Scott Fitzgerald, the iconic American writer of The Great Gatsby who is more widely read today than ever.I’d Die For You is a collection of the last remaining unpublished and uncollected short stories by F. Scott Fitzgerald, edited by Anne Margaret Daniel. Fitzgerald did not design the stories in I’d Die For You as a collection. Most were submitted individually to major magazines during the 1930s and accepted for publication during Fitzgerald’s lifetime, but were never printed. Some were written as movie scenarios and sent to studios or producers, but not filmed. Others are stories that could not be sold because their subject matter or style departed from what editors expected of Fitzgerald. They date from the earliest days of Fitzgerald’s career to the last. They come from various sources, from libraries to private collections, including those of Fitzgerald’s family. Readers will experience Fitzgerald writing about controversial topics, depicting young men and women who actually spoke and thought more as young men and women did, without censorship. Rather than permit changes and sanitizing by his contemporary editors, Fitzgerald preferred to let his work remain unpublished, even at a time when he was in great need of money and review attention. “I’d Die For You,” the collection’s title story, is drawn from Fitzgerald’s stays in the mountains of North Carolina when his health, and that of his wife Zelda, was falling apart. With the addition of a Hollywood star and film crew to the Smoky Mountain lakes and pines, Fitzgerald brings in the cinematic world in which he would soon be living. Most of the stories printed here come from this time period, during the middle and late1930s, though the collection spans Fitzgerald’s career from 1920 to the end of his life. The book is subtitled And Other Lost Stories in recognition of an absence until now. Some of the eighteen stories were physically lost, coming to light only in the past few years. All were lost, in one sense or another: lost in the painful shuffle of the difficulties of Fitzgerald’s life in the middle 1930s; lost to readers because contemporary editors did not understand or accept what he was trying to write; lost because archives are like that, and good things can wait patiently in libraries for many centuries sometimes. I’d Die For You And Other Lost Stories echoes as well the nostalgia and elegy in Gertrude Stein’s famous phrase “a lost generation,” that generation for whom Fitzgerald was a leading figure. Written in his characteristically beautiful, sharp, and surprising language, exploring themes both familiar and fresh, these stories provide new insight into the bold and uncompromising arc of Fitzgerald’s career. I’d Die For You is a revealing, intimate look at Fitzgerald’s creative process that shows him to be a writer working at the fore of modern literature—in all its developing complexities.

    The garden burns with sunlight; the macaws laugh sweetly. Otilia, Ismail's wife, is ashamed of his peeping and suggests that he pay a visit to Father Albornoz. Instead, Ismail wanders the town visiting old friends, plagued by a tangle of secret memories. "Where have I existed these years? I answer myself; up on the wall, peering over." When the armies slowly arrive, the profesor's reveries are gradually taken over by a living hell. His wife disappears and he must find her. We learn that not only gentle, grassy hillsides surround San Joseacute; but landmines and coca fields. The reader is soon engulfed by the violence of Rosero's narrative that is touched not only with a deep sadness, but an extraordinary tenderness.

    For a full appreciation of literature or visual art, knowledge of the Greek myths is crucial. In this much-loved collection, poet and scholar Robert Graves retells the immortal stories of the Greek myths. Demeter mourning her daughter Persephone, Icarus flying too close to the sun, Theseus and the Minotaur … all are captured here with the author’s characteristic erudition and flair.The Greek Myths is the culmination of years of research and careful observation, however what makes this collection extraordinary is the imaginative and poetic style of the retelling. Drawing on his experience as a novelist and poet, Graves tells the fantastic stories of Ancient Greece in a style that is both absorbing and easy for the general reader to understand. Each story is accompanied by Graves’ interpretation of the origins and deeper meaning of the story, giving a reader an unparalleled insight into the customs and development of the Greek world.

    A highly readable and beautifully illustrated re-telling of the most famous stories from Greek mythology.

    Now banned in Iran, this small masterpiece was eventually translated into several languages and introduces U.S. readers to the work of a brilliant Persian writer. With a tone that is stark, and bold, Women Without Men creates an evocative allegory of life for contemporary Iranian women. In the interwoven destinies of five women, simple situations such as walking down a road or leaving the house become, in the tumult of post-WWII Iran, horrific and defiant as women escape the narrow confines of family and society only to face daunting new challenges.Now in political exile, Shahrnush Parsipur lives in the Bay Area. She is the author of several short story collections including Touba and the Meaning of Night.

    But fifteen years later, Duke, the leader and undisputed genius of their group, has been murdered, and the three remaining members of their circle reunite to piece together what became of their lives and how they fell so short of their expectations.Now in their thirties, Aurora, Antero, and Emiliano have succumbed to the pressures of adulthood, the exigencies of carving out a life in a country that is fraying at the seams. Reunited after years of long-held grudges and painful crushes, the three try to resurrect the spirit of the all-night parties and early morning trysts, the protests and pornography of their youths. Lurking over them, as they puzzle out their fates, is the question of whether or not there is a future for them to believe in, or if the end has already arrived.Twenty After Midnight is a portrait of the first generation of the digital age, a group that was promised everything but handed a fractured world. Daniel Galera has written a pre-apocalyptic tale of millennial longings.

    When Carlos Ruweda's wife is suddenly taken from him, he discovers a magical gift: In waking dreams, he had clear visions of the fates of "the disappeared." But he cannot "imagine" what has happened to his own wife. Driven to near madness, his mind cannot be taken away: imagination, stories, and the mystical secrets of the human spirit.

    Intimate with the region, she crafts an emotionally pitch-perfect tale of a young woman who makes a horrifying--but ultimately liberating--discovery about her origins.Perla Correa grew up a privileged only child in Buenos Aires with a polished, aloof mother and a straitlaced naval officer father, whose profession she learned early on not to disclose in a country still reeling from the abuses perpetrated by the deposed military dictatorship. Although Perla understands that her parents were on the wrong side of the conflict, her love for her papa is unconditional. But when she is startled by an uninvited visitor, she begins a journey that will force her to confront the unease she has long suppressed and make a wrenching decision about who she is and who she will become.This rich human drama is based on the truth of thirty thousand disappeared Argentinian citizens and five hundred babies who were born in clandestine detention centers, torn from their mothers, and secretly given up for adoption. In the years that followed this dark time, some of these children have discovered the identities of their true families, and they continue to do so today. Perla brings history to life as only fiction can, in an intimate, unforgettable portrait of one young woman's explosive search for truth. De Robertis unfolds a gripping and historically resonant tale with keen-eyed compassion, luminous prose, and a startling vision of the incomparable power of love.

    Their relationship is made up of clandestine meetings and stolen moments because there is someone who will make them suffer if he discovers she is no longer 'his'. But life in the theatre doesn't always go according to plan and tragedy and heartache are waiting in the wings for all the players . . .Almost seventy years later, a new production of When the Curtain Falls arrives at the theatre, bringing with it Oscar Bright and Olive Green and their budding romance. Very soon, though, strange things begin to happen and they learn about the ghost that's haunted the theatre since 1952, a ghost who can only be seen on one night of the year. Except the ghost is appearing more often and seems hell bent on sabotaging Oscar and Olive. The young couple realise they need to right that wrong from years gone by, but can they save themselves before history repeats itself and tragedy strikes once more?

    Their trip, which ends in disaster and fire, is a brilliant tragicomedy thanks to the various insanities of the patients, among whom is a delusional man who greatly over-estimates his own importance and a nymphomaniac nun who tricks everyone—even the other patients—into sleeping with her.Fascinating as a faux historical novel and written in Saer's typically gorgeous, Proustian style, The Clouds can be read as a metaphor for exile—a huge theme for Saer and a lot of Argentine writers—as well as an examination of madness.Juan José Saer was the leading Argentinian writer of the post-Borges generation. The author of numerous novels and short-story collections (including Scars and La Grande), Saer was awarded Spain's prestigious Nadal Prize in 1987 for The Event. Five of his novels are available from Open Letter Books.Hilary Vaughn Dobel has an MFA in poetry and translation from Columbia University. She is the author of two manuscripts and, in addition to Saer, she has translated work by Carlos Pintado.

    The Secretary of the Presidency of the Republic is murdered at the former home of the Marquesa de Santos, known as the House of Exchanges, a sophisticated brothel where secret meetings take place. Under the guise of a medical clinic, the brothel is run by a scientist obsessed with the study of female sexual fantasies. During the criminal investigation, a forensic expert who frequents the House comes face to face with a rogue from Cais do Porto possibly involved in the murder. The two begin a competition to figure out who is the greatest seducer.

    Its raw style and comic inventiveness signal a major voice in Brazilian literature. Sadly the author died, aged forty-three, soon after it was published in 2008.Due to his mental fragility, Rodrigo de Souza Leão rarely left his house and yet, through social media, blogging, and e-mail, he became close to many Brazilian writers and poets and remains highly regarded today.

    Francis. National ad/promo.

    IRGB is a nation living in the aftermath of a bizarre and terrifying terrorist atrocity - hundreds of thousands were wiped out when a vast triangle of west London was instantly annihilated. The authorities think the terrorist attack and the death of Tarent's wife are somehow connected. A century earlier, a stage magician is sent to the Western Front on a secret mission to render British reconnaissance aircraft invisible to the enemy. On his journey to the trenches he meets the visionary who believes that this will be the war to end all wars. In 1943, a woman pilot from Poland tells a young RAF technician of her escape from the Nazis, and her desperate need to return home. In the present day, a theoretical physicist stands in his English garden and creates the first adjacency. THE ADJACENT is a novel where nothing is quite as it seems. Where fiction and history intersect, where every version of reality is suspect, where truth and falsehood lie closely adjacent to one another. It shows why Christopher Priest is one of our greatest writers.

    In Rain of Gold, Victor Villasenor weaves the parallel stories of two families and two countries…bringing us the timeless romance between the volatile bootlegger who would become his father and the beautiful Lupe, his mother–men and women in whose lives the real and the fantastical exist side by side…and in whose hearts the spirit to survive is fueled by a family’s unconditional love.