It covered jazz, of course, but it also included Davis’s ruminations on race, politics and culture. Fascinated, Hef sent the writer—future Pulitzer-Prize-winning author Alex Haley, an unknown at the time—back to glean even more opinion and insight from Davis. The resulting exchange, published in the September 1962 issue, became the first official Playboy Interview and kicked off a remarkable run of public inquisition that continues today—and that has featured just about every cultural titan of the last half century.To celebrate the Interview’s 50th anniversary, the editors of Playboy have culled 50 of its most (in)famous Interviews and will publish them over the course of 50 weekdays (from September 4, 2012 to November 12, 2012) via Amazon’s Kindle Direct platform. Here is that first Interview with Miles Davis.

    It draws on extensive interviews with Kissinger, as well as 150 other sources, including Richard Nixon and Gerald Ford. In addition, it makes use of many of Kissinger's private papers. The result is an intimate narrative, filled with surprising revelations, that takes this century's most colorful statesman from his childhood as a persecuted Jew in Nazi Germany, through his tortured relationship with Richard Nixon, to his twilight years as a globe-trotting business consultant.

    Merwin --Magic barrel / Bernard Malamud --About marriage / Denise Levertov --from Jane Austen / Virginia Woolf --Princess and the tin box / James Thurber.

    Tolkien's imagination and the breadth of his talent as a creator of fantastic fiction.

    Throughout Lovecraft acknowledges those writers and stories that are the very finest that the horror field has to offer: Edgar Allen Poe, Henry James, Rudyard Kipling, Bram Stoker, Robert Louis Stevenson, Guy de Maupassant, and Arthur Conan Doyle, among others. Stephen Jones is the winner of three World Fantasy Awards, three Bram Stoker Awards, three International Horror Guild Award, and a fifteen-time recipient of the British Fantasy Award. He lives in London.

     Make no mistake about it, it was a war targeting the insidious nature of the mob and their detrimental effect on Rhode Island and throughout New England. Indeed, the book reveals the extensive nature of Organized Crime throughout the United States. From the opening moments detailing a mob enforcer’s near death in a hail of gunfire to the potentially deadly confrontation between then Detective Brendan Doherty and a notorious mob associate, Gerard Ouimette, this book puts you right there in the middle. Most books on the mob tell a sanitized story of guys who relished their time as mobsters. As Nicholas Pileggi, author of “Wiseguys,” put it, “most mob books are the egomaniacal ravings of an illiterate hood masquerading as a benevolent godfather.” This is not that kind of book. This is the story of the good guys. It’s just the way it was.

    His work is deeply perceptive, often outrageously funny and always compulsively readable.'Thus the judges of the British Press Awards, in naming Clive James Critic of the Year for 1981. The Crystal Bucket offers a further selection of his inimitable 'visions before midnight ...''C.J. didn't get where he is today just by being funny. He is humane, liberal and compassionate ... What he writes is always pertinent and always witty ... We own him a deep debt of gratitude.' —Gavin Ewart, Listener'Few critics have a more unerring ear for woolliness and doubletalk or a more scathing and entertaining way of dealing with it.' —Lesley Garner, Good Housekeeping'He is one of the most remarkable figures in British cultural life at the moment: a poet and gifted literary critic who is also genuinely liked by the mass audience.' —Michael Mason, London Review of Books'One of the few columnists who make you laugh aloud ... if there were angels he would be on their side: and that would certainly include Charlie’s Angels.' —Melvyn Bragg, Sunday Times

    Avian Flu. Ebola. Every year, the infectious disease changes—but the threat remains the same. We've all read the headlines. We all know the score. Our interconnected world is at a uniquely dangerous moment. The potential for an epidemic progressing to a catastrophic level has never been higher. The question is: what are we going to do about it? What happens when medicine fails and society has to make the hard choices to take the severe steps necessary to stop the inevitable? Mandatory quarantine. A month ago, the term seemed like something out of science fiction. Today, we know better. Quarantine might be the only thing that will keep us alive. Q is the story of a regular cop, Benjamin Grady, who suddenly finds himself on the front line of an unyielding, terrifying epidemic. His job is simple—to quarantine the Probables, those most likely to be carrying a deadly disease. But Grady quickly learns that no amount of training, no amount of lectures from the experts at the CDC or the military infectious disease specialists can prepare him for a society on the verge of losing the war to a microscopic, unrelenting scourge. Ripped from the headlines, meticulously researched, Q lays bare the truth behind the quarantine laws that are already on the books, and what it would mean to implement them on a national scale. At this very moment, we are closer to the edge than ever before. Whether we realize it or not, America is one poorly contained infected airliner, one disease-ridden subway car away from full-scale martial law. Q is a true story. It just hasn't happened yet.

    From cosmic horrors gibbering in the night to uneasy stirrings in the boundless depths beneath the seas, Lovecraft's stories have never lost their power to amaze and unnerve. This graphic anthology breathes new life into classic works of weird fiction.

    A collection of essays dealing with the ballad novels of New York Times Best-selling author Sharyn McCrumb, examining the history, folklore and culture of the region of which she writes

    Kratman’s contention: an army is for winning wars. And to win wars, you have to train men (and some women) to be warriors, not police or social workers. Herein Kratman gives guidance and a practical plan of action to officers tasked with training troops—advice than might be equally applied to other crucial training situations, as well.At the publisher's request, this title is sold without DRM (Digital Rights Management).Tom Kratman is a former infantry colonel who served in the U.S. Army for many years before becoming a lawyer in Virginia. He’s now a full-time writer.

    After his death, the contents of his studio, including thousands of glass negatives, were sold off for five dollars. For years the fragile negatives sat forgotten and deteriorating in cardboard boxes in an open carport. How did it happen, then, that the most implausible of events took place? That Disfarmer’s haunting portraits were retrieved from oblivion, that today they sell for upwards of $12,000 each at posh New York art galleries; his photographs proclaimed works of art by prestigious critics and journals and exhibited around the world? The story of Disfarmer’s rise to fame is a colorful, improbable, and ultimately fascinating one that involves an unlikely assortment of individuals. Would any of this have happened if a young New York photographer hadn't been so in love with a pretty model that he was willing to give up his career for her; if a preacher’s son from Arkansas hadn't spent 30 years in the Army Corps of Engineers mapping the U.S. from an airplane; if a magazine editor hadn't felt a strange and powerful connection to the work? The cast of characters includes these, plus a restless and wealthy young Chicago aristocrat and even a grandson of FDR. It’s a compelling story which reveals how these diverse people were part of a chain of events whose far-reaching consequences none of them could have foreseen, least of all the strange and reclusive genius of Heber Springs. Until now, the whole story has not been told.

    A collection of thoughts on the beauty and lore of Cape Cod, presented with pen-and-ink drawings, reflects upon the people, the weather, and the country.

    "Twilight," "True Blood," "Being Human," "The Vampire Diaries," "Buffy the Vampire Slayer," "Blade," "Underworld," and the novels of Anne Rice and Darren Shan--against this glut of bloodsuckers, it takes an incredible film to make a name for itself. Directed by Tomas Alfredson and adapted for the screen by John Ajvide Lindqvist, The Swedish film "L't den r?tte komma in" (2008), known to American audiences as "Let the Right One In," is the most exciting, subversive, and original horror production since the genre's best-known works of the 1970s. Like "Twilight," "Let the Right One In" is a love story between a human and a vampire--but that is where the resemblance ends. Set in a snowy, surburban housing estate in 1980s Stockholm, the film combines supernatural elements with social realism. It features Oskar, a lonely, bullied child, and Eli, the girl next door. "Oskar, I'm not a girl," she tells him, and she's not kidding--she's a vampire. The two forge an intense relationship that is at once innocent and disturbing. Two outsiders against the world, one of these outsiders is, essentially, a serial killer. What does Eli want from Oskar? Simple companionship, or something else? While startlingly original, "Let the Right One In" could not have existed without the near century of vampire cinema that preceded it. Anne Billson reviews this history and the film's inheritence of (and new twists on) such classics as "Nosferatu" (1979) and "Dracula" (1931). She discusses the genre's early fliration with social realism in films such as "Martin" (1977) and "Near Dark" (1987), along with its adaptation of mythology to the modern world, and she examines the changing relationship between vampires and humans, the role of the vampire's assistant, and the enduring figure of vampires in popular culture.