Isabella's fortunes were very varied: she knew acute poverty, and faced anxiety and danger.

    In reality, the flamboyant royal family appear, in many ways, to have behaved much like most other monarchies. Their story, however, is none the less enthralling for that. It is populated by such unforgettable figures as mad Queen Juana, progressing through Spain with her husband’s decaying body; the ‘heroically fertile’ Maria Theresa, and the quixotic Maximilian, ‘Emperor’ of Mexico.

    It sounds like Shakespeare and it could have very well been the plot of one of his plays." --Toronto StarIn 1494, award-winning author Stephen R. Bown tells the untold story of the explosive feud between monarchs, clergy, and explorers that split the globe between Spain and Portugal and made the world's oceans a battleground.When Columbus triumphantly returned from America to Spain in 1493, his discoveries inflamed an already-smouldering conflict between Spain's renowned monarchs, Ferdinand and Isabella, and Portugal's João II. Which nation was to control the world's oceans? To quell the argument, Pope Alexander VI—the notorious Rodrigo Borgia—issued a proclamation laying the foundation for the Treaty of Tordesillas of 1494, an edict that created an imaginary line in the Atlantic Ocean dividing the entire known (and unknown) world between Spain and Portugal. Just as the world's oceans were about to be opened by Columbus's epochal voyage, the treaty sought to limit the seas to these two favored Catholic nations. The edict was to have a profound influence on world history: it propelled Spain and Portugal to superpower status, steered many other European nations on a collision course, and became the central grievance in two centuries of international espionage, piracy, and warfare. The treaty also began the fight for "the freedom of the seas"—the epic struggle to determine whether the world's oceans, and thus global commerce, would be controlled by the decree of an autocrat or be open to the ships of any nation—a distinctly modern notion, championed in the early seventeenth century by the Dutch legal theorist Hugo Grotius, whose arguments became the foundation of international law.At the heart of one of the greatest international diplomatic and political agreements of the last five centuries were the strained relationships and passions of a handful of powerful individuals. They were linked by a shared history, mutual animosity, and personal obligations—quarrels, rivalries, and hatreds that dated back decades. Yet the struggle ultimately stemmed from a young woman's determination to defy tradition and the king, and to choose her own husband.

    By waging war on the remaining Moors in Granada and unleashing the Inquisitor Torquemada on Spain’s Jewish and converso population, King Ferdinand and Queen Isabella attained enough power and wealth to fund Columbus’ expedition to America and to chart a Spanish destiny separate from that of Italy. With rich characterizations of the central players, this engrossing narrative captures all the political and religious ferment of this crucial moment on the eve of the discovery of the New World.

    Donald Logan introduces the reader to the Christian church, from the conversion of the Celtic and Germanic peoples through to the discovery of the New World. He reveals how the church unified the people of Western Europe as they worshipped with the same ceremonies and used Latin as the language of civilized communication.A History of the Church in the Middle Ages offers a unique perspective on the legacy and influence of the Christian church in Western culture. Never fixed or static, the church experienced remarkable periods of change between the sixth and sixteenth centuries. Saint Francis of Assisi, the gentle poverello of Umbria, the martyr Thomas Becket, the ill-fated lovers Abelard and Heloise, and the visionary Hildegard of Bingen, all testify to the diversity and richness of the medieval church.

    Our 'understanding' of old music allows us only a glimpse of the spirit in which it is rooted. We see that music always reflects the spiritual and intellectual climate of its time. Its content can never surpass the human power of expression, and any gain on one side must be compensated by a corresponding loss on the other." In these essays, Nikolaus Harnoncourt summarizes his views arising from years devoted to the performance of early music. The problem of interpreting historical music is particularly critical in our age, when modern music has little appeal for the listening public. The vacuum left by the absence of a truly living contemporary music is therefore filled by older music. But for performers and audiences to understand music of earlier times, they must learn to comprehend the languages and messages of the past.

    His earlier visits allow him to compare his "chosen homeland" to a past time and a fundamentally unchanged zone, neglected by Franco and Spain itself. At once, then, "Nijar Country" doubles time and space, the first of its many such doublings.Walls graffitied FRANCO, FRANCO, FRANCO preside over destitution, hopeless hopes, and labored lives ended before death, so inhabitants dream of escaping, some having returned only to recall cities regretfully. One boy, pointedly named Juan, implores the narrator (our Juan?) to take him away. The boy may embody a past Juan of whom the present man is avatar--and what about the other Juans in the book?Readers of Goytisolo's later books, such as "Juan the Landless," may be surprised by "Nijar Country"'s precociously complex counterpoint, so deftly manipulated as to possibly escape detection.Goytisolo has written other "travelogs," each accomplishing multiple purposes. Here his vocabulary and grammar sound Nijar's soulful culture. Peter Bush's flexible translation admirably hurdles such potential obstacles of diction and expression.

    An age of perfumed harems where acts of love were spiced with the erotic mysteries of the Orient. a time when merchants, princes, thieves and whores, Christians, Islamic Arabs, Berbers, Yemenites, Greeks and Jews were trapped in an inferno of embattled peoples and faiths.Only such an age could have spawned Spaniard Alaric Teudisson - the mighty Visigoth nobleman whose extraordinary capacity for love was matched only by the violence of his destiny. Young Alaric Teudisson, has a fair, effeminate appearance and even an odor of netity. But beneath this milky exterior beats the heart of a lion. When he sets out to revenge his brother upon some Berbers, Alaric winds up as a page in the Alcazar, which is ruled by Islamites. Eunuchs, slave girls, homosexual princes abound. Named by the Moors Aizun ibn al Qutiyya, is seemingly touched by the hand of God. He was once warrior and scholar, saint and savage.

    At the royal court in Madrid, Mari finds herself in a bizarre, enchanted world, a society culturally splendid but intellectually isolated. There she becomes Maribarbola, prophet to the Queen, and, her survival at stake, endeavors to outsmart the Spaniards.Mari’s wits and loyalties are tested as she becomes embroiled in palace intrigue alongside the politically embattled Queen. When Mari’s carefully schemed prophecies dazzle all of Spain, she and the Queen climb to intoxicating and dangerous heights of power. But even as Mari survives and thrives at the Spanish court, the loss of identity she suffers from living a lie makes her question whether she is really surviving at all.

    Betrayed by his family and undermined by faction and internal conflict, Boabdil was defeated in 1492 by the forces of King Ferdinand and Queen Isabella of the newly united kingdoms of Castile and Aragon. The Christian victory marked the completion of the long Christian re-conquest of Spain and ended seven centuries in which Christians, Muslims, and Jews had, for the most part, lived peacefully and profitably together. Five centuries after his death, Boabdil continues to be a potent symbol of resistance to the forces of western Christendom, and his image endures in contemporary culture. Based on original research in the region by a leading historian of Granada, this book presents a vivid account of Boabdil's life and times and considers the impact of his defeat then and now.

    Traditionally, he has been perceived as a villain, a bloody tyrant and the monstrous murderer of his innocent nephews. To others he was and remains a wronged victim who did his best for kingdom and family, a noble prince and enlightened statesman tragically slain. This work explores the story of Richard III and the tales that have been woven around the historic events, and discusses his life and reign and the disappearance of the princes in the tower. It also assesses the original sources upon which much of the history is based. A number of picture essays explore particular aspects of Richard III's life and reign - his birth sign of Scorpio, historical paintings, the symbolism of pigs and boars, Richard's saints, his books, the Princes, and cartoons and caricatures.

    The poem has been relatively well-preserved and requires few if any emendations to enable an initial reading. Thematically, the poem is primarily concerned with the evocation of the grief of the female speaker and with the representation of her state of despair. The tribulations she suffers leading to her state of lamentation, however, are cryptically described and have been subject to many interpretations.

    720-c. 799), is among the most important and oldest accounts of the Germanic nation. The book preserves many ancient myths and popular traditions and draws from sources that are now lost. The history traces the changing fortunes of the Lombards, the last of the migratory Germanic peoples to enter the western part of the old Roman Empire, from their first appearance in the West in the sixth century to the middle of the eighth century. The popularity of Paul the Deacon's book has endured over the centuries and, although there have been numerous translations and editions, this remains the only one in English.

    In his absorbing new book, Robert Irwin, Arabist and novelist, examines its history and allure.The Alhambra is the only Muslim palace to have survived since the Middle Ages. Built by a threatened dynasty of Muslim Spain, it was preserved as a monument to the triumph of Christianity. Every day thousands of tourists enter this magnificent site to be awestruck by its towers and courts, its fountained gardens, its honeycombed ceilings and intricate tile work. It is a complex full of mysteries--even its purpose is unclear. Its sophisticated ornamentation is not indiscriminate but full of hidden meaning. Its most impressive buildings were designed not by architects, but by philosophers and poets. The Alhambra, which resembles a fairy-tale palace, was constructed by slave labor in an era of economic decline, plague, and political violence. Its sumptuously appointed halls have lain witness to murder and mayhem. Yet its influence on art and on literature--including Orientalist painting and the architecture of cinemas, Washington Irving and Jorge Luis Borges--has been lasting and significant. As our guide to this architectural masterpiece, Robert Irwin allows us to fully understand the impact of the Alhambra.

    The Hundred Years' War ravaged the continent, yet gallantry, chivalry, and literary brilliance flourished in the courts of England and elsewhere. It was a world in transition, soon to be replaced by the Renaissance and the Age of Exploration -- and John of Gaunt was its central figure.In today's terms, John of Gaunt was a multibillionaire with a brand name equal to Rockefeller. He fought in the Hundred Years' War, sponsored Chaucer and proto-Protestant religious thinkers, and survived the dramatic Peasants' Revolt, during which his sumptuous London residence was burned to the ground. As head of the Lancastrian branch of the Plantagenet family, Gaunt was the unknowing father of the War of the Roses; after his death, his son usurped the crown from his nephew, Richard II. Gaunt's adventures represent the culture and mores of the Middle Ages as those of few others do, and his death is portrayed in The Last Knight as the end of that enthralling period.