When they each get a shot at wearing the empowering emerald artifact, they figure it's a dream come true! And it is! Power, fame, and ultimate wish fulfillment are at arm's reach! But so is the mute man-monster, Walter, and arm's reach is far too close when he's involved!

    Four mismatched survivors take refuge from a zombie plague inside a shopping mall, and absolute terror ensues. This companion film to George A. Romero's classic Night of the Living Dead now takes on new life in a graphic novel adaptation by Steve Niles (30 Days of Night, Wake the Dead) and new art star Chee (Wake The Dead).

    Bound by a cult-like hivemind, these five young people, each with incredible powers stemming from the five human senses, left death and destruction in their wake. Who will stop them? Regan, one of the Chimera, escaped her brethren with her murderous eyes bound and has been hiding in cheap motels and dive bars crippled with the guilt of her past. Until now… when someone will force her to hunt down the other four of her kind. New York Times bestselling horror writer Cullen Bunn (Harrow County, The Empty Man) reunites with his Bone Parish co-creator, artist Jonas Scharf (Avengers Of The Wasteland), to unleash the first chapter of a supernatural horror series rooted in the way we process the world – our senses. Collects Basilisk #1-4.

    Maniac Killer is full of deformed monsters and secret societies, of a mirderous clan of cat-masked villians and simple mad scientists. In the multi-chapter "Thirteen O'Clock" a serial killer bearing a corkscrew strikes repeatedly while a glowing, disembodied skull talks to the victims. But the enigmatic detective Mr. Murmur solves the crime and shares the motive, too ridiculous to be explained here. It combines noir mystery with absurd humor. The native artwork is reminiscent of Lynda Berry and its simplicity helps to convey the tone of spooky delight.

    Jean short stories, creating one of the most endearing, clever, and readable series in contemporary French comics. Their award-winning, critically acclaimed series has sold more than 120,000 copies in France and has won one of comics' most coveted awards, the prestigious Angoulême Alph-ArtAward for the Best Book of the Year.Get a Life is a collection of the early Mr. Jean stories where the reader is introduced to the life of the titular character, a laconic, single Parisian male struggling through the usual calamities of life: bachelorhood in his twenties and early thirties and the impending responsibilities of marriage, kids, and deadlines for his publisher. Mr. Jean is a typical everyman—a scholar who fancies himself a man of letters, a nostalgist whose memories carry a weight few can understand, a lover whose heart knows the greatest of burdens. Melancholic yet joyful reflections on past loves, favorite authors, marriage, and fatherhood are laid out in a breezy, comic style.

    Mark Beyer was breathing delirious, heartbreaking, otherworldly life into it by means of Amy and Jordan. Obviously, you weren’t reading New York Press. But I sure was. Voraciously. Back in 1989, when I discovered that Beyer’s strips were appearing regularly in this new “alternative weekly” paper, I quickly became hooked, and a thought seized me: I had to clip and save them–they were exquisite poems of urban despair, dreamy and nightmarish. I was already a fan of Beyer’s talent based on his book Agony (Pantheon, 1988), but these new strips revealed, week by week, a whole new dimension to his work–an ingenious reinvention of panel-design that redefined what a comic strip could be. As with Peanuts, it helps to try and picture these in the context which they first appeared in order to appreciate just how profoundly they emerged from anything else on the newspaper page. Even the “outré” NYP ads and listings which often ran alongside them were hopelessly dull by comparison. One of its most impressive aspects was the way Form served the Content–no matter how eccentric the layout got, it somehow never confused the narrative. And what narrative: it was as if Candide had been transported to the East Village and split in two like an amoeba and holed up in a squat on Avenue C. Along with giant bugs from outer space. So I did clip and save them, and put them into an envelope, which was then placed in a shoebox with a lot of other envelopes (receipts, receipts!), which was shoved to the back of the closet of my sixth-floor walk-up studio apartment, which I moved out of three years later and in the process I unwittingly threw them all away. Which frankly is just the sort of thing that Amy and Jordan would do. Drat. “Oh well,” I thought, once I’d realized it, “at some point someone will collect and publish them, and I’ll get them back that way.” And that was that. Fast forward more than ten years, to the spring of 2002. During a panel of cartoonists I was chairing in Philadelphia, a member of the audience asked what Mark was working on and where he was. No one seemed to know. The discussion was transcribed and published in The Comics Journal that summer, and in the fall Mark contacted me with the best possible news: He’d read the panel transcript and wanted to publish again. And the Amy and Jordan strips had never been comprehensively collected. So now, as an editor, I was able to grant my own wish. Amy and Jordan ran from 1988 through early 1996. After that, Beyer put cartooning aside to pursue other projects. This book signals his return to the realm of comics, which he says he wants to start making again. We can only hope he does. For now, I’m just thankful I finally have my Amy and Jordan collection back. –Chip Kidd, NYC, 10/03

    Beloved for the expressive scrawl of Gregory's line and her take-no-prisoners satirical approach, it was particularly notable for introducing the world to Bitchy Bitch—a woman who is eternally, magnificently, and for the most part, quite justifiably pissed off at the world around her! This extra-thick volume collects the entire first half of the Bitchy Bitch saga, and it ranges widely in her eventful life. There are stories about Bitchy's travails as a little girl (when she was just "Bitsy Bitch"), including that greatest horror of all, the holidays; a long sequence about her hippie free-love days in the '70s (and the harrowing abortion that followed); tales of her miserable days as an office drone surrounded by dunces, lechers, and the occasional ultra-Christian maniac; and the hilarious full-length graphic novel "Bitchy Takes a Vacation," where a tropical getaway turns into a fiasco (romanic and otherwise) of epic proportions. The book will also feature a brand new full-length story that chronicles the (never before shown) death of Bitchy's tempestuous father (well, she had to get that temper from somewhere), as Gregory once again finds the humor in even the grimmest situation. If anger is an energy, as Johnny Rotten once said, then Life's a Bitch is a 240-page slab of caffeinated fury... but laugh-out-loud funny!

    And what the young gunslinger sees brings him the darkest of nightmares.

    The story of a small girl and her one-day friendship with a strange boy while on vacation with her family in Hawaii. Their lives are forever changed as they explore the island and themselves.Bookended by full-color biographical excerpts from the life of Japanese filmmaker Akira Kurosawa, the central story's themes reflect those of the filmmaker and is told through black and white half-toned, fully-painted artwork. The Barefoot Serpent is offered as a 128-page hardcover graphic novel, in the same size and format as the Little Golden Books of old.This is definitely Scott's most unique and ambitious graphic novel to date.