It chronicles her youth, her marriage, her eventual decision to come out as a lesbian, and her life with transgender activist and author Leslie Feinberg.

    Examples abound in popular culture, from actress Cynthia Nixon, who left her male partner of 15 years to be with a woman, to writer and comedienne Carol Leifer, who divorced her husband for the same reason.In a culture increasingly open to accepting this fluidity, Dear John, I Love Jane is a timely, fiercely candid exploration of female sexuality and personal choice. The book is comprised of essays written by a broad spectrum of women, including a number of well-known writers and personalities. Their stories are sometimes funny, sometimes painful—but always achingly honest—accounts of leaving a man for a woman, and the consequences of making such a choice.Arousing, inspiring, bawdy, bold, and heartfelt, Dear John, I Love Jane is an engrossing reflection of a new era of female sexuality.

    Focusing on queer female diasporic subjectivity, Gopinath develops a theory of diaspora apart from the logic of blood, authenticity, and patrilineal descent that she argues invariably forms the core of conventional formulations. She examines South Asian diasporic literature, film, and music in order to suggest alternative ways of conceptualizing community and collectivity across disparate geographic locations. Her agile readings challenge nationalist ideologies by bringing to light that which has been rendered illegible or impossible within diaspora: the impure, inauthentic, and nonreproductive.Gopinath juxtaposes diverse texts to indicate the range of oppositional practices, subjectivities, and visions of collectivity that fall outside not only mainstream narratives of diaspora, colonialism, and nationalism but also most projects of liberal feminism and gay and lesbian politics and theory. She considers British Asian music of the 1990s alongside alternative media and cultural practices. Among the fictional works she discusses are V. S. Naipaul’s classic novel A House for Mr. Biswas, Ismat Chughtai’s short story “The Quilt,” Monica Ali’s Brick Lane, Shyam Selvadurai’s Funny Boy, and Shani Mootoo’s Cereus Blooms at Night. Analyzing films including Deepa Mehta’s controversial Fire and Mira Nair’s Monsoon Wedding, she pays particular attention to how South Asian diasporic feminist filmmakers have reworked Bollywood’s strategies of queer representation and to what is lost or gained in this process of translation. Gopinath’s readings are dazzling, and her theoretical framework transformative and far-reaching.

    Misogyny encompasses the Church, witch hunts, sexual theory, Nazism, pro-life campaigners, and finally, today's developing world, where women are increasingly and disproportionately at risk because of radicalized religious beliefs, famine, war, and disease. Extensively researched, highly readable and provocative, this book chronicles an ancient, pervasive and enduring injustice. The questions it poses deal with the fundamentals of human existence — sex, love, violence — that have shaped the lives of humans throughout history, and ultimately limn an abuse of human rights on a nearly unthinkable scale.

    But throughout generations of education in ancient Greek philosophy, drama, poetry, politics, and art, a crucial aspect of the ancient Greek world has come to be overlooked, avoided, distorted, or denied--the role of the homosexual relationship. K.J. Dover's scholarly, thorough, and fair study is a landmark in the opening of the issue to the public.

    You often hear, "There should be a law against it!" Or, perhaps just against the buyers. What do sex workers want? That's not something you hear asked very often. In this accessible manifesto, the strong argument for full decriminalization of sex work is explored through personal experience and looking at laws around the world.In some places, like New York, selling sex is illegal. In others, like Sweden, only buying it is. In some, like the UK and France, it's legal to sell sex and to buy it, but not to run a brothel or solicit a sale. In New Zealand, it's not illegal at all. In What Do Sex Workers Want?, Juno Mac and Molly Smith - both sex workers - explain what each of these laws do in practice to those doing the work. Addressing each model in turn, they show that prohibiting the sex industry actually exacerbates every harm that sex workers are vulnerable to.

    The Chalice and the Blade tells a new story of our cultural origins. It shows that warfare and the war of the sexes are neither divinely nor biologically ordained. It provides verification that a better future is possible—and is in fact firmly rooted in the haunting dramas of what happened in our past.

     Dan Savage's mother wants him to get married. His boyfriend, Terry, says "no thanks" because he doesn't want to act like a straight person. Their six-year-old son DJ says his two dads aren't "allowed" to get married, but that he'd like to come to the reception and eat cake. Throw into the mix Dan's straight siblings, whose varied choices form a microcosm of how Americans are approaching marriage these days, and you get a rollicking family memoir that will have everyone-gay or straight, right or left, single or married-howling with laughter and rethinking their notions of marriage and all it entails. BACKCOVER: "Hilarious, heartfelt." -Seattle Post-Intelligencer "As funny as David Sedaris's essay collections, but bawdier and more thought-provoking." -Publisher's Weekly (starred review) "Most of all, a book about creating and appreciating family." -Seattle Times "I think America would be a better place if everyone on every side of the gay marriage debate would read this book." -Ira Glass, host of the public radio show This American Life "The strongest argument here, which [Savage] brilliantly plays down, is that family means everything to these people: married, not married, blended, gay, straight, whatever." -The Washington Post

    Armed with only six passages in the Bible often known as the clobber passages the conservative Christian position has been one that stands against the full inclusion of our LGBT brothers and sisters. Unclobber reexamines each of those frequently quoted passages of Scripture, alternating with author Colby Martin's own story of being fired from an evangelical megachurch when they discovered his stance on sexuality.UnClobber reexamines what the Bible says (and does not say) about homosexuality in such a way that breathes fresh life into outdated and inaccurate assumptions and interpretations.

    In Battling the Gods, Tim Whitmarsh journeys into the ancient Mediterranean, a world almost unimaginably different from our own, to recover the stories and voices of those who first refused the divinities.Homer’s epic poems of human striving, journeying, and passion were ancient Greece’s only “sacred texts,” but no ancient Greek thought twice about questioning or mocking his stories of the gods. Priests were functionaries rather than sources of moral or cosmological wisdom. The absence of centralized religious authority made for an extraordinary variety of perspectives on sacred matters, from the devotional to the atheos, or “godless.” Whitmarsh explores this kaleidoscopic range of ideas about the gods, focusing on the colorful individuals who challenged their existence. Among these were some of the greatest ancient poets and philosophers and writers, as well as the less well known: Diagoras of Melos, perhaps the first self-professed atheist; Democritus, the first materialist; Socrates, executed for rejecting the gods of the Athenian state; Epicurus and his followers, who thought gods could not intervene in human affairs; the brilliantly mischievous satirist Lucian of Samosata.Before the revolutions of late antiquity, which saw the scriptural religions of Christianity and Islam enforced by imperial might, there were few constraints on belief. Everything changed, however, in the millennium between the appearance of the Homeric poems and Christianity’s establishment as Rome’s state religion in the fourth century AD. As successive Greco-Roman empires grew in size and complexity, and power was increasingly concentrated in central capitals, states sought to impose collective religious adherence, first to cults devoted to individual rulers, and ultimately to monotheism. In this new world, there was no room for outright disbelief: the label “atheist” was used now to demonize anyone who merely disagreed with the orthodoxy—and so it would remain for centuries.As the twenty-first century shapes up into a time of mass information, but also, paradoxically, of collective amnesia concerning the tangled histories of religions, Whitmarsh provides a bracing antidote to our assumptions about the roots of freethinking. By shining a light on atheism’s first thousand years, Battling the Gods offers a timely reminder that nonbelief has a wealth of tradition of its own, and, indeed, its own heroes. From the Hardcover edition.

    Even before its usage to mean a female canine, bitch didn’t refer to gender at all—it originated as a gender-neutral word meaning genitalia. A perfectly innocuous word devolving into a female insult is the case for tons more terms, including hussy, which simply meant “housewife,” or slut, which meant “untidy” and was also used to describe men. These words are just a few among history’s many English slurs hurled at women. Amanda Montell, feminist linguist and staff features editor at online beauty and health magazine Byrdie.com, deconstructs language—from insults and cursing to grammar and pronunciation patterns—to reveal the ways it has been used for centuries to keep women form gaining equality. Ever wonder why so many people are annoyed when women use the word “like” as a filler? Or why certain gender neutral terms stick and others don’t? Or even how linguists have historically discussed women’s speech patterns? Wordslut is no stuffy academic study; Montell’s irresistible humor shines through, making linguistics not only approachable but both downright hilarious and profound.

    Once in a generation a historian will redefine his field, producing a book that demands to be read--a product of electrifying scholarship conveyed with commanding skill. Diarmaid MacCulloch's Christianity is such a book. Ambitious, it ranges back to the origins of the Hebrew Bible & covers the world, following the three main strands of the Christian faith. Christianity will teach modern readers things that have been lost in time about how Jesus' message spread & how the New Testament was formed. It follows the Christian story to all corners of the globe, filling in often neglected accounts of conversions & confrontations in Africa & Asia. It discovers the roots of the faith that galvanized America, charting the rise of the evangelical movement from its origins in Germany & England. This book encompasses all of intellectual history--we meet monks & crusaders, heretics & saints, slave traders & abolitionists, & discover Christianity's essential role in driving the Enlightenment & the age of exploration, & shaping the course of WWI & WWII.We live in a time of tremendous religious awareness, when both believers & non-believers are engaged by questions of religion & tradition, seeking to understand the violence sometimes perpetrated in the name of God. The son of an Anglican clergyman, MacCulloch writes with feeling about faith. His last book, The Reformation, was chosen by dozens of publications as Best Book of the Year & won the Nat'l Book Critics Circle Award. This inspiring follow-up is a landmark new history of the faith that continues to shape the world.

    This book investigates not only how feminists understand pornography, but also how feminists do porn—that is, direct, act in, produce, and consume one of the world's most lucrative and growing industries. With original contributions by Susie Bright, Candida Royalle, Betty Dodson, Nina Hartley, Buck Angel, and more, The Feminist Porn Book updates the debates of the porn wars of the 1980s, which sharply divided the women's movement, and identifies pornography as a form of expression and labor in which women and other minorities produce power and pleasure.Tristan Taormino is an award-winning author, columnist, editor, sex educator, and feminist pornographer. She is the author of seven books including The Ultimate Guide to Anal Sex for Women and Opening Up. She runs the adult film production company Smart Ass Productions and is an exclusive director for Vivid Entertainment.Celine Parreñas Shimizu is an associate professor of film and performance studies at the University of California, Santa Barbara, and founding editor of Camera Obscura. She is the author of Straitjacket Sexualities and the 2009 Cultural Studies Book Award winning, The Hypersexuality of Race.Mireille Miller-Young is assistant professor of feminist studies at the University of California, Santa Barbara. Her forthcoming book, A Taste for Brown Sugar: Black Women, Sex Work, and Pornography (Duke University Press) examines African American women’s sex work in the porn industry.

    Top scholars--like the late John Boswell of Yale, Daniel Boyarin of Berkeley, Bernadette Brooten of Brandeis, L.William Countryman of the Church Divinity School of the Pacific in Berkeley, Victor P. Furnish of SMU, Saul M. Olyan of Brown and Robin Scruggs of Union Theological Seminary--show that those who perceive Bible passages as condemning homosexuality are being misled by faulty translation and poor interpretation...... Danial A. Helminiak, Ph.D. respected theologian and Roman Catholic priest, explains in a clear fashion the fascinating new insights of these scholars...... The Bible has been used to justify slavery, inquisitions, apartheid and the subjugation of women. Now, in this books which has sold over 100 thousand copies, read what the Bible really says about homosexuality.

    With sharp analytic insight, Peter Heather explores the dynamics of migration and social and economic interaction that changed two vastly different worlds—the undeveloped barbarian world and the sophisticated Roman Empire—into remarkably similar societies and states. The book's vivid narrative begins at the time of Christ, when the Mediterranean circle, newly united under the Romans, hosted a politically sophisticated, economically advanced, and culturally developed civilization—one with philosophy, banking, professional armies, literature, stunning architecture, even garbage collection. The rest of Europe, meanwhile, was home to subsistence farmers living in small groups, dominated largely by Germanic speakers. Although having some iron tools and weapons, these mostly illiterate peoples worked mainly in wood and never built in stone. The farther east one went, the simpler it became: fewer iron tools and ever less productive economies. And yet ten centuries later, from the Atlantic to the Urals, the European world had turned. Slavic speakers had largely superseded Germanic speakers in central and Eastern Europe, literacy was growing, Christianity had spread, and most fundamentally, Mediterranean supremacy was broken. The emergence of larger and stronger states in the north and east had, by the year 1000, brought patterns of human organization into much greater homogeneity across the continent. Barbarian Europe was barbarian no longer. Bringing the whole of first millennium European history together for the first time, and challenging current arguments that migration played but a tiny role in this unfolding narrative, Empires and Barbarians views the destruction of the ancient world order in the light of modern migration and globalization patterns. The result is a compelling, nuanced, and integrated view of how the foundations of modern Europe were laid.