but you can just call him MR. NEW ORLEANS. Mr. New Orleans tells the incredible story of Frenchy Brouillette, a redneck Cajun teenager who stole his big brother's motorcycle and embarked on a 60-year vacation to New Orleans, where he became a legendary gangster and the underworld political fixer for his cousin, Louisiana Governor Edwin Edwards. Written by Crescent City native Matthew Randazzo V, the wickedly funny Mr. New Orleans is the first book to ever break the code of secrecy of the New Orleans Mafia Family, the oldest and most mysterious criminal secret society in America. "Mr. New Orleans is a rollicking, disturbing ride through the underbelly of a bygone New Orleans, lined with moments of dark, side-splitting hilarity. If you're a fan of James Lee Burke, drop what you're reading and pick this one up. In an era when popular wisdom tells us T.V. has stolen all depth from the literary true-crime narrative, Matthew Randazzo has found a way to beat that trend mightily; he's gone straight to the source and captured the singular, confounding voice of the New Orleans' mafia's top political fixer with fast-paced, riveting prose and a fine journalist's eye for detail." Chris Rice, New York Times Bestselling Author "Mr. New Orleans is a total knockout: Take everything you ever imagined about the sleazy good times to be had in New Orleans -- the sleazy good times capital of America -- and quadruple it, and you have a hint of what's inside these sticky pages." Bill Tonelli, Author of The Italian American Reader and Editor for Esquire and Rolling Stone

    Aimed at undergraduate/MBA-level courses in business ethics in the departments of philosophy or business, this comprehensive text provides a balanced and up-to-date treatment of some of the most prominent issues of business ethics.

    One of the most celebrated living architects, Ando is best known for crafting serenely austere structures that fuse Japanese building traditions with Western modernism. His minimalist masterworks-geometric forms clad in silky-smooth exposed concrete-are suffused with natural light and set in perfect harmony with the landscape. In these highlights from lectures delivered at the University of Tokyo's Graduate School of Architecture, Ando candidly describes his experiences as a largely self-taught practitioner, tracing his development from an early interest in the traditional building craft of his native Japan through his political awakening in the turbulent 1960s to his current stature as one of the world's foremost architects. In addition to exploring his aesthetic influences and working process, Ando offers students a road map not only for maintaining professional integrity, but also for becoming effective agents of change in the world.

    BUILDING CONSTRUCTION BY RANGWALA, 9789385039041

    This comprehensive textbook uses a building-block approach that starts with the fundamental principles of system operation and progresses gradually to complex diagnostic and service procedures. Short sentences, concise definitions, and thousands of color illustrations help students learn quickly and easily. This newly revised text provides thorough coverage of the latest developments in the automotive field, including hybrid drive systems, computer network communication, and tire pressure monitoring systems. Organized around the eight ASE automobile test areas, Modern Automotive Technology is a valuable resource for students preparing for a career in automotive technology, as well as experienced technicians who are preparing for the ASE certification tests.

    From childhood in the Great Depression to opening esteemed eateries, it’s quite a story to tell. When she and her family launched Commander’s Palace, it became the city’s most popular restaurant, where famous chefs such as Paul Prudhomme, Emeril Lagasse, and James Beard Award winner Troy McPhail got their start.Miss Ella of Commander’s Palace describes the drama, the disasters, and the abundance of love, sweat, and grit it takes to become the matriarch of New Orleans’ finest restaurant empire.

    Drawing on new documentary information, the author recreates the often grueling conditions of an early rock and roll tour, and provides new facts about "the day the music died." With 50 photos.

    

    Directly in the ship’s path was the Sunshine Skyway Bridge--two ribbons of concrete, steel, and asphalt that crossed fifteen miles of open bay.  Suddenly, a violent weather cell reduced visibility to zero at the precise moment when Lerro attempted to direct the 20,000-ton vessel underneath the bridge. Unable to stop or see where he was going, Lerro drove the ship into a support pier; the main span splintered and collapsed 150 feet into the bay. Seven cars and a Greyhound bus fell over the broken edge and into the churning water below. Thirty-five people died.Skyway tells the entire story of this horrific event, from the circumstances that led up to it through the years-long legal proceedings that followed. Through personal interviews and extensive research, Bill DeYoung pieces together the harrowing moments of the collision, including the first-person accounts of witnesses and survivors. Among those whose lives were changed forever was Wesley MacIntire, the motorist whose truck ricocheted off the hull of the Summit Venture and sank. Although he was the lone survivor, MacIntire, like Lerro, was emotionally scarred and remained haunted by the tragedy for the rest of his life. Similarly, DeYoung details the downward spiral of Lerro’s life, his vilification in the days and weeks that followed the accident, and his obsession with the tragedy well into his painful last years. DeYoung also offers a history of the ill-fated bridge, from its construction in 1954, through the addition of a second parallel span in 1971, to its eventual replacement. He discusses the sinking of a Coast Guard cutter a mere three months before Skyway collapsed and the Department of Transportation’s dire warnings about the bridge’s condition. The result is a vividly detailed portrait of the rise and fall of a Florida landmark.

    In this compact volume, Koolhaas addresses the urban and architectural implications of extra-large construction, using as examples three of OMA's important large-scale projects: the Zeebrugge Ferry Terminal in Belgium, the Tres Grande Bibliotheque in Paris, and the Karlsruhe Center for Art and Media Technology in Germany.Tackling questions about the difficult state of urbanism and modernism in contemporary Europe, America, and Asia, this slim volume forms a concise and coherent explanation of the theories and polemics of Koolhaas and OMA. This beautifully designed book serves as an inexpensive alternative and companion to Koolhaas's recent "S, M, L, XL."

    As longtime member Stephanie Lewis steps into a luxurious condo to begin a new season of the garden club, she has no idea of the drama and life changes that await her.Stephanie, a community volunteer and socialite, is convinced that proper civilization ends at the New Orleans city limits. Her friends and fellow members consist of Gloria Vincent, a wealthy widow who manages two international businesses, and Dolores Delacroix, a successful business owner and master gardener who drinks like a sailor. As the roots of improbable friendships grow deeper, the women discover there is more to every life than what appears on the surface. When a chain of events transforms Stephanies life and the existence of the garden club forever, each of the women learns that she must first examine the past and face the present before she can ever embrace future possibilities.In this heartwarming story, the ladies of a French Quarter garden club depend upon reliance, grace, and the bonds of their sisterhood to courageously deal with lifes unexpected twists and turns. For more information visit: www.welcometothegardenclub.com.

    Reilly. In Ignatius Rising, Ren� Pol Nevils and Deborah George Hardy present the first biography of Toole, drawing upon scores of interviews with contemporaries of the writer and acquaintances of his influencing mother, Thelma, as well as unpublished letters, documents, and photographs. Frank yet sympathetic, Ignatius Rising deftly describes a life that is dark, tragic, bizarre, and amazing -- but luminous with the gift of laughter, a life not unlike those of Toole's beloved characters, now loved the world over.

    the reader is seduced by that willful voice, wavering between shock and grudging admiration at Friedmann's high-wire balancing act. And laughing all the way." -The New Orleans Times-PicayuneA tour de force whose heroine falls somewhere between the southern elegance of Walker Percy and the zany black comedy of THE CONFEDERACY OF DUNCES.Surrounded by the splendor and excess of old money in New Orleans, Eleanor Rushing is a wry and witty young woman who first locks eyes with the love of her life at a City Council meeting—or so we’re led to believe. What starts as an innocuous infatuation with Dr. Maxim Walters, a Methodist minister who just so happens to be married already, quickly turns into an outrageous and obsessive passion: she orchestrates an automobile accident outside his house, volunteers to stuff envelopes at his church, follows him to Nashville on a business venture, sets up camp in the toolshed in his backyard… Eleanor’s voice is both acutely perceptive and macabrely unhinged. She considers herself blessed with the ability to “remember everything,” except that her recollections and impressions seem to be at odds with everyone around her. As her “relationship” with Dr. Walters begins to spin frantically out of control, we can't help being her willing and faithful admirers. Magnificently showcases Friedmann's touted powers of psychological acuity and laugh-out-loud black humor. A fitting Kindle addition for fans of THE SILVER LININGS PLAYBOOK.Excerpt:I think it is impossible to change the world unless you are truly evil and so mad for control you never sleep. And it’s ridiculous to try to change yourself at all. Scientists have studied identical twins who feel pain in the gut at the same time, as if everything were laid out from the moment they were conceived. Sometimes I figure all you can do is watch yourself, as if you’re viewing a simple, dull film; eventually you find out what was going to happen. Unless death catches you by surprise.So I go to City Council meetings. I haven’t missed one in four years, not even for a case of B-type influenza, which I probably picked up from a crowd in the City Council chambers. Sitting in those meetings is the only way I can pretend to feel any breezes of serendipity. Somewhere between the global and the personal, they play out the grandest battles of silliness, and I like to guess at them. When I was twenty-three I lived in Washington, DC and sat in regularly on the proceedings of the U.S. House of Representatives. But they mumbled and shuffled a lot, and you couldn’t see their eyes unless they passed close by. It was good to learn about carcinogens in the Iowa corn after the drought and how the turnips in western Montana swelled like giant melons for years after Mount Saint Helens blew, and I believed money should be set aside to study such matters, but I couldn’t see the congressmen’s eyes.

    It is difficult for us now, even with all our engineering and architectural skills, to imagine the extraordinary ways these medieval houses of worship were constructed. Midway through the twelfth century, the building of cathedrals became a crusade to erect awe-inspiring churches across Europe. In their zeal, bishops, monks, masons, and workmen created the architectural style known as Gothic, arguably Christianity’s greatest contribution to the world’s art and architecture. The style evolved slowly and almost accidentally as medieval artisans combined ingenuity, inspiration, and brute strength to create a fitting monument to their God. Here are the dramatic stories of the building of Saint-Denis, Notre Dame, Chartres, Reims, and other Gothic cathedrals.

    Here is the dramatic - and tragic - story of Versailles and the men and women who made it their home.