But whoever this nameless woman was, and whatever befell her, is knowledge lost to another time. . . . Boston, 1830: In order to pay for his education, Norris Marshall, a talented but penniless student at Boston Medical College, has joined the ranks of local “resurrectionists”–those who plunder graveyards and harvest the dead for sale on the black market. Yet even this ghoulish commerce pales beside the shocking murder of a nurse found mutilated on the university hospital grounds. And when a distinguished doctor meets the same grisly fate, Norris finds that trafficking in the illicit cadaver trade has made him a prime suspect. To prove his innocence, Norris must track down the only witness to have glimpsed the killer: Rose Connolly, a beautiful seamstress from the Boston slums who fears she may be the next victim. Joined by a sardonic, keenly intelligent young man named Oliver Wendell Holmes, Norris and Rose comb the city–from its grim cemeteries and autopsy suites to its glittering mansions and centers of Brahmin power–on the trail of a maniacal fiend who lurks where least expected . . . and who waits for his next lethal opportunity.

    Though Ivy has recently passed on, the members still meet regularly at her fiber and fabric shop, The Weaver’s Cat, which Kath has now inherited. But that’s only the first in a series of surprises when Kath returns to the small town of Blue Plum, Tennessee, to settle her grandmother’s affairs. There’s been a murder, and it turns out her grandmother was the prime suspect. Before she can begin to clear Ivy’s name, Kath encounters a looming presence in the form of a gloomy ghost. It turns out the specter has just as much interest in solving the murder as Kath. So, with a little help from the members of TGIF—and a stubborn spirit from beyond—she sets out to unravel the clues and hook the real killer.…

    Mischievous socialite Anna Blanc could match wits with Sherlock Holmes, but in her world women are not allowed to hunt criminals. Determined to break free of the era's rigid social roles, she buys off the chaperone assigned by her domineering father and, using an alias, takes a job as a police matron with the Los Angeles Police Department. There she discovers a string of brothel murders, which the cops are covering up. Seizing her one chance to solve a crime, she takes on the investigation herself. If the police find out, she'll get fired; if her father finds out, he'll disown her; and if her fiancé finds out, he'll cancel the wedding.Anna must choose--either hunt the villain and risk losing her father, fiancé, and wealth, or abandon her dream and leave the killer on the loose.

    After working with the bestselling crime writer for years, she's intimately familiar with his detective, Atticus Pünd, who solves mysteries disturbing sleepy English villages. An homage to queens of classic British crime such as Agatha Christie and Dorothy Sayers, Alan’s traditional formula has proved hugely successful. So successful that Susan must continue to put up with his troubling behavior if she wants to keep her job.Conway’s latest tale has Atticus Pünd investigating a murder at Pye Hall, a local manor house. Yes, there are dead bodies and a host of intriguing suspects, but the more Susan reads, the more she’s convinced that there is another story hidden in the pages of the manuscript: one of real-life jealousy, greed, ruthless ambition, and murder.

    A spirited lady detective. Can she out-class the killer before an innocent person takes the fall?London, 1923. Olive Belgrave needs a job. Despite her aristocratic upbringing, she’s penniless. Determined to support herself, she jumps at an unconventional job—looking into the background of her cousin's fiancé, Alfred. Alfred burst into the upper crust world of London’s high society, but his answers to questions about his past are decidedly vague. Before Olive can gather more than the basics, a murder occurs at a posh party. Suddenly, every Bright Young Person in attendance is a suspect, and Olive must race to find the culprit because a sly murderer is determined to make sure Olive’s first case is her last. Murder at Archly Manor is the first in the High Society Lady Detective series of charming historical cozy mysteries. If you like witty banter, glamorous settings, and delightful plot twists, you’ll love USA Today bestselling author Sara Rosett’s series for Anglophiles and mystery lovers alike.Travel back to the Golden Age of detective fiction with Murder at Archly Manor.

    Posing as a former beauty queen turned librarian in a small, bayou town seems worse than death to Fortune, but she's determined to fly below the radar until her boss finds the leak and puts the arms dealer out of play.Unfortunately, she hasn't even unpacked a suitcase before her newly-inherited dog digs up a human bone in her backyard. Thrust into the middle of a bayou murder mystery, Fortune teams up with a couple of seemingly-sweet old ladies whose looks completely belie their hold on the little town. To top things off, the handsome local deputy is asking her too many questions. If she's not careful, this investigation may blow her cover and get her killed.Armed with her considerable skills and a group of old ladies referred to by locals as The Geritol Mafia, Fortune has no choice but to solve the murder before it's too late.

    Scotland Yard's Inspector Roderick Alleyn arrives to find a complete collection of alibis, a missing butler, and an intricate puzzle of betrayal and sedition in the search for the key player in this deadly game.

    Fearing her daughter might be next, single mom, Violet Parker, is desperate to find the monster behind the abductions. With her savings dwindling and just three weeks left to sell her first house or lose her Realtor job, Violet is ecstatic when a handsome jeweler hires her to sell his century-old, Victorian masterpiece until she sees the dilapidated dwelling. Now, if she could just convince her only buyer to stop rejecting vintage homes as if they're haunted. Short on time and long on worry, she refuses to give up her dream of a fresh start in Deadwood. But with a malicious coworker trying to get her fired, a secret admirer sending her creepy messages, and a sexy stranger hiding skeletons in his closet, will Violet end up as one of Deadwood's dearly departed?

    This twenty-eight-year-old may have a checkered past littered with romantic mistakes, excessive drinking, and creative vandalism; she may be addicted to Get Smart reruns and prefer entering homes through windows rather than doors -- but the upshot is she's good at her job as a licensed private investigator with her family's firm, Spellman Investigations. Invading people's privacy comes naturally to Izzy. In fact, it comes naturally to all the Spellmans. If only they could leave their work at the office. To be a Spellman is to snoop on a Spellman; tail a Spellman; dig up dirt on, blackmail, and wiretap a Spellman. Part Nancy Drew, part Dirty Harry, Izzy walks an indistinguishable line between Spellman family member and Spellman employee. Duties include: completing assignments from the bosses, aka Mom and Dad (preferably without scrutiny); appeasing her chronically perfect lawyer brother (often under duress); setting an example for her fourteen-year-old sister, Rae (who's become addicted to "recreational surveillance"); and tracking down her uncle (who randomly disappears on benders dubbed "Lost Weekends"). But when Izzy's parents hire Rae to follow her (for the purpose of ascertaining the identity of Izzy's new boyfriend), Izzy snaps and decides that the only way she will ever be normal is if she gets out of the family business. But there's a hitch: she must take one last job before they'll let her go -- a fifteen-year-old, ice-cold missing person case. She accepts, only to experience a disappearance far closer to home, which becomes the most important case of her life.

    Bruno -- as he is affectionately nicknamed -- may be the town's only municipal policeman, but in the hearts and minds of its denizens, he is chief of police.Bruno is a former soldier who has embraced the pleasures and slow rhythms of country life -- living in his restored shepherd's cottage; patronizing the weekly market; sparring with, and basically ignoring, the European Union bureaucrats from Brussels. He has a gun but never wears it; he has the power to arrest but never uses it. But then the murder of an elderly North African who fought in the French army changes everything and galvanizes Bruno's attention: the man was found with a swastika carved into his chest.Because of the case's potential political ramifications, a young policewoman is sent from Paris to aid Bruno with his investigation. The two immediately suspect militants from the anti-immigrant National Front, but when a visiting scholar helps to untangle the dead man's past, Bruno's suspicions turn toward a more complex motive. His investigation draws him into one of the darkest chapters of French history -- World War II, a time of terror and betrayal that set brother against brother. Bruno soon discovers that even his seemingly perfect corner of la belle France is not exempt from that period's sinister legacy.

    Sure, her patients might smell like mold and have spines made of leather, but no ailing book is going to die on her watch. The same can’t be said of Abraham Karastovsky, Brooklyn’s friend and former employer. On the eve of a celebration for his latest book restoration, Brooklyn finds her mentor lying in a pool of his own blood. With his final breath Abraham leaves Brooklyn with a cryptic message, “Remember the Devil,” and gives her a priceless—and supposedly cursed—copy of Goethe’s Faust for safe-keeping. Brooklyn suddenly finds herself accused of murder and theft, thanks to Derek Stone, the humorless—and annoyingly attractive—British security officer who found her kneeling over the body. Now she has to read the clues left behind by her mentor if she is going to restore justice…

    There she will become nursery maid, chaperone and confidante to the Mitford sisters, especially sixteen-year-old Nancy - an acerbic, bright young woman in love with stories.But then a nurse - Florence Nightingale Shore, goddaughter of her famous namesake - is killed on a train in broad daylight, and Louisa and Nancy find themselves entangled in the crimes of a murderer who will do anything to hide their secret . . .'A glorious indulgence. Dazzling' - Daisy Goodwin'Inventive, glittering, clever, ingenious' - Susan Hill'Fascinating, I loved it' - Julian Fellowes'An enthralling mystery' - Juliet Nicolson'Audacious, breathtaking' - Alex Gray

     She is terrified – but begs Poirot not to find and punish her killer. Once she is dead, she insists, justice will have been done.Later that night, Poirot learns that three guests at a fashionable London Hotel have been murdered, and a cufflink has been placed in each one’s mouth. Could there be a connection with the frightened woman? While Poirot struggles to put together the bizarre pieces of the puzzle, the murderer prepares another hotel bedroom for a fourth victim...

    Elizabeth, Joyce, Ibrahim and Ron might be pushing eighty but they still have a few tricks up their sleeves. When a local developer is found dead with a mysterious photograph left next to the body, the Thursday Murder Club suddenly find themselves in the middle of their first live case. As the bodies begin to pile up, can our unorthodox but brilliant gang catch the killer, before it’s too late?

    Smart and savvy, she's got a sixth sense when it comes to seeing the truth in a story-especially if it's murder. Bailey's in bed with her commitment-challenged lover K.C. when she gets a frantic call from her high-maintenance boss at Gloss magazine. Grabbing coffee and a cab outside her Greenwich Village apartment-the consolation prize in her divorce settlement-Bailey reluctantly heads uptown. At Cat Jones's Upper East Side town house, she finds something that seriously clashes with the chic décor: the dead body of the family's live-in nanny. As Bailey-unofficially-delves into the murdered girl's past, she finds no shortage of A-list suspects. But when a startling discovery suggests that Cat may have been the intended victim, Bailey is suddenly up to her bed head in high-profile investigation that's perfect fodder for a tabloid headline: Is someone trying to kill the editor's of women's magazines? With the spotlight on New York's glitzy media world, Bailey interviews back-stabbing editors, straying husbands, and one sexy, six-feet two psychologist who could make her decide to kick K.C. to the curb. Sporting her pair of red slingbacks and armed with the investigative skills she's honed as a true crime reporter, she sets out on a search that takes her from Manhattan's exclusive Carnegie-Hill area-the nanny heartland of America-to the ritzy weekend estates of Pennsylvania and Connecticut. Bailey will need all her street smarts and some lightning-fast detective work to catch a killer who could end up deleting her name from the masthead for good.