Laufer exposes the network of hunters, traders, breeders, and customers who constitute this nefarious business—which, estimated at $10 to $20 billion annually, competes with illegal drug and weapons trafficking in the money it earns criminals.

    Before being united with Haatchi, Little B was anxious and found it difficult to make friends.Haatchi-an adorable Anatolian Shepherd puppy-was abused and left for dead on railroad tracks. He was struck by an oncoming train, and although his life was saved, his leg and tail were partially severed. Haatchi was left massively disabled and totally dispirited.But kind-hearted Will and Colleen Howkins, Little B's father and step-mother, decided to introduce the big dog and the little boy to each other, and an unbelievable bond was formed that transformed both boy and dog in miraculous ways.Wendy Holden's Haatchi & Little B is the true story of an astonishing little boy, a very special dog, and the inspiring, inseparable pair that they make together.

    Urban and suburban residents share our environments with many types of wildlife: squirrels, birds, spiders, and increasingly lizards, deer, and coyote. Many of us crave more contact with wild creatures, and recognize the small and large ways animals enrich our lives, yet don’t notice the animals already around us.Zooburbia reveals the reverence that can be felt in the presence of animals and shows how that reverence connects us to a deeper, better part of ourselves. A lively blend of memoir, natural history, and mindfulness practices, Zooburbia makes the case for being mindful and compassionate stewards — and students — of the wildlife with whom we coexist. With lessons on industriousness, perseverance, presence, exuberance, gratitude, aging, how to let go, and much more, Tai's vignettes share the happy fact that none of us is alone — our teachers are right in front of us. We need only go outdoors to find a rapport with the animal kingdom. Zooburbia is a magnifying lens turned to our everyday environment.

    By all accounts, Ernie was a phenomenon, selling an estimated 100,000 copies. Photographer Tony Mendoza had captured the mercurial character of that irascible, self-possessed, utterly lovable cat, telling the curiously moving story of their relationship in the voices of both himself and Ernie. Our beautifully produced hardcover edition of this classic tale is poised to charm legions of new readers. Featuring never-before-published pictures, and a few more private thoughts from Ernie himself, Ernie is sure to steal hearts all over again.

    Still, they took the deadly gamble—and lost. As acclaimed "New York Times" reporter and Pulitzer Prize finalist John Branch writes in this harrowing tale of disaster and survival, "the very thing the skiers and snowboarders had sought—fresh, soft snow—instantly became the enemy." In less than a minute, Tunnel Creek turned from a playground into an icy tomb.

    Coston continues to work at his own veterinary practice in Virginia, meeting adorable pets and their loving and quirky owners every day. These include Precious the parrot, remarkably friendly and unafraid for a bird, Dahmun, or “Mountain of Love,” the Bull Mastiff, named by his linguist owner in a language he created, and Greco the beagle shepherd mix, who likes to eat rocks because he is too macho to chew on toys, his Greek owner insists. In stories ranging from humorous to heartfelt to tragic, this book makes a lovely gift for any animal lover.

    Instead, it is a delightful account of one boy's special relationship with the relatives, friends and neighbors—often decidedly quirky—who made up his community, and of the important coping role laughter and humor played during the years he spent in bleak, dusty townships. Chris van Wyk has created a truly remarkable record of life in the black community at once informative and vastly entertaining.

    The Vinyl Dialogues offers the stories behind 31 of the top albums of the 70s, including backstories behind the albums, the songs, and the artists. It was the 1970s: Big hair, bell-bottomed pants, Elvis sideburns and puka shell necklaces. The drugs, the freedom, the Me Generation, the lime green leisure suits. And then there was the music and how it defined a generation. The birth of Philly soul, the Jersey Shore Sound and disco. It's all there in "The Vinyl Dialogues," as told by the artists who lived and made Rock and Roll history throughout the decade.Throw in a little political intrigue - The Guess Who being asked not to play its biggest hit, "American Woman," at a White House appearance and Brewer and Shipley being called political subversives and making President Nixon's infamous "enemies list" - and "The Vinyl Dialogues offers a first-hand snapshot of a country in transition, hung over from the massive cultural changes of the 1960s and ready to dress outrageously and to shake its collective booty. All seen through the eyes, recollections and perspectives of the artists who lived it and made all that great music on all those great albums.

    Like humans, orcas are highly social and depend on their families, but Luna found himself desperately alone. So he tried to make contact with people. He begged for attention at boats and docks. He looked soulfully into people's eyes. He wanted to have his tongue rubbed. When someone whistled at him, he squeaked and whistled back. People fell in love with him, but the government decided that being friendly with Luna was bad for him, and tried to keep him away from humans. Policemen arrested people for rubbing Luna's nose. Fines were levied. Undaunted, Luna refused to give up his search for connection and people went out to meet him, like smugglers carrying friendship through the dark. But does friendship work between species? People who loved Luna couldn't agree on how to help him. Conflict came to Nootka Sound. The government built a huge net. The First Nations' members brought out their canoes. Nothing went as planned, and the ensuing events caught everyone by surprise and challenged the very nature of that special and mysterious bond we humans call friendship. The Lost Whale celebrates the life of a smart, friendly, determined, transcendent being from the sea who appeared among us like a promise out of the blue: that the greatest secrets in life are still to be discovered.

    

    But despite his lack of recognition, Mr. Hennen...has simply gone about his calling with humility and gratitude in a culture whose primary crop has become fame. He just watches, waits and then strikes, delivering heart-buckling lines.” —Dana Jennings, The New York Times"As with Ted Kooser, Tom Hennen is a genius of the common touch. . . . They are amazingly modest men who early accepted poetry as a calling in ancient terms and never let up despite being ignored early on. They return to the readers a thousandfold for their attentions."—Jim Harrison, from the introduction"Many readers will appreciate this evocation of a life not as commonly portrayed in contemporary verse."—Library Journal"There is something of the ancient Chinese poets in Hennen, of Clare and Thoreau, although he is very much a contemporary poet."—Willow Springs"One of the most charming things about Tom Hennen's poems is his strange ability to bring immense amounts of space, often uninhabited space, into his mind and so into the whole poem."—Robert Bly"America is a country that loves its advertising. That loves its boxes we can put people and places into. We love 'Heartland' as opposed to 'Dustbowl.' We also love to be surprised. Rural Minnesota, as written by Tom Hennen in Darkness Sticks to Everything, is a world of realistic loneliness and lessons. It’s a collection of sincere poems about man and the land."—The Rumpus"Hennen is a master of the prose poem [who] can take little details, tiny details and make them universal."—River Falls Journal"What separates Hennen from many of his contemporaries is his willingness to identify with the natural world in a way that feels neither possessive nor self-serving, but simply (once again) sincere."—Basalt Magazine"There is something strong in all Tom Hennen's poems, an awareness and a clear, sure voice... I don't usually want to end by saying 'Buy this book,' but I'm going to say it this time: 'You should buy this book.'"—Fleda Brown, Interlochen Public Radio, "Michigan Writers on the Air"Tom Hennen gives voice to the prairie and to rural communities, celebrating—with sadness, praise, and astute observations—the land, weather, and inhabitants. In short lyrics and prose poems, he reveals the detailed strangeness of ordinary things. Gathered from six chapbooks that were regionally distributed, this volume is Hennen's long-overdue introduction to a national audience. Includes an introduction by Jim Harrison and an afterword by Thomas R. Smith."In Falling Snow at a Farm Auction"Straight pine chairComfortableIn anyone's company,Older than grandmotherIt enters the presentIts arms wide openWanting to hold another young wife.Tom Hennen, author of six books of poetry, was born and raised in rural Minnesota. After abandoning college, he married and began work as a letterpress and offset printer. He helped found the Minnesota Writer's Publishing House, then worked for the Department of Natural Resources wildlife section, and later at the Sand Lake National Wildlife Refuge in South Dakota. Now retired, he lives in Minnesota.

    Journalist Elizabeth Royte weaves together her own adventures on Barro Colorado with tales of researchers struggling to parse the intricate workings of a tropical rain forest. As Royte works alongside the scientists � sorting insects, collecting monkey dung, radiotracking fruit bats � she asks: What is the point of such research? Both "moving and satisfying" (Providence Sunday Journal), The Tapir's Morning Bath humanizes the scientists, who are driven by passion and ambition to explore arcane questions even though the world may not have time to wait for the answers.

    Outsider - spanning through his relationship with his mother, his unorthodox education, and early years as an art dealer - is often scandalous and consistently fascinating.

    Anchored in the emblematic experiences of a trapper and a beekeeper, Wolves and Honey explores the implications of their very different relationships to the natural world, while illuminating Morrow’s own poignant experience of the lives and tragic deaths of these men who deeply influenced her. Ultimately for Morrow these two — the tracker and trapper of wolves, the keeper of bees — are a touchstone for a memoir of the land itself, the rich soil of the Finger Lakes region in upstate New York. From the ancient myth of the Tree of Life to the mysterious reappearance of wolves in the New York wilderness, from the inner life of the word “nectar,” whose Greek root (“that which overcomes death”) reveals our most fundamental experience of wonder, to the surprising links between the physics of light and the chemistry of sweetness, Morrow’s richly evocative writing traces startling historical, scientific, and metaphorical resonances. Wolves and Honey, attuned to the connections among various realms of culture and nature, time and language, jolts us into thinking anew about our sometimes neglected but always profound relationship to the natural world.

    Confused and hurt, she went to her mother, who mysteriously responded that the time had come for Soraya to receive her gift. Miré too soon discovers the horror of the “gift,” female genital mutilation (FGM), whereby a young girl’s healthy organs are chopped off not only to make her acceptable to a future husband but also to rein in her “wildness.”In The Girl with Three Legs, Soraya Miré reveals what it means to grow up in a traditional Somali family, where girls’ and women’s basic human rights are violated on a daily basis. A victim of FGM and an arranged marriage to an abusive cousin, Miré was also witness to the instability of Somalia’s political landscape: her father was a general for the military dictator Mohamed Siad Barre, and her family moved in the inner circles of Somalia’s elite. In her journey to recover from the violence done to her, Miré realizes FGM is the ultimate child abuse, a ritual of mutilation handed down from mother to daughter and protected by the word “culture.”Miré’s tale is a dramatic chronicle of the personal challenges she overcame, a testament to the empowerment of women, and a firsthand account of the violent global oppression of women and girls. Despite the horror she experienced, her words resonate with hope, humanity, and dignity. Her life story is one of inspiration and redemption.