It's nothing like the suburb you might live in . . . Unless, that is, an insane, Listerine-guzzling Realtor sold you your house? Or perhaps your postman happens to have a disturbing relationship with his claw hammer? A grieving Dan LaBarbara knows something is different in Helltown as soon as he comes back home. Yeah, sure, the town always been a little off. You can feel that about the place, like if you stepped into a house whose only occupants were freshly murdered corpses in an upstairs bedroom. But this is something else entirely. Standing in his little brother Barbie's basement workshop, holding one of those dioramas Barbie's been building since the accident, the ones that seem to move when you hold them, Dan can feel Barbie's terror. Barbie must know something is coming, something big, something evil. He's trying to warn Dan in the only way he knows. Why else would Barbie build a diorama depicting a man-sized version of a cartoon rabbit with bloody teeth about to devour a trembling teenager? Why else would he spend so much time crafting an intricate model of Death standing over a pimply teenager in the school library? And let's not even talk about that little model of the mob of undead surrounding the massive tower of vicious black spines behind the high school. Hilltown has a story to tell, and the lonely brain-damaged man who builds magical dioramas in his basement workshop has been telling it all along. As the evil closes in around them, Dan and his new love interest Jessica must do the impossible: save everyone one in Hilltown before it's too late.

    But nothing prepared him for Milkwood: a fat, ugly bastard who could take a beating like a government mule, but never, ever won. So when Malcolm risks his life to discover Milkwood's secret, he convinces the fighter to stop being a punching bag and to go for broke in the local tournament. Only problem? A beautiful woman called Lash who needs Milkwood for her own purposes, and a fouler creature on her heels known only as Dizzy Colt. But for Malcolm and Milkwood? Hell, it’s just another day of Blood and SawdustPRAISE FOR BLOOD AND SAWDUST!"With wicked, playful prose that blends the best of pulp with the supernatural, Jason Ridler’s Blood and Sawdust creates an unholy, hell-raising hybrid, the kind of tale Christopher Moore and Jim Thompson might swap after a long night of drinking, trying to one-up one another with acerbic absurdity." Joe Clifford, Author of CHOICE CUTS and JUNKIE LOVEPRAISE FOR THE WORK OF JASON RIDLER!"An exciting new writer." Lucius Shepard, multiple-award-winning author of HANDBOOK OF AMERICAN PRAYER. “Jason Ridler is kind of like a bull rider who’s tossed a saddle on a Tiger tank, and he’s riding that bucking sucker for all he’s worth, because, hey, no one told him that he couldn’t do it, did they? So here he is, the Man in the Barbed-Wire Straitjacket." Norman Partridge, Award Winning Author of DARK HARVEST. "Jason Ridler’s work is intense and taut, with incredible characters and plots that keep your mind buzzing long after you’ve reached the final page." Trent Zelazny, author of TOO LATE TO CALL TEXAS, and FRACTAL DESPONDENCY. ABOUT THE AUTHORJason S. Ridler is the author of BLOOD AND SAWDUST, the Spar Battersea thrillers (DEATH MATCH, CON JOB and DICE ROLL), the short story collection KNOCKOUTS, and has published over fifty stories in such magazines and anthologies as Beneath Ceaseless Skies, Brain Harvest, Chilling Tales, and more. His popular non-fiction has appeared in Clarkesworld, Dark Scribe, and the Internet Review of Science Fiction. A former punk rock musician and cemetery groundskeeper, Mr. Ridler holds a Ph.D. in War Studies from the Royal Military College of Canada. Visit him at twitter at http://twitter.com/JayRidler, Facebook ,http://www.facebook.com/Ridlerville, or his writing blog, Ridlerville, atwww.jsridler.com

    After Jerry stumbles delirious from a bloody accident, a beautiful girl rescues the boy and brings him home to her decrepit apartment complex.Soon Jerry discovers a hidden entrance into the attic, a crawlspace through which he can secretly enter any apartment.But he isn't the only person aware of the secret entrance.Crawlspace is a terrifying journey into urban legend, darkness, and murder.

    After watching it, one of them vanishes...A heart transplant recipient gets much more than he bargained for when he digs into his donor's sinister past...Mourning the death of their son, a young couple is plunged into madness after encountering something otherworldly in the wilderness...DREAMS IN BLACK STATIC is a collection of eight terrifying stories by Ambrose Ibsen, author of The Haunting of Beacon Hill and Asylum. The tales included are:"Me and Mr. Ray" **"Decatur Road" **"Dreams in Black Static" **"Distortional Addict" **"Trim" **"Subterrane Dream" **"Orchard""The Uncanny" **** = Appearing in print for the first time

    Not thinking about what might be lurking in the shadows, he soon finds out that you are never truly alone in the woods.

    But late one night, he finds a box of old Polaroids buried under his house that can change to show him whatever he desires, and Drew finds himself with the power to watch the people around him without them ever knowing.Yet as Drew falls deeper into the rabbit hole of jealousy and despair, he begins having strange visions of the students who lived at the house twenty years ago and the gruesome fates they met after moving out. He finds evidence of a stalker who may be living on the property. The line between reality and nightmare blurs. Drew realizes there is something under the house that is manipulating him through the pictures, an eldritch, not-quite-dead thing that will drive him to do unspeakable evil if he doesn't look away...A blistering page-turner, LURK is horror unlike you've ever read.

    King’s mysterious and thriller packed story vaults. Open up your imagination and let the vivid writing and frightening tales awaken your mind. Scream late into the night with more great horror for all your senses. Evil comes in many forms. Travel through the desert, speak with others from another world, and smell the roses in these incredible journeys and wild realities. WARNING: Not the famous Stephen King from Maine.

    And when Maurice turns Reginald to save his life, it's just Reginald's own further bad luck that he wakes up to discover he's become the slowest, weakest, most out-of-shape vampire ever born, doomed to "heal" to his corpulent self for all of eternity.As Reginald struggles with the downsides of being a fat vampire -- too slow to catch people to feed on, mocked by those he tries to glamour, assaulted by his intended prey and left for undead -- he discovers in himself rare powers that few vampires have… and just in time too, because the Vampire Council might just want his head for being an inferior representative of their race. Fat Vampire is the story of an unlikely hero who, after having an imperfect eternity shoved into his grease-stained hands, must learn to turn the afterlife's lemons into tasty lemon danishes.

    He plays basketball at the Y and he’s just learning to talk to girls. But Griffin doesn’t feel normal. He’s been diagnosed with Depersonalization Disorder—he feels disconnected from his body, and at times, he doesn’t know if he’s dead or alive. And it seems to be getting worse.Following the brutal death of his abusive father, Griffin is haunted by a red-haired kid only he can see and who wants him to do things he doesn’t understand. Griffin's only sources of support are his grandfather, Soren - a regional author of Outer Banks ghost stories - and his same-aged cousin, Tanner, a boy coping with his own troubled life.When a rare blizzard strikes the Outer Banks, Griffin recognizes the red-haired boy as a vengeful specter from Soren's tales. To make matters worse, his well-meaning aunt has convinced his mother he’s under some sort of spiritual attack. Unsure if the mysterious boy is a symptom of his disorder or an entity with evil intent, Griffin finds himself in a struggle to save his life, his sanity and maybe his very soul.

    An unlikely friendship blossoms, a kinship of shared grief. Then The Eye receives a mysterious note and suddenly returns home, his fate uncertain.Left with the keys to The Eye’s apartment, Isabel finds two of his secret manuscripts: a halting translation of an ancient, profane work, and an evocative testament of his capture during the revolution. Both texts bear disturbing images of blood and torture, and the more Isabel reads the more she feels the inexplicable compulsion to go home. It means a journey deep into a country torn by war, still ruled by a violent regime, but the idea of finding The Eye becomes ineluctable. Isabel feels the manuscripts pushing her to go. Her country is lost, and now her only friend is lost, too. What must she give to get them back? In the end, she has only herself left to sacrifice. THE SEA DREAMS IT IS THE SKY asks:How does someone simply give up their home...especially when their home won’t let them?

    Absorbing, resonant, emotionally satisfying and quite magical' - Stephen Volk 'Eloquent, shimmering writing unfurls a haunting story of childhood, grief and obsession' – Simon Clark'I adored every line. I can’t recommend it highly enough... Book of the Year!' - The Eloquent Page ‘The Electric is an impressive first novel. Andrew David Barker’s style is whimsical and nostalgic, and the work reads like the haziest recollections of a childhood long since gone.’- Starburst Magazine‘The Electric is more than a book – just as its namesake is more than a cinema – it’s an experience to dive into and wallow in. It’s a link to the past and a way to think about what’s really important about life. Its heart beats beautiful pulses of nostalgia and grief, but it is full of affirmation too: the joy of discovery; the value of insight; the depths of friendship, love and family ties, and the powerful cement of a shared experience.’- Geek SyndicateIn the summer of 1985, fifteen-year-old Sam Crowhurst discovers an old abandoned cinema that screens movies made by ghosts, for ghosts. Sam, along with his friends, Emma and David, find themselves drawn into a world where the likes of Humphrey Bogart, Lon Chaney and Theda Bara are still making pictures; where Harold Lloyd and John Belushi team up for roustabout comedies, and Karloff and Lugosi appear in films scripted by Edgar Allan Poe. Sam comes to learn the mysteries of the Electric cinema and his part to play in its long and strange history. With shades of Ray Bradbury, the more nostalgic work of Stephen King, and the early films of Steven Spielberg, THE ELECTRIC is about movies, ghosts, and that ephemeral moment in all of our lives, childhood.

    She’s a nobody. And that’s the way she likes it. Her father, on the other hand — Hank Keeling, the serial killer and occasional cannibal better known as the Pork Chop Killer — has just gone viral. Thanks to a prison guard’s error, a cell phone video of Keeling’s botched execution is quickly becoming an internet sensation. After watching her father die in all his pixelated glory, Caroline is taken off-guard when Keeling himself shows up at her front door, looking very much not dead. And he has a plan. A plan involving Caroline. A plan Caroline is going to take part in whether she wants to or not. Success means wealth beyond her dreams. Failure means death. Soon Caroline is whisked away from her bland life to face down killers, gangsters and a well-meaning cop in a hunt for long-lost fortune. Deceit, avarice and unrelenting violence collide in a coming-of-age story like none you’ve ever read.

    At a film premiere she tries engaging a producer about a new project… before everything goes terribly wrong.Soon Swallow finds herself on the run amidst the full horror of the Undead. Along with a small band of survivors, and one miserable producer, Swallow must do everything just to stay alive on the blood-soaked streets.As the Undead get more numerous, can she run, beat and hack her way out of trouble?

    Fans of Sheriff Walt Longmire will fall in love with Sergeant Maggie Blackthorne, the spirited protagonist with a tragic past and an acid wit.When Maggie Blackthorne returns to her hometown after nearly twenty years to serve as an Oregon State Police Sergeant, she expects to deal with the usual suspects — drunk drivers, oxy slingers, and the occasional rural scofflaw.But after she stumbles upon the bullet-ridden bodies of twin brothers, she realizes she’s stepped into something much more sinister. With little homicide experience, Maggie and her partner, Trooper Hollis Jones, find themselves thrust into a murder investigation.And when a third man turns up dead, the pair fears it’s only a matter of time before the killer strikes again. As they race to piece together what happened, Maggie and Hollis discover a tangled web of theft, deceit and deals gone bad.Faced with multiple motives and several persons of interest, Maggie and Hollis finally catch a break — but are they willing to risk everything to put the murderer behind bars?