Paul Wilson combines medical and political intrigue in this brilliant thriller dealing with Washington's escalating war against drugs. Someone has kidnapped Dr. John VanDuyne's little daughter and all he has to do to get her back is poison his best friend--the president of the United States.

    On the Rocks - Suicide or murder? Lt. Jack Daniels solves a locked room mystery.Whelp Wanted - P.I. Harry McGlade becomes a dognapper in order to stop a dognapper, or something like that.Street Music - Phineas Troutt hunts a prostitute through the dangerous streets of Chicago. Are his intentions pure?The One That Got Away - The Gingerbread Man (the villain from WHISKEY SOUR) hunts one final victim.With a Twist - It looked like the man fell from a great height, but the body is in his living room. Jack Daniels solves another impossible crime.Epitaph - Phin Troutt takes on a Chicago street gang with vengeance on his mind.Taken to the Cleaners - Harry McGlade tries to solve a difficult mystery, but mostly just goofs off.Body Shots - Jack Daniels faces her most challenging case yet; a school shooting. But does she know more about the perp than she realizes?Suffer - Phineas Troutt has taken some questionable jobs, but will he murder a man's wife?School Daze - P.I. Harry McGlade investigates a private school, but he's not entirely sure why.Overproof - While shopping on the Gold Coast, Jack Daniels notices traffic has come to a stand-still. When she realizes what the problem is, she's confronted with her own mortality, and the possible deaths of hundreds.Bereavement - How badly does Phineas Troutt need a fix? What is he willing to do?Pot Shot - Detective Herb Benedict just wants a home cooked meal. But his plans get interrupted by a very determined sniper.Last Request - Phineas Troutt picks up a hitchhiker, with deadly results.The Necro File - Harry McGlade investigates some bizarre murders in this hilarious, gore-filled mini-epic. (Author's note: This is easily the funniest thing I've ever written, but it's also very offensive. Let the reader beware...)That's about 65,000 words of Jack Daniels and friends. Also included in this collection are excerpts from some of Jack's other adventures, including:An excerpt from Truck Stop by J.A. Konrath and Jack Kilborn, where Jack finds herself dueling with two serial killers at once.An excerpt from Floaters by J.A. Konrath and Henry Perez, where Jack joins forces with Chicago reporter Alex Chapa to solve a bizarre disappearance.An excerpt from Planter's Punch by J.A. Konrath and Tom Schreck, where Jack travels to NY and befriends professional boxer Duffy Dombrowski to break an extortion ring.And excerpt from Suckers by J.A. Konrath and Jeff Strand, where Harry McGlade reluctantly teams up with Andrew Mayhem. Hilarity ensues.

    Like the first two, this new thriller combines gripping contemporary suspense with a high-concept mystery rooted in history, philosophy, religion, and science. And like those novels, it is bound for bestseller lists nationwide. In Antarctica, a scientific expedition drops anchor for a live news feed. As the CNN journalist begins her report, a massive, shimmering sphere of light suddenly appears in the sky, enveloping the ship in luminous white light before disappearing as mysteriously as it arrived, the entire event witnessed by an incredulous world audience.Meanwhile in a dusty bar in Egypt, a dozen men are lazily discussing the state of the world when the brilliant, glowing symbol on the television stops them cold. One man breaks out in a sweat, crosses himself repeatedly, and rushes out of the bar muttering the same phrase over and over again: It can't be.Across the Internet and around the globe, a stunning controversy threatens to consume the world: Has God finally decided to reveal himself? Or is something more sinister at hand? Raymond Khoury/Steve Berry interview STEVE BERRY: Your new thriller, THE SIGN. I'm gonna come right out and say it: I think it's your best one yet. What do you think?RAMOND KHOURY: Tough call. It's my new baby, and much as I adore its elder siblings, it does have that newborn magic to it.STEVE: Trust me, it is. It's also a bit of a departure from your first two books, in that it doesn't have the past-and-present storylines. Knowing how stories kind of take on a life of their own, that wasn't a conscious decision from the get-go, was it?RAYMOND KHOURY: No, it wasn't premeditated. It's just the way the story came out. The whole story happens in the present. It takes place over a few manic days, I think you're familiar with that pacing, right? And it deals with the present, it's about a what if situation that's very today and now, there's a mystery, something to figure out, but there's no throwback to the past, no long lost secret to uncover.STEVE BERRY: It's also very topical. Your editors must be pleased.RAYMOND: I guess it happened that way because the story came out of some very strong feelings I had, feelings about what was going on around the world, in the US and abroad.STEVE: Tell me about that process. Where the story came from.RAYMOND: It's where they all come from, isn't it? That kernel, that one thought or one observation you have that just sticks and triggers a book, the one that bugs you late at night and that you can't shake. This one came to me while watching the news one day, and every item, one after another, it was all bad news. Not just bad, but it was like a lot of people were behaving so insanely in so many places around the world, and, sadly, a lot of it was fuelled by the manipulation or distortion of religious faith.STEVE: By intolerance?RAYMOND: Exactly. Intolerance and closed minds. And it got me thinking. About how divided we are, about how so many people all over the world believe in the absolute infallibility of their faith and how it rules every aspect of their lives, you know what I mean, we're right, everyone else is wrong, that medieval mindset and wondering if anything could ever unite the planet under a single faith.STEVE: One global religion. RAYMOND: Well, imagine if something did happen that convinced everyone that what we had until now, all these different religions that have grown over the last few thousand years, what if something new came along that was so overwhelming that it was impossible to ignore? Would we listen? Would we drop our previous faiths and embrace it?STEVE: But your book's about much more than that. Without wanting to give too much away, it's really a political thriller, isn't it?RAYMOND: It's always so hard to talk about a book without giving too much away.STEVE: It's the fine line we walk.RAYMOND: True. But yes, you're right, it's really about the absolute power something like that would bring, and how it could be abused. Cause above all else, it's a thriller. There's got to be a brilliantly dastardly scheme, right?STEVE: Always. And this one certainly is dastardly. One thing I've noticed, though, in all three of your books so far, they're all, essentially, about the big questions that face us: why we believe, whether or not we have to die. Religion, longevity, life and death, science vs. faith ... Big questions. And in this one, you revisit, though in a completely different way, the power of religion, the good it can bring as well as the bad, something that was also central to The Last Templar. Will this always be your signature genre, books that have a big, central theme at their core?RAYMOND: You asked me earlier about where the story came from. For me, in order to get excited about a book, it has to have a big central theme about how we live at its heart, something I'm interested in exploring. It's got to be about something I care about deeply. That's what drives the story and the characters forward for me. That's what I hope makes the books stand out. That they're not just page-turners, which ain't easy in itself, but that they're also about something. I see it in your books too. A point of view about things, a passion for laying out interesting information about a topic that interests you. Michael Crichton used to do that very successfully. Dan Brown, of course, does it brilliantly. That's what makes the books worth writing, I think.STEVE: And in reading the book, it's clear you still had tons of research to do, even though there isn't a historic mystery to unravel?RAYMOND: Absolutely. Some of it was about history, the monasteries in Egypt, for one. Again, part of the story, organically. Had to be done, and we do love our history, don't we?STEVE: Guilty as charged.RAYMOND: But for this book, I didn't need to do that much of it's nothing like what you did for THE CHARLEMAGNE PURSUIT, for instance. Which I loved, by the way. Particularly since you beat me to using the Voynich Manuscript in a story!STEVE: We do seem to be spookily in sync with our writing as further evidenced by THE SIGN's opening in Antarctica?RAYMOND: I know!STEVE: So tell me, Matt and Gracie. Are we going to see them again?RAYMOND: I don't know. On the one hand, I envy your situation with Cotton Malone, you've got a solid anchor for your books, you're building this great world around him, his son and Stephanie and Henrik and Cassiopeia, who I hope we see again real soon, and it's meaty and it's epic and like the rest of your readers, I'm hooked and I want to know what they do next. You've got that, Lee Child has had it since day one with Reacher, Harlan Coben with Myron Bolitar, the list goes on. Great characters. I'd love to do that one day, but it has to feel right. I wasn't in that frame of mind in my first two books, certainly the world after the end of THE SANCTUARY would be a very different place from the world Mia started out in at the beginning of that book. Tess and Reilly, I could maybe bring back. A lot of fans have asked for that. But with THE SIGN, Iinitely think Matt and Gracie are characters that I could bring back. I'd like to put them through another wringer, and it feels like it would come naturally. But before I do that, I'm writing the next book which introduces a new lead character, so they'll be getting a bit of a breather.STEVE: They sure can use it. Good luck with the book.RAYMOND: Thank you.

    In four novels and fifty-six short stories, Holmes with his trusted friend Dr. Watson, steps from his comfortable quarters at 221B Baker Street into the swirling fog of London. Combining detailed observation with brilliant deduction, Holmes rescues the innocent, confounds the guilty, and solves the most perplexing puzzles crime has to offer.Volume I of The Complete Sherlock Holmes begins with Holmes's first appearance, A Study in Scarlet, a chilling murder novel complete with bloodstained walls and cryptic clues. This is followed by the baffling The Sign of Four, which introduces Holmes's cocaine problem and Watson's future wife. Volume I also includes the story collections The Adventures of Sherlock Holmes and The Memoirs of Sherlock Holmes, and concludes with the tale "The Final Problem," in which Conan Doyle, tired of writing Holmes stories, kills off his famed sleuth.(back cover)

    A woman who can change into a leopard is pursued by a hunter who is more than human. Occult detective Diana Tregarde trails a very unusual vampire. Four SKitty stories, and more!ContentsIntroduction --Werehunter --SKitty --A tail of two SKitties --SCat --A better mousetrap --The last of the season --Satanic, Versus --Nightside --Wet wings --Stolen silver --Roadkill --Operation Desert Fox --Grey --Grey's ghost.

    Decker, star tenant of the local trailer park and neophyte private eye is fishing for a killer. Thanks to a sportsman's scam that's anything but sportsmanlike, there's a body floating in Coon Bog, Florida -- and a lot that's rotten in the murky waters of big-stakes, large-mouth bass tournaments. Here Decker will team up with a half-blind, half-mad hermit with an appetite for road kill; dare to kiss his ex-wife while she's in bed with her new husband; and face deadly TV evangelists, dangerously seductive women, and a pistol-toting redneck with a pit bull on his arm. And here his own life becomes part of the stakes. For while the "double whammy" is the lure, first prize is for the most ingenious murder.

    Keeper of Dreams contains 22 stories written since 1990.From the opening science fiction tale, "The Elephants of Poznan," we see the hand of a master at work making a familiar idea new, strange, and wonderful. "Angles" takes a sideways look at alternate universes. "Geriatric Ward" is published here for the first time; it was originally written for the legendary Last Dangerous Visions.Keeper of Dreams contains science fiction, fantasy, and several of Card's mainstream fiction works. Included are two tales from the Alvin Maker universe, "Grinning Man" and "The Yazoo Queen."In addition to the stories, this book features new introductions by Orson Scott Card for each story, with commentary on his life and work. With the earlier Maps in a Mirror, this collection is a definitive retrospective of the short fiction career of the writer that the Houston Post called "the best writer science fiction has to offer."• Preface (Keeper of Dreams) • essay by Orson Scott Card• The Elephants of Poznan • (2000)• Atlantis • (1992)• Geriatric Ward• Heal Thyself • (1999)• Space Boy • juvenile • (2006)• Angles • (2002)• Vessel • (1999)• Dust • (2002)• Homeless in Hell • (2002)• In the Dragon's House • (2003)• Inventing Lovers on the Phone • (2003)• Waterbaby • (2000)• Keeper of Lost Dreams • (2004)• Missed• 50 WPM • (2002)• Feed the Baby of Love • (1991)• Grinning Man • [The Alvin Maker Saga] • (1998)• The Yazoo Queen • [The Alvin Maker Saga] • (2003)• Notes on the Mormon Stories • essay by Orson Scott Card• Christmas at Helaman's House• Neighbors• God Plays Fair Once Too Often• Worthy to Be One of Us

    We have an emergency.' The pilot requests priority clearance to land - then comes the bombshell - he needs forty ambulances on the runway.But nothing prepares the rescue workers for the carnage they witness when they enter the plane.Ninety-four passengers are injured. Three dead. The interior cabin virtually destroyed.What happened on board Flight TPA 545?

    Estleman, John Lescroart, Robert Goldsborough, and more.   If imitation is the sincerest form of flattery, then Nero Wolfe and Archie Goodwin have been widely flattered almost from the moment Rex Stout first wrote about them in 1934. The Misadventures of Nero Wolfe collects two dozen literary tributes to one of crime fiction’s best-loved private detectives and his Man Friday. Included are: A 1947 pastiche by award-winning crime writer Thomas Narcejac Rollicking new stories written especially for this collection by Michael Bracken and Robert Lopresti Stories by bestselling authors including Lawrence Block and Loren D. Estleman Chapters from Robert Goldsborough’s authorized continuation of the Wolfe series; Marion Mainwaring’s 1955 tour de force Murder in Pastiche; and John Lescroart’s Rasputin’s Revenge, which reimagines a young Wolfe as the son of Sherlock Holmes Also featuring a reminiscence from Rex Stout’s daughter, this is a treasury of witty and suspenseful crime writing for every fan of the portly private detective.

    In these four stories—“Ministerial Aid,” “Slick-Tongued Devil,” “Toys for Tots,” and “Unbalanced” (three of which have been sent to Johnson’s fans over the years in the author’s “Post-it” e-mails)—Walt is alternately at his best and his worst. He helps a somewhat delusional elderly victim of domestic abuse while sporting a bathrobe and a mean hangover on New Year’s Day. He’s sidelined by grief when his wife’s obituary reappears in the paper and there’s an unexpected knock on his door two days before Christmas. He strives to help even those who don’t want it when he picks up a young female hitchhiker, and he’s forced into some last-minute Christmas shopping by the Greatest Legal Mind of Our Time, during which he might just end up saving a young Navy chaplain’s Christmas.Full of Longmire’s dry wit and good heart, Christmas in Absaroka County is a holiday must-have for every Longmire and Craig Johnson fan, and it also includes the first chapter of The Cold Dish, the first novel in the Walt Longmire Mystery Series. Amazon review

    Set against the ever-building pressure and pace of a large Boston medical center, the tensions flare-and explode-when a surgical operation tragically ends in death, raising countless questions. Was it accidental malpractice? A violation of the Hippocratic oath? Or cold-blooded murder?

     J. D. Robb's In Death novels have been praised as "Law & Order: SVU-in the future" (Entertainment Weekly). Now, together for the first time in one volume, are three stories that spotlight Lieutenant Eve Dallas doing what she does best: solving crime with skill, integrity, and passion. Eternity in Death A seductive killer is luring in victims with a promise of the impossible-immortality. Eve Dallas must strip away the fantasy to catch the coldhearted madman. Ritual in Death Eve is plunged into the violent aftermath of a ritualistic murder-and into the mind of an alleged witness who can't remember a thing to save his life. Missing in Death When a woman disappears from a New York City ferry, it's a case that only Eve Dallas can solve- because the woman didn't jump, and yet she's not on board.

    L. N. Hanover“Demon Lover” copyright © 2010 by Cecelia Holland“The Wayfarer’s Advice” copyright © 2010 by Melinda Snodgrass“Blue Boots” copyright © 2010 by Robin Hobb“The Thing About Cassandra” copyright © 2010 by Neil Gaiman“After the Blood” copyright © 2010 by Marjorie M. Liu“You, and You Alone” copyright © 2010 by Jacqueline Carey“His Wolf” copyright © 2010 by Lisa Tuttle“Courting Trouble” copyright © 2010 by Linnea Sinclair“The Demon Dancer” copyright © 2010 by Mary Jo Putney“Under/Above the Water” copyright © 2010 by Tanith Lee“Kaskia” copyright © 2010 by Peter S. Beagle“Man in the Mirror” copyright © 2010 by Yasmine Galenorn“A Leaf on the Wind of All Hallows” copyright © 2010 by Diana Gabaldon

    And The Mystic Arts of Erasing All Signs of Death is the type of story–swift, twisted, hilarious, somehow hopeful—that only he could dream up.The fact is, whether it’s a dog hit by a train or an old lady who had a heart attack on the can, someone has to clean up the nasty mess. And that someone is Webster Fillmore Goodhue, who just may be the least likely person in Los Angeles County to hold down such a gig. With his teaching career derailed by tragedy, Web hasn’t done much for the last year except some heavy slacking. But when his only friend in the world lets him know that his freeloading days are over, and he tires of taking cash from his spaced-out mom and refuses to take any more from his embittered father, Web joins Clean Team—and soon finds himself sponging a Malibu suicide’s brains from a bathroom mirror, and flirting with the man’s bereaved and beautiful daughter.Then things get weird: The dead man’s daughter asks a favor. Her brother’s in need of somebody who can clean up a mess. Every cell in Web’s brain tells him to turn her down, but something else makes him hit the Harbor Freeway at midnight to help her however he can. Is it her laugh? Her desperate tone of voice? The chance that this might be history’s strangest booty call? Whatever it is, soon enough it’s Web who needs the help when gun-toting California cowboys start showing up on his doorstep. What’s the deal? Is it something to do with what he cleaned up in that motel room in Carson? Or is it all about the brewing war between rival trauma cleaners? Web doesn’t have a clue, but he’ll need to get one if he’s going to keep from getting his face kicked in. Again. And again. And again.Full of black humor, stunning violence, singular characters, and neon dialogue, The Mystic Arts of Erasing All Signs of Death is classic Charlie Huston: a wild ride that’ll leave you breathless and shaken, grinning and begging for more.

    Now, in search of some new pets to satisfy his cruel pursuit of amusement, Simon finds a new shop in the city where he is intrigued by a new lifeform he has never heard of before... a collection of multi-colored sandkings. The curator explains that the insect-like animals, no larger than Simon's fingernails, are not insects, but animals with a highly-evolved hive intelligence capable of staging wars between the different colors, and even religion - in the form of worship of their owner. The curator's warning to Simon about the regularity of their feeding, unfortunately, was not taken seriously...Contents:- The Way of Cross and Dragon (1979)- Bitterblooms (1977)- In the House of the Worm (1976)- Fast-Friend (1976)- The Stone City (1977)- Starlady (1976)- Sandkings (1979)Cover illustration by Michael Whelan