In the seaside village of Frip live three families: the Romos, the Ronsens, and a little girl named Capable and her father. The economy of Frip is based solely on goat’s milk, and this is a problem because the village is plagued by gappers: bright orange, many-eyed creatures the size of softballs that love to attach themselves to goats. When a gapper gets near a goat, it lets out a high-pitched shriek of joy that puts the goats off giving milk, which means that every few hours the children of Frip have to go outside, brush the gappers off their goats, and toss them into the sea. The gappers have always been everyone’s problem, until one day they get a little smarter, and instead of spreading out, they gang up: on Capable’s goats. Free at last of the tyranny of the gappers, will her neighbors rally to help her? Or will they turn their backs, forcing Capable to bear the misfortune alone? Featuring fifty-two haunting and hilarious illustrations by Lane Smith and a brilliant story by George Saunders that explores universal themes of community and kindness, The Very Persistent Gappers of Frip is a rich and resonant story for those that have all and those that have not.

     Everyone knows some version of this popular children's hand-clapping rhyme, but in this adaptation, the elephant's fateful jump over the fence is just the beginning of the fun. Popular children's author Mary Ann Hoberman has elaborated on this well known tale to create an absurdly funny story children will want to sing, chant, read, and clap to again and again.

    At first, big sister Lilly thought it might be fun to have a new baby in the family. But when her parents repeatedly coo, "Julius is the baby of world," Lilly's mouse hackles begin to rise. Soon the jealousy is too much for her, and she embarks on a rejection campaign that is hysterically funny, but also comforting for siblings who probably feel just as much resentment but would never go to Lilly's extremes. Kevin Henkes, creator of Lilly's Purple Plastic Purse refuses to shy away from the truly powerful and sometimes dark feelings of children. Through bright watercolors and handwritten, cartoon-style dialogue, Henkes relishes Lilly's wickedness. For example, she delights in insulting her oblivious baby brother: "If you were a food, you'd be a raisin," she whispers into his crib. "If you were a number you'd be zero." When she paints an elaborate family portrait, she leaves Julius out. When she throws a tea party, guess which baby doesn't get an invitation? But when a visiting cousin starts insulting baby Julius, we discover that the flip side of Lilly's intense jealousy is an even more powerful and lasting loyalty. ALA Notable Book, ALA Booklist Children's Editors' Choice, Horn Book Fanfare Honor List, Parent's Choice Honor for Literature. (Baby to Preschool) --Gail Hudson

    This groundbreaking, award-winning book endeavors to convey the experience of a person who can only see through his or her sense of touch, taste, smell or hearing.Raised black line drawings on black paper, which can be deciphered by touch, complement a beautifully written text describing colors through imagery. Braille letters accompany the text so that the sighted reader can begin to imagine what it is like to use Braille to read. A full Braille alphabet at the end of the book can be used to learn more.

    their younger brothers or sisters will also want to follow the baby bird's quest as he asks everyone and everything he meets, "Are You My Mother?".Back in 1957, Theodor Geisel responded to an article in Life magazine that lamented the use of boring reading primers in schools. Using the pseudonym of "Dr. Seuss" (Seuss was Geisel's middle name) and only two hundred twenty-three words, Geisel created a replacement for those dull primers: "The Cat in the Hat." The instant success of the book prompted Geisel and his wife to found Beginner Books, and Geisel wrote many popular books in this series, including "Hop on Pop," "Fox in Socks," and "Green Eggs and Ham." Other favorite titles in this series are "Go, Dog, Go!" and "Are You My Mother?" by P. D. Eastman, "A Fly Went By," by Mike McClintock, and "Put Me in the Zoo," by Robert Lopshire. These affordable hardcover books combine large print, easy vocabulary, and large, bright illustrations in stories kids will want to read again and again. Grades 1 - Grades 2.

    USA Today  declared it “a compelling and melancholy debut from an important new talent" as well as "an expansive and ageless book full of wonder, sadness, and wild bursts of imagination.” And like Shaun Tan's The Arrival and Raymond Briggs's The Snowman, it is quickly becoming a modern classic.   A little girl—lost and alone—follows a mysterious stag deep into the woods, and, like Alice down the rabbit hole, she finds herself in a strange and wondrous world. But... home and family are very far away. How will she get back there?   In this magnificently illustrated—and wordless—masterpiece, debut artist Guojing brilliantly captures the rich and deeply-felt emotional life of a child, filled with loneliness and longing as well as love and joy.

    But there’s something different about this zoo. These animals want things. Unusual things. What will they do with them?    Laughs, jokes, and surprises abound in this graphic picture book about a feisty, all-too-helpful little girl and her role in aiding and abetting zoo-animal shenanigans. Adam Rex once again reveals the hilarious hidden life of creatures we thought we knew well.

    The thing is a large, freakish creature but no-one else really notices it--it's simply not a part of their familiar day-to-day reality. So the kid takes it upon himself to try to find where the lost thing belongs...The Lost Thing is a gently humorous story that will be read and enjoyed by a wide range of ages. While the narrative is full of typical thoughts of an observant and caring young person, the illustrations provide a surreal and thought-provoking backdrop for this 'lost dog story' with a definite twist. The Lost Thing is the first book that Shaun Tan both wrote and illustrated.

    The golem's task was to vanquish those who persecuted the Jews of Prague, and he performed it almost too well. Retold from traditional sources and accompanied by masterly cutpaper illustrations, Golem is a dramatic tale of supernatural forces invoked to save an oppressed people. It offers a thought-provoking look at the consequences of unleashing power beyond human control.Winner of the 1997 Caldecott Medal.

    In the years that followed, he went on to receive two more Caldecotts, and Tuesday went on to sell half a million copies in the United States and to be published in a dozen foreign countries. Now, with remarkable advances in the technology of color reproduction, the original artwork for Tuesday is being reproduced anew, for an edition even more faithful to the palette and texture of David Wiesner’s watercolor paintings. The whimsical account of a Tuesday when frogs were airborne on their lily pads will continue to enchant readers of all ages.

    That the story ends with success and a reward is, of course, as every child would wish.Like so many other classic stories for children, this one grew from being told and retold to a child for many years. That is why Mr. Heyward gives credit on the title-page to his eight-year-old daughter, Jenifer.

    Red marker in hand, she creates a boat, a balloon, and a flying carpet that carry her on a spectacular journey toward an uncertain destiny. When she is captured by a sinister emperor, only an act of tremendous courage and kindness can set her free. Can it also lead her home and to her heart’s desire? With supple line, luminous color, and nimble flights of fancy, author-illustrator Aaron Becker launches an ordinary child on an extraordinary journey toward her greatest and most exciting adventure of all.

    Cozy and sensitive watercolor illustrations from David McPhail are the perfect complement to Liza Baker's rhythmic, rhyming text. This book is sure to become a family favorite -- and an enduring classic of the genre.

    Sheila McGraw's soft and colorful pastels perfectly complement the sentiment of the book--one that will be read repeatedly for years.

    Gorey tells the tale of 26 children (each representing a letter of the alphabet) and their untimely deaths in rhyming dactylic couplets, accompanied by the author's distinctive black and white illustrations. It is one of Edward Gorey's best-known books, and is the most notorious amongst his roughly half-dozen mock alphabets.[2] It has been described as a "sarcastic rebellion against a view of childhood that is sunny, idyllic, and instructive". The morbid humor of the book comes in part from the mundane ways in which children die, such as falling down the stairs or choking on a peach. Far from illustrating the dramatic and fantastical childhood nightmares, these scenarios instead poke fun at the banal paranoias that come as a part of parenting.