Lucas, Lucia to her intimates, resides in the village of Riseholme, a pretty Elizabethan village in Worcestershire, where she vigorously guards her status as "Queen" despite occasional attempts from her subjects to overthrow her. Lucia’s dear friend Georgie Pillson both worships Lucia and occasionally works to subvert her power.

    Times are harsh, and Barbara's bank account has seen better days. Stumped for ideas, Barbara draws inspiration from fellow residents of her quaint English village, writing a revealing novel that features the townsfolk as characters. The smashing bestseller is published under the pseudonym John Smith, which is a good thing because villagers recognize the truth. But what really turns her world around is when events in real life start mimicking events in the book. Funny, charming, and insightful, this novel reveals what happens when people see themselves through someone else's eyes.

    They couldn't be more different: Jane is a rather incompetent vicar's wife, who always looks as if she is about to feed the chickens, while Prudence, a pristine hothouse flower, has the most unsuitable affairs. With the move to a rural parish, Jane is determined to find her friend the perfect man. She learns that matchmaking has as many pitfalls as housewifery...

    Mrs. Hawkins, the majestic narrator, takes us well in hand and leads us back to her threadbare years in postwar London. There, as a fat and much admired young war widow, she spent her days working for a mad, near-bankrupt publisher ("of very good books") and her nights dispensing advice at her small South Kensington rooming house. At work and at home Mrs. Hawkins soon uncovered evil: shady literary doings and a deadly enemy; anonymous letters, blackmail, and suicide. With aplomb, however, Mrs. Hawkins confidently set about putting things to order, little imagining the mayhem that would ensue. Now decades older, thin, successful, and delighted with life in Italy--quite a far cry from Kensington--Mrs. Hawkins looks back to all those dark doings and recounts how her own life changed forever. She still, however, loves to give advice: "It's easy to get thin. You eat and drink the same as always, only half...I offer this advice without fee; it is included in the price of this book."

    Wodehouse documented the lives of the inimitable Jeeves and Wooster for nearly sixty years, from their first appearance in 1915 ("Extricating Young Gussie") to his final completed novel (Aunts Aren't Gentlemen) in 1974. These two were the finest creations of a novelist widely proclaimed to be the finest comic English writer by critics and fans alike.Now, forty years later, Bertie and Jeeves return in a hilarious affair of mix-ups and mishaps. With the approval of the Wodehouse estate, acclaimed novelist Sebastian Faulks brings these two back to life for their legion of fans. Bertie, nursing a bit of heartbreak over the recent engagement of one Georgina Meadowes to someone not named Wooster, agrees to "help" his old friend Peregrine "Woody" Beeching, whose own romance is foundering. That this means an outing to Dorset, away from an impending visit from Aunt Agatha, is merely an extra benefit. Almost immediately, things go awry and the simple plan quickly becomes complicated. Jeeves ends up impersonating one Lord Etringham, while Bertie pretends to be Jeeves' manservant "Wilberforce,"—and this all happens under the same roof as the now affianced Ms. Meadowes. From there the plot becomes even more hilarious and convoluted, in a brilliantly conceived, seamlessly written comic work worthy of the master himself.A Kirkus Reviews Best Fiction Book of 2013

    Treason is afoot in the highest social circles. The very security of the nation is in peril. Jeeves, it transpires, has long been an agent of British Intelligence, but now His Majesty's Government must turn to the one man who can help . . . Bertie Wooster.In this magnificent new homage to P. G. Wodehouse, Ben Schott leads Jeeves and Wooster on an uproarious adventure of espionage through the secret corridors of Whitehall, the sunlit lawns of Brinkley Court, and the private clubs of St James's.We encounter an unforgettable cast of characters – old and new – including outraged chefs and exasperated aunts, disreputable politicians and gambling bankers, slushy debs and Cockney cabbies, sphinx-like tailors, and sylph-like spies.There is treachery to be foiled, naturally, but also horses to be backed, auctions to be fixed, engagements to be escaped, madmen to be blackballed, and a new variety of condiment to be cooked up.'Jeeves & the King of Clubs' is essential reading for aficionados of The Master, and a perfect introduction to the joys of Jeeves and Wooster for those who have never before dipped their toe.'Impossible to read without grinning idiotically.' - Mark Sanderson, Evening StandardBibliographical note: Although the cover reads 'Jeeves and the King of Clubs' , the half-title and tile page read 'Jeeves & the King of Clubs' and this is how it is catalogued above. In addition the title page does state, separate from the actual title, 'An homage to P.G. Wodehouse authorised by the Wodehouse Estate' and adds, 'With Authorial Endnotes'.

    When her employment agency sends her to the wrong address, her life takes an unexpected turn. The alluring nightclub singer, Delysia LaFosse, becomes her new employer, and Miss Pettigrew encounters a kind of glamour that she had only met before at the movies. Over the course of a single day, both women are changed forever.

    Yet he always seems to be troubled by disagreeable tradesmen, impertinent young office clerks and wayward friends, not to mention his devil-may-care son Lupin with his unsuitable choice of bride. Try as he might, he cannot avoid life's embarrassing mishaps. In the bumbling, absurd, yet ultimately endearing figure of Pooter, the Grossmiths created an immortal comic character and a superb satire on the snobberies of middle-class suburbia - one which also sends up late Victorian crazes for spiritualism and bicycling, as well as the fashion for publishing diaries by anybody and everybody.

    Flora Poste, a recently orphaned socialite, moves in with her country relatives, the gloomy Starkadders of Cold Comfort Farm, and becomes enmeshed in a web of violent emotions, despair, and scheming, until Flora manages to set things right.

    Ted Wallace is an old, sour, womanising, cantankerous, whisky-sodden beast of a failed poet and drama critic, but he has his faults too.Fired from his newspaper, months behind on his alimony payments and disgusted with a world that undervalues him, Ted seeks a few months repose and free drink at Swafford Hall, the country mansion of his old friend Lord Logan.But strange things have been going on at Swafford.  Miracles, Healings, Phenomena beyond the comprehension of a mud-caked hippopotamus like Ted...

    Conceived as one of Graham Greene's 'entertainments,' it tells of MI6's man in Havana, Wormold, a former vacuum-cleaner salesman turned reluctant secret agent out of economic necessity. To keep his job, he files bogus reports based on Lamb's Tales from Shakespeare and dreams up military installations from vacuum-cleaner designs. Then his stories start coming disturbingly true.

    Charlton from a undernourished and timid tax clerk to ‘Charlie’, a fully-converted member of the Larkin way of life: an easygoing celebration of nature, food, drink, and family. In the process, the reader is introduced to the Brigadier, Miss Pilchester, and Angela Snow. Setting the style for the series, the book ends with a grand celebration, and the announcement of the wedding of Charlie and Mariette. The novel was filmed with the title ‘The Mating Game’, and between 1991 and 1993, Yorkshire Television produced a highly-successful television series called ‘The Darling Buds of May’. This first book in the Larkin series was very successful, appearing first in the United States and then in Britain, where it sold 40,000 in the first two months. Many critics felt that Bates deserved better than to be remembered mostly for the Larkin novels, but they were very profitable. The immensely popular Larkin series of comic novels consisted of ‘The Darling Buds of May’, ‘A Breath of French Air’ (1959), ‘When the Green Woods Laugh’ (1960), ‘Oh! To Be in England’ (1963), and ‘A Little of What You Fancy’ (1970). Bates, speaking of how he was inspired to create the Larkins, recalled the real junkyard that he often passed near his home in Kent; and he remembered seeing a family -- a father, mother and many children, sucking at ice-creams and eating crisps in a "ramshackle lorry that had been recently painted a violent electric blue". He tried writing a brief tale based on the family, but soon decided that he couldn’t waste such a rich gallery of characters to a short story." Pop is a wonderful character who hates pomp, pretension and humbug; loves his family, but doesn’t hesitate to break a few rules... and his and the Larkins' secret is “that they live as many of us would like to live if only we had the guts and nerve to flout the conventions." See also the Pop Larkin Chronicles, which contains all five Larkin books.

    Jerome's Three Men in a Boat includes an introduction and notes by Jeremy Lewis in Penguin Classics.Martyrs to hypochondria and general seediness, J. and his friends George and Harris decide that a jaunt up the Thames would suit them to a 'T'. But when they set off, they can hardly predict the troubles that lie ahead with tow-ropes, unreliable weather forecasts and tins of pineapple chunks - not to mention the devastation left in the wake of J.'s small fox-terrier Montmorency. Three Men in a Boat was an instant success when it appeared in 1889, and, with its benign escapism, authorial discursions and wonderful evocation of the late-Victorian 'clerking classes', it hilariously captured the spirit of its age.In his introduction, Jeremy Lewis examines Jerome K. Jerome's life and times, and the changing world of Victorian England he depicts - from the rise of a new mass-culture of tabloids and bestselling novels to crazes for daytripping and bicycling.

    His colleagues are an assortment of misfits, including Prendy (plagued by doubts) and captain Grimes, who is always in the soup (or just plain drunk). Then Sports Day arrives, and with it the delectable Margot Beste-Chetwynde, floating on a scented breeze. As the farce unfolds and the young run riot, no one is safe, least of all Paul. Taking its title from Edward Gibbon's Decline and Fall of the Roman Empire, Evelyn Waugh's first, funniest novel immediately caught the ear of the public with his account of an ingénu abroad in the decadent confusion of 1920s high society.

    As an outrageously funny spoof about the ascent of a 40,000-and-a-half-foot peak, many thought it inspired by the 1953 conquest of Everest. But Bowman had drawn on the flavour and tone of earlier adventures, of Bill Tilman and his 1937 account of the Nandi Devi expedition. The book's central and unforgettable character, Binder, is one of the finest creations in comic literature.