Dividing the time into three periods: 600-900, 900-1500 and 1500-1800, they set the artistic development in each era within its historical context and use art as a window into Islamic culture. Written in a lively and accessible style, and illustrated throughout with photographs, maps and plans, the book captures the essence of Islamic culture as expressed in its buildings, books and applied arts, and provides an essential introduction to the subject for both the student and the general reader.

    It arrived in India by multiple routes—in the south, in the eighth and ninth centuries CE, with traders from Arabia, and in the north, in the tenth and eleventh centuries, with invaders, rulers, and mystics, largely from Central Asia. Once it was established in India, it morphed and evolved through the centuries until it took on the distinctive contours of the religion that is practised here at present. The author takes a clear-eyed look at every aspect of Islam in India today. She examines the factors that have stalled the socio-economic and intellectual growth of Indian Muslims and attributes both internal factors—such as a disproportionate reliance on the ulema—as well as external ones that have contributed to the backwardness of the community. She shows at length, and with great empathy and understanding, what it is like to live as a Muslim in India and offers suggestions on how their lot might be improved. Weaving together personal memoir, history, reportage, scholarship, and interviews with a wide variety of people, the author highlights how an apathetic and sometimes hostile government attitude and prejudice at all levels of society have contributed to Muslim vulnerability and insecurity.Born a Muslim goes beyond stereotypes and news headlines to present an extraordinarily compelling and illuminating portrait of one of the largest and most diverse communities in India.

    The topics this volume raises include: ritual cleanliness, opportune times for recitation, the etiquette that students have with their teachers (and that teachers must have with their students), and variety of other issues that every Muslim should know and frequently ask about.

    For the first time in the West, the author presents the secret principles and practices of this divine science, based on the 800-year tradition of the Chishti Order. Among the many topics covered are dietary recommendations of the Prophet, the preparation of herbal formulas, healing with essential oils, illnesses arising at various stages of the soul's evolution, fasting and prayer, talismans, and the "infallible remedy."

    Navy lieutenant commander provides an alternate voice to radical Islam.Among the unsettling social shifts in the wake of 9/11 was the global attention paid to Islam. Here in the United States, we became divided, often sadly along partisan lines, between those who believed every Muslim was a potential threat and those who believed no Muslim could do wrong. For conservative Wisconsin native and former U.S. Navy Lieutenant Commander Dr. M. Zuhdi Jasser, these radical times meant facing a new reality as a devout Muslim and a patriot—a certain betrayal within his faith, and a need to answer a question that crossed the minds of even the most sensitive and politically correct: “Can a good Muslim be a good American as well?” Jasser founded the American Islamic Forum for Democracy (AIFD) to instill in young American Muslims an appreciation for the distinctively positive impact that this nation’s ideals of liberty have had upon the world. As a nationally recognized expert on Muslim radicalization, he offers non-Muslims a definitive comprehension of the difference between Islam and the spiritual cancer known as Islamism, or political Islam, and how violence and extremism run counter to Islam’s true teachings. As he persuasively argues, until we acknowledge the threat of Islamism in all its forms, the majority of Americans will be gulled into recognizing only the most obvious: terrorism. In A Battle for the Soul of Islam, Jasser embraces both his faith and his country while asking hard questions: * Are American Muslim children learning entitlement as victims, or are they being taught individual responsibility and critical thinking? * Are poisonous conspiracy theories dividing their American identity, or are they gaining exposure to reason, nationalism, and patriotism? * Are Muslims publicly critical of the Islamist movements of the Middle East, or do they remain silent on aspects of religious doctrine that conflict with modernity and universal equality? * Is the American press downplaying the seditious threat of homegrown Islamist radicalism and the influence of Islamists’ propaganda arm on our governmental policies? * Is our culture of political correctness a major obstacle toward long-overdue Muslim reform against Islamism? All these years after 9/11, it’s time for us to understand the true threat of Islamism. It is a Muslim problem that needs a Muslim solution, and A Battle for the Soul of Islam builds a solid, balanced, and imperative must-read foundation for the fight.

    The Drive-By Truckers, as they named themselves, grew into one of the best and most consequential rock bands of the twenty-first century, a great live act whose songs deliver the truth and nuance rarely bestowed on Southerners, so often reduced to stereotypes.Where the Devil Don’t Stay tells the band’s unlikely story not chronologically but geographically. Seeing the Truckers’ albums as roadmaps through a landscape that is half-real, half-imagined, their fellow Southerner Stephen Deusner travels to the places the band’s members have lived in and written about. Tracking the band from Muscle Shoals, Alabama, to Richmond, Virginia, to the author’s hometown in McNairy County, Tennessee, Deusner explores the Truckers’ complex relationship to the South and the issues of class, race, history, and religion that run through their music. Drawing on new interviews with past and present band members, including Jason Isbell, Where the Devil Don’t Stay is more than the story of a great American band; it’s a reflection on the power of music and how it can frame and shape a larger culture.

    If you want to know what the Koran is really about, you have to know what it really says. Don Richardson gives you a nitty-gritty inside look at the Koran, helping to separate fact from fiction. These hard-hitting observations are not the author's opinion based on what he thinks the Koran seems to imply. Muslim boys are indoctrinated in military camps. Madrasa Schools force memorization and repetition of the Koran-particularly those verses that promise heavenly rewards for martyrdom. It took courage to write this serious, documented and well-sourced book. But the price of truth is courage, regardless of ones religion.

    A timeless tale of exile and longing, death and desire, love and belonging. (his)

    In this book Debbie Blue looks closely at Hagar (mother of Islam), Esther (Jewish heroine), and Mary (Christian matriarch)—and finds in them unexpected and inviting new ways of navigating faith and life. As she sets out to explore these biblical characters who live and move in places and ways outside of the strict boundaries of tradition, Blue encounters many real life characters who challenge her expectations and renew her hope—a Muslim tattoo artist, a Saudi Arabian sculptor, a rabbi in a Darth Vader costume, Aztec dancers at a feast of Guadalupe, an Islamic feminist scholar, and more.Readers who embark with Blue on the sometimes unorthodox, subversive paths of these curious and lively figures will be led to envision more expansive and hopeful possibilities for faith, human connection, and love in our divided, violent world.

    Not since the shocking attack on Pearl Harbor has the nation pulled together with such unity and purpose, resolving to endure whatever hardships may be necessary to win the war on terror. We were united in the defense of and belief in our country. It truly brought out the best in our national character.But a small group of influential public intellectuals, writers, members of the media, and academics were not part of this unified response. They still preached the same self-doubt about America and her traditions that have steadily undermined our national confidence and resolve in recent decades. Within days of the attacks this debilitating mindset was in evidence, as influential figures rushed to point the finger at America and decry what they were sure would be our murderous and indiscriminate reaction. While most Americans remain confident of the justice and appropriateness of our military response in Afghanistan, these vocal critics have caused some to wonder whether we brought the attacks on ourselves because of our foreign policy, our popular culture, or our support for Israel.As we enter the next phase of what will undoubtedly be a protracted and dangerous struggle--a war unlike any other in our history--it is more important than ever to respond to these doubts and objections and to preserve the patriotic ardor seen in the wake of September 11. In clear, compelling, straightforward language, William Bennett takes up and refutes the many myths and misconceptions about America’s character and role in world affairs that have become fashionable among our nation’s elites. The morning of September 12 dawned with a stunning moral clarity that has guided the actions of many Americans, both her leaders and her citizens. Bennett seeks to preserve that clarity in order to ensure that our national resolve does not falter in this difficult and necessary war.From the Hardcover edition.

    A tank stood at the end of Raja Shehadeh's road; Israeli soldiers patrolled from the roof toops. Four soldiers took over his brother's apartment and then used him as a human shield as they went through the building, while his wife tried to keep her composure for the sake of their frightened childred, ages four and six.This is an account of what it is like to be under seige: the terror, the frustrations, the humiliations, and the rage. How do you pass your time when you are imprisoned in your own home? What do you do when you cannot cross the neighborhood to help your sick mother?Shehadeh's recent memoir, Strangers in the House: Coming of Age in Occupied Palestine, was the first book by a Palestinian writer to chronicle a life of displacement on the West Bank from 1967 to the present. It received international acclaim and was a finalist for the 2002 Lionel Gelber Prize. When the Birds Stopped Singing is a book of the moment, a chronicle of life today as lived by ordinary Palestinians throughout the West Bank and Gaza in the grip of the most stringent Israeli security measures in years. And yet it is also an enduring document, at once literary and of great political import, that should serve as a cautionary tale for today's and future generations.

    But nothing could have prepared her for the day fate deals her family the cruellest of hands, rendering them more desperate than ever. In a harsh world, small acts of kindness can bring great hope - Eli Beckett's offer of a job at the Dragon pub promises a better future for Carrie, especially as Eli's uncle has offered his nephew some spare land to build a music room. With the great cities of England alive to the sound of music halls, the locals of Hedderby are soon looking forward to their own place of celebration and merriment. Yet not everyone in the town shares this excitement, and some will stop at nothing in the pursuit of selfish gain.

    

    Covering every aspect of the film-making process, this magnificently designed film book comprises an incredible array of images as well as short essays by those involved in the filmmaking process. Mira Nair discusses how the novel was turned into a screenplay; Mohsin Hamid reminisces about his first experience on a film set; production designer Michael Carlin recounts the thrill of transforming Old Delhi into contemporary Lahore; lead actor Riz Ahmed reveals how he got under the skin of his character Changez; and editor Shimit Amin demystifies some of his tricks on the editing table. This book also features a series of gorgeous black-and-white photographs by celebrated photographer Brigitte Lacombe.‘A pro-America film that dares voice un-American thoughts’—Damon Wise, Empire‘Tense, thoughtful and truly international’—Time

    Some come back broken. Some just never come back...  As an executive for one of the most successful military defense contractors in the country, Ruth Nolan should have been thrilled when her troubled son, Robbie, chose to join the marines. But she wasn’t. She was terrified.   So, when he returns home to San Diego after his second tour in Iraq, apparently unscathed, it feels like a chance to start over and make things right—until a scandal at work tears her away from their reunion. By the next morning, Robbie is gone. A note arrives for Ruth in the mail a few days later saying, “I’m sorry for everything. It’s not your fault. I love you.”   Without a backward glance, Ruth packs up Robbie’s ashes and drives east, heading away from her guilt and regret. But the closer she gets to the coast she was born on, the more evident it becomes that she won’t outrun her demons—eventually, she’ll have to face them and confront the painful truth about her past, her choices, the war, and her son.