In a small park near the river, Alex sleeps on a bench. When he awakens, we can see that he's a mess. He is coming off a colossal bender. As he stirs, a book falls out of his coat: a high school yearbook. He flips through the pages and finds himself. "Alex Kalienka: Alex likes watching T.V., drawing cartoons, and doing nothing. Future places: Sunny California and Mickey Walt Cartoon Studios." Alex closes the book and vomits in the river.Alex is the story of failed dreams and the consequences faced by a man who discovers that accomplishing his career goals are no route to inner peace. It is a story about the redemptive power of art, and about how fleeting those chances for redemption can be in a society that emphasizes different values.This existential, 250-page exploration of depression and the healing power of art was originally published over ten years ago as a six-issue comic book series and is collected here as one book for the first time. Kalesniko is a former Disney animator with credits including The Prince and the Pauper, Mulan, The Lion King and The Little Mermaid. He has also created the graphic novels Why Did Pete Duel Kill Himself? and Mail Order Bride.

    It is only after a series of violent events occur that Ryan realizes he must set aside all he believes to be true in order to face his shocking and inevitable reality.

    A group of raccoons gnaw on God’s severed head; a man brags to his friend about driving a Transformer out of its own funeral; a toaster revolts against its master. These are just some of the scenes in the pitch-black world of Hell Was Full, the popular webcomic that blends the bleak and the absurd into a delicious dadaist cocktail.

    Gumball thinks he’s the coolest kid on the block, but his little sister Anais begs to differ, and Darwin just wants to keep them all out of trouble.

    In 2002, Fantagraphics embarked on a publishing plan to reintroduce the greatest strip of the first-half of the 20th Century (the Peanuts of its era) to a public that has largely never seen it: this volume is the fourth in a long-term plan to chronologically reprint strips from the prime of Herriman's career, most of which have not seen print since originally running in newspapers 75 years ago. Each volume is edited by the San Francisco Cartoon Art Museum's Bill Blackbeard, the world's foremost authority on early 20th Century American comic strips, and designed by Jimmy Corrigan author Chris Ware, who may well go down as the best cartoonist of the 21st Century. Krazy & Ignatz 1931-1932 is a hot-baked brickbat of a volume, a dance with nearly two full years of the Sunday Krazy Kat (Herriman did not use color until 1935), snug between multiple pages of Herriman extras, including an extensive essay by series editor Bill Blackbeard on pre-Kat Herriman work (with reproductions from rare "Baron Mooch" and "Gooseberry Sprig" strips, and a rarely-seen 1923 full-page drawing of the Kat done for Circulation magazine), and, best of all, a 30-page sequence of over two straight months' worth of 1931 dailies! Plus a new "Debaffler" page decoding Krazy arcana, and a stunning layout front and back and throughout by the inimitable Chris Ware! Krazy Kat is a love story, focusing on the relationships of its three main characters. Krazy Kat adored Ignatz Mouse. Ignatz Mouse just tolerated Krazy Kat, except for recurrent onsets of targeting tumescence, which found expression in the fast delivery of bricks to Krazy's cranium. Offisa Pup loved Krazy and sought to protect "her" (Herriman always maintained that Krazy was gender-less) by throwing Ignatz in jail. Each of the characters was ignorant of the others' true motivations, and this simple structure allowed Herriman to build entire worlds of meaning into the actions, building thematic depth and sweeping his readers up by the looping verbal rhythms of Krazy & Co.'s unique dialogue.

    Along the way he meets an old hermit who lives in a treehouse with his loyal dog, a young woman who fights for what she believes and a giant wolf-dragon who threatens their survival.

    A hold-up. A murder. A car chase. A very large vodka. A fistfight. An earthquake. A mutant surfer. A lorry heist. A tiny moped. The return of a much loved secondary character - and a gang of killer kangaroos after Tan Girl's scalp.Don't miss Tank Girl's latest twisted action adventure!

    Parties, excessive drinking, and financial instability add to the commotion. Drawn in a beautiful minimal style with delicate two-color printing.

    Try, "I was overcome by the urge to alphabetize my pets," or perhaps a simple "Had ninja trouble." Steve has used both these excuses, and here they are hilariously illustrated. He also has claimed to have become temporarily feral, accidentally sold himself on eBay, and gotten stuck in a romantic montage. An illustration of Steve with Darth Vader accompanies the inarguable excuse "I was seduced by the Dark Side." He also gets lost in his duvet, and discovers he has a rather unusual superpower.

    

    Through classic comics, blog entries, and a wealth of other wacky new material, experience Jon’s dating disasters, phone call faux pas, wardrobe malfunctions, and mirthful mishaps—and cheer the geek with a heart of gold as he finally finds true love with Liz, the veterinarian. (Who’d have thunk it?) So, rejoice, Jon fans, and enjoy the fun. The moment of goof has arrived!

    During its run, the cartoon spawned 22 books from AMP, which were translated into a total of 17 different languages. For his work with The Far Side, Larson was awarded the Reuben Award for Outstanding Cartoonist from the National Cartoonists Society in 1991 and 1994. The group also named The Far Side Best Syndicated Panel in both 1985 and 1987.

    Travel back to the wacky Fifties in this comic compilation of the best of MAD's early years! From the Cold War and Richard Nixon (the first time around) to Howdy Doody and Mickey Mouse, this one's got it all...and then some!

    A wasteland becomes fertile ground for fantasy as the book's graphite grotesqueries are brought to life by Renee French's adroit hand; her elegant shading seemingly wringing her wondrous worlds out of the page itself.Renee French has been making comics that revel in the killer side of cute and the horrors that lie within and without since the early '90s. Her past work includes The Ticking (Top Shelf Productions, 2006), Micrographica (Top Shelf Productions, 2007),H Day (PictureBox, 2010), and Hagelbarger and That Nightmare Goat (Yam Books, 2013).

    The fact that Earl's a dog and Mooch is more of the feline persuasion makes about as much difference as a flea's eyebrow. These guys have a special friendship. Anyone who has a pet will see themselves and their beloved furry housemates in this collection, Mutts Sundays.Yet Mutts has an audience appeal beyond pet lovers. McDonnell's art is unique in that it is reminiscent of the golden age of comic strips. That's why readers have clamored for a way to enjoy their favorite Mutts Sunday strips reprinted in their original color. In Mutts Sundays the call has been answered with a large, full-color format that--like the pair themselves--is certain to win a place in everyone's hearts. Readers will cherish escaping to the artful, colorful, and endearing Mutts Sundays strips contained in this special treasury.