And so we are left in the middle of the ocean, floating in a dinghy with no anchor, while the world waits for us to be okay again.'Claire has returned from London to the dust and familiarity of her childhood home, only to realise something is wrong with her partner Maggie.Patrick is a lonely uni student, until he meets Caitlin - but does she feel as connected as he does?Ana is happily married with three children. Then, one night, she falls in love with someone else.Based on three true stories, Heartsick is a compelling narrative nonfiction account of the many lows and occasional surprising highs of heartbreak. Bruising, beautiful, achingly specific but wholeheartedly universal, it reminds us that emotional pain can make us as it breaks us, and that storytelling has the ultimate healing power.

    In this engrossing narrative of the Far North, enriched by her own adventurous sojourns in the Arctic, Andrea Pitzer brings Barents' three harrowing expeditions to vivid life--while giving us fascinating insights into one of history's most intrepid navigators.

    She worked as a housekeeper, a caregiver, a cleaner—somehow always taking care of someone else. Two generations later, during the Women’s March in 2018, Alicia was working at the snack shop in the Atocha train station when it overflowed with protesters and strikers. Women, so many women, were flooding the streets with their signs and chants. She couldn’t have known María was among them; she was on the clock. And later, she’d be looking for someone else, a man to take her away for a few hours, to make her forget. Anyone but her husband, with his pleas to go on bike rides together, to have children, to act like the other thirtysomething couples they knew.  Medel’s lyrical sensibility reveals her roots as a poet, but her fast-paced and expansive storytelling show she’s a novelist ahead of her time. With grit, texture, and mesmerizing prose, The Wonders launches an inimitable new voice in fiction.

    Over the years, many versions of various aspects of the movie’s fiery creation have been told—sometimes conflicting, but always compelling. Mark Seal sifts through the evidence, has extensive new conversations with director Francis Ford Coppola and several heretofore silent sources, and complements them with colorful interviews with key players including actors Al Pacino, James Caan, Talia Shire, and others to write “the definitive look at the making of an American classic” (Library Journal, starred review). On top of the usual complications of filmmaking, the creators of The Godfather had to contend with the real-life members of its subject matter: the Mob. During production of the movie, location permits were inexplicably revoked, author Mario Puzo got into a public brawl with an irate Frank Sinatra, producer Al Ruddy’s car was found riddled with bullets, men with “connections” vied to be in the cast, and some were given film roles. As Seal notes, this is the tale of a “movie that revolutionized filmmaking, saved Paramount Pictures, minted a new generation of movie stars, made its struggling author Mario Puzo rich and famous, and sparked a war between two of the mightiest powers in America: the sharks of Hollywood and the highest echelons of the Mob.” “For fans of books about moviemaking, this is a definite must-read” (Booklist).

    Three families. One killer.It was supposed to be the perfect holiday - a group of families enjoying a week together in the sun. Four women who have been best friends for as long as they can remember making the most of a luxurious villa in the south of France.But Kate has a secret: her husband is having an affair. And a week away might just be the perfect opportunity to get the proof she needs - to catch him in the act once and for all. Because she suspects the other woman is one of her two best friends.One of them is working against her, willing to sacrifice years of friendship to destroy her family. But which one? As Kate closes in on the truth in the stifling Mediterranean heat, she realises too late that the stakes are far higher than she ever imagined . . . Because someone in the villa may be prepared to kill to keep their secret hidden.

    Indignant at the silence on the issue in India, she wrote an article for an Indian women’s magazine questioning how we perceive rape and rape victims. Thirty years later her story went viral in the wake of the 2012 fatal gang rape in Delhi and the global outcry that followed. In 2013, Abdulali published an op-ed in the New York Times called “After Being Raped, I Was Wounded; My Honor Wasn’t” that was widely circulated. Now, as the #metoo and #timesup movements blow open the topic of sexual assault and rape, What We Talk About When We Talk About Rape is a brilliant and entirely original contribution to our understanding.Drawing on her own experience, her research, her work with hundreds of survivors as the head of a rape crisis center in Boston, and three decades of grappling with the issue as a feminist intellectual and writer, Abdulali examines the contemporary discourse about rape and rape culture, questioning our assumptions and asking how we want to raise the next generation. She interviews survivors whose moving personal stories of hard-won strength, humor, and wisdom collectively tell the larger story of how societies may begin to heal.Abdulali also explores what we don’t say. Is rape always a life-defining event? Does rape always symbolize something? Is rape worse than death? Is rape related to desire? Who gets raped? Is rape inevitable? Is one rape worse than another? How does one recover a sense of safety and joy? How do we raise sons? Is a world without rape possible? Both deeply personal and meticulously researched, What We Talk About When We Talk About Rape is a rallying cry and required reading for us all.

    When I was seven years old the bullies in my class almost killed me; my father was angry that I let it happen but he always hated me.At thirteen I went to prison for a crime I didn’t commit; it was the worst experience of my life.Living on the streets was hard; being part of a gang was harder.Oh, and I did find people to love along the way…and, I would do anything to protect them. Anything.**WARNING** 18+ Readers Only. Graphic content and subject matter. (This is a standalone novel)NOTE: Mean Little People was previously titled Born Mobster. The content remains the same.

    For him, there is only the present: a new marriage to Tamara, a first chance at fatherhood to her son Elijah, and a quiet but pleasant life as an art teacher at Elijah’s elementary school in Danvers, Virginia. Then the body of a rabbit, ritualistically murdered, appears on the school grounds with a birthday card for Richard tucked beneath it. Richard doesn’t have a birthday—but Sean does . . .Sean is a five-year-old boy who has just moved to Greenfield, Virginia, with his mother. Like most mothers of the 1980s, she’s worried about bills, childcare, putting food on the table . . . and an encroaching threat to American life that can take the face of anyone: a politician, a friendly neighbor, or even a teacher. When Sean’s school sends a letter to the parents revealing that Sean’s favorite teacher is under investigation, a white lie from Sean lights a fire that engulfs the entire nation—and Sean and his mother are left holding the match.Now, thirty years later, someone is here to remind Richard that they remember what Sean did. And though Sean doesn’t exist anymore, someone needs to pay the price for his lies.

    You don’t expect to die.Two years ago, Fran’s sister Jenna disappeared on a wellness retreat in Gozo that went terribly wrong.Tom Wade, the now infamous man behind Soul Shrink Retreats, has just been released from prison after serving his sentence for the deaths of two people. But he has never let on what happened to the third victim: Jenna.Determined to find out the truth, Fran books herself onto his upcoming retreat – the first since his release – and finds herself face to face with the man who might hold the key to her sister’s disappearance. The only question is, will she escape the retreat alive? Or does someone out there want Jenna’s secrets to stay hidden?The master of suspense is back. Prepare yourself for the latest heart-in-mouth rollercoaster ride from the Sunday Times bestseller.

    at Mercy Hospital, anesthesiologist Doug Landry finds himself the focus of the blame. Is he really incompetent or is there some- thing more sinister going on? As Doug struggles to clear his name and unravel the secret of the mysterious deaths, it becomes clear that someone will stop at nothing to keep him from exposing the devastating truth. Doug becomes trapped in a grisly race against time to prevent more deaths--including his own. From the boardroom to the recovery room to the thrilling climax in the operating room, Adrenaline is a heart-pounding, adrenaline rush of suspense, action and intrigue in an extremely realistic setting. If you like the novels of Robin Cook and Tess Gerritsen, Adrenaline will leave you breathless.

    But it wasn’t always this successful. Before primetime ESPN coverage, lucrative branding deals like Air Jordans, and $40 million annual player salaries, there was the NBA of the 1970s and 1980s—when basketball was still an up-and-coming sport featuring old school beat reporters and players who wore Converse All-Stars.Enter Dan Shaughnessy, then the beat reporter for TheBoston Globe who covered the Boston Celtics every day from 1982 to 1986. It was a time when reporters travelled with professional teams—flying the same commercial airlines, riding the same buses, and staying in the same hotels. Shaughnessy knew the athletes as real people, losing free throw bets to Larry Bird, being gifted cheap cigars by the iconic coach Red Auerbach, and having his one-year-old daughter Sarah passed from player to player on a flight from Logan to Detroit Metro.Drawing on unprecedented access and personal experiences that would not be possible for any reporter today, Shaughnessy takes us inside the legendary Larry Bird-led Celtics teams, capturing the camaraderie as they dominated the NBA. Fans can witness the cockiness of Larry Bird (who once walked into an All-Star Weekend locker room, announced that he was going to win the three-point contest, and did); the ageless athleticism of Robert Parish; the shooting skills of Kevin McHale; the fierce, self-sacrificing play of Bill Walton; and the playful humor of players like Danny Ainge, Cedric “Cornbread” Maxwell, and M.L. Carr.

    In his frantic and unfruitful search for her two years ago, John Dark overreached and was reprimanded and demoted.Now suddenly back into the homicide department, Dark is put on a chilling case – a man who killed his wife in their locked house and then dressed the body up to resemble a deer, but claims to remember none of it. A few days later an impossibly similar case crops up connecting the suspects to a prep school and a thirty year old missing persons’ case. Just as he is getting back into his old groove, a new lead in his daughter’s disappearance pops up and threatens to derail his career again.Time is running out and John Dark needs to solve the case before more people are killed, and while there is still hope to find his daughter.In the style of True Detective and Silence of the Lambs, WHITESANDS is a thrilling supernatural crime novel.“Tense, breakneck storytelling. WHITESANDS is a dash of Thomas Harris swirled with supernatural elements that leave you speeding through the pages.” - Kristi DeMeester, author of SUCH A PRETTY SMILE and BENEATH"Johann Thorsson's fast-moving debut WHITESANDS, packs enough incident for a novel twice its size, until it's impossible to turn the pages fast enough." - John Langan, author of Children of the Fang and Other Genealogies"... certainly one of the best thrillers I have read this year." - Khasif Hussain, The Best Thriller Books

    bataar bones he was impressed. The enormous skull and teeth betrayed the apex predators close relation to the storied Tyrannosaurus rex, the most famous animal that ever lived. Prokopi's obsession with fossils had begun decades earlier, when he was a Florida boy scouring for shark teeth and Ice Age remnants, and it had continued as he built a thriving business hunting, preparing, and selling specimens to avid collectors and private museums around the world. To scientists' fury and dismay, there was big money to be made in certain corners of the fossil trade. Prokopi didn't consider himself merely a businessman, though. He also thought of himself as a vital part of paleontology--as one of the lesser-known artistic links in bringing prehistoric creatures back to life--and saw nothing wrong with turning a profit in the process. Bone hunting was expensive, risky, controversial work, and he increasingly needed bigger "scores." By the time he acquired a largely complete skeleton of T. bataar and restored it in his workshop, he was highly leveraged and drawing quiet scorn from peers who worried that by bringing such a big, beautiful Mongolian dinosaur to market he would tarnish the entire trade. Presenting the skeleton for sale at a major auction house in New York City, he was relieved to see the bidding start at nearly $1 million---only to fall apart when the president of Mongolia unexpectedly stepped in to question the specimen's origins and demand its return. An international custody battle ensued, shining new light on the black market for dinosaur fossils, the angst of scientists who fear for their field, and the precarious political tensions in post-Communist Mongolia. The Prokopi case, unprecedented in American jurisprudence, continues to reverberate throughout the intersecting worlds of paleontology, museums, art, and geopolitics.

    Benjamin Gilmer began working at the Cane Creek clinic in rural North Carolina, he was following in the footsteps of a man with the same last name. His predecessor, Dr. Vince Gilmer, was beloved by his patients and community--right up until the shocking moment when he strangled his ailing father and then returned to the clinic for a regular day of work after the murder. He'd been in prison for nearly a decade by the time Benjamin arrived, but Vince's patients would still tell Benjamin they couldn't believe the other Dr. Gilmer was capable of such violence. The more Benjamin looked into Vince's case, the more he knew that something was wrong.Vince knew, too. He complained from the time he was arrested of his SSRI brain, referring to withdrawal from his anti-depressant medication. When Benjamin visited Vince in prison, he met a man who was obviously fighting his own mind, constantly twitching and veering off into nonsensical tangents. Enlisting This American Life journalist Sarah Koenig, Benjamin resolved to get Vince the help he needed. But time and again, the pair would come up against a prison system that cared little about the mental health of its inmates--despite an estimated one third of them suffering from an untreated mental illness.In The Other Dr. Gilmer, Dr. Benjamin Gilmer tells of how a caring man was overcome by a perfect storm of rare health conditions, leading to an unimaginable crime. Rather than get treatment, Vince Gilmer was sentenced to life in prison--a life made all the worse by his untrustworthy brain and prison and government officials who dismissed his situation. A large percentage of imprisoned Americans are suffering from mental illness when they commit their crimes and continue to suffer, untreated, in prison. In a country with the highest incarceration rates in the world, Dr. Benjamin Gilmer argues that some crimes need to be healed rather than punished.

    A young woman is pushed onto the streets where she learns the harsh realities of what it means to survive, to serve justice, and to fight for the man she loves. As they navigate their way through Seattle's Underground, Monti & Sasha will break and warm your heart!"Sometimes you make so much history with someone, the present just don't make sense."In the summer of 1981, a serial killer preys on black, teenage prostitutes working Seattle’s arterial highways. But the eyes of youth are blind to danger, and Montgomery “Monti” Jackson is distracted by her own problems. She’ll be starting high school soon, and the return of her mother’s boyfriend heightens the tension in her fractured household.To add to her worries, Monti fears she may be in love with her best friend Sasha. But as close as they’d once been, now they couldn’t feel further apart. Sasha is a burnout punk rocker, and has befriended the neighborhood drug dealer. And when an eviction notice is posted on Monti’s door, a strange dynamic forms between them.One night, an altercation leaves her family penniless. So Monti turns to the very streets where a killer stalks and ensnares young women, beginning her journey towards understanding one, simple truth - sometimes your only choices in life are to love and survive.