"Brings the Bard to the masses, makes his plays accessible, and, well, provides fun for the reader."—The New York Times.

    Besides discussions of Austen's novels and letters, there are essays on religion, politics, class consciousness, publishing practices, domestic economy, style in the novels and the significance of her juvenile works. A chronology provides biographical information, and assessments of the history of Austen criticism highlight the most interesting recent studies in a vast field of critical diversity.

    In 1985, under the editorship of Margaret Drabble, the text was thoroughly and sensitively revised to bring it up to date.The sixth edition, published in 2000, was extensively revised, expanded, and updated. Almost 600 new entries covered new writers, genres, and issues, and existing entries were reworked to incorporate the latest scholarship. In addition to the extensive coverage of writers, works, literary theory, allusions, and characters, there are sixteen featured entries on key topics including black British literature, fantasy fiction, and modernism. The Companion remains an unrivaled work that places English literature in its widest context: no other book offers such extensive exploration of the classical roots of English literature, and the European and non-European works and writers that have influenced its development.The sixth edition has now been revised to ensure that it remains absolutely up to date: the invaluable appendices - the chronology, and lists of winners of major literary awards - have been updated, as have many of the entries. Informed by the latest scholarly thinking, and comprehensively cross-referenced to guide the reader to topics of related interest, the Companion retains its position as the best guide to English literature available.

    Don't lose more time searching for the perfect poems or readings - I've already done all the hard work to save you the trouble. This book combines several well known anthologies and brings you well over 1000 poems since 1250. The original anthologies used as a source are: 1919 Arthur Quiller-Couch, The Oxford Book of English Verse, and 1917 The New Poetry - An Anthology - Edited by Harriet Monroe and Alice Corbin Henderson.

    An analysis of Victorian women writers, this pathbreaking book of feminist literary criticism is now reissued with a substantial new introduction by Sandra Gilbert and Susan Gubar that reveals the origins of their revolutionary realization in the 1970s that "the personal was the political, the sexual was the textual."Contents:The Queen's looking glass: female creativity, male images of women, and the metaphor of literary paternity --Infection in the sentence: the women writer and the anxiety of authorship --The parables of the cave --Shut up in prose: gender and genre in Austen's Juvenilia --Jane Austen's cover story (and its secret agents) --Milton's bogey: patriarchal poetry and women readers --Horror's twin: Mary Shelley's monstrous Eve --Looking oppositely: Emily Brontë's bible of hell --A secret, inward wound: The professor's pupil --A dialogue of self and soul: plain Jane's progress --The genesis of hunger, according to Shirley --The buried life of Lucy Snowe --Made keen by loss: George Eliot's veiled vision --George Eliot as the angel of destruction --The aesthetics of renunciation --A woman, white: Emily Dickinson's yarn of pearl.

    In his work he brought to life the personalities of a diverse range of characters, and introduced a new immediacy, colloquial energy and psychological complexity to the poetry of his day. This selection brings together verse ranging from early dramatic monologues such as the chilling 'My Last Duchess' and the ribald 'Fra Lippo Lippi', which show his gift for inhabiting the mind of another, to the popular children's poem 'The Pied Piper of Hamelin' and many lesser known works. All display his innovative techniques of diction, rhythm and symbol, which transformed Victorian poetry and influenced major poets of the twentieth century such as Ezra Pound, T. S. Eliot and Robert Frost.

    The tale unfolds amid a fanciful version of Japanese society, in which a wandering minstrel has the misfortune to fall in love with the beautiful ward of the Lord High Executioner of Titipu.The sparkling lyrics and witty dialogue of this comic masterpiece are as much a delight to read as they are to hear with musical accompaniment. The complete libretto is reprinted in this edition from the standard performance text of The Mikado, complete with nine charming illustrations drawn by W. S. Gilbert himself.

    No reading of nineteenth century poetry can be complete without attention to this prolific and popular poet. Rossetti's inner life dominates her poetry, exploring loss and unattainable hope. Her divine poems have a freshness and toughness of thought, while many of her love poems are erotic, and as often express love for women as for men. The varied threads of Rossetti's concerns are drawn together in what is perhaps her greatest poem, the strange and ambiguous Goblin Market.304

    A must-have for all Twain collectors, The Quotable Mark Twain is filled with his opinions about the people he knew, the places he's been, and the books he wrote, as well as more far-ranging topics, such as writers, billiards, smoking, his family, and more. The book also includes 150 illustrations taken from the original editions of Twain's publications, source citations for each quotation, an annotated bibliography, and a complete index.

    This magnificent Anthology is now available as a package with David Miall and Duncan Wu's revolutionary Romanticism: The CD-ROM. Both works reflect recent developments in Romantic scholarship, particularly in the expansion of the literary canon. Alongside unabridged texts from canonical writers are works by women and writers in other genres, including political and philosophical writers, diarists, painters, broadside-balladeers, reviewers and letter-writers. Additions for the second edition of the Anthology include Wordsworth's The Ruined Cottage, The Pedlar, Michael, The Brothers, and extracts from The Five-Book Prelude, and the Fourteen-Book Prelude; Coleridge's This Lime-Tree Bower My Prison, Kubla Khan, The Pains of Sleep, Dejection: An Ode, The Eolian Harp, and Frost at Midnight; Byron's Stanzas to Augusta, Epistle to Augusta and Don Juan Canto II.Substantial editorial material includes an introduction exploring the phenomenon of romanticism; detailed annotations and author headnotes providing biographical details; lists of significant recent criticism and in many cases brief critical introductions. The unique, easy to use CD-ROM both incorporates the anthology (in its first edition, including Wordsworth's Prelude (1805) in its entirety) and provides substantial selections from over ninety other writers. Built-in hypertext links enable readers to experience the intertextuality of writing during this period and understand the cultural context in which the texts werecreated. The CD-ROM offers a huge range of resources including: More than 1200 high-quality graphics, including illustrations, prints and paintings; scenes from the English Lake District, the Alps, and the ruins of Rome and Pompeii; photographs of landscapes and detailed maps. Chronologies. A biographic dictionary of the key figures of the period. A 'tours' feature, which enables teachers or students to build their own routes through the CD-ROM or to take preset introductory tours e.g. through 'slavery'. Romanticism: An Anthology with CD-ROM is the most exciting resource available for students and researchers discovering the Romantic Period.

    The honeymoon is overAnd he has left for workWhistling something obvious from La BohemeAnd carrying a brown calfskin attache caseI never dreamed he was capable of owning,Having started the dayWith ten pushups and a cold showerFollowed by a hearty breakfast.(What do we actually have in common?)The honeymoon is overAnd I am dry-mopping the floorIn a green Dacron dry-mopping outfit from Saks,Wondering why I'm not dancing in the dark,Or rejecting princes,Or hearing people gasp at my one-man show,My god, so beautiful and so gifted!(The trouble is I never knew a prince.)

    Born in 1759 into miserable rustic poverty, by the age of eighteen Burns had acquired a good knowledge of both classical and English literature.In June 1786 his first collection of verse, Poems Chiefly in the Scottish Dialect, which included 'To a Mouse' and 'The Cotter's Saturday Night', was greeted with huge acclaim by all classes of society. His later poems and ballads include 'Auld Lang Syne', the beautiful song 'My Love is like a Red Red Rose', 'Highland Mary', 'Scots Wha Hae' and his masterpiece, 'Tam o'Shanter'.

    Foreign phrases are translated; poems and quotations presented in full; historical figures and events fleshed out; subtle allusions–and there are many–noted. From the origins of the Arabic drink qahveh to a recipe for quince paste, from the medical uses of ants and alum, to Zacco, Zenobia, and Zoroaster, this easy-to-use A-to-Z reference richly illuminates the intricacies of the complex and far-flung Renaissance world Dorothy Dunnett’s creations so colorfully inhabit.

    Invaluable for the insight they give into the daily life of the poet and his friendship with Coleridge, they are also remarkable for their spontaneity and immediacy, and for the vivid descriptions of people, places, and incidents that inspired some of Wordsworth's best-loved poems. The Grasmere Journal was begun at Dove Cottage in May 1800 and kept for three years. Dorothy notes the walks and the weather, the friends, country neighbors and beggars on the roads; she sets down accounts of the garden, of Wordsworth's marriage, their concern for Coleridge, the composition of poetry. The earlier Alfoxden Journal was written during 1797-8, when the Wordsworths lived near Coleridge in Somerset. Not intended for publication, but to give Wm Pleasure by it, both journals have a quality recognized by Wordsworth when he wrote of Dorothy that she gave me eyes, she gave me ears.

    But he was also the most radical writer in the English literary tradition of his day, a fiery political visionary committed to social change and progress. The generous selection in this volume represents the wide range of his writing, both poetry and prose. Arranged chronologically, the accompanying introductory essays set Shelley's works in their historical, social and political context.The Wordsworth Poetry Library comprises the works of the greatest English-speaking poets, as well as many lesser-known poets. Each collection has a specially commissioned introduction.