She later sang with The Gr'ups and Cypher in the Snow, and toured with Sister Spit, a raucous all-woman group of writers headed by Michelle Tea.The Vicious Red Relic, Love, re-enacts Springer's relationship with [Gil], a sometimes endearing, sometimes frightening addict and cult survivor who did not disclose to Springer that she'd tested positive for HIV. Brilliantly conceived as a training manual, survival guide and time machine, the book returns to 1990s San Francisco and deftly weaves feminism, deviance, punk rock and Sumerian literature into a cauldron of post-Reagan/Bush-era neoliberalism and AIDs grief.

    He draws inspiration from censored histories, subsumed myths and invokes imagined voices from the exiled, demanding of the reader to witness the ubiquitous ideological fictions that surround us.This is one of the most dissonant and penetrating voices in Singapore poetry.A History of Amnesia is listed in the notable books list by the Kiriyama Pacific Rim Book Award (administered by University of San Francisco).

    Though her extant work consists only of a collection of fragments and a handful of complete poems, the passionate elegance of her musings on life and death, loss and longing, desire, and nature speak volumes.Willis Barnstone’s vivid, contemporary translation, along with his introduction and notes, sheds new light on the spirit and mystique of this ancient Greek poet.This edition is an abridgment of The Complete Poems of Sappho.

     In the ten years since the publication of her beloved, groundbreaking Encyclopedia of an Ordinary Life, #1 New York Times bestselling author Amy Krouse Rosenthal has been quietly tinkering away. Using her distinct blend of nonlinear narrative, wistful reflections, and insightful wit, she has created a modest but mighty new work.Why the title T​extbook Amy Krouse Rosenthal?​ • Because the book is organized into chapters with classic subject headings such as Social Studies, Music, Language Arts, Math, etc. • Because textbook ​is an expression meaning “quintessential,” as in, Oh, that wordplay and unconventional format is so typical of her, so textbook Amy. • Because for the first time ever, readers can further engage with a book via text messaging. • Because if an author’s previous book has E​ncyclopedia i​n the title, following it up with a ​Textbook would be rather nice.Not exactly a memoir, not just a collection of observations, Textbook Amy Krouse Rosenthal is an exploration into the many ways we are connected on this planet and speaks to the awe, bewilderment, and poignancy of being alive.

    Dear Mr. Ted, contains all four books.Dear Teddy Book One -Little boy little boy,Curled in a ball.I know your secrets,I know them allI write in my journal as much as I can. I talk to Mr. Ted. He is my only friend. He understands when the bad man comes. He holds my hand when I have nightmares and my mummy doesn't hear me cry. Mr. Ted doesn’t tell. He won’t say when my daddy hurts me. He keeps my secrets and my stories. I love Mr. Ted. He is the only one who loves me back.Mr. Ted.I keep falling asleep. Bad things happen. I get sore all the time. But I don’t know why. My mum says it’s a demon. Because I got evil. Please make me be good....Where does an abused child turn when he has no one to talk to? Believing that he is evil and meant to be a victim, he tells his horrific journey to his only friend, Mr. Ted. The boy is five. In his own words through the compelling pages of his journal, he writes in terrific detail of unspeakable abuse forced upon him by his parents. Through manipulation and control, he is moulded into a creation of their own design. Fear follows close behind in the guise of the “bad man.”His voice is no longer silent.Telling Teddy Book Two-Mr. Ted. I love you very much.I love my Mr. Ted. He is all mine and he is magic. He keeps me safe from the bad man. I hug him all tight. We sit on the floor by the fire. I don't be allowed to sit on the chairs. I am too evil.Me and Mr. Ted like to write stories. He tells me what to write. Then I draw the pictures about it and we make it all nice. I put it in my scrap book. My Nan bought me the scrap book. It is big and has lots of pages. It has a car on the front and my name.Stupid Boy Book Three -Stupid Boy, the sequel to the #1 ranked book, Dear Teddy and Telling Teddy.” I am a stupid boy, with stupid hair and stupid clothes. I am always stupid, forever. My badness comes out and makes it all stupid. I don’t tell Mr. Ted though. He is my friend. We go outside and we get to play. We chop up all the bad people with our swords. We play with Andrew too. He is magic, he is invisible. He doesn’t know that I am Stupid Boy. Nobody ever wants Stupid Boy.”Stupid Boy is the third instalment of Dear Teddy, and continues the pain-filled journey of a seven-year old boy through his horrific childhood of abuse. In his own words, he shows you his scars and tells you the lies that he believes; every page an accounting of the deliberate destruction of a child by those he loves and the strangers he is forced to please.His gentle spirit will reach out and amaze you with its strength. Wrap your arms around him as he opens his heart once more and shares his life with you.His story continues…Goodbye Teddy Book Four -This journey has been an odd one; I didn’t even know I was on it. Dear Teddy was born out of a conversation with my therapist at the time, a way for the child to speak after so many years of silence and being locked away in the dark. Once I gave him a pen and told him it was okay for him to talk, he didn’t stop. He had so much to say, and he did.Goodbye Teddy is the fourth and final book in the Dear Teddy series, as with the previous books; it is told through the eyes of the child. He asks you to walk with him as he shows you his world. This is a tale of child abuse in all forms. Every page takes you through the horrific events and the ways he came to survive them. It shows you the betrayal by those very people that should have protected him; his mother and father.Listen as he shares his secrets, his fears, his hopes and dreams. Laugh with him, cry with him, but don’t stop or close your eyes.ExcerptI sit on the cushions. I look at my dad’s bottle of petrol. Maybe I can drink it. It is poison. My dad says it is. He shouts when my brother plays in there. Because there is lots of things and it is poison and can make him die and go to heaven. I look at it lots of times. Maybe I can drink it all

    A pit in your stomach. A blush. These are the symptoms of love sickness, and if you've ever experienced them, this book is for you.Critically acclaimed poet and anthologist, Paul Janeczko has turned his attention to a new compilation of love poems for teens that collects the most poignant and moving musings about love from a diverse group of classic poets and writers like Shakespeare, Dickinson, Whitman, Millay, Angelou, and many more.This is a book girls will carry with them always. They will dog-ear the pages, pass it to friends, sleep with it. And they will go back to it again and again and find in it the drama, the pain, the joy of loving.

    Finally, in her stunning new collection, Felicity, we can immerse ourselves in Oliver’s love poems. Here, great happiness abounds.  Our most delicate chronicler of physical landscape, Oliver has described her work as loving the world. With Felicity she examines what it means to love another person. She opens our eyes again to the territory within our own hearts; to the wild and to the quiet. In these poems, she describes—with joy—the strangeness and wonder of human connection.  As in Blue Horses, Dog Songs, and A Thousand Mornings, with Felicity Oliver honors love, life, and beauty.

    In Dear Dead Person, a cross-section of archetypes—teen sex-addicts, would-be rock stars, religious fanatics, serial murderers, and families who make the Menendezes look like Ozzie and Harriet—go about their twisted business in a prose that's both minimal and anarchic, as American as Raymond Carver, but riven by poetic ruptures that feel like transmissions from the screwed-up part of our collective psyche.

    The visionary, sardonic, and often outrageous poems in this bilingual edition represent the first presentation of his work in English. With René Daumal he was the founder of the literary movement and magazine "Le Grand Jeu", the essence of which he defined as "the impersonal instant of eternity in emptiness". "The glimpse of eternity in the void", writes Rattray in the Introduction, "was to send Daumal to Hinduism, the study of Yoga philosophy, and Sanskrit. It sent Lecomte on an exploration of what he called a metaphysics of absence". Rattray, a poet acclaimed for his translations of Artaud, keeps intact the power and originality of Gilbert-Lecomte's work.

    Paul Muldoon, the distinguished poet and international literary eminence, has selected -- from a pool of several thousand published candidates -- the top seventy-five poems of the year. With insightful comments from the poets illuminating their work, and series editor David Lehman's perspicacious foreword, The Best American Poetry 2005 is indispensable for every poetry enthusiast.

    The false dichotomies that Lorde debunks persist in our cultural imagination: the separation of the erotuc from the spiritual and political. Now, Kore Press brings this essay into stand-alone focus, reprinting it in a fine, handbound pamphlet illustrated with photographs by Tucson photographer Camille Bonzani. Designed by book artist Nancy Solomon, the essay is offset and letterpress printed in an edition of 1000.

    Chronicling the complexities, joys, and challenges of this transitional phase of life, Please Don’t Go Before I Get Better is a powerful, deeply affecting work that pierces your heart with its refreshing candor and vulnerability. A poignant exploration of self-image, self-discovery, and self-reflection, this anthology brilliantly captures the universal experience of growing up, and you are bound to find yourself reflected in these glimmering pages.

    Not a typical tourist, she prefers indoor spaces, seeing Paris go by on TV or watching from her window the ever-changing displays of men's designer clothing across the boulevard. Or she roams the streets, caught between nostalgia and a competing sense of the present day, between Paris's rich cultural traditions and the realities of Western imperialism. Disillusioned by her inability to reconcile these contradictions and by her own part in perpetuating them, she assembles in her journal pieces of the present, past, of art, philosophy, of herself, and of the world outside her.

    A new volume of poems by the award-winning author of October Palace.

    These letters to various friends, lovers and literary contacts provide an intimate and fascinating look at Bukowski's mind, his emotions, his attitude towards his own creativity and the comings and goings of his daily life.