Her plays have been produced in many theatres across the U.S. including Second Stage (NY), South Coast Rep (Costa Mesa), Yale Repertory Theatre (New Haven), Alliance Theatre (Atlanta) and Steppenwolf (Chicago). She has won the Heideman and the White Bird awards and was a runner-up for the Susan Blackburn award.

    He was Stalin’s closest henchman. At one time he had a million armed men under his direct personal command. He was a sadist and a mass murderer. And he was also a vicious rapist with a compulsive appetite for young girls. This is possible: Beria may have kept a private diary in which he lovingly recorded his sexual activities, his murders, various scandals involving men now highly placed in the Soviet hierarchy — and the true facts of Stalin’s death. This is certain: The publication of Beria’s diary would cause the greatest political scandal the world has ever known — and set off a deadly manhunt for those responsible for its release … The private diaries of Beria — Stalin’s notorious chief of secret police — are a lurid, shattering indictment of Russian political methods and contain a new account of what really happened at Stalin’s death. They confirm Beria as one of the greatest human monsters of our time, both in his personal life and in his political manipulations of top Soviet politicians, some of whom are in power today. The Beria Papers are sold to an American publisher for three million dollars. On publication they are an immediate, sensational bestseller. They cause panic in Moscow and outrage everywhere — even in the upper echelons of the U.S. government, where there is fear that such revelations will create a dangerous precedent in smear campaigns against world leaders. So the world’s two most powerful secret services — the Soviet KGB and the American CIA — are ordered to track down the book’s origin. Their investigations range from New York to Washington, to London, Moscow, Munich, Budapest, Vienna and finally to a small island in the Indian Ocean where the activities of the two secret agencies come horrifically together. But can The Beria Papers possibly be a hoax? Praise for The Beria Papers: ‘Intriguing and gripping … compulsively exciting’ - Sunday Express ‘Both exciting and really convincing … fascinating. Part adventure, part thriller, part a documentary of might-have-been history, The Beria Papers is the best thing of its kind for a long time.’ - Sunday Times ‘The most interesting and original thriller since The Odessa File … a sharp and intelligent thriller that cries out for filming.’ - Daily Mail ‘Intriguing and gripping … not merely compulsively exciting entertainment, it is also so well researched and the background appears so absolutely authentic that the whole fantastic story could just be true.’ - Sunday Express Alan Emlyn Williams(born 1935) is an ex-foreign correspondent, novelist and writer of thrillers. He was educated at Stowe, Grenoble and Heidelberg Universities, and at King's College, Cambridge where he graduated in 1957 with a B.A. in modern languages. His father was the actor and writer Emlyn Williams.

     A new batch of prisoners have just arrived in British detention camp 3599. Among them is Stevens, puny, effeminate and psychologically weak. The prisoners are both entertained and repulsed by his bizarre outbursts and cries for help; his frailty initially disgusts them but soon becomes an alarming call for help. Stevens shares Cell 8 with fellow new arrivals Bartlett, the old lag, Bokumbo, tough West African, McGrath, hardened Scottish fighter and Roberts, a warrant officer who refused to go into a suicidal action. The clash of personalities beneath the brutal lust for power of a staff sergeant generates a savage tension. The mental torture Stevens is forced to endure leaves the other cell members speechless and full of hatred for a military system that they had once been part of. Eventually, they put their differences to one side and decide there is something else worth fighting for. The hot sun of Egypt permeates every thought and action, and the steep hill - over which prisoners have to run at the double with full kit - burns into the consciousness of every man. Finally, the pitiless indifference shown by the authorities leads to a shocking denouement. This is a brutal story of British detention camp and one man’s sadistic lust for power. Praise for Ray Rigby: ‘The most spectacularly powerful novel since Bridge over the River Kwai…a crescendo of excitement’ – The New York Times Ray Rigby was an English novelist and playwright. ‘The Hill’ was turned into a blockbuster film starring Sean Connery and Michael Redgrave. Endeavour Press is the UK's leading independent digital publisher. For more information on our titles please sign up to our newsletter at www.endeavourpress.com. Each week you will receive updates on free and discounted ebooks. Follow us on Twitter: @EndeavourPress and on Facebook via http://on.fb.me/1HweQV7. We are always interested in hearing from our readers. Endeavour Press believes that the future is now.

     1914. Growing up on a farm in the country, Annie Cradwell has always dreamt of singing on stage. So when she hears her friend Joyce has a room to spare in London, she sets off with best friend Rose for an adventure beyond anything they could have imagined. In London, Annie and Rose stumble into jobs first at the Lyceum Theatre. Being a dresser to capricious star Kitty Smythe wasn't exactly what Annie had in mind. But then the musical director, Matthew Harris, offers her singing lessons. And Annie starts to wonder – could this be her chance? Or is it all too good to be true? With the threat of war in the air, everything is uncertain. Is there a place for hopes and dreams when so much is at stake? Annie, Rose and Joyce are three girls with very different dreams – but the same great friendship. From the author of the beloved Foyles Bookshop Girls series, The West End Girls is the first in a brand new series full of Elaine Roberts' trademark warmth. Perfect for fans of Daisy Styles and Rosie Hendry.

    1405: The daughter of a wealthy merchant, Anneke Sheldrake suddenly finds her family bankrupted when her father’s ship is swept away at sea. Forced to find a way to provide for herself and her siblings, Anneke rejects an offer of marriage from a despised cousin and instead turns to her late mother’s family business: brewing ale. Armed with her mother’s recipes, she then makes a bold deal with her father’s aristocratic employer, putting her home and family at risk. Thanks to her fierce determination, Anneke’s brew wins a following and begins to turn a profit. But her rise threatens some in her community and those closest to her are left to pay the price.As Anneke slowly pieces her life together again, she finds an unlikely ally in a London brothel owner. Determined not only to reclaim her livelihood and her family, Anneke vows not to let anyone stand in the way of her forging her own destiny.

    England is on the cusp of civil war.Jayne Swift, a daughter of the Dorset gentry, has resisted all offers of marriage and instead trained as a physician, using her skills to tend to her Royalist father's tenants and the local population. When civil war sweeps England she vows to remain neutral and aid the injured whether they be Royalist or Parliamentarian.William Harrier is first introduced to Jayne as footman to Lacy Alice, a Dorchester parliamentarian, but every time she encounters him, he seems to be in a different guise, and it's not always clear which side of the war he's fighting for.As the battles continue to rage, bringing pain and suffering to both sides, Jayne never wavers in her vow of neutrality. Throughout it all, from the terrifying siege of Lyme Regis, to the execution of the King, she always seems to find herself drawn back to William. But what does she really know of him? His past is a mystery, and his future seems uncertain.The Swift and the Harrier is a sweeping tale of adventure and loss, sacrifice and love with a unique and unforgettable heroine at its heart.

    Together with the bestselling A View from the Foothills and Decline & Fall, the complete trilogy covers the rise and fall of New Labour from start to finish.Witty, elegant and wickedly indiscreet, the Mullin diaries are widely reckoned to be the best account of the New Labour era."Every once in a while," wrote David Cameron, " political diaries emerge that are so irreverent and insightful that they are destined to be handed out as leaving presents across Whitehall for years to come."

    

    Fourteen-year-old Victoria Keats is horrified when her father demands that she go to work for wealthy Mr Preston – everyone knows why he takes young girls into his house. But her violent father, who’s never let her forget she’s not the son he wanted, won’t listen to her concerns – and when she stands up for herself, he throws her out of their dingy little house in the slums.Intelligent, book-loving Vicki vows to make her father regret this day; but she is all alone in the world. Despite her courage and quick wits, it seems likely she will starve – until two men, both complete strangers, provide her with no-strings-attached help.As Vicki’s life improves beyond all recognition, she can’t help but fixate on the mystery of these two good Samaritans: who were they? And why did they help her? She determines to find the men and thank them, but tracking them down may be harder – and more life-changing – than she thinks . . .

    . . A LARD raised his head. It was a pleasant voice, though a little drunken, and the words came clearly enough, a trifle blurred about the con sonants, to the high window of the Maison du Poirier. The window was open, for the June night was hot, and there were few noises after ten oclock in the Place du Parvis Notre Dame. Time goes by, And naught do I. Time comes again, . . . Et ne fais rien Abelards smile broadened. I am very sure, my friend, said he, that you do not. But at any rate he had found a good tune. The listeners ear was quick. He began not ing it on the margin of his manuscript, while his brain busied itself fitting Latin words to the original a pity to waste so good a tune and so profound a sentiment on a language that was the breath of a day, Fugit hora, Absque mora, Nihil facio . . . Not to that tune. The insinuating, if doomed, vernacu lar lilted again. Abelard realized that he was spoiling the 3 PETER ABELARD margin of his Commentary on Ezekiel, and turned back resolutely. Now, as Augustine says, our concern with any man is not with what eloquence he teaches, but with what evidence. But the thread of his argument was broken he got up and came over to the window. The singing had stopped, but he could see the tonsured head below him, glimmeringlike a mushroom in the dusk, while the legs tacked uncertainly across the broad pavement of the Parvis Notre Dame on their way to the cheerful squalors of the Petit Pont. Suddenly they halted the moon had come out from a drifting haze, and the singer, pausing on the edge of a pool of light, peered at it anxiously, and then lifted up his eyes. The voice rose again, chastened, this time in the venerable cadences of the hymn for dawn Jam lucis orto sidere Statini oportct bibere. The blasphemous pup, said Abelard. He leaned out, to hear the rest of it Now risen is the star of day. Let us arise and drink straightway. That we in peace this day may spend, Drink we and drink, nor make an end. This was a better parody, because a simpler, than the one he had made upon it himself ten years ago, to illus trate for his students the difference between the acci dents and the essential, the accidents being the words, the essential the tune. Lord, the Blessed Gosvins face when he began singing it Doubtless he would be the Blessed Gosvin some day so holy a youth could not fail of a 4 THE CLOISTER OF NOTRE DAME sanctified old age. St. Gosvin perhaps the youngster was Prior already at ... he had forgotten where. The im pudent, smooth-faced prig. Abelards mind was running down a channel it knew and did not like the moment in the classroom at St. Genevieve, when Gosvins reedy treble had interrupted the resonant voice from the rostrum with those innocent questionings, answered contemptuously, the masters eyes half averted and his mind less than half attentive, till the sudden horrid silence brought him to his senses and he realized that he was trapped, even as he had so often trapped that good old goat, William of Champeaux. He had recovered, magnificently but for the moment he had felt the hounds at his throat. And the cheering had been too vehement they knew. Somebody on the lie de Cite that night made a song about David and Goliath, not a very good song, but the name had stuck to him since, though not many remembered the origin of it. A pity, all the same, that Gosvin took to the cloister. It w r ould be very pleasant to have him lecturing to empty benches at St. Genevieve, while at Notre Dame the stu dents wedged open the doors and stood thick on the stairs...

    An office worker, she lives at home, along with her parents and spirited younger brother, Bertie. But her life is transformed when she meets handsome young man, Edmond Derwent, son of one of the wealthiest families in the small town of Larchbury, and student at Cambridge University.The couple are falling deeply in love when war breaks out and, eager to do his duty for England, Edmond signs up as an officer. The couple plan to be wed, eager to start a new life together - but their happiness is short-lived when Edmond is sent to Flanders to lead his men into battle. Amy trains as a VAD nurse and is soon sent to France, where she sees the true horror of war inflicted on the brave young men sent to fight.Separated by war, Edmond and Amy share their feelings through emotional letters sent from the front line. But when Edmond is critically wounded at Ypres, their love faces the biggest test of all – can their love stay strong while the world around them is crumbling?A romantic, emotional saga set in WW1 – readers of Rosie Goodwin, Katie Flynn and Val Wood will be captivated by this story of love.

    How did this happen? Easy, this is Greece and nothing ever goes to plan. The couple’s latest adventure in Koroni, on the Messinian peninsula, takes them on another perilous and funny journey, with house rental dramas, scorpion threats, a publishing upheaval, and much more. But when they are finally seduced by the charm of unspoilt Koroni, make new friends, grapple with Greek lessons, and reconnect with some of the memorable characters of their Mani days, they discover once more why they continue to be in love with this resilient country, despite its ongoing economic crisis. And there’s not even a sting in this tale. Well … almost! REVIEWS: "This book is rare within the travel writing genre. It cleverly combines a travel narrative with enlightened observations about Greece, while retaining a light and entertaining touch throughout.” – Peter Kerr, best-selling author of Snowball Oranges

    Her fears are confirmed when a youth fires a gun at the administrator, but that isn't the only shooting!

    During his stay he agrees to serve as a guinea pig for a new drug that Magnus has discovered in his scientific research. When Dick samples Magnus's potion, he finds himself doing the impossible: traveling through time while staying in place, thrown all the way back into Medieval Cornwall. The concoction wear off after several hours, but its effects are intoxicating and Dick cannot resist his newfound powers. As his journeys increase, Dick begins to resent the days he must spend in the modern world, longing ever more fervently to get back into his world of centuries before, and the home of the beautiful Lady Isolda...

    Lyly’s Endymion (1588) represents his famous Euphuistic style at its best and also gives us vintage Lyly as courtier and dramatist. In this love comedy, Lyly retells an ancient legend of the prolonged sleep of the man with whom the moon (Cynthia) fell in love. The fable is piquantly relevant to Queen Elizabeth and her exasperated if adoring courtiers. This edition makes a new and compelling argument for the relevance of Endymion to the threat of the Spanish Armada invasion of 1588 and to the role of the Earl of Oxford in England’s politics of that troubled decade. Full commentary is provided on every aspect of the play, including its philosophical allegory about the relation of the moon to mortal life on earth.