Going away to college meant a fresh, new start for the girl who lived locked away in a prison of insecurities. She was ready to experience new things and meet new people. But she wasn’t ready for him… Jace Butler had encountered things no one person should have to endure. Trying to come to terms with his past, while living in the present, was a constant struggle for the man whose demons lie dormant beneath the skin of his rippling body and sexy smile. But when Cat walked into his world, his chance for a better life, came with her… After finding each other, Cat and Jace realize that both their past and present issues were trying to ruin their chance for a better future. Issues that will have to be dealt with – once and for all – together… or apart. Book #2: One Day His After finding each other and falling in love in Someday Girl, Cat and Jace’s incredible love story continues in One Day His. When the beautiful and sheltered Cat Nichols left her life in Malibu for a fresh start at college, she had no idea she would meet and fall in love with sexy former Marine Jace Butler. After confronting his difficult past together, the loving couple had hoped that the worst was behind them. But when a family emergency calls Cat back home, they will both soon realize that their newfound love is once again going to be put to the test. This time, Cat will come to face to face with the one person who, instead of loving her unconditionally, lives to darken her world, just to make their own shine brighter. Will Cat and Jace have the strength and courage to face their deepest, darkest fears when they are challenged in ways neither of them could have imagined? Or will outside forces tear them apart once and for all? You can’t choose the one you love, but you can fight like hell to protect them. Book #3: Forever Us They say nothing is worth having if you don’t have the courage to fight for it… After years of living in darkness and despair, Jace Butler found true love with his brown-eyed beauty Cat Nichols in Someday Girl. The former Marine made it clear to those who lived to make her feel insignificant that he would always be there to defend and protect her during their journey through One Day His. But when Cat’s mother Angelica James, the heartless, famous actress, exposes an impactful truth that changes everything, Jace will soon realize that someone else will need his love and protection… Will this new discovery, meant to breakup Cat and Jace, end their love or actually bring them closer together? Find out in the conclusion of this incredible love story….Forever Us. NOTE TO READERS: This is a NEW ADULT boxed set, it is written in the first person, and has stronger language than our previous Contemporary Romances. *Intended for Adults 18+*

    

    The history of art has been, successively, a history of artists and their works, of styles and stylistic change, of images--and now, of context and cultures. Art history at its best makes use of all these. 530 color illustrations. 782 b&w.

    After his death, the contents of his studio, including thousands of glass negatives, were sold off for five dollars. For years the fragile negatives sat forgotten and deteriorating in cardboard boxes in an open carport. How did it happen, then, that the most implausible of events took place? That Disfarmer’s haunting portraits were retrieved from oblivion, that today they sell for upwards of $12,000 each at posh New York art galleries; his photographs proclaimed works of art by prestigious critics and journals and exhibited around the world? The story of Disfarmer’s rise to fame is a colorful, improbable, and ultimately fascinating one that involves an unlikely assortment of individuals. Would any of this have happened if a young New York photographer hadn't been so in love with a pretty model that he was willing to give up his career for her; if a preacher’s son from Arkansas hadn't spent 30 years in the Army Corps of Engineers mapping the U.S. from an airplane; if a magazine editor hadn't felt a strange and powerful connection to the work? The cast of characters includes these, plus a restless and wealthy young Chicago aristocrat and even a grandson of FDR. It’s a compelling story which reveals how these diverse people were part of a chain of events whose far-reaching consequences none of them could have foreseen, least of all the strange and reclusive genius of Heber Springs. Until now, the whole story has not been told.

    Together they provide a complete painting programme.

    Martin takes the reader where no other journalist has gone before as he reports the most intimate details about one of the nation’s top college football programs and its coach.During the show-and-tell story of the 2007 Gator season, Martin listened on the headsets in the coaching booth, monitored Meyer’s locker room speeches, conducted in-depth interviews with assistant coaches and support personnel, ran on Florida Field with the team prior to the Gators game against Tennessee, and gave Tim Tebow his first Heisman Trophy quiz while having dinner together just weeks before he was named as the winner.Urban’s Way, however, is much more than a look at the 2007 season. Martin dug deep into Meyer’s background, from his growing-up days in Ashtabula, Ohio, under the strict guidance of his father; to his tumultuous days as a young assistant when he almost quit the profession; to the dynamics of his close relationship with mentors Earle Bruce and Lou Holtz; to the ultimate prize as coach of the 2006 national champion Florida Gators. Readers learn how Meyer was encouraged by his father and his wife, Shelley, to keep going; how his career took off at Notre Dame and then as a head coach at Bowling Green and Utah; how the Falcons came together after their historic “Black Wednesday”; and the impressive manner in which he championed diversity among players in Salt Lake City. Florida fans will be surprised to discover how close Meyer came to choosing the Notre Dame job over the one in Gainesville, despite his yearnings as a small boy to someday coach the Fighting Irish. Through his intense research---and talks with Urban himself---Buddy Martin provides an amazingly detailed look into how a football coach is made.This is not simply the authorized biography of one of college football’s top coaches; Buddy Martin also gives fans the inside scoop on the 2006 National Championship. In the chapter “The Joy of Winning It All,” players and coaches share their stories of that championship season that produced the middle leg of the “Gator Slam,” leading to the good life on the so-called Cul de Sac of Champions, which Urban shares with Gators basketball coach Billy Donovan.It is rare that fans get inside the head of a top coach, but here full disclosure is offered about Urban’s personal faith, his Plan to Win, and the inner workings of the Spread offense. Readers are also treated to Meyer’s own breakdown of the national championship tape, including his Six Key Plays of the game.Buddy Martin shines a bright light on Urban Meyer, the Florida Gators, and one of the top programs in the country. This is a must-have for Florida Gator football fans and one of the most insightful books ever written on college football.

    Come over tonight?" "I can't.. I was sleeping." He said, slightly annoyed that I called him up at like 3 in the morning. "Please." I rolled my eyes. I waited for a response, as I could hear shuffling at the other end of a line. "Do you want to have sex tonight?" I smiled, biting my lip. "Pleasure to." He lowly chuckled, as I yawned. "I'll be there in about ten minutes." "I'm naked under the sheets." "Maybe five, then." I could hear him moving around already, me guessing he was fumbling with his jeans before I hear him head downstairs. I smirked. "Oh and by the way." "Yeah?" He breathed out. "I hate you." -------------------------- We were the complete opposites, as you can see.. But we both had one single thing in common.

    Brooks! Exciting - Romantic - Hot and Steamy! Becka Jasper is a graduate student on the fast track to a successful career as a researcher. Oliver Weeks is the CEO of a major food research corporation - a powerful and handsome alpha male, that not only knows what he wants, but also gets what he wants. And soon enough, he wants Becka. Brought together when Becka sits in on one of Oliver’s guest teaching lectures, they connect and discover a chemistry neither is prepared for. Becka soon finds herself wanting more from Oliver than just the internship she originally envisioned, but, almost from the start, she sees signs that Oliver may not be exactly what he seems to be... Readers should be 18 and over due to mature situations and language. Special Discount Price: 0.99$! Get This Book FREE With Kindle Unlimited!

    As elliptical and demanding as Emily Dickinson, Valentine consistently rewards the reader."—Library JournalIn her eleventh collection, National Book Award–winning poet Jean Valentine characteristically weds a moral imperative to imaginative and linguistic leaps and bounds. Whether writing elegies, meditations on aging, or an extended homage to ancient remains, Valentine searches out ideas and explores the unexplainable. As Adrienne Rich has said of Valentine's work, "This is a poetry of the highest order, because it lets us into spaces and meanings we couldn't approach in any other way."From "If a Person Visits Someone in a Dream, in Some Cultures the Dreamer Thanks Them":At a hotel in another star. The rooms were cold anddamp, we were both at the desk at midnight asking ifthey had any heaters. They had one heater. You areill, please you take it. Thank you for visiting my dream.*Can you breathe all right?Break the glass shoutbreak the glass force the roombreak the thread Openthe music behind the glass . . .Jean Valentine is the state poet of New York. She has earned many honors, including the National Book Award, the Wallace Stevens Award, and the Shelley Memorial Prize. She has taught at Sarah Lawrence College, New York University, and Columbia University. She lives in New York City.

    Sticks and Stones illuminates this earth-shaking tale without a single word. It is as elemental as hieroglyphics, a timeless story for all ages.In Sticks and Stones, Peter Kuper has created a picture story of epic proportions. It is an intricate tale of birth and death, war and peace, artfully told without a single word. Sticks and Stones chronicles the rise of an empire and the consequences of hubris. This is a timeless allegory and a coutionary tale for our present-day world."Given that Peter Kuper's work is usually wordless and silent, it is all the more extraordinary that he should be one of the strongest and truest radical voices to emerge from contemporary America. In Sticks and Stones, Kuper crafts a Bush-era parable so beautiful, simple, and lucid that it could be understood and enjoyed by anyone, regardless of nationality. This is a powerful, angry, and compassionate document, and in its perfectly measured silence there resides a profound human eloquence. Highly recommended." —Alan Moore, author of Watchmen and From Hell

    Common scenes -- tiny figures on a beach, a porch railing against a storm-darkened sky, a blue raft against a summer cottage -- all are transformed by the poignant light of the Cape and the photographer's subtle and luminous vision. This exquisitely printed book captures every nuance of color and light in that unique juncture of sky, sea, and land that is Cape Cod.

    There isn’t a single thing I’ve done, or experienced,” said Grant Wood, “that’s been even the least bit exciting.” Wood was one of America’s most famous regionalist painters; to love his work was the equivalent of loving America itself. In his time, he was an “almost mythical figure,” recognized most supremely for his hard-boiled farm scene, American Gothic, a painting that has come to reflect the essence of America’s traditional values—a simple, decent, homespun tribute to our lost agrarian age. In this major new biography of America’s most acclaimed, and misunderstood, regionalist painter, Grant Wood is revealed to have been anything but plain, or simple . . . R. Tripp Evans reveals the true complexity of the man and the image Wood so carefully constructed of himself. Grant Wood called himself a farmer-painter but farming held little interest for him. He appeared to be a self-taught painter with his scenes of farmlands, farm workers, and folklore but he was classically trained, a sophisticated artist who had studied the Old Masters and Flemish art as well as impressionism. He lived a bohemian life and painted in Paris and Munich in the 1920s, fleeing what H. L. Mencken referred to as “the booboisie” of small-town America. We see Wood as an artist haunted and inspired by the images of childhood; by the complex relationship with his father (stern, pious, the “manliest of men”); with his sister and his beloved mother (Wood shared his studio and sleeping quarters with his mother until her death at seventy-seven; he was forty-four). We see Wood’s homosexuality and how his studied masculinity was a ruse that shaped his work.Here is Wood’s life and work explored more deeply and insightfully than ever before. Drawing on letters, the artist’s unfinished autobiography, his sister’s writings, and many never-before-seen documents, Evans’s book is a dimensional portrait of a deeply complicated artist who became a “National Symbol.” It is as well a portrait of the American art scene at a time when America’s Calvinistic spirit and provincialism saw Europe as decadent and artists were divided between red-blooded patriotic men and “hothouse aesthetes.” Thomas Hart Benton said of Grant Wood: “When this new America looks back for landmarks to help gauge its forward footsteps, it will find a monument standing up in the midst of the wreckage . . . This monument will be made out of Grant Wood’s works.”

    Over the past decade, she has gained international recognition for her room-sized tableaux, which depict historical narratives haunted by sexuality, violence and subjugation and are made using the paradoxically genteel eighteenth-century art of cut-paper silhouettes. Set in the antebellum American South, Walker's compositions play off of stereotypes to portray, often grotesquely, life on the plantation, where masters, mistresses and slave men, women and children enact a subverted version of the past in an attempt to reconfigure their status and representation. Over the years, the artist has used drawing, painting, colored-light projections, writing, shadow puppetry, and, most recently, film animation to narrate her tales of romance, sadism, oppression and liberation. Her scenarios thwart conventional readings of a cohesive national history and expose the collective, and ongoing, psychological injury caused by the tragic legacy of slavery. Deploying an acidic sense of humor, Walker examines the dialectics of pleasure and danger, guilt and fulfillment, desire and fear, race and class. This landmark publication, which is sure to win international design awards, accompanies Walker's first major American museum survey. It features critical essays by Philippe Vergne, Sander L. Gilman, Thomas McEvilley, Robert Storr and Kevin Young, as well as an illustrated lexicon of recurring themes and motifs in the artist's most influential installations by Yasmil Raymond, more than 200 full-color images, an extensive exhibition history and bibliography, and a 36-page insert by the artist.

    They followed him as he paced around the room, trying to escape the penetrating gaze. John Wentworth Stanley possessed every advantage that wealth, culture, foreign travel, education, and sophisticated society could provide. During his travels abroad he had shaken off the boyish faith and religious enthusiasm that had characterized his youth. He was ready to move into his profession as an architect and take his place as the man of the world he had become.

    Proposing models of hybridity, each of the book's major sequences develops a unique subject, rhythm, and form. Bringing to light the molten potential at the core of personality, the poems illuminate ways that language, as history read by anthropologists, discourse between lovers, gestures between parent and child, graffiti in temples, or even language as an event in itself (the very experience of words at play), incarnates presence. Addressing father and son relationships, and venerating erotic love, Gander's poems surge with vitality: the energy of active discovery.