In 2012, after the overthrow of Qaddafi, the acclaimed novelist Hisham Matar journeys to his native Libya after an absence of thirty years.      When he was twelve, Matar and his family went into political exile. Eight years later Matar's father, a former diplomat and military man turned brave political dissident, was kidnapped from the streets of Cairo by the Libyan government and is believed to have been held in the regime's most notorious prison.  Now, the prisons are empty and little hope remains that Jaballa Matar will be found alive. Yet, as the author writes, hope is "persistent and cunning".     This book is a profoundly moving family memoir, a brilliant and affecting portrait of a country and a people on the cusp of immense change, and a disturbing and timeless depiction of the monstrous nature of absolute power.

    Today she is more popular than ever. Natalie Tyler captures the essence of this enthusiasm in a book that shuns obscure academic approaches and provides lively discussions about every one of Austen's novels and characters. Readers can experience the highlights of Austen's early writings, learn about the man who almost won her hand, and puzzle over what on earth she meant by the last line of Persuasion. Tyler includes quizzes, eye-catching illustrations, interviews with Austen scholars and lovers of her work-such as Jane Smiley, T. C. Boyle, and Miss Manners-plus a filmography, a bibliography, and browsable quotes and sidebars to create this wildly entertaining Austen companion.

    The Dublin-born Oxford man had made such a spectacle of himself in London with his eccentric fashion sense, acerbic wit, and extravagant passion for art and home design that Gilbert Sullivan wrote an operetta lampooning him. He was hired to go to America to promote that work by presenting lectures on interior decorating. But Wilde had his own business plan. He would go to promote himself.And he did, traveling some 15,000 miles and visiting 150 American cities as he created a template for fame creation that still works today. Though Wilde was only the author of a self-published book of poems and an unproduced play, he presented himself as a “star,” taking the stage in satin breeches and a velvet coat with lace trim as he sang the praises of sconces and embroidered pillows—and himself. What Wilde so presciently understood is that fame could launch a career as well as cap one.David M. Friedman’s lively and often hilarious narrative whisks us across nineteenth-century America, from the mansions of Gilded Age Manhattan to roller-skating rinks in Indiana, from an opium den in San Francisco to the bottom of the Matchless silver mine in Colorado—then the richest on earth—where Wilde dined with twelve gobsmacked miners, later describing their feast to his friends in London as “First course: whiskey. Second course: whiskey. Third course: whiskey.”But, as Friedman shows, Wilde was no mere clown; he was a strategist. From his antics in London to his manipulation of the media—Wilde gave 100 interviews in America, more than anyone else in the world in 1882—he designed every move to increase his renown. There had been famous people before him, but Wilde was the first to become famous for being famous. Wilde in America is an enchanting tale of travel and transformation, comedy and capitalism—an unforgettable story that teaches us about our present as well as our past.

    This new, expanded edition features exclusive, unpublished photos taken by the 23-year-old Ernesto on his journey across a continent, and a tender preface by Aleida Guevara, offering an insightful perspective on the man and the icon.Features of this edition include:A preface by Che Guevara’s daughter AleidaIntroduction by Cintio Vintier, well-known Latin American poetPhotos & maps from the original journeyPostcript: Che’s personal reflections on his formative years: “A child of my environment.”  Published in association with the Che Guevara Studies Center, Havana

    Their romance on and off screen made them Hollywood's most celebrated couple and together they produced some of the most electric scenes in movie history. But when Bogart died of cancer in 1957, Bacall had to find a way of living beyond the fairytale and ironic way she had evolved. In a time of post war communism, Hollywood blacklisting and revolutionary politics she moved with the legends: Hemingway, the Oliviers, Katharine Hepburn, Bobby Kennedy, an engagement to Frank Sinatra and a second turbulent marriage to Jason Robards. Now at 80, BY MYSELF AND THEN SOME brings her story up to date including her recent films and Broadway runs, fond memories of her children and many close lifelong friendships, not least the greatest love of her life, Humphrey Bogart.

    Newton’s friendship with Wilberforce is portrayed in the major motion picture Amazing Grace. Jonathan Aitken’s new biography John Newton explores all these facets of Newton’s life and character. It is the first biography to draw on Newton’s unpublished diaries and correspondence, providing fresh insight into the life of this complex and memorable Christian. The result is a fascinating, colorful, and historically significant portrait of John Newton, a self-described “great sinner” redeemed by a great Savior through amazing grace. “A new life of John Newton is a fitting celebration of the bicentennial both of Newton’s death and of the abolition of the slave trade, Wilberforce’s triumph in which Newton played a key role. Master biographer Jonathan Aitken is in fine form, sympathetic, insightful, scholarly, and vivid, and his book, like its subject, must be rated spectacular.” J. I. Packer, Board of Governors’ Professor of Theology, Regent College “A riveting historical account of the life of this notorious eighteenth-century sinner who was dramatically saved by God’s grace. This book should be required reading for any person who loves history, loves the song, and is serious about following Christ.” The Honorable Jack Kemp, former Secretary of Housing and Urban Development; former U.S. Congressman “A rip-roaring adventure, a passionate romance, and an astonishing journey of faith all in one. I knew the story well, but this telling made a deep impression on me.” Os Guinness, author of The Call “Jonathan Aitken has written such an intimate account of one of the great saints of God that I can now say I have been mentored by John Newton!” Joel Hunter, Senior Pastor, Northland, A Church Distributed, Longwood, Florida “Jonathan Aitken’s fast-paced, well-researched, and detailed book shows why Newton was such an important figure. This is a book to read, ponder, and read again.” Mark Noll, Francis A. McAnaney Professor of History, University of Notre Dame “A fresh, insightful, and inspiring account of this great figure. With that rare skill of a superb biographer, Aitken brings Newton to life for a new generation of admirers.” Alister McGrath, Professor of Historical Theology, Oxford University “In careful and colorful detail, Aitken resurrects this nearly forgotten giant of the faith and establishes Newton in his rightful place as one who has altered the course of western history.” Robert Lupton, President, FCS Urban Ministries, Atlanta “Skilled biographer that he is, my friend Jonathan Aitken has brought to life one of eighteenth-century England’s most influential Christians. The story of amazing grace both in the life of Newton and in the song that has become the Christian national anthem.” Chuck Colson, founder, Prison Fellowship “Only God could take a vile slave trader and turn him into a useful instrument in abolishing the slave trade and igniting a gospel revival, the flames of which are burning still. The story of Newton’s life inspires all who seek to follow the path of Jesus today.” Timothy George, Dean of Beeson Divinity School of Samford University; Executive Editor, Christianity Today “John Newton not only wrote one of the greatest hymns of all time—he lived one of the greatest stories of salvation.” Rodney Stark, Author of The Rise of Christianity “Even more amazing than Newton’s life with all its drama and color is the reminder of how completely revolutionary is God’s agenda to change the world his own way and through imperfect, broken people. Newton is just another entry to God’s long resumé of his amazing grace in changed lives.” James MacDonald, Senior Pastor, Harvest Bible Chapel, Rolling Meadows, Illinois “An informed, authoritative biography of the man who played a critical role in helping William Wilberforce abolish the slave trade. His life story is absolutely spell-binding. I could not put the book down.” Armand M. Nicholi Jr., M.D., Professor of Psychiatry, Harvard Medical School; author of The Question of God “Jonathan Aitken has written a book that, enriched by fresh research into unpublished papers, will enhance his reputation as one of today’s foremost biographers.” Rev. Dr. Michael Green

    Hay and Nicolay were the gatekeepers of the Lincoln legacy. They read poetry and attendeded the theater with the president, commiserated with him over Union army setbacks, and plotted electoral strategy. They were present at every seminal event, from the signing of the Emancipation Proclamation to Lincoln’s delivery of the Gettysburg Address—and they wrote about it after his death. In their biography of Lincoln, Hay and Nicolay fought to establish Lincoln’s heroic legacy and to preserve a narrative that saw slavery—not states’ rights—as the sole cause of the Civil War. As Joshua Zeitz shows, the image of a humble man with uncommon intellect who rose from obscurity to become a storied wartime leader and emancipator is very much their creation. Drawing on letters, diaries, and memoirs, Lincoln’s Boys is part political drama and part coming-of-age tale—a fascinating story of friendship, politics, war, and the contest over history and remembrance.

    S. Lewis, and a spiritual strength that sustained Vanauken after his wife's untimely death. Replete with 18 letters from C.S. Lewis, A Severe Mercy addresses some of the universal questions that surround faith--the existence of God and the reasons behind tragedy.

    McGregor, and many other Beatrix Potter characters remain in the hearts of millions. However, though Potter is a household name around the world, few know the woman behind the illustrations. Her personal life, including a romantic relationship with her publisher, Norman Warne, and her significant achievements outside of children's literature remain largely unknown. In Linda Lear's enchanting new biography, we get the life story of this incredible, funny, and independent woman. As one of the first female naturalists in the world, Potter brought the beauty and importance of nature back into the imagination at a time when plunder was more popular than preservation. Through her art she sought to encourage conservation and change the world. With never before seen illustrations and intimate detail, Lear goes beyond our perrenial fascination with Potter as a writer and illustrator of children's books, and delves deeply into the life of a most unusual and gifted woman--one whose art was timeless, and whose generosity left an indelible imprint on the countryside.

    In this Penguin Classics edition, the letters are selected and edited by Ronald de Leeuw, and translated by Arnold Pomerans in Penguin Classics.Few artists' letters are as self-revelatory as Vincent van Gogh's, and this selection, spanning his artistic career, sheds light on every facet of the life and work of this complex and tortured man. Engaging candidly and movingly with his religious struggles, his ill-fated search for love, his attacks of mental illness and his relation with his brother Theo, the letters contradict the popular myth of van Gogh as an anti-social madman and a martyr to art, showing instead a man of great emotional and spiritual depths. Above all, they stand as an intense personal narrative of artistic development and a unique account of the process of creation.The letters are linked by explanatory biographical passages, revealing van Gogh's inner journey as well as the outer facts of his life. This edition also includes the drawings that originally illustrated the letters.Vincent Willem van Gogh (1853-1890) was born in Holland. In 1885 he painted his first masterpiece, The Potato Eaters, a haunting scene of domestic poverty. A year later he began studying in Paris, where he met Gauguin, Toulouse-Lautrec and Seurat, who became very important influences on his work. In 1888 he left Paris for the Provencal landscape at Arles, the subject of many of his best works, including Sunflowers.If you enjoyed The Letters of Vincent van Gogh, you might also like 100 Artists Manifestos, available in Penguin Modern Classics.'If there was ever any doubt that Van Gogh's letters belong beside those great classics of artistic self-revelation, Cellini's autobiography and Delacroix's journal, this excellent new edition dispels it'The Times

    For decades, Herriot roamed the remote, beautiful Yorkshire Dales, treating every patient that came his way from smallest to largest, and observing animals and humans alike with his keen, loving eye.In All Creatures Great and Small, we meet the young Herriot as he takes up his calling and discovers that the realities of veterinary practice in rural Yorkshire are very different from the sterile setting of veterinary school. Some visits are heart-wrenchingly difficult, such as one to an old man in the village whose very ill dog is his only friend and companion, some are lighthearted and fun, such as Herriot's periodic visits to the overfed and pampered Pekinese Tricki Woo who throws parties and has his own stationery, and yet others are inspirational and enlightening, such as Herriot's recollections of poor farmers who will scrape their meager earnings together to be able to get proper care for their working animals. From seeing to his patients in the depths of winter on the remotest homesteads to dealing with uncooperative owners and critically ill animals, Herriot discovers the wondrous variety and never-ending challenges of veterinary practice as his humor, compassion, and love of the animal world shine forth.James Herriot's memoirs have sold 80 million copies worldwide, and continue to delight and entertain readers of all ages

    Yet by the end of World War II, almost the only thing remaining of their vast empire was a collection of 264 wood and ivory carvings, none of them larger than a matchbox.The renowned ceramicist Edmund de Waal became the fifth generation to inherit this small and exquisite collection of netsuke. Entranced by their beauty and mystery, he determined to trace the story of his family through the story of the collection.The netsuke—drunken monks, almost-ripe plums, snarling tigers—were gathered by Charles Ephrussi at the height of the Parisian rage for all things Japanese. Charles had shunned the place set aside for him in the family business to make a study of art, and of beautiful living. An early supporter of the Impressionists, he appears, oddly formal in a top hat, in Renoir’s Luncheon of the Boating Party. Marcel Proust studied Charles closely enough to use him as a model for the aesthete and lover Swann in Remembrance of Things Past.Charles gave the carvings as a wedding gift to his cousin Viktor in Vienna; his children were allowed to play with one netsuke each while they watched their mother, the Baroness Emmy, dress for ball after ball. Her older daughter grew up to disdain fashionable society. Longing to write, she struck up a correspondence with Rilke, who encouraged her in her poetry.The Anschluss changed their world beyond recognition. Ephrussi and his cosmopolitan family were imprisoned or scattered, and Hitler’s theorist on the “Jewish question” appropriated their magnificent palace on the Ringstrasse. A library of priceless books and a collection of Old Master paintings were confiscated by the Nazis. But the netsuke were smuggled away by a loyal maid, Anna, and hidden in her straw mattress. Years after the war, she would find a way to return them to the family she’d served even in their exile.In The Hare with Amber Eyes, Edmund de Waal unfolds the story of a remarkable family and a tumultuous century. Sweeping yet intimate, it is a highly original meditation on art, history, and family, as elegant and precise as the netsuke themselves.

    As McGrath acknowledges, "It was the kind of life that could have belonged to a thousand women living in the mid years of the twentieth century in the East End of London. Except that it didn't. It belonged to Jenny". McGrath's achievement in the book is to make Jenny's very commonplace, circumscribed life not only believable and moving but also to turn it into a mirror in which the reader can see the changes that the century visited upon the East End. When Jenny was a young girl, the London docks were the biggest port in the world, teeming with life and industry. By the time she was an old woman, all the docks were closed and the old East End was a part of history. Not that Silvertown encourages nostalgia. The descriptions of Jenny's impoverished childhood, of the pulling of all her teeth on her 17th birthday, of the sweatshop where she worked, are enough to make readers throw away any rose-tinted glasses they might be tempted to use. Very occasionally the dialogue in the book lapses into the "Cor, blimey, strike a light, guv'nor" kind of Cockney heard in so many bad British films of the black-and-white era. Largely, both dialogue and narrative combine to provide a remarkably convincing and lively portrait of an ordinary life rescued from oblivion and of a world that's gone.--Nick Rennison

    The result is a refreshingly unique perspective on Austen and her work and a beautifully nuanced exploration of gender, creativity, and domesticity."--Amanda Foreman, bestselling author of Georgianna, Duchess of DevonshireTake a trip back to Jane Austen's world and the many places she lived as historian Lucy Worsley visits Austen's childhood home, her schools, her holiday accommodations, the houses--both grand and small--of the relations upon whom she was dependent, and the home she shared with her mother and sister towards the end of her life. In places like Steventon Parsonage, Godmersham Park, Chawton House and a small rented house in Winchester, Worsley discovers a Jane Austen very different from the one who famously lived a 'life without incident'. Worsley examines the rooms, spaces and possessions which mattered to her, and the varying ways in which homes are used in her novels as both places of pleasure and as prisons. She shows readers a passionate Jane Austen who fought for her freedom, a woman who had at least five marriage prospects, but--in the end--a woman who refused to settle for anything less than Mr. Darcy. Illustrated with two sections of color plates, Lucy Worsley's Jane Austen at Home is a richly entertaining and illuminating new book about one of the world’s favorite novelists and one of the subjects she returned to over and over in her unforgettable novels: home.

    In this, one of the very first celebrity memoirs, Chaplin displays all the charms, peculiarities and deeply-held beliefs that made him such an endearing and lasting character.Re-issued as part of Melville House’s Neversink Library, My Autobiography offers dedicated Chaplin fans and casual admirers alike an astonishing glimpse into the the heart and the mind of Hollywood’s original genius maverick.Take this unforgettable journey with the man George Bernard Shaw called “the only genius to come out of the movie industry” as he moves from his impoverished South London childhood to the heights of Hollywood wealth and fame; from the McCarthy-era investigations to his founding of United Artists to his “reverse migration” back to Europe, My Autobiography is a reading experience not to be missed.