Yet more than merely the story of "The Man Who Made The Beatles," The Fifth Beatle is an uplifting, tragic, and ultimately inspirational human story about the struggle to overcome seemingly insurmountable odds. Brian himself died painfully lonely at the young age of thirty-two, having helped The Beatles prove through Sergeant Pepper's Lonely Hearts Club Band that pop music could be an inspirational art form. He was homosexual when it was a felony to be so in the United Kingdom, Jewish at a time of anti-Semitism, and from Liverpool when it was considered just a dingy port town.

    For over 25 years he's been writing comic books about his life, chronicling the ordinary and everyday in stories both funny and moving.This 320 page collection was issued on the heels of the film "American Splendor," and it includes material previously published in the first two collected volumes in the American Splendor series.

    This volume deals with the period leading up to World War II, a time of high unemployment and other economic hardships caused by the Great Depression. Mizuki's photo-realist style effortlessly brings to life the Japan of the 1920s and 1930s, depicting bustling city streets and abandoned graveyards with equal ease. When the Showa era began, Mizuki himself was just a few years old, so his earliest memories coincide with the earliest events of the time. With his trusty narrator Nezumi Otoko (Rat Man), Mizuki brings history into the realm of the personal, making it palatable, and indeed compelling, for young audiences as well as more mature readers. As he describes the militarization that leads up to World War II, Mizuki's stance toward war is thoughtful and often downright critical--his portrayal of the Nanjing Massacre clearly paints the incident (a disputed topic within Japan) as an atrocity. Mizuki's "Showa 1926-1939" is a beautifully told history that tracks how technological developments and the country's shifting economic stability had a role in shaping Japan's foreign policy in the early twentieth century.

    With masterful economy worthy of Charles Schultz, Lat recounts the life of Mat, a Muslim boy growing up in rural Malaysia in the 1950s: his adventures and mischief-making, fishing trips, religious study, and work on his family's rubber plantation. Meanwhile, the traditional way of life in his village (or kampung) is steadily disappearing, with tin mines and factory jobs gradually replacing family farms and rubber small-holders. When Mat himself leaves for boarding school, he can only hope that his familiar kampung will still be there when he returns. Kampung Boy is hilarious and affectionate, with brilliant, super-expressive artwork that opens a window into a world that has now nearly vanished.

     This graphic novel recounts the spiritual odyssey of philosopher Bertrand Russell. In his agonized search for absolute truth, he crosses paths with thinkers like Gottlob Frege, David Hilbert & Kurt Gödel, & finds a passionate student in Ludwig Wittgenstein. But his most ambitious goal—to establish unshakable logical foundations of mathematics—continues to loom before him. Thru love & hate, peace & war, he persists in the mission threatening to claim both his career & happiness, finally driving him to the brink of insanity. This story is at the same time a historical novel & an accessible explication of some of the biggest ideas of mathematics & modern philosophy. With rich characterizations & atmospheric artwork, it spins the pursuit of such ideas into a satisfying tale. Probing, layered, the book throws light on Russell’s inner struggles while setting them in the context of the timeless questions he tried to answer. At its heart, Logicomix is a story about the conflict between ideal rationality & the flawed fabric of reality.

    A proud artisan, he takes his donkey-drawn cart to the market only to be turned away when the distinctive shop he once sold to now stocks only cheaply manufactured merchandise. As the realities of the marketplace sink in, Mendleman unravels. James Sturm draws a quiet, reflective, and beautiful portrait of eastern Europe in the early 1900s–bringing to life the hustle and bustle of an Old World marketplace on the brink of industrialization. Market Day is an ageless tale of how economic and social forces can affect a single life. An award-winning cartoonist of the books Golem’s Mighty Swing, James Sturm’s America, Satchel Paige: Striking Out Jim Crow, and Adventures in Cartooning, Sturm is a true visionary, having cofounded the Seattle alternative weekly The Stranger and the Center for Cartoon Studies, the country’s premier cartooning school.

    You get up in front of a thousand people--your classmates, your friends, basically the people who make up your entire existence--and announce, 'I'm HIV positive.'"Told entirely in sequential art, here is the story of the life-changing friendship between the author, a cartoonist from Long Island, and Pedro Zamora, an HIV-positive AIDS activist, which was filmed day by day on MTV's Real World San Francisco. As a speaker and educator, a guest on many talk shows (including Oprah), and when his tragic death received front-page coverage in the press, Pedro taught a generation that AIDS was not a punishment for moral defects or a mere killer that reduced humans to wraiths. Rather, he showed how those afflicted with the disease could live and love nobly with intelligence, humor and great humanity. Judd Winick's compelling memoir allows each of us to experience the vitally important message Pedro brought us.Inspiring, moving, informative, and instantly accessible, Pedro and Me could become one of the books that defines a generation.

     In 1961, when Lila was five, she and her family emigrated from Buenos Aires, Argentina, to Marion, Alabama, in the heart of Alabama’s Black Belt. As educated, middle-class Latino immigrants in a region that was defined by segregation, the Quinteros occupied a privileged vantage from which to view the racially charged culture they inhabited. Weaver and her family were firsthand witnesses to key moments in the civil rights movement.  But Darkroom is her personal story as well: chronicling what it was like being a Latina girl in the Jim Crow South, struggling to understand both a foreign country and the horrors of our nation’s race relations. Weaver, who was neither black nor white, observed very early on the inequalities in the American culture, with its blonde and blue-eyed feminine ideal. Throughout her life, Lila has struggled to find her place in this society and fought against the discrimination around her.

    A brilliant visual storyteller, Redniss has hand-designed more than 100 color collages to tell Curie’s story, fascinating in its scientific significance and its sometimes whimsical, sometimes haunting mix of romance and intrigue. Bringing together archival photos, images, and clippings with dazzling line drawings and a compelling narrative, Radioactive is far more than just an art book or a graphic novel: It is a stunning visual biography and a true work of art.

    Sixteen-year-old Harry Haft is sent to Auschwitz. When he is forced to fight against other inmates for the amusement of the SS officers, Haft shows extraordinary strength and courage, and a determination to survive. As the Soviet Army advances in April 1945, he makes a daring escape from the Nazis. After negotiating the turmoil of postwar Poland, Haft immigrates to the United States and establishes himself as a professional prizefighter, remaining undefeated until he faces heavy­weight champion Rocky Marciano in 1949. In The Boxer, Reinhard Kleist reveals another side to the steely Harry Haft: a man struggling to escape the memories of the fiancée he left behind in Poland. This is a powerful and moving graphic novel about love and the will to survive.

    She shares the important post-death firsts, such as celebrating holidays without her mom, the utter despair of cleaning out her mom's closet, ending old traditions and starting new ones, and the sting of having the "I've got to tell Mom about this" instinct and not being able to act on it. This memoir, bracingly candid and sweetly humorous, is for anyone struggling with loss who just wants someone to get it.

    Not long afterward, they would find themselves making a rocky crossing of the English Channel, about to take part in one of the most pivotal and treacherous military operations of World War II: the Allied invasion of Normandy. Two Generals tells the story of what happened there through the eyes of these two young men -- not the celebrated military commanders or politicians we often hear about, but everyday heroes who risked their lives for the Allied cause. Meticulously researched and gorgeously illustrated, Two Generals is a harrowing story of battle and a touching story of friendship -- and a vital and vibrant record of unsung heroism.

    Drawn in an unassuming yet charming staccato that mimics the awkward rhythm of life, no one’s foibles are left unspared, most often the author’s own.When Roberts considers whether to dust the ceiling fan, it’s effectively relevant. She can get lost in the rewarding melodrama of playing with Barbie dolls with her daughter and will momentarily snap out of her depression. Her harmless fibs to get through the moment are brought up by her daughter a year or two later, yet without hesitation Roberts will request that her daughter’s imaginary friend not visit when she is around. Her MS diagnosis lingers in the background, never taking center stage.In My Begging Chart, her most encompassing work yet, Roberts meditates on routine and stillness. The vignettes of her everyday life exude immense presence, making her comics thoroughly relatable and reflective of our all-too-human lives as they unfold with humour, sadness, and relieving joy. In transporting these stories onto paper, Roberts observes, and at times relishes, a fleeting present.

    Many of their hit songs, such as “Wildwood Flower” and “Will the Circle Be Unbroken,” have influenced countless musicians and remain timeless country standards.The Carter Family: Don’t Forget This Song is not only a unique illustrated biography, but a moving account that reveals the family’s rise to success, their struggles along the way, and their impact on contemporary music. Illustrated with exacting detail and written in the Southern dialect of the time, its dynamic narrative is pure Americana. It is also a story of success and failure, of poverty and wealth, of racism and tolerance, of creativity and business, and of the power of music and love. Includes bonus CD with original Carter Family music. Praise for The Carter Family: "What a fine marriage of form and content! Humble and moving—straightforward with occasional breathtaking bravura passages—this book echoes the Carter Family's rough-hewn sounds. It tells of the lives, sorrows, and values of a lost America in short episodes like a giant stack of old 78s. Using the vocabulary of comic strips like Little Orphan Annie and Gasoline Alley, it's as obsessive in its dedication to vernacular craft and hard work as A.P. Carter himself. Frank Young and David Lasky have spun a work of visual music that will replay in your head and heart well after you've finished reading it."—Art Spiegelman, Pulitzer Prize-winning writer/artist of Maus “Charming, faithful, and resonant . . . will charm the pants off you.” —The Comics Journal “Lasky’s gorgeous artwork animates the story and evokes a mood that mirrors the era and the music.” —NPR.org “Pure pleasure for anyone interested in music history.” —The Seattle Times “Cracking open The Carter Family feels like putting on a vintage 78: moody hearty Americana emanates hauntingly. Enlivening this graphic biography of the legendary country music family are both Frank M. Young’s dialogue, which replicates the vernacular to a T but oh so naturally, and David Lasky’s understated and elegant illustrations which resonate like the music they depict.” —HeebMagazine.com

    Flagrantly manic and terrified that medications would cause her to lose creativity, she began a years-long struggle to find mental stability while retaining her passions and creativity.Searching to make sense of the popular concept of the crazy artist, she finds inspiration from the lives and work of other artists and writers who suffered from mood disorders, including Vincent van Gogh, Georgia O’Keeffe, William Styron, and Sylvia Plath. She also researches the clinical aspects of bipolar disorder, including the strengths and limitations of various treatments and medications, and what studies tell us about the conundrum of attempting to “cure” an otherwise brilliant mind.Darkly funny and intensely personal, Forney’s memoir provides a visceral glimpse into the effects of a mood disorder on an artist’s work, as she shares her own story through bold black-and-white images and evocative prose.