Bravely, he begins the first of many journeys. Each time he returns, Granny Judith asks what color clothing his passenger wore, for she’s had a dream-vision and is making a quilt from squares of these “freedom colors.” When there are only two squares left, she tells him, “Dream says we got to get ourselves over the river, ’cause the danger’s gonna grow awful.” This compelling story, powerfully and poignantly illustrated, is a memorable celebration of courage, hope, and unselfish love. Night Boat to Freedom is a 2007 Bank Street - Best Children's Book of the Year.

    Before it was legal for her mother and father to officially be married, the broom was what made them a family anyway. But now all former slaves who had already been married in their hearts could register as lawful husband and wife. When Ellen and her family make the long trip to the courthouse dressed in their best, she brings the broom her parents had jumped so many years before. Even though freedom has come, Ellen knows the old traditions are important too. After Mama and Papa's names are recorded in the register, Ellen nearly bursts with pride as her parents jump the broom once again. Ellen is a wonderfully endearing character whose love for her family is brought to life in Daniel Minter's rich and eye-catching block print illustrations.

    . . .But to Daveit was clay,the plain and basic stuffupon which he formed a lifeas a slave nearly 200 years ago.Dave was an extraordinary artist, poet, and potter who lived in South Carolina in the 1800s. He combined his superb artistry with deeply observant poetry, carved onto his pots, transcending the limitations he faced as a slave. In this inspiring and lyrical portrayal, National Book Award Finalist Laban Carrick Hill and award-winning artist Bryan Collier tell Dave's remarkable story, one rich in history, hope, and long-lasting beauty.

    In fact, five of them could fit into the period at the end of this sentence.On a clear, warm Sunday, April 14, 1935, a wild wind whipped up millions upon millions of these specks of dust to form a duster—a savage storm—on America's high southern plains.The sky turned black, sand-filled winds scoured the paint off houses and cars, trains derailed, and electricity coursed through the air. Sand and dirt fell like snow—people got lost in the gloom and suffocated . . . and that was just the beginning.Don Brown brings the Dirty Thirties to life with kinetic, highly saturated, and lively artwork in this graphic novel of one of America's most catastrophic natural events: the Dust Bowl.

    It begins in Africa, where people were taken from their homes and families. They spoke different languages and had different customs.Yet they were bound and chained together and forced onto ships sailing into an unknown future. Ultimately, all these people had to learn one common language and create a culture that combined their memories of home with new traditions that enabled them to thrive in this new land.

    When the policeman bent down to ask “Auntie, are you going to move?” all the strength of all the people through all those many years joined in her. She said, “No.”A picture book account of Rosa Park's historic choice.

    It’s 1840 and Stephen Bishop is the perfect guide. By the light of his lantern, the deepest, biggest cave in all of the United States is revealed. Down here, beneath the earth, he’s not just an enslaved person. He’s a pioneer. He knows the cave’s twists and turns. It taught him to not be afraid of the dark. And watching all the visitors write their names on the ceiling? Well, it taught him how to read.

    More than 400 slaves were sold. On the first day of the auction, the skies darkened and torrential rain began falling. The rain continued throughout the two days, stopping only when the auction had ended. The simultaneity of the rain storm with the auction led to these two days being called "the weeping time." Master storyteller Julius Lester has taken this footnote of history and created the crowning achievement of his literary career.Julius Lester tells the story of several characters including Emma, a slave owned by Pierce Butler and caretaker of his two daughters, and Pierce, a man with a mounting gambling debt and household to protect. Emma wants to teach his daughters-one who opposes slavery and one who supports it-to have kind hearts. Meanwhile, in a desperate bid to survive, Pierce decides to cash in his "assets" and host the largest slave auction in American history. And on that day, the skies open up and weep endlessly on the proceedings below.Using the multiple voices of enslaved Africans and their owners, Julius Lester has taken a little-known, all-true event in American history and transformed it into a heartbreaking and powerfully dramatic epic on slavery, and the struggle to affirm humanity in the midst of it.

    Could he pull it off? In a captivating collection of poems, Roxane Orgill steps into the frame of Harlem 1958, bringing to life the musicians’ mischief and quirks, their memorable style, and the vivacious atmosphere of a Harlem block full of kids on a hot summer’s day. Francis Vallejo’s vibrant, detailed, and wonderfully expressive paintings do loving justice to the larger-than-life quality of jazz musicians of the era. Includes bios of several of the fifty-seven musicians, an author’s note, sources, a bibliography, and a foldout of Art Kane’s famous photograph.

    Fulfilling Mahatma Gandhi's and Dr. Martin Luther King, Jr.s precept to fill the jails, they succeeded where adults had failed in desegregating one of the most racially violent cities in America. Focusing on four of the original participants who have participated in extensive interviews, We've Got a Job recounts the astonishing events before, during, and after the Children's March.

    A prodigy, he was leading his own band by age six, and today this Grammy-nominated artist headlines the legendary New Orleans Jazz Fest. Along with esteemed illustrator Bryan Collier, Andrews has created a lively picture book autobiography about how he followed his dream of becoming a musician, despite the odds, until he reached international stardom. Trombone Shorty is a celebration of the rich cultural history of New Orleans and the power of music.

    But before she can work off her debt, an unthinkable chain of events unfolds: a capture by slave traders; weeks in a dark and airless hold; a landing in Cuba, where she and three other children are sold and taken aboard the Amistad; a mutiny aboard ship; a trial in New Haven that eventually goes all the way to the Supreme Court and is argued in the Africans’ favor by John Quincy Adams. Narrated in a remarkable first-person voice, this fictionalized book of memories of a real-life figure retells history through the eyes of a child — from seeing mirrors for the first time and struggling with laughably complicated clothing to longing for family and a home she never forgets. Lush, full-color illustrations by Robert Byrd, plus archival photographs and documents, bring an extraordinary journey to life.

    Suffering in a family full of females, ten-year-old Justin feels that cleaning and keeping house are women's work until he spends time on his beloved grandfather's ranch.

    When she spilled the milk, she was brought before the court for stealing. Because she could read, Molly escaped the typicalpunishment of death on the gallows. At the age of seventeen, the English dairymaid was exiled from her country and sentenced to work as an indentured servant in British Colonial America. Molly worked for a planter in Maryland for seven long years. Then she was given an ox hitched to a cart, some supplies-and her freedom. That a lone woman should stake land was unheard of. That she would marry an African slave was even more so. Yet Molly prospered, and with her husband Bannaky, she turned a one-room cabin in the wilderness into a thriving one hundred-acre farm. And one day she had the pleasure of writing her new grandson's name in her cherished Bible: Benjamin Banneker.

    As General Tubman she was a Union spy. As Moses she led hundreds to freedom on the Underground Railroad. As Minty she was a slave whose spirit could not be broken.