Originally published in the Netherlands in 1978, The Rider became an instant cult classic, selling over 100,000 copies. Brilliantly conceived and written at a breakneck pace, it is a loving, imaginative, and, above all, passionate tribute to the art of bicycle road racing. Not a dry history of the sport, The Rider is beloved as a bicycle odyssey, a literary masterpiece that describes in painstaking detail one 150-kilometer race in a mere 150 pages. We are, every inch of the way, inside amateur biker Tim Krabbé's head as his mind churns at top speed along with his furious peddling. Privy to his every thought-on the glory and vagaries of the sport itself, the weather, the characters and lineage of his rival cyclists, almost hallucinogenic anecdotes about great riders of the past-the book progresses kilometer by kilometer, thought by thought, and the reader is left breathless and exhilarated. A thrillingly realistic look at what it is like to compete in a road race, The Rider is the ultimate book for bike lovers as well as the arm-chair sports enthusiast. Author Biography: Tim Krabbé is one of Holland's leading writers, and his novels are published all over the world. His many books include The Vanishing, which was made into a successful film, and The Cave. He lives in Amsterdam.

    Compelled by the description of Cripps' extraordinary life in Africa, Sheers embarks on a journey through contemporary Zimbabwe in an attempt to better understand his ancestor's devotion to the country and its people and the dramatic, often bloody, differences that echo across the years.

    Brooklyn, BBC.com, and Mental FlossAn intrepid journalist joins the planet’s largest group of nomads on an annual migration that, like them, has endured for centuries. Anna Badkhen has forged a career chronicling life in extremis around the world, from war-torn Afghanistan to the border regions of the American Southwest. In Walking with Abel, she embeds herself with a family of Fulani cowboys—nomadic herders in Mali’s Sahel grasslands—as they embark on their annual migration across the savanna. It’s a cycle that connects the Fulani to their past even as their present is increasingly under threat—from Islamic militants, climate change, and the ever-encroaching urbanization that lures away their young. The Fulani, though, are no strangers to uncertainty—brilliantly resourceful and resilient, they’ve contended with famines, droughts, and wars for centuries. Dubbed “Anna Ba” by the nomads, who embrace her as one of theirs, Badkhen narrates the Fulani’s journeys and her own with compassion and keen observation, transporting us from the Neolithic Sahara crisscrossed by rivers and abundant with wildlife to obelisk forests where the Fulani’s Stone Age ancestors painted tributes to cattle. As they cross the Sahel, the savanna belt that stretches from the Indian Ocean to the Atlantic, they accompany themselves with Fulani music they download to their cell phones and tales of herders and hustlers, griots and holy men, infused with the myths the Fulani tell themselves to ground their past, make sense of their identity, and safeguard their—our—future.

    A lone woman searching for the lost, she exposes us to a world where truth is ephemeral, and where compassion, though frail, still bleeds through the grit and dust. In "Detour" she investigates the apparent suicide of a beloved coffee plantation owner in Kenya. In "Gorillas and Banana Beer," James ventures into the jungles of Rwanda to catch a glimpse of the nearly extinct mountain gorillas, only to struggle for survival against merciless poachers in a village of forgotten children. In "Beira," at the edge of Mozambique and anarchy's ground-zero, James searches for a lost woman and her daughter. "Witchdoctor" takes James deep into Turkanaland, otherwise known as "hell on earth," to find a woman doctor who has disappeared. James's sanity and life hang in the balance in a surreal and ferocious closing to this compelling debut work."Dancing with the Witchdoctor is a testimony to the strength of women, one that reveals how even in a land where flesh withers in the sun, there is no better proof of humanity than when it is on the brink.

    Lonely and friendless after the death of her father, she finds solace in her first boyfriend, and together they flee across the city when the fighting breaks out. On the same night, Daniel, the son of a colonel, also makes his escape, but finds himself stranded by the River Nile, alone and vulnerable. Lilian is a young mother, who runs for her life holding the hand of her little boy Harmony until a bomb attack wrenches them apart, forcing her to trek on alone.After epic journeys of endurance, their lives cross in Bidi Bidi in Uganda the world s largest refugee camp. There they meet James, a counsellor who helps them to find light and hope in the darkest of places.The End of Where We Begin is a gripping and intimate true life account of three young people whose promising lives are brutally interrupted by war. It documents their heart-breaking and inspiring battle to keep moving on through the extremes of attack, injury, exile and trauma. It is a story of the bonds of community and resilience in adversity a powerful message for our troubled times.

    In the course of his epic and enlightening journey, he endures danger, delay, and dismaying circumstances.Gauging the state of affairs, he talks to Africans, aid workers, missionaries, and tourists. What results is an insightful mediation on the history, politics, and beauty of Africa and its people.In a new postscript, Theroux recounts the dramatic events of a return to Africa to visit Zimbabwe.

    Relates the tale of the author's journey of more than six hundred dangerous miles on the Niger River from Mali's Old Segou to Timbuktu, enduring tropical storms and the heat of the Sahara to fulfill her goal of buying the freedom of two Bella slave girls.

    From a twelfth-century settlement of wooden huts at the mouth of the River Amstel, it had become by the late sixteenth century one of the great cultural capitals of Europe and a major financial center.In this gracefully written examination of Amsterdam's soul--part history, part travel guide--the Dutch writer Geert Mak imaginatively depicts the lives of early Amsterdammers and traces the city's progress from a small town of merchants, sailors, farmers, and fishermen to a thriving metropolis. Mak's Amsterdam is a city of dreams and nightmares, of grand civic architecture and magnificent monuments, but also of civil wars, uprisings, and bloody religious purges. In his delightfully instructive journey through the city and through time, Mak displays an eye for the bizarre and the unexpected: a Rembrandt sketch of a young girl executed for manslaughter; the shoe of a medieval lady unearthed during a remodeling project; a graffito foretelling the city's doom on the wall of a mansion, daubed by a deranged burgomaster with his own blood.Amsterdam remains a magnet for travelers from around the world, and this charmingly detailed account of its origins and its history through the present day is designed to help the reader step into daily life in a truly modern city.

    I need to write this book for three reasons: so that people stop giving me strange looks and treating me like a curiosity; so that no one ever asks me any more questions ever again; and so that the judicial system never again frees a paedophile for 'good behaviour'.' 'The Dutroux Affair' shook the whole of Europe. In the middle of the immense machinery of investigation and justice there was Sabine Dardenne herself, Dutroux's last victim. She was held captive for eighty days - and survived. Far from sensationalising the horror, her story, dignified and restrained, is ultimately uplifting. Says Sabine Dardenne, 'I choose to live'.

    He recounts the story of that country's violent transformation into Zimbabwe, as well as his own personal metamorphoses from privileged boy to reluctant soldier to investigative journalist. Godwin's story begins, "I think I first realized something was wrong when our next door neighbor, Oom Piet Oberholzer, was murdered. I must have been about five then. It was still five years before the real war would start." The Godwins enjoyed a typical genteel existence in 1960 rural Rhodesia, their household including a "garden boy," a "cook boy," and a nanny. Peter's father managed a wood- and sugarcane-processing plant. His mother, a rural government doctor, was often called to pronounce deaths or conduct autopsies, for which she brought along her "assistant," five-year-old Peter, who was responsible for shooing away the flies. Godwin's plans for attending college were squashed when he was drafted into the Rhodesian army and assigned to the "Anti-Terrorist Unit," which proved to be an important experience in his life. When he later looked at himself, he saw a man "coursed through with anger and despair. It was the face of someone who would kill an unarmed civilian for withholding information." Disturbed by what he had become, Godwin left Rhodesia after he got out of the army, only to return in 1981 as a journalist. Rhodesia was now Zimbabwe, and the "terrorists" he had reluctantly fought against were now the country's rulers. Godwin reported on theutterbrutalities in Zimbabwe and the fate of Matabeleland, a black minority region in Zimbabwe. He described the army style of interrogation, in which "before they even began to question you, they would break one wrist," and wrote about the old mines where bodies of the dead were buried. When Godwin's writings received worldwide attention, the Zimbabwean government tried to discredit him, and he received numerous death threats, escaping the country just hours before the police came looking for him. Mukiwa is not only a memoir but also a compelling adventure story that tells a personal saga that needs to be heard.

    "A rollicking, off-beat African odyssey".--Publishers Weekly.

    Two very different accounts of their journey clash and mesh as the pilgrims venture forth into the frozen wastes at the top of the world. Bill Drummond and Mark Manning were involved with two of pop music's most esoteric creations: Zodiac Mindwarp and the KLF.

    “Where?” a fellow desert traveler asks.“There, that Mercedes,” I say.He looks at me, questioning. “You want to drive that through the Sahara?” Jeroen van Bergeijk came up with what seemed like a great scheme for making a quick profit: buy a clunker of a car in his native Amsterdam and resell it in the Third World, where a market even for jalopies still thrives. His chariot of choice is a rusted-out 1988 Mercedes 190D with 220,000 kilometers on its odometer; his route will take him from Holland through Morocco, across the Sahara, and into some of the least trodden parts of Africa. My Mercedes Is Not for Sale is a rollicking tale of an innocent abroad. The author finds himself facing a driving challenge akin to the Dakar Rally but encounters obstacles never dreamed of by race-car drivers: active minefields, occasional banditry—mostly by the border guards—and a teenage, chain-smoking desert guide with a fondness for Tupac lyrics. Food and water are scarce, sandstorms are frequent, and all he has to patch up his many car breakdowns thousands of miles from civilization is a bar of soap, some duct tape, and a pair of women’s nylons. Then there’s the coup he survived. My Mercedes Is Not for Sale captures more than the adventure—it vividly portrays the impact of globalization on Africa through a surprise-filled journey into its thriving car culture, while asking the question: is the white man’s burden really a used car?

    Written and updated over the course of several decades, an eyewitness account of the pivotal events of 1989 gives way to a perceptive appreciation of its difficult passage to reunification. Nooteboom's writings on politics, people, architecture and culture are as digressive as they are eloquent; his innate curiosity takes him through the landscapes of Heine and Goethe, steeped in Romanticism and mythology, and to Germany's baroque cities. With an outsider's objectivity he has crafted an intimate portrait of the country to its present day.

    This was perhaps the greatest challenge yet: to cross the vast and merciless Sahara desert.Shrugging aside the perils of camel stew and being run over by the Paris-Dakar rally, he travels through some of the most spectacular landscapes on earth. For the Sahara is no empty wasteland, but home to a diversity of cultures whose long history stretches from the time of the ancient Egyptians to the oil-rich Islamic republics of today.