This is a story of navigating identities through a remarkable life. Danuta Pfeiffer was an unwed teenage mother escaping to the tundra of Alaska; a journalist who inadvertently became a television evangelist with a ringside seat to a presidential campaign; a wife c aught in a web of deceit and substance abuse. Through it all, she clings to her father’s legacy, sustained by his tales of fortitude and endurance when faced with the horrors of war. Finally, living happily as a winemaker in Oregon, she finds she must once more reinvent herself, when during a sojourn to the Carpathian Mountains of Poland she uncovers long-buried family secrets. Chiseled is the story of one woman brave enough to chip away at a life of lies and finally arrive at a shining core of truth.

    She writes the kind of fiction that celebrates the flawed dignity of the human and reminds us all of the fine venture of living in grace and hope in the worlds we are born to and make.

    They were also Whitman’s most adventurous explorations of the theme of same-sex love, composed decades before the word “homosexual” came into use. This revolutionary, extraordinarily beautiful and passionate cluster of poems was never published by Whitman and has remained unknown to the general public—until now. New York Times bestselling and Caldecott Award–winning illustrator Brian Selznick offers a provocative visual narrative of “Live Oak, With Moss,” and Whitman scholar Karen Karbiener reconstructs the story of the poetic cluster’s creation and destruction. Walt Whitman’s reassembled, reinterpreted Live Oak, With Moss serves as a source of inspiration and a cause for celebration.

    In retaliation, the Libyans kidnap the U.S. President's brother. Enter the Mordida Man--an independent fixer and bribery expert who must find and free the President's brother . . . without causing an international incident.

    In The Sun King, Ignatius has written a love story for our time, a spellbinding portrait of the collision of ambition and sexual desire.Sandy Galvin is a billionaire with a rare talent for taking risks and making people happy. Galvin arrives in a Washington suffering under a cloud of righteous misery and proceeds to turn the place upside down. He buys the city's most powerful newspaper, The Washington Sun and Tribune, and wields it like a sword, but in his path stands his old Harvard flame, Candace Ridgway, a beautiful and icy journalist known to her colleagues as the Mistress of Fact. Their fateful encounter, tangled in the mysteries of their past, is narrated by David Cantor, an acid-tongued reporter and Jerry Springer devotee who is drawn inexorably into the Sun King's orbit and is transformed by this unpredictable man.In this wise and poignant novel, love is the final frontier for a generation of baby boomers at midlife—still young enough to reach for their dreams but old enough to glimpse the prospect of loss. The Sun King can light up a room, but can he melt the worldly bonds that constrain the Mistress of Fact? In The Sun King, David Ignatius proves with perceptive wit and haunting power that the phrase "Washington love story" isn't an oxymoron.

    I am a Very Productive Entrepreneur is poignant & brilliant; it's worth the investment.Christian Hawkey, author of Ventrakl

    Then she meets a handsome stranger/secret admirer named Michael Vale one fateful late night at a bookstore café. As a focused but struggling photographer with a passion for art, her outwardly happy world is turned upside down during this life-changing encounter when she quickly realizes she has met her soul mate. The undeniable attraction between them and their intense, immediate connection seem picture perfect as they discuss the shop’s local artwork, until Rebecca abruptly ends the chance meeting with no explanation.Betraying Brett, her loyal, loving boyfriend, is something Rebecca can never bring herself to do. Driven by a strong moral code and molded by divorced parents and a tumultuous childhood, she struggles to stay away from Michael, but fate and circumstance intervene, bringing them back together time and time again. As much as she resists, there is no denying her true feelings for him and the simple fact that Michael understands her in a way Brett never has. Michael proves to be everything she’s ever wanted, but remains just out of her reach.Behind the Glass tells the story of Michael and Rebecca’s extraordinary love and the many unconventional stages their relationship must go through. Their morals and their faith in true love and in each other will be put to the test as they learn that meeting one’s soul mate does not come without obstacles.

    Although fluent in the native language, she quickly finds herself on the outside of every experience. Things happen to her, events transpire, but it is as if the city itself, the performance of life there, eludes her. Setting out to uncover the source of the city’s erosion, she is beset by this other crisis—an ontological crisis—as she struggles to retain a sense of what is happening.Event Factory is the first in a series of novels (also available are the second, The Ravickians; the third, Ana Patova Crosses a Bridge; and the fourth, Houses of Ravicka) that Renee Gladman is writing about the invented city-state of Ravicka, a foreign “other” place fraught with the crises of American urban experience, not least the fundamental problem of how to move through the world at all.

    As the impoverished decay of the Deep South expresses itself through their bloodlines, a new impression of Southern history and heritage emerges. The lyrical gravity and singular style of this unforgettable debut novel will transform the reader in its wake.Selah Saterstrom’s writing has appeared in 3rd Bed and Pitkin Review. She is the editor of Soul Collections, a collection of prose and poetry written by at-risk teenagers in North Carolina. Born in Mississippi in 1974, she now lives in Asheville, North Carolina, where she teaches at Warren Wilson College.

    The Assírio e Alvim edition is a bilingual edition, starting with the translation to Portuguese and then with the original version. It contains photos and drawings.

    Sands of the Well, first published in hardcover in 1996, shows the poet at the height of her considerable powers, as she addresses the natural beauty of the Pacific Northwest coastal landscape in terms of music, memory, aging, doubt, and faith.

    We were made to sing and recite poetry in groups. The rhyming words somehow would bring a sense of enjoyment, and they won’t leave our mind even with the passing days. Poetry holds magic. A magic to change the moment and bring out the joyous hidden self. We all in some point or another had come across a poetry that either taught us the unlearned or brought back a memory or just a smile.Piece of poetry is an effort to share some thoughts through prose. Each poetry was written with a story in mind, willing to be talked about. The thoughts that didn’t need sophisticated words, but they were craving for rhythm.The idea was to point out some of the feelings and emotions that were desperate to be shared. Some untold words, a certain perspective that was always doubted by self and others. Piece of poetry is an honest attempt to format these feelings into a song, hoping that it would stick with everyone who decided to read it.

    But as a husband and father, he was distant, absent, and a failure. He'd let baseball take over his life, and as a result his family suffered. That is, until one day his daughter called with harrowing news."Dad, I have a brain tumor, and I'm sorry." These words from his seventeen-year-old daughter, Amy, turned his world upside-down. Now, more than ever, he was determined to put his family first.The time they spent together in the months before her death will be treasured and remembered forever, but especially the inside joke that became a catchphrase for the Donnelly family as well as the Pittsburgh Pirates team that played in the National League Championship Series that year: "The chicken runs at midnight."This book shares the heartwarming story behind the odd catchphrase - and how it still lives on as a symbol for never giving up—and proves that God can work in the life of any person, even through their mistakes and failures.Weaving baseball history with personal memoir, this book is one that will make you thrill to victory, believe in hope, stand up to cheer for what is good in peoples' lives. It's a powerful story of redemption and faith that reminds us that God can work in our lives even when we think it's too late to change - and sometimes He sends us signs from heaven if we only have eyes to see.

    It's the only current, comprehensive guide to working with cabochons--a flat piece of rock or mineral--and it covers all the basics, along with a range of new creative techniques and hot trends. Find out which tools and materials to use, which beads work best, and how to wrap them round the stones. Craft turned, pointed, twisted, brick stitch, ruffled, or scalloped edges, or add decorative fringe. For something dramatic, combine more than one cabochon in a single piece. Or, instead of natural stone, use dichroic glass or other found objects. Make a glittering brooch, funky bracelets, a wearable art necklace, and other showstoppers.

    Unfurling and unrelenting in its delivery, Candrilli has painted “the mountain” in excruciating detail. They show readers a world of Borax cured bear hides and canned peaches, of urine-filled Gatorade bottles and the syringe and all the syringe may carry. They show a violent world and its many personas. What Runs Over, too, is a story of rural queerness, of a transgender boy almost lost to the forest. The miracle of What Runs Over is that Candrilli has lived to write it at all."When Roethke said 'energy is the soul of poetry,' he might have been anticipating a book like What Runs Over, which is so full of energy it practically vibrates in your hand. Here, Candrilli’s speaker sticks their tongue 'into the heads / of venus fly traps just to feel the bite,' then later, burns holy books in the backyard and rolls around in the ashes until they become 'a painted god.' This is the verve of an urgent new poetic voice announcing itself to the world. As Candrilli writes: 'This is what I look like / when I’m trying to save myself.'"-Kaveh Akbar