His estranged family—bitter ex-wife Caroline, troubled teenage son Trenton, and unforgiving daughter Minna—have arrived for their inheritance. But the Walkers are not alone. Prim Alice and the cynical Sandra, long dead former residents bound to the house, linger within its claustrophobic walls. Jostling for space, memory, and supremacy, they observe the family, trading barbs and reminiscences about their past lives. Though their voices cannot be heard, Alice and Sandra speak through the house itself—in the hiss of the radiator, a creak in the stairs, the dimming of a light bulb. The living and dead are each haunted by painful truths that will soon surface with explosive force. When a new ghost appears, and Trenton begins to communicate with her, the spirit and human worlds collide—with cataclysmic results.

    The cave is actually an ancient, buried ship that many quickly come to believe is really Noah’s Ark. When a team of scholars, archaeologists, and filmmakers make it inside the ark for the first time, they discover an elaborate coffin in its recesses. The artifact tempts their professional curiosity; so they break it open. Inside, they find an ugly, misshapen cadaver—not the holy man that they expected, a hideous creature with horns. A massive blizzard blows in, trapping them in that cave thousands of meters up the side of a remote mountain…but they are not alone.

    Shady, tree-lined streets, well-tended lawns and cozy homes. A nice, quiet place to grow up. Unless you are teenage Meg or her crippled sister, Susan. On a dead-end street, in the dark, damp basement of the Chandler house, Meg and Susan are left captive to the savage whims and rages of a distant aunt who is rapidly descending into madness. It is a madness that infects all three of her sons and finally the entire neighborhood. Only one troubled boy stands hesitantly between Meg and Susan and their cruel, torturous deaths. A boy with a very adult decision to make.

    As a gift for her husband, Alyssa Bradford approaches Eric Shaw to make a documentary about her father-in-law, Campbell Bradford, a 95-year-old billionaire whose past is wrapped in mystery. Eric grabs the job even though there are few clues to the man's past -- just the name of his hometown and an antique water bottle he's kept his entire life. In Bradford's hometown, Eric discovers an extraordinary history -- a glorious domed hotel where movie stars, presidents, athletes, and mobsters once mingled, and hot springs whose miraculous mineral water cured everything from insomnia to malaria. Neglected for years, the resort has been restored to its former grandeur just in time for Eric's stay. Just hours after his arrival, Eric experiences a frighteningly vivid vision. As the days pass, the frequency and intensity of his hallucinations increase and draw Eric deeper into the town's dark history. He discovers that something besides the hotel has been restored -- a long-forgotten evil that will stop at nothing to regain its lost glory. Brilliantly imagined and terrifyingly real, So Cold the River is a tale of irresistible suspense with a racing, unstoppable current.

    According to local legend, there used to be a church out there, home to the Lord’s Church of Holy Voices—a death cult where Jacob Masters preached the gospel of a nameless god.And like most legends, there’s truth buried among the roots and bones.In 1983, the church burned to the ground following a mass suicide. Among the survivors were Jacob’s six children and their grandparents, who banded together to defy their former minister. Dubbed the “Stauford Six,” these children grew up amid scrutiny and ridicule, but their infamy has faded over the last thirty years.Now their ordeal is all but forgotten, and Jacob Masters is nothing more than a scary story told around campfires. For Jack Tremly, one of the Six, memories of that fateful night have fueled a successful art career—and a lifetime of nightmares. When his grandmother Imogene dies, Jack returns to Stauford to settle her estate. What he finds waiting for him are secrets Imogene kept in his youth, secrets about his father and the church. Secrets that can no longer stay buried. The roots of Jacob’s buried god run deep, and within the heart of Devil’s Creek, something is beginning to stir…

    Scattered throughout the settlement are centuries-old stones used during the Great Plague as boundary markers. No plague-sufferer was permitted to pass them and enter the village. The plague diminished, and the village survived unscathed, but since then each year the village trustees have insisted on an ancient ceremony to renew the village boundaries, until a misguided act by the Feenans' son then reminds the village that there is a reason traditions have been rigidly stuck to, and that all acts of betrayal, even those committed centuries ago, have consequences...

    This is where four young friends come of age—in an atmosphere thick with fear and suspicion. Their innocent games soon bring them face-to-face with the village's darkest secrets in this eerily dispassionate, astonishingly assured novel, evocative of Stephen King's classic short story "Children of the Corn" and infused with the spirit of the Brothers Grimm.

    Moving across the country seems like the perfect chance to start over.In their isolated new neighborhood, Skye manages to fit in, but Deirdre withdraws from everyone, becoming fixated on the swampy woods behind their house and building monstrous sculptures out of sticks and bones.Then Deirdre disappears.And when something awful comes scratching at Skye's window in the middle of the night, claiming she's the only one who can save Deirdre, Skye knows she will stop at nothing to bring her sister home.

    A dark imagination, a sinister smile--always on the outside of the group. Some part of you suspected he might be capable of doing something awful. Twenty-five years ago, Crabtree did just that, committing a murder so shocking that it’s attracted that strange kind of infamy that only exists on the darkest corners of the internet--and inspired more than one copycat.Paul Adams remembers the case all too well: Crabtree--and his victim--were Paul’s friends. Paul has slowly put his life back together. But now his mother, old and senile, has taken a turn for the worse. Though every inch of him resists, it is time to come home.It's not long before things start to go wrong. Reading the news, Paul learns another copycat has struck. His mother is distressed, insistent that there's something in the house. And someone is following him. Which reminds him of the most unsettling thing about that awful day twenty-five years ago.It wasn't just the murder.It was the fact that afterward, Charlie Crabtree was never seen again...

    Marie Vandelly For the lucky among us, life is what you make of it, but for Dixie Wheeler, the theme music for her story was chosen by another long ago, on the day her father butchered her mother and brothers and then slashed a knife across his own throat. Only one-year-old Dixie was left alive, infamously known as Baby Blue for the song left playing in the aftermath of the slaughter. Twenty-five years later, Dixie is still desperate for a connection to the family she can’t remember, so when her childhood home goes up for sale, Dixie sets aside all reason and moves in, re-creating a macabre decor with her family’s salvaged furniture. But as the ghosts of her family seemingly begin to take up residence in the home that was once theirs, Dixie starts to question her own sanity and wonders if the evil force menacing her is that of her father, or a demon of her own making. In order to make sense of her present, Dixie becomes determined to unravel the truth of her past and seeks out the detective who originally investigated the murders. But the more she learns, the more she opens up the uncomfortable possibility that the sins of her father may belong to another, and, perhaps most tragically, to Dixie herself. As bodies begin to pile up around her, Dixie must find a way to expose the lunacy behind her family’s massacre and redeem what little remains of her soul.

    Lying in her bed, young Sylvie Mason overhears her parents on the phone across the hall. This is not the first late-night call they have received, since her mother and father have an uncommon occupation, helping "haunted souls" find peace. And yet, something in Sylvie senses that this call is different than the rest, especially when they are lured to the old church on the outskirts of town. Once there, her parents disappear, one after the other, behind the church's red door, leaving Sylvie alone in the car. Not long after, she drifts off to sleep only to wake to the sound of gunfire.Nearly a year later, we meet Sylvie again struggling with the loss of her parents, and living in the care of her older sister, who may be to blame for what happened the previous winter.As the story moves back and forth in time, through the years leading up to the crime and the months following, the ever inquisitive and tender-hearted Sylvie pursues the mystery, moving closer to the knowledge of what occurred that night, as she comes to terms with her family's past and uncovers secrets that have haunted them for years.

    Flo and Clara, two impressionable students, are obsessed with each other and with a daring young writer named Mary MacLane, the author of a scandalous bestselling memoir. To show their devotion to Mary, the girls establish their own private club and call it The Plain Bad Heroine Society. They meet in secret in a nearby apple orchard, the setting of their wildest happiness and, ultimately, of their macabre deaths. This is where their bodies are later discovered with a copy of Mary’s book splayed beside them, the victims of a swarm of stinging, angry yellow jackets. Less than five years later, The Brookhants School for Girls closes its doors forever—but not before three more people mysteriously die on the property, each in a most troubling way. Over a century later, the now abandoned and crumbling Brookhants is back in the news when wunderkind writer, Merritt Emmons, publishes a breakout book celebrating the queer, feminist history surrounding the “haunted and cursed” Gilded-Age institution. Her bestselling book inspires a controversial horror film adaptation starring celebrity actor and lesbian it girl Harper Harper playing the ill-fated heroine Flo, opposite B-list actress and former child star Audrey Wells as Clara. But as Brookhants opens its gates once again, and our three modern heroines arrive on set to begin filming, past and present become grimly entangled—or perhaps just grimly exploited—and soon it’s impossible to tell where the curse leaves off and Hollywood begins. A story within a story within a story and featuring black-and-white period illustrations.

    The "world's most advanced smart speaker!" didn't interest Thiago, but Vera thought it would be a bit of fun for them amidst all the strange occurrences happening in the condo. It made things worse. The cold spots and scratching in the walls were weird enough, but peculiar packages started showing up at the house—who ordered industrial lye? Then there was the eerie music at odd hours, Thiago waking up to Itza projecting light shows in an empty room.It was funny and strange right up until Vera was killed, and Thiago's world became unbearable. Pundits and politicians all looking to turn his wife's death into a symbol for their own agendas. A barrage of texts from her well-meaning friends about letting go and moving on. Waking to the sound of Itza talking softly to someone in the living room...The only thing left to do was get far away from Chicago. Away from everything and everyone. A secluded cabin in Colorado seemed like the perfect place to hole up with his crushing grief. But soon Thiago realizes there is no escape—not from his guilt, not from his simmering rage, and not from the evil hunting him, feeding on his grief, determined to make its way into this world.A bold, original horror novel about grief, loneliness and the oppressive intimacy of technology, This Thing Between Us marks the arrival of a spectacular new talent.

    Refusing to leave his home in a small coastal town in Maine, Jack Peter spends his time drawing monsters. When those drawings take on a life of their own, no one is safe from the terror they inspire. His mother, Holly, begins to hear strange sounds in the night coming from the ocean, and she seeks answers from the local Catholic priest and his Japanese housekeeper, who fill her head with stories of shipwrecks and ghosts. His father, Tim, wanders the beach, frantically searching for a strange apparition running wild in the dunes. And the boy’s only friend, Nick, becomes helplessly entangled in the eerie power of the drawings. While those around Jack Peter are haunted by what they think they see, only he knows the truth behind the frightful occurrences as the outside world encroaches upon them all.In the tradition of The Turn of the Screw, Keith Donohue’s The Boy Who Drew Monsters is a mesmerizing tale of psychological terror and imagination run wild, a perfectly creepy read for a dark night.

    Obsessed with the macabre, the girls exchanged stories about serial killers and imaginary monsters, like the Red Lady, the spirit of a vengeful witch killed centuries before. Heather knew the stories were just that, until her best friend Becca began insisting the Red Lady was real--and she could prove it.That belief got Becca killed.It's been nearly thirty years, but Heather has never told anyone what really happened that night--that Becca was right and the Red Lady was real. She's done her best to put that fateful summer, Becca, and the Red Lady, behind her. Until a familiar necklace arrives in the mail, a necklace Heather hasn't seen since the night Becca died.The night Heather killed her.Now, someone else knows what she did...and they're determined to make Heather pay.