Despite every World's Fair prediction, every futuristic ride at Disneyland, and the advertisements on the last page of every comic book, we are not living the future we were promised. By now, life was supposed to be a fully automated, atomic-powered, germ-free Utopia, a place where a grown man could wear a velvet spandex unitard and not be laughed at. Where are the ray guns, the flying cars, and the hoverboards that we expected? What happened to our promised moon colonies? Our servant robots? In Where's My Jetpack?, roboticist Daniel H. Wilson takes a hilarious look at the future we always imagined for ourselves. He exposes technology, spotlights existing prototypes, and reveals drawing-board plans. You will learn which technologies are already available, who made them, and where to find them. If the technology is not public, you will learn how to build, buy, or steal it. And if doesn't yet exist, you will learn what stands in the way of making it real. With thirty entries spanning everything from teleportation to self-contained skyscraper cities, and superbly illustrated by Richard Horne (101 Things to Do Before You Die), Where's My Jetpack? is an endlessly entertaining, one-of-a-kind look at the world that we always wanted. Daniel H. Wilson, Ph.D, has a degree in Robotics from Carnegie-Mellon. He is the author of How to Survive a Robot Uprising. He lives in Portland, Oregon.

    Contains the following volumes : Harry Potter, I : Harry Potter à l'école des sorciers - grand format [ Harry Potter and the Sorcerer's Stone - large format ]Harry Potter, II : Harry Potter et la Chambre des Secrets - grand format [ Harry POtter and the Chamber of Secrets ] - large formatHarry Potter, III : Harry Potter et le prisonnier d'Azkaban - grand format [ Harry Potter and the Prisoner of Azkaban ] large formatHarry Potter, IV : Harry Potter et la Coupe de Feu - grand format [ Harry Potter and the Goblet of Fire ] large formatHarry Potter, V : Harry Potter et l'Ordre du Phénix - grand format [ Harry Potter and the Order of the Phoenix ] large formatHarry Potter, VI : Harry Potter et le Prince de Sang-Mele - grand format [ Harry Potter and the Half Blood Prince ] large formatHarry Potter, VII : Harry Potter et les Reliques de la Mort - grand format [ Harry Potter and the Deathly Hallows ] large formatHarry Potter, VIII : Harry Potter et l'Enfant Maudit Parties un et deux

    R. R. Tolkien worked at creating plausibly realistic languages to be used by the creatures and characters in his novels. Like his other languages, Sindarin was a new invention, not based on any existing or artificial language. By the time of his death, he had established fairly complete descriptions of two languages, the "elvish" tongues Quenya and Sindarin. He was able to compose poetic and prose texts in both, and he also constructed a lengthy sequence of changes for both from an ancestral "proto-language," comparable to the development of historical languages and capable of analysis with the techniques of historical linguistics.In A Gateway to Sindarin, David Salo has created a volume that is a serious look at an entertaining topic. Salo covers the grammar, morphology, and history of the language. Supplemental material includes a vocabulary, Sindarin names, a glossary of terms, and an annotated list of works relevant to Sindarin. What emerges is an homage to Tolkien's scholarly philological efforts.

    A box set consisting of three Bill Bryson books, 'Notes from a Small Island', 'Notes from a Big Country' and 'A Walk in the Woods'.

    Tolkien's creativity and the sources of his inspiration. Shippey shows in detail how Tolkien's professional background led him to write "The Hobbit" and how he created a timeless charm for millions of readers.

    Sir Gawain is a romance, a fairy-tale for adults, full of life and colour; but it is also much more than this, being at the same time a powerful moral tale which examines religious and social values.Pearl is apparently an elegy on the death of a child, a poem pervaded with a sense of great personal loss: but, like Gawain it is also a sophisticated and moving debate on much less tangible matters.Sir Orfeo is a slighter romance, belonging to an earlier and different tradition. It was a special favourite of Tolkien's. The three translations represent the complete rhyme and alliterative schemes of the originals.

    Great changes are brewing that will shape and twist all of humankind. The war hero Vorian Atreides has turned his back on politics and Salusa Secundus. The descendants of Abulurd Harkonnen Griffen and Valya have sworn vengeance against Vor, blaming him for the downfall of their fortunes. Raquella Berto-Anirul has formed the Bene Gesserit School on the jungle planet Rossak as the first Reverend Mother. The descendants of Aurelius Venport and Norma Cenva have built Venport Holdings, using mutated, spice-saturated Navigators who fly precursors of Heighliners. Gilbertus Albans, the ward of the hated Erasmus, is teaching humans to become Mentats…and hiding an unbelievable secret. The Butlerian movement, rabidly opposed to all forms of “dangerous technology,” is led by Manford Torondo and his devoted Swordmaster, Anari Idaho. And it is this group, so many decades after the defeat of the thinking machines, which begins to sweep across the known universe in mobs, millions strong, destroying everything in its path. Every one of these characters, and all of these groups, will become enmeshed in the contest between Reason and Faith. All of them will be forced to choose sides in the inevitable crusade that could destroy humankind forever….

    Soar on imagination's wings and see them all: from the ancient legends to the modern creations; from the firebreather that battled Beowulf to the delightful beasts of Jane Yolen and Terry Pratchett. Everything you ever wanted to know about the most fabulous creatures ever to inhabit our collective memory is here, and more, snorting fire and phosphine gas and ploughing the waters of primordial chaos. The Babylonians knew him, the Sumerians, the ancient Egyptians. He is found not only in the Bible but in China, in the Norse sagas and the lost myths of the Americas. Drawing on sources from myth, folklore, and novels, the authors offer a compendium on dragons--similarities and differences, the dragon of the hero quest, humorous dragons, cuddly dragons, and more. But Anne McCaffrey is a storyteller, not an encyclopedist; and dragons are wary of dry and dusty places, like lecture rooms and libraries. So this book begins (as must all good tales) with a mysterious visitor and ends (as do all true dragon encounters) with an adventure almost too wondrous for words to tell.

    1408 starred John Cusack and Samuel L. Jackson and was a huge box office success in 2007. The short story "Children of the Corn" was adapted into the popular Children of the Corn. The Mangler was inspired by King's loathing for laundry machines from his own experience working in a laundromat. Hearts in Atlantis (based on "Low Men in Yellow Coats," the first part of the novel Hearts in Atlantis) starred Anthony Hopkins. This collection features new commentary and introductions to all of these stories in a treasure-trove of movie trivia.

    Split into two volumes for paperback this is Part One of that second volume.WORDS OF RADIANCE takes the reader even deeper into the lives of its characters as they fight for power, freedom and their lives on the extraordinary, hurricane swept world of Rosharr.Famed for his plotting, his wonderful characters and his intricate magic systems Brandon Sanderson is poised to take up the crown of Robert Jordan as the creator of the keynote epic fantasy series of its time with the Stormlight Archive.

    Despite a plethora of new translations in the second half of the twentieth century, the King James Version retains its power and appeal because "it has the intrinsic value of a classic and is an enduring masterpiece."Drury outlines the fascinating history of this magisterial translation, marveling at the "patient generosity" with which the translators sifted through and distilled a century of previous scholarship. He points out that their work has endured not only because of the astonishing care they took to reflect faithfully the syntax of the original Hebrew and Greek–which enabled them to dispense with the densely entangled prose style that characterized English writing at the time–but also because of their concern to writers from Milton to Coleridge to George Eliot. From the doctrinal richness of the letters of St. Paul to those four masterpieces of storytelling, the Gospels, The New Testament has served as a source of inspiration for centuries.To quote George Steiner on the centrality of the Bible: "What you have in hand is not a book. It is the book. That, of course, is what 'Bible' means. It is the book which, not only in Western humanity, defines the concept of a text. All our other books, however different in matter or method, relate, be it indirectly, to this book of books…All other books are inhabited by the murmur of that distant source."

    Heinlein: two classic novellas and two short stories with speculation on what makes us human."Gulf": in which the greatest superspy of them all is revealed as the leader of a league of supermen and women who can't decide on quite what to do with the rest of us. The prequel to Heinlein's later New York Times best seller, Friday."Lost Legacy": in which it is proved that we are all members of that league of the superhuman–or would be, if we but had eyes to see.Plus two great short stories: Two of the master's finest: one on the nature of being, the other on what it means to be a Man. The second story, "Jerry Was a Man," was adapted for the TV series Masters of Science Fiction, and is now available on DVD.1 online resource (8 hr., 40 min.), MP3 audiobook in 9 parts

    They're spoken of in stories and superstitions, relics of an unenlightened age, old wives' tales, passed down through generations. And yet, no matter how wary and jaded we have become, as individuals or as a society, a part of us remains vulnerable to them. Werewolves and wendigos, poltergeists and vampires, angry elves and vengeful spirits.In this beautifully illustrated volume, the host of the hit podcast Lore serves as a guide on a fascinating journey through the history of these terrifying creatures, and explores not only the legends but what they tell us about ourselves. Aaron Mahnke invites us to the desolate Pine Barrens of New Jersey, where the notorious winged, red-eyed Jersey Devil dwells. Mahnke delves into harrowing accounts of cannibalism-some officially documented, others the stuff of speculation . . . perhaps. He visits the dimly lit rooms where séances take place, the European villages where gremlins make mischief, and Key West, Florida, home of a haunted doll named Robert.The monsters of folklore have become not only a part of our language but a part of our collective psyche. Whether these beasts and bogeymen are real or just a reflection of our primal fears, we know, on some level, that not every mystery has been explained, and that the unknown still holds the power to strike fear deep in our hearts and souls. As Aaron Mahnke reminds us, sometimes the truth is even scarier than the lore...

    S. Lewis after his conversion, The Pilgrim's Regress is, in a sense, the record of Lewis s own search for meaning and spiritual satisfaction—a search that eventually led him to Christianity.Here is the story of the pilgrim John and his odyssey to an enchanting island which has created in him an intense longing—a mysterious, sweet desire. John s pursuit of this desire takes him through adventures with such people as Mr. Enlightenment, Media Halfways, Mr. Mammon, Mother Kirk, Mr. Sensible, and Mr. Humanist and through such cities as Thrill and Eschropolis as well as the Valley of Humiliation.Though the dragons and giants here are different from those in Bunyan s Pilgrim s Progress, Lewis s allegory performs the same function of enabling the author to say simply and through fantasy what would otherwise have demanded a full-length philosophy of religion.

    Here we go again with real life and opinions made to look like one big, preposterous animal not unlike an invention by Dr. Seuss...--Kurt Vonnegut, from Fates Worse Than Death