This is the story of Smoak's first outing as the Nowhere Man, where after completing a mission in Northern California, he happens to spot a young woman at a coffee shop. Brutalized and under the control of a very powerful, unscrupulous man, her life is in danger if she doesn't escape. And the only person that can help her do that is a man with the background and skills of the Nowhere Man.

    Seth arrives at the scene and makes a painful discovery: the victim is his brother-in-law’s girlfriend. Her apartment has been ransacked and her toddler left motherless. To make matters worse, Seth’s brother-in-law, Bruce, is missing. With Solitude locked in a rare, deadly deep freeze and the temperature plummeting, the residents launch a desperate search.Seth calls his wife, social worker Carly Taylor, to take the case so the little girl doesn’t get lost in the foster care system. With the holidays near, Carly brings the child home with them to celebrate Christmas. But when the Taylor farm is also trashed, Seth and Carly must race against time—and against a paralyzing winter storm—to find Bruce and catch a killer in the first pulse-pounding sequel to the Rogue River Novellas.

    She is the pride of Fort Hadley until, one morning, her body is found, naked and bound, on the firing range.Paul Brenner is a member of the Army's elite undercover investigative unit and the man in charge of this politically explosive case. Teamed with rape specialist Cynthia Sunhill, with whom he once had a tempestuous, doomed affair, Brenner is about to learn just how many people were sexually, emotionally, and dangerously involved with the Army's "golden girl." And how the neatly pressed uniforms and honor codes of the military hide a corruption as rank as Ann Campbell's shocking secret life.

    In an instant, she became a member of a club no one wants to belong to—a group of similar survivors known in the press as the Final Girls. Lisa, who lost nine sorority sisters to a college dropout's knife; Sam, who went up against the Sack Man during her shift at the Nightlight Inn; and now Quincy, who ran bleeding through the woods to escape Pine Cottage and the man she refers to only as Him. The three girls are all attempting to put their nightmares behind them, and, with that, one another. Despite the media's attempts, they never meet.   Now, Quincy is doing well—maybe even great, thanks to her Xanax prescription. She has a caring almost-fiancé, Jeff; a popular baking blog; a beautiful apartment; and a therapeutic presence in Coop, the police officer who saved her life all those years ago. Her memory won’t even allow her to recall the events of that night; the past is in the past.   That is, until Lisa, the first Final Girl, is found dead in her bathtub, wrists slit, and Sam, the second, appears on Quincy's doorstep. Blowing through Quincy's life like a whirlwind, Sam seems intent on making Quincy relive the past, with increasingly dire consequences, all of which makes Quincy question why Sam is really seeking her out. And when new details about Lisa's death come to light, Quincy's life becomes a race against time as she tries to unravel Sam's truths from her lies, evade the police and hungry reporters, and, most crucially, remember what really happened at Pine Cottage, before what was started ten years ago is finished.

    Three teenage friends waited for the movie to start. A boy flirted with the girl selling sunglasses. Mothers and children shopped together, and the manager at the video-game store tended to customers. Then the shooters arrived.The chaos and carnage lasted only eight minutes before the killers were taken down. But for those who lived through it, the effects would last forever. In the years that followed, one would dedicate himself to a law enforcement career. Another would close herself off, trying to bury the memory of huddling in a ladies' room, hopelessly clutching her cell phone--until she finally found a way to pour her emotions into her art.But one person wasn't satisfied with the shockingly high death toll at the DownEast Mall. And as the survivors slowly heal, find shelter, and rebuild, they will discover that another conspirator is lying in wait--and this time, there might be nowhere safe to hide.

    She’s finally created a life with her daughter and is a well-respected attorney. She’s moving on. But when a new rash of homicides has her ex-husband, Eddie, written all over them—the nightmares of her past come back to life.The FBI asks Jessica to get involved in the hunt for this copycat killer—which means visiting her ex and collaborating with the man who tore her life apart.As the copycat’s motives become clearer, the new life Jessica created for herself gets darker. She must ask herself who she can trust and if she’s capable of stopping the killer—a man whose every crime is a bloody valentine from a twisted mastermind she’s afraid she may never escape.

    She is dressed in strange doll's clothes. Around her neck is an airline tag that says "I'm traveling alone." A special homicide unit in Oslo re-opens with veteran police investigator Holger Munch at the helm. Holger's first step is to persuade the brilliant but haunted investigator Mia Krüger to come back to the squad--she's been living on an isolated island, overcome by memories of her past. When Mia views a photograph of the crime scene and spots the number "1" carved into the dead girl's fingernail, she knows this is only the beginning. She'll soon discover that six years earlier, an infant girl was abducted from a nearby maternity ward. The baby was never found. Could this new killer have something to do with the missing child, or with the reclusive Christian sect hidden in the nearby woods?Mia returns to duty to track down a revenge-driven and ruthlessly intelligent killer. But when Munch's own six-year-old granddaughter goes missing, Mia realizes that the killer's sinister game is personal, and I'm Traveling Alone races to an explosive--and shocking--conclusion.

    The truth doesn't matter in a trial.The only thing that matters is what the prosecution can prove.Eddie Flynn used to be a con artist. Then he became a lawyer. Turned out the two weren't that different.It's been over a year since Eddie vowed never to set foot in a courtroom again. But now he doesn't have a choice. Olek Volchek, the infamous head of the Russian mafia in New York, has strapped a bomb to Eddie's back and kidnapped his ten-year-old daughter Amy.Eddie only has 48 hours to defend Volchek in an impossible murder trial—and win—if he wants to save his daughter.Under the scrutiny of the media and the FBI, Eddie must use his razor-sharp wit and every con-artist trick in the book to defend his 'client' and ensure Amy's safety. With the timer on his back ticking away, can Eddie convince the jury of the impossible?Lose this case and he loses everything.

    Then, back home in Boston, as the family gathers to grieve for his memory and to war over his legacy, a stunningly beautiful young woman appears. She claims to be Stanford's long-lost daughter and entitled to her share of his estate. Now, flaming with intrigue and passion through the glamorous preserves of the world's super rich, the ultimate game of wits begins, for stakes too dazzling and deadly to imagine.Alternate cover for this ISBN can be found here

    A high-class, transcontinental horse-racing junket should be an idyllic getaway for the super-rich.But one passenger on this train is a sociopath, a genius at blackmail and criminal corruption—and he plans to take everyone for everything they've got.

    Especially one that involves 1920’s fancy dress and pretending that their town, Little Kilton, is an island called Joy. But when the game begins, Pip finds herself drawn into the make-believe world of intrigue, deception and murder.But as Pip plays detective, teasing out the identity of the killer clue-by-clue, the murder of the fictional Reginald Remy isn’t the only case on her mind …Find out where it all began for Pip in this prequel to the best-selling A Good Girl’s Guide to Murder and Good Girl, Bad Blood.

    Stephen Graham Jones returns with Night of the Mannequins, a contemporary horror story where a teen prank goes very wrong and all hell breaks loose: is there a supernatural cause, a psychopath on the loose, or both?

    . . the long, hot summer of 1996. . .. . . and in the dark of night, moving like a shadowy wraith, a vigilante prowls the city's streets.The targets of his bloody rampage: the worst of the worst.Murderers. Gangbangers. Rapists.Six months. Sixteen murders. The harried police are still without a clue . . .. . . until the day they receive an email from the assassin himself.Lieutenant Dave McCall, head of Montreal's Special Homicide Task Force, needs help to crack the secrets of the killer's taunting message. He calls on an expert--Chris Barry, who runs a security firm specializing in computer communications.Together, McCall and Barry launch a grim quest to track down a man who preys on predators--an urgent quest to bring this remorseless killer to justice.But whose justice will prevail: theirs--or the vigilante's?

    Money, success, privilege - the residents have it all. Life is good.There's just one problem.Olive Collins' dead body has been rotting inside number four for the last three months. Her neighbours say they're shocked at the discovery but nobody thought to check on her when she vanished from sight.The police start to ask questions and the seemingly flawless facade begins to crack. Because, when it comes to Olive's neighbours, it seems each of them has something to hide, something to lose and everything to gain from her death.

    Fans of Paula Hawkins’ The Girl on the Train will love this modern reimagining of Patricia Highsmith’s classic Strangers on a Train from the author of the acclaimed The Girl with a Clock for a Heart—which the Washington Post said “should be a contender for crime fiction’s best first novel of 2014.”On a night flight from London to Boston, Ted Severson meets the stunning and mysterious Lily Kintner. Sharing one too many martinis, the strangers begin to play a game of truth, revealing very intimate details about themselves. Ted talks about his marriage that’s going stale and his wife Miranda, who he’s sure is cheating on him. Ted and his wife were a mismatch from the start—he the rich businessman, she the artistic free spirit—a contrast that once inflamed their passion, but has now become a cliché.But their game turns a little darker when Ted jokes that he could kill Miranda for what she’s done. Lily, without missing a beat, says calmly, “I’d like to help.” After all, some people are the kind worth killing, like a lying, stinking, cheating spouse. . . .Back in Boston, Ted and Lily’s twisted bond grows stronger as they begin to plot Miranda's demise. But there are a few things about Lily’s past that she hasn’t shared with Ted, namely her experience in the art and craft of murder, a journey that began in her very precocious youth.Suddenly these co-conspirators are embroiled in a chilling game of cat-and-mouse, one they both cannot survive . . . with a shrewd and very determined detective on their tail.