolical vampire of our transcendent ideals." In the brilliant sociohistorical monologue of "The Florida Poem," McGrath employs the Fountain of Youth as a mythic symbol for both the tragic consequences of a society built on greed and cultural erasure and the diverse human potential, "which must become the fountain/for any communal future we might dare imagine."Place-bound and tightly focused, Campbell McGrath's message is nonetheless universal, as his penetrating vision of Florida is also a vision of America -- its history and hopes, failings and fulfillments, and the eternal force that transcends it all.

    Culled from tapes made by Bukowski at his Los Angeles home in 1968 for biographer and rock critic Barry Miles, long before the author had begun regular public readings. Bukowski was so shy he insisted that he record alone. He reads both poetry and prose, gets thoroughly drunk during the recording, and bitches about his life, his landlord, and his neighbours.