He died in 1492 at the age of forty-three. He came to power in fifteenth-century Florence at the age of twenty. In the twenty-odd years of his rule, this banker, politician, international diplomat, free-wheeling poet and songwriter, and energetic revolutionary helped to give shape, tone, and tempo to that truly dazzling time of Western history, the Renaissance. This book, by award-winning author Charles L. Mee, Jr., recounts the remarkable life of Lorenzo de’ Medici and of the times in which he lived.

    Its overture was played out in the trenches of the Great War; its coda on a ruined continent. It opened with conventional declarations of war and finished with “unconditional surrender.” Proclamations of national unity led to eventual devastation, with entire countries torn to pieces. During these three decades of deepening conflicts, a classical interstate conflict morphed into a global civil war, abandoning rules of engagement and fought by irreducible enemies rather than legitimate adversaries, each seeking the annihilation of its opponents. It was a time of both unchained passions and industrial, rationalized massacre. Utilizing multiple sources, Enzo Traverso depicts the dialectic of this era of wars, revolutions and genocides. Rejecting commonplace notions of “totalitarian evil,” he rediscovers the feelings and reinterprets the ideas of an age of intellectual and political commitment when Europe shaped world history with its own collapse.

    Focusing on the domestic impact of Japan's activities in Northeast China between 1931 and 1945, Young considers "metropolitan effects" of empire building: how people at home imagined and experienced the empire they called Manchukuo.Contrary to the conventional assumption that a few army officers and bureaucrats were responsible for Japan's overseas expansion, Young finds that a variety of organizations helped to mobilize popular support for Manchukuo—the mass media, the academy, chambers of commerce, women's organizations, youth groups, and agricultural cooperatives—leading to broad-based support among diverse groups of Japanese. As the empire was being built in China, Young shows, an imagined Manchukuo was emerging at home, constructed of visions of a defensive lifeline, a developing economy, and a settler's paradise.

    That first magical encounter with the Beatles as a student in Delhi. The sudden move to Bombay, away from home, friends and college. His exciting years in advertising, his extraordinarily successful career abroad and his many painful setbacks. His relationships with the irrepressible Protima Bedi and the dazzling Parveen Babi that changed the course of his life. Of the scars they left, and the trauma of three divorces, and how he finally found fulfilment. And why his beliefs have changed.These are tumultuous stories set in Hollywood, Bollywood and Europe. The joys of blazing new trails abroad, and the dangers of them. He also tells the fascinating love story of his Indian father, a philosopher in Europe, and his British-born mother, the world’s highest-ranked Buddhist nun. And most poignant of all, the battle to save his schizophrenic son.Stories I Must Tell is the unusually candid and compelling memoir of a man who holds nothing back, in love or in storytelling. It is the story of a middle-class boy from Delhi whose career now spans the globe. Equally, it is the tale of how he survived the roller-coaster journey of the making, unmaking and remaking of him as a person.

    But as the Black Death reaches its hand into his uncle’s workshop, young Tonino is faced with making a choice to survive. From the author of THE GONDOLA MAKER and MADE IN VENICE comes a short tale of pestilence, Venetian artisanship, and the will to live.

    Throughout the history of the twentieth century, many supporters of fascist ideologies regarded political lies as truth incarnated in their leader. From Hitler to Mussolini, fascist leaders capitalized on lies as the base of their power and popular sovereignty.This history continues in the present, when lies again seem to increasingly replace empirical truth. Now that actual news is presented as “fake news” and false news becomes government policy, A Brief History of Fascist Lies urges us to remember that the current talk of “post-truth” has a long political and intellectual lineage that we cannot ignore.

    A starling reassessment of Hitler's aims and motivations, Frederic Spotts' Hitler and the Power of Aesthetics is an adroitly argued and highly original work that provides a key to fuller understanding of the Third Reich. Spotts convincingly demonstrates that contrary to the traditional view that Hitler had no life outside of politics, Hitler's interest in the arts was as intense as his racism-and that he used the arts to disguise the heinous crimes that were the means to fulfilling his ends. Hitler's vision of the Aryan superstate was to be expressed as much in art as in politics: culture was not only the end to which power should aspire, but the means of achieving it. Filled with evocative photographs and reproductions from Hitler's 1925 sketchbook, "Spotts's study of the Fuhrer's fascination with architecture, painting, sculpture, and music is ...elegantly composed and richly documented" (The New Yorker).

    Professor Schudson analyzes the shifts in reportorial style over the years and explains why the belief among journalists and readers alike that newspapers must be objective still lives on.

    At the same time plans were being made to deport Rome’s Jews to Auschwitz, Wolff began playing a dangerous game: stalling Hitler’s plot against the pope, whom he hoped would save him from the noose in case Germany lost the war. To save Pius, Wolff & fellow conspirators blackmailed him into silence when the Jews were rounded up, hoping that Hitler would rescind his order. This tale of intrigue & betrayal is one of the most important untold stories of WWII. Dan Kurzman was the 1st journalist to have interviewed General Wolff following his release from prison after the war. This is the only book to tell the full behind-the-scenes story of the plot against the Vatican & its far-reaching consequences.

    It did not seem possible to proceed otherwise. At a certain point, it became clear that testimony contained at its core an essential lacuna; in other words, the survivors bore witness to something it is impossible to bear witness to. As a consequence, commenting on survivors' testimony necessarily meant interrogating this lacuna or, more precisely, attempting to listen to it. Listening to something absent did not prove fruitless work for this author. Above all, it made it necessary to clear away almost all the doctrines that, since Auschwitz, have been advanced in the name of ethics.---Giorgio Agamben

    His wide, hypnotic eyes peer at us from the cover of The Beatles’ Sgt. Pepper’s Lonely Hearts Club Band, and his influence can be found everywhere in popular culture.Crowley, also known as the Great Beast, has been the subject of several biographies, some painting him as a misunderstood genius, others as a manipulative charlatan. None of them have looked seriously at his career as an agent of British Intelligence.Using documents gleaned from British, American, French, and Italian archives, Secret Agent 666 sensationally reveals that Crowley played a major role in the sinking of the Lusitania, a plot to overthrow the government of Spain, the thwarting of Irish and Indian nationalist conspiracies, and the 1941 flight of Rudolf Hess.Author Richard B. Spence argues that Crowley—in his own unconventional way—was a patriotic Englishman who endured years of public vilification in part to mask his role as a secret agent.The verification of the Great Beast’s participation in the twentieth century’s most astounding government plots will likely blow the minds of history buff s and occult aficionados alike.Author Richard B. Spence can be seen on various documentaries on the History Channel and is a consultant for Washington, DC’s International Spy Museum. He is also the author of Trust No One: The Secret World of Sidney Reilly (Feral House).

    It investigates who from the upper echelons of the Japanese military and political establishments knew of the experiments, also the question of whether or not Allied POWs were subjected to such tests, and the nature of the deal that was brokered with US authorities after the war. This new edition has been completely updated, and contains an entirely new chapter detailing the numerous revelations that have surfaced since the book's initial publication in 1994.

    It has been identified with totalitarianism, state terror, fanaticism, orchestrated violence, and blind obedience, and was directly associated with the horrors of the Second World War, which left more than 40 million dead and introduced inconceivable notions of inhumanity. The mere mention of the term today evokes visions of atrocities and ineffable cruelty. Yet, the end of the twentieth century appears to have spawned a renewed interest in fascism, suggesting that it is time for us to examine our understanding of its ideas, ideals, and inequities. Edited by Roger Griffin, described as 'the premier theorist {of fascism} of the younger generation' (Contemporary European History), this important Oxford Reader demonstrates why fascism strongly appeals to many people, and how dangerous the result of this fascination may be. It includes a wide selection of texts written by fascist thinkers and propagandists, as well as by prominent anti-fascists from both inside and outside Europe, before and after the Second World War. Included are texts on fascism in Germany and Italy, on the abortive pre-1945 fascisms in more than a dozen countries around the world, on reactions to fascism, and on post-war and contemporary fascism. With contributions from writers as diverse as Benito Mussolini and Primo Levi, Joseph Goebbels and George Orwell, Martin Heidegger and Max Horkheimer, this compelling anthology provides insight into the depths and breadths of the destructive repercussions of fascist ideology. In no other volume will students of political theory, history, sociology, and psychology have access to such a compendium of key texts on this simultaneoulsy intriguing and frightening political force.

    Her friends rally to support her, but with her sons away at Edinburgh University she still feels isolated in her grief. She is unemployed but has no wish to return to her old job as the manager of a care home; but she cannot decide what to do instead. With the approach of her fiftieth birthday that she has no desire to celebrate, together with the gloominess of her mood which will only get worse when winter arrives, Julia knows she needs to take drastic action to heal her broken heart. It was Duncan’s last wish to take her on a second honeymoon to Sicily. So Julia books herself a holiday for the whole of October; much to the surprise of her friends and to the horror of her sons, who are convinced she will be kidnapped by the Mafia. Julia ignores their warnings and rents a villa in the coastal town of Cefalu. The villa is owned by the charming Tony Hugo, a widowed English crime writer; who wastes no time in helping Julia feel at home.Sicily is everything Julia expected it to be – hot, sunny and exotic; but her holiday turns out to be far more of a life changing adventure than she could ever have imagined.