The story of two white-collar managers, Chad and Howard, who maliciously plot to jointly romance the lonely, deaf, beautiful office temp Christine before simultaneously dumping her, is cool and compelling in its depiction of the worst sorts of emotional abuse. What begins as a cat-and-mouse game of one-upmanship quickly escalates into full-scale psychological warfare. Only too late does this 'frat boy' prank reveal itself as deadly serious, with a struggle between the two men at the heart of the battle. The woman is only a means to an end, a pawn easily captured and tossed aside in a dark, wicked duel for corporate ascension.

    They managed splendidly - and then came the war. Tim Parkes became Gunner Parkes and Aunt May spent most of her nights in the Walworth air raid shelters with Tim keeping an eye on her whenever he was able.When he got posted to Suffolk he wasn't too pleased - Suffolk was Country, not like London at all. But in fact there were a lot of things about Sheldham that reminded him of home - the Walworth evacuees for a start. Those of them that weren't creating havoc in the Suffolk village were creating havoc in Tim's life. Minnie Beavers - ex-Camberwell - was fifteen, pert, pretty, and wildly in love with Tim. She was determined to inveigle him into marriage the minute she was old enough. Tim was equally determined to escape and choose his own girl.By the time Tim had gone away to fight the war, and Minnie had joined the WAAF, a great many things had changed in both their lives.

    To commemorate its seventy-fifth anniversary in 2014, The Making of Gone With The Wind presents more than 600 items from the archives of David O. Selznick, the film’s producer, and his business partner John Hay “Jock” Whitney, which are housed at the Harry Ransom Center at the University of Texas at Austin. These rarely seen materials, which are also being featured in a major 2014 exhibition at the Ransom Center, offer fans and film historians alike a must-have behind-the-camera view of the production of this classic.Before a single frame of film was shot, Gone With The Wind was embroiled in controversy. There were serious concerns about how the film would depict race and violence in the Old South during the Civil War and Reconstruction. While Clark Gable was almost everyone’s choice to play Rhett Butler, there was no clear favorite for Scarlett O’Hara. And then there was the huge challenge of turning Margaret Mitchell’s Pulitzer Prize–winning epic into a manageable screenplay and producing it at a reasonable cost. The Making of Gone With The Wind tells these and other surprising stories with fascinating items from the Selznick archive, including on-set photographs, storyboards, correspondence and fan mail, production records, audition footage, gowns worn by Vivien Leigh as Scarlett, and Selznick’s own notoriously detailed memos.This inside view of the decisions and creative choices that shaped the production reaffirm that Gone With The Wind is perhaps the quintessential film of Hollywood’s Golden Age and illustrate why it remains influential and controversial decades after it was released.

    His family worked in the theater for generations, and he knew from the very start that he would join them.  In his fifty-year career, Vaughn has made his mark in roles on stage, in film, and on television the world over. In A Fortunate Life, he describes some of the one-of-a-kind experiences he’s enjoyed in his celebrated career.             A Fortunate Life reveals the details of his early years in Hollywood, when he found himself appearing as often in the gossip magazines as on screen, and he recounts insider stories about such legendary figures as Judy Garland, Bette Davis, Charlton Heston, Oliver Reed, Jason Robards, Richard Harris, Yul Brynner, Elizabeth Taylor, and many more. Vaughn’s work in The Young Philadelphians, The Magnificent Seven, Superman III, and many other films won kudos from critics and peers alike. Worldwide recognition came when he starred in the smash hit series The Man from U.N.C.L.E., and he vividly describes the extraordinary experience of becoming, quite suddenly, one of the world’s brightest stars.             Vaughn warmly recalls his romances with stars like Natalie Wood and his adventures with friends like Steve McQueen and James Coburn, but equally important was his involvement in the politics of the 1960s. The first actor to publicly speak out against the war in Vietnam, he served as national chairman of Dissenting Democrats, the largest antiwar organization in the U.S. He gave hundreds of speeches denouncing the war, debated William F. Buckley on national TV, and helped persuade his friend Robert F. Kennedy to run for president in 1968---only to see the race end in tragedy.           With a wealth of moving, wonderfully entertaining and often jaw-dropping stories from the worlds of acting and politics, A Fortunate Life is a must-read for fans of Robert Vaughn and anyone who wants a glimpse behind the scenes of classic Hollywood.

    Help comes in the form of supernatural nannies; women brave enough to wrangle rambunctious pups and stand up to their growling bosses when needed. But when duty is overrun by desire, and loyalty grows into love, their tough, complex job becomes a recipe for passion—and disaster. Book One Chris needs a nanny who won’t ask dangerous questions.Fran is young, homeless, and draped in designer clothes.Both are keeping secrets—but whose will catch up with them first? Book Two For Laura’s coven of witches, the only good shifter is a dead one.Laura agrees, until the day she meets her new boss, John…But darkness is gathering, and as every witch knows: loyalty comes before love. Book Three Every nanny in town says Brett’s kids are hellions,But saintly Mona could be the answer to their prayers.She can send the kids to the naughty corner, but how will she face an evil mastermind? Book Four Shane has lost his wife, son, and self-respect,Until Vanessa appears with shocking news, and a second chance. Shane might find his vengeance, but the biggest demons could be inside his own heart. Sometimes the path to the true, eternal love is only found through darkness. These shifters have been burned by love in the past and tucked their hearts behind high, jagged walls. But for all their strength, it’s impossible to ignore the need in their bodies or the yearning of their souls. They’re about to meet their fearless mates, and each is wielding a wrecking ball. Warning: Adults Only

    Springtime is about renewal, second chances and getting a new lease on life - which is what these stories are all about! Be swept away by love! Falling for the Earl - by Arietta Richmond. A grieving Earl with a lost heir, a lonely woman, unsure of her place in life, an accidental meeting amongst the spring flowers, a secret in the woods, a love that transforms everything. Shopping for a Gentleman - by Isabella Thorne. An accidental meeting while shopping brings widow, Mrs Mildred Stelter and Mr Leighton together. They discover that they have very different views on life. Can disagreement lead to love, and a new view of the world? A Duke for the Dowager - by Catherine Windsor. Widow Lady Elizabeth has finished mourning. Still young, she hopes to love again. Her friend’s suggestion seems good until she sees the obnoxious Duke mentioned. Can she find another love? And what of the handsome Earl she met on the road? The New Governess of Chiswick - By Grace Austen. Letitia takes a role as a governess, when her family is impoverished. The Earl is cold at first, but Letitia comes to love his daughter, and him. Dark secrets from the past threaten them. Can love win out? The Earl’s True Love - by Katherine Keats. Lord Worthington faces the scandal of divorce, blames himself, remembers the girl he once loved. Joanna, a village girl is scorned as a spinster, because only one man ever held her heart, and he left. Can they find love? The Unforgettable Duchess by Charlotte Darcy. Lady Daphne Kenswick gave her heart to Lord Stephen Graves but they are torn apart by an obsessed Duke, a manipulative family, and duty to country. Will fate give them a second chance to find true love? The Earl’s Healing Heart – by Eleanor St Clair. Sarah Lyons is a widow. Many men only want her for her money. But Lord Davenport seems different. Can she bring herself to love again, or will her suspicious mind ruin any chance of finding a lasting love? The Duke’s Obsession - by Regina Darcy. Lady Desdemona’s husband died leaving her penniless. She flees to her brother-in-law, the Duke of Danberry who once courted her and still cares for her. When a debt goes unpaid the Marquis de Chambray threatens her son - can the Duke prevent the disaster? And what of love? The Reclusive Duke’s Second Chance - by Lydia Pembroke. A Duke deeply hurt in the past, and suspicious of all women, a woman who needs to marry money, to save her family, a house party, a spiteful meddler. Is love possible, or will they be forced apart? A Daughter for the Duke - by Kelly Anne Bruce. Widow Hannah Winters has only her daughter, Miriam. Things improve when they meet Lord Dearly but he has a title and nothing else to offer them. When duty takes him away, their friendship seems over. Will the unexpected allow love to flourish? Claiming the Duke’s Heart - by Sophia Wilson. A bereaved Duke, a motherless baby, a grieving young woman. A position caring for the child exposes Emily to the Duke, and attraction stirs – but will the secrets of the past force them apart? Or can love win? The Earl’s Treachery - by Sophia Ansley. A charming Lord, a merchant’s daughter who struggles to be ladylike, an unpleasant Earl, a conspiracy to defraud.

    His films, from Pather Panchali in the mid-1950s to Agantuk in the 1990s, changed the way the world looked at Indian cinema. But Ray was not only a film-maker. He was also a bestselling writer of novels and short stories, and possibly the only Indian film-maker who wrote prolifically on cinema. This book brings together, for the first time in one volume, some of his most cerebral writings on film. With the economy and precision that marked his films, Ray writes on the art and craft of cinema, pens an ode to silent cinema, discusses the problems in adapting literary works to film, pays tributes to contemporaries like Godard and Uttam Kumar, and even gives us a peek into his experiences at film festivals, both as a jury member and as a contestant. Published in association with the Society for the Preservation of Satyajit Ray Films, and including fascinating photographs by and of the master, Deep Focus not only reveals Ray's engagement with cinema but also provides an invaluable insight into the mind of a genius.

    In Running to Extremes, she attempts to answer that question and many more about ultramarathon running. In the past few years, Lisa has taken part in some of the most gruelling races on earth. Not content with having run the Badwater Ultramarathon once, she's been back and done it a second time. She's also completed the Gobi March and a race in the Egyptian Sahara. However, none of these could have prepared her for her greatest challenge to date: La Ultra, a 222-kilometre non-stop race over two Himalayan mountain passes. Running to Extremes tells the stories behind these races and provides plenty of advice for runners of all levels and distances. Filled with training tips, gear lists, information on nutrition and supplements, advice on mental preparation and, most importantly, a focus on how to keep yourself healthy while training and racing, it will inspire and motivate runners and non-runners alike.

    It will give you the knowledge to navigate this unfamiliar land with ease. Enjoying India offers a wealth of insights into India's culture and style of functioning, covering many important topics that are either dealt with superficially or omitted altogether by other books. Whether you are in India for business or pleasure, this is the one book you need to experience the best of India. Acquire the skills, understanding and confidence you need to: * Stay safe and healthy * Communicate successfully * Understand how yes can mean no * Avoid cultural blunders * Deal with Indian bureaucracy * Accommodate special needs * Bargain effectively * Get a seat on a fully booked train * Use your computer safely * Cope with Indian plumbing * and much, much more . . .

    Hundreds of film stills, many in color, plus dialogue, quotations, and other sources add to and illustrate each chapter's overriding theme.

    Unforgettable quotes, film stills, and original posters and memorabilia transport you to the world of each film, while narrative timelines and infographics explore central themes, characters, actors, and directors.Relive classics of the silent era, such as Nosferatu, along with wartime greats like Casablanca, transformative New Wave films such as Lawrence of Arabia and Easy Rider, and modern masterpieces like Do the Right Thing, City of God, and Gravity. Each movie is placed in the broader context of the industry and its key players, making it an invaluable resource for any film fanatic.The Movie Book zooms in on the best cinematic masterpieces of all time and is a must-have for anyone with a passion for films and the history of cinema.Big Ideas Simply Explained series uses creative design and innovative graphics, along with straightforward and engaging writing, to make complex subjects easier to understand. These award-winning books provide just the information needed for students, families, or anyone interested in concise, thought-provoking refreshers on a single subject.Reviews:"[The Big Ideas Simply Explained books] are beautifully illustrated with shadow-like cartoons that break down even the most difficult concepts so they are easier to grasp. These step-by-step diagrams are an incredibly clever learning device to include, especially for visual learners." - Examiner.com"Clever and engaging" - Booklist"Perfect coffee table fodder for your home theater." - Uncrate.com"[A] great refresher for films you haven't seen in a while and an even better resource for populating your watchlist with shows you may have missed." - GeekDad"Richly illustrated." - Parade.com"A fine introduction for budding film buffs." - School Library Journal

    This is a clever and informative look at the styles of the six major studios--and several independents--of the '30s and '40s. 62 black-and-white photographs.

    Irrepressibly vivacious, he spent his life leaping over and into things, from his early Broadway successes to his marriage to the great screen actress Mary Pickford to the way he made Hollywood his very own town. The inventor of the swashbuckler, he wasn’t only an actor—he all but directed and produced his movies, and in founding United Artists with Pickford, Charlie Chaplin, and D. W. Griffith, he challenged the studio system.But listing his accomplishments is one thing and telling his story another. Tracey Goessel has made the latter her life’s work, and with exclusive access to Fairbanks’s love letters to Pickford, she brilliantly illuminates how Fairbanks conquered not just the entertainment world but the heart of perhaps the most famous woman in the world at the time.When Mary Pickford died, she was an alcoholic, self-imprisoned in her mansion, nearly alone, and largely forgotten. But she left behind a small box; in it, worn and refolded, were her letters from Douglas Fairbanks. Pickford and Fairbanks had ruled Hollywood as its first king and queen for a glorious decade. But the letters began long before, when they were both married to others, when revealing the affair would have caused a great scandal.Now these letters form the centerpiece of the first truly definitive biography of Hollywood’s first king, the man who did his own stunts and built his own studio and formed a company that allowed artists to distribute their own works outside the studio system. But Goessel’s research uncovered more: that Fairbanks’s first film appearance was two years earlier than had been assumed; that his stories of how he got into theater, and then into films, were fabricated; that the Pickford-Fairbanks Studios had a specially constructed underground trench so that Fairbanks could jog in the nude; that Fairbanks himself insisted racist references be removed from his films’ intertitles; and the true cause of Fairbanks’s death.Fairbanks was the top male star of his generation, the maker of some of the greatest films of his era: The Thief of Bagdad, Robin Hood, The Mark of Zorro. He was fun, witty, engaging, creative, athletic, and a force to be reckoned with. He shaped our idea of the Hollywood hero, and Hollywood has never been the same since. His story, like his movies, is full of passion, bravado, romance, and desire. Here at last is his definitive biography, based on extensive and brand-new research into every aspect of his career, and written with fine understanding, wit, and verve.

    Wiley's simple life is uprooted when the enigmatic Ruby moves in to the old campground nearby. The two of them are drawn to each other instantly. However, Wiley soon discovers a darkness that Ruby harbors, a sadness that he becomes determined to extinguish. But is it already too late?Also included is the short story 'Husk': two friends get their hands on a treasure map and decide to locate the cache of possible riches. But they'll soon learn that some things are better left buried.

    Smith Goes to Washington, Shane, and other classic films was, as the subtitle aptly puts it, "the actress nobody knew." Jean Arthur (1900-91) kept her personal life private, disdained the Hollywood publicity machine, and was called "difficult" because of her perfectionism and remoteness from costars on the movie set. John Oller, a lawyer, tracked down kinsfolk and friends never before interviewed to capture the elusive personality of a free spirit best embodied in her favorite role, Peter Pan. Arthur herself might have appreciated his warm, respectful portrait."...[An] insightful, painstakingly researched analysis of Arthur's life and career raises the curtain on the complex, conflicted person behind the screen persona...Captures the special shine of a unique star who turned out to be a genuine eccentric." -Chicago Tribune