Besides the disappearing act of her ex, she had succumbed to the effects of a fatal car accident that left her father lifeless and her mother immobile. Placing her dreams of college and becoming a renowned accountant on the back burner, Brix was forced to up her grind in order to aid both she and her mother’s necessities. A handsome and charismatic, Shemel “Young Mel” Wright, stumbles across the beautiful Brix and is taken aback. Just as he’s impressed with her hustle and swift tongue, she is intrigued by his appearance and catchy lyrics. Like a fresh fire set ablaze, the young couple captures one another’s heart simultaneously. Just as always, the affairs begin kosher. However, Mel finds himself at a crossroad. The pressure of leaving the game behind to pursue his career as a rapper weighs heavy on his shoulders. Mel soon comes to the conclusion that the decision isn’t as easy as supplying a few bricks or jotting the lyrics to his next hit. Along with his family, he is under the scrutiny of his girl, Brix. Once soft-spoken, the now fierce young woman isn’t up for the heartbreak that his evolving rap career will bring. In She Used to Be The Sweetest Girl, discover if Brix is able to grow a tougher layer of skin and stick by her man as he makes the most crucial decision of his life; or will Mel’s addiction to the fast life cause the pretentious relationship to crash and burn before a decision is even made?

    Now, she's back in town to renovate her old family home, which will feature in the magazine where she's employed as a journalist. Making the rundown house sellable, will allow Charlotte to sever all ties with her tragic past and finally move forwardwith her life. That is until the one person she'd spent all these years trying to forget is contracted by her magazines editor to help her complete the job.Will Beckett's no longer the twelve year old kid who used to play practical jokes on her, tease her and make her belly laugh. Now he's a ruggedly handsome, sweet talking, successful builder. Despite Will's wholesome country charm and sexy smile, that makes Charlotte’s heart skip a beat, she's determined to concentrate on the job at hand and protect her heart at all costs.Will never thought he woud see his best friend again, but now she's back, as stubborn and strong-willed as ever. Her return reminds him all over again of everything she lost because of him, and he desperately wants her forgiveness. As they reacquaint with each other Will becomes just as determined to reunite their friendship as he's set to win her heart.Can Will break through Charlotte's wall of defence or will his heart be broken again?

    Back home, she's known as Crow, and everybody suspects that her family is cursed.With her future all but sealed, Crow decides to go down in a blaze of unforgettable glory by writing a memoir that will raise eyebrows and drop jaws. She'll dig up "the dirt" on her family tree, including the supposed curse, and uncover the truth about her mysterious father, who disappeared a month before she was born.But first, Crow must contend with an eclectic assortment of characters, including her gossipy Aunt Peggy, hedonistic party-pal Char, homebound best friend Allie, and high-school flame Willy. She'll also have to figure out how to live with her mother and how to muddle through the unsettling visual disturbances that are becoming more and more vivid each day.Witty, energetic, and crackling with sharp Cape Breton humour, Crow is a story of big twists, big personalities, big drama, and even bigger heart.

    Love him or hate him, Pierre Trudeau has marked us all. The man whose motto was "reason over passion"managed to arouse in Canadians the fiercest of passions of every hue, ones that even today cloud our view of him and of his place in history. Acclaimed novelist Nino Ricci takes as his starting point the crucial role Trudeau played in the formation of his own sense of identity to look at how Trudeau expanded us as a people, not in spite of his contradictions but because of them.

    Zit-speckled fans begging for a guitar pick and angry drunks chucking twenty-sixers and pint glasses. Opulent tour buses riding through apocalyptic snowstorms and cramped vans that reek of dope and beer. Brilliant performances and heart-sinking break-ups.Bidini has played all across the country many times, in venues as far flung and unalike as Maple Leaf Gardens in Toronto and the Royal Albert Hotel in Winnipeg. In 1996, when the Rheostatics opened for the Tragically Hip on their Trouble at the Henhouse tour, Bidini kept a diary. In On a Cold Road he weaves his colourful tales about that tour with revealing and hilarious anecdotes from the pioneers of Canadian rock - including BTO, Goddo, the Stampeders, Max Webster, Crowbar, the Guess Who, Triumph, Trooper, Bruce Cockburn, Gale Garnett, and Tommy Chong - whom Bidini later interviewed in an effort to compare their experiences with his. The result is an original, vivid, and unforgettable picture of what it has meant, for the last forty years, to be a rock musician in Canada.

    It confronts difficult material in a frank and unflinching manner, yet remains grounded in an abiding authorial intelligence. Pedal marks the debut of a hugely promising writer.”–Steven W. Beattie, Quill & Quire“Julia, the protagonist of this intense first novel, is a psychology grad student who risks everything to pursue scientific research in truly forbidden territory: sexual attraction between adults and children. She persists in her quest in spite of skeptical friends, fragile relatives, a squeamish thesis advisor, an enigmatic bike-tour companion, severe social taboos, and her own painful memories of a birth father she calls Dirtbag–not to prove any point but to find out what lies beyond the conventional wisdom. This is an unsettling novel–smart, fierce, confident, funny, and full of surprises–with an unforgettable young woman at the heart of the storm.”–Mary Schendlinger, Senior Editor, Geist“[…] a taut, unsettling, and provoking debut novel […] [Chelsea Rooney] ought to be commended for perceptively addressing such a difficult and inflammatory (and decidedly uncommercial) topic with a subtlety that’s buoyed by ample empathy.”–Brett Josef Grubisic, Vancouver Sun“Pedal is a brave and captivating book, written with an unflinching eye and a deep understanding of the torment that is the human condition. Chelsea Rooney is a major talent.”–Steven Galloway, author of The Confabulist and The Cellist of SarajevoJulia Hoop, a twenty-five-year-old counselling psych student, is working on her thesis, exploring an idea which makes her graduate supervisor squirm. She is conducting interview after interview with a group of women she affectionately calls the Molestas—women whose experience of childhood sexual abuse did not cause physical trauma. Julia is the expert, she claims, because she has the experience; her own father, Dirtbag, disappeared when she was eight leaving behind nothing but a legacy of addiction and violence.When both her boyfriend and her graduate advisor break up with her on the same day, Julia leaves her city of Vancouver on a bicycle for a cross-Canada trip in search of her father, or so she tells people. Her unexpected travel partner is Smirks, a handsome athlete who also has a complicated history. Their travel days are marked by peaks of ecstatic physical exertion, and their nights by frustrated drinking and drugs. After an unsettling incident in rural Saskatchewan involving a trio of aggressive children, Julie wakes up in the morning to discover Smirks has disappeared. Everything, once again, falls apart.Sometimes shocking in its candour, yet charmed with enigmatic characters, Pedal explores how we are shaped by accidents of timing—trauma and sex, brain chemistry and the landscape of our country—and challenges beliefs we hold dear about the nature of pedophilia, the essence of innocence and the idea that the past is something one runs from.

    Addie-as her grandfather Chauncey Beynon Beale affectionately calls her- believes that everything she could ever want or need is to be found on his cattle ranch, the place her family calls home, or in the little town twelve bush miles away, a place called Sorry. After tragedy strikes her family, Addie holds her sorrows close to her heart. Only later will she learn that her grandfather too has lived with his own secret torment for more than seventy years. It will take his slipping into blindness and dementia before the dark spectre from his past emerges, leaving her the one responsible for its consequences. And when that day arrives, when Chauncey Beale's past intersects with Addie's present, it will change her future in ways that she, and those she loves, could never have imagined.

    The stories blend into one masterly and moving whole: poignant, compassionate, and profound in emotional impact.In this fourth book of the five-volume Manawaka series, Vanessa MacLeod takes her rightful place alongside the other unforgettable heroines of Manawaka: Hagar Shipley in The Stone Angel, Rachel Cameron in A Jest of God, Stacey MacAindra in The Fire-Dwellers, and Morag Gunn in The Diviners.

    He's a narcissistic, judgmental snob who rates women's looks from one to ten; a racist, homophobic megalomaniac who makes fun of people's weight; a cheating, lying, manipulative jerk who sees his older girlfriend as nothing more than an adornment. His only real friend, besides his dog, is a loser who belongs to a pick-up artist group. Guy is completely oblivious to his own lack of empathy, and his greatest talent is hiding it all...until he meets someone who challenges him in a way he's never been challenged before. Darkly funny and utterly offensive, "Guy" is a brilliant and insightful character study that exposes the twisted thoughts of the misogynist bro next door.

    Seen on one of her thieving missions in the village of Freyzus, she is chased by suspicious townspeople to the edge of a deep gorge, where she jumps and disappears, vanishing into village legend.On the other side of the gorge, in an abandoned estate, Peyre Rouff lives out his self-imposed exile. Following a horrific hunting accident, he now focuses all of his attention on intricate taxidermic dioramas, keeping his thoughts from wandering too close to the day he lost everything.When Peyre encounters the wild girl, they find a link in their mutual estrangement from conventional society. He provides her with her material needs, while she brings light to places Peyre had thought dark forever. The two achieve an easy coexistence. But the careful patterns of the life Peyre has made for himself begin to unravel, and when the wider world learns of the girl's presence at the estate, Peyre is forced to confront not only his choices and their consequences, but society itself.In The Hunter and the Wild Girl, award-winning author Pauline Holdstock spins a haunting tale affirming the persistence of life, the power of human connection, adn the fundamental urge to be free.

    She needed a hero, and quick. But what she had hoped was that at least one person would have answered her plea for help. As the months wore on she had all but given up on finding the husband she so desperately needed, and resigned herself to a lifetime imprisoned by her cruel stepfather. Rancher Wes Roberts couldn’t get the thought of Mary Beth out of his mind, and the desperate nature of the ad she had placed. He figured it wasn’t unusual that he hadn’t received a reply to his letters, given that she had probably already chosen her husband and moved on with her life, but something nagged at him. He would never forgive himself if he didn’t find out for sure that she was safe, even if it wasn’t with him. When Wes arrives, not only is Mary Beth still there, she is more in need than ever. After he rescues her from the desolate life she has been living he realizes that he needs her just as much as she needs him. Please enjoy this sweet, clean, historical western romance novella of 21,128 words (about 90 pages).

    Nishan Joshi's "My Grandma's Bag of Stories" is delightful and at the same time enjoyable. This book is a collection of 40 moral stories, ideal for young children and those who are 5+ in age. Simple and lucid language of the book, makes reading a pleasure. Each story ends with a powerful message which can be interpreted in various ways and will help you expand the horizons of your mind. This book guides one on the correct path by enlightening with age old morals interlaced with new age stories. I hope you will imbibe the morals and apply them in your day to day life. You can read more moral stories on Nishant’s website: www.nishantindia.com.

    Shifting from memoir to fiction, it focuses on the commonplace experiences underlying our lives that are the true basis for storytelling. At the book’s core is Isabel Huggan’s old house in rural France, from where she contemplates the real meaning of “home,” and the mysterious manner in which memory gives substance to ordinary things around us. With a light touch, she brings to life the people she has met in her travels from whom valuable lessons have been learned.Isabel Huggan writes with the candour and compassion that made her earlier books so well loved, and here she speaks even more clearly from the heart. Belonging is an intimate conversation between the narrator who needs to examine her life because it has not turned out as she expected, and her readers, who will find their own concerns illuminated in surprising ways. Slowly, a pattern emerges as certain motifs become apparent: happiness, friendship, landscape, language, heartache. As the book draws to a close, readers will understand the fictional character who says, “There is nothing in our lives that doesn’t fit.”

    In 1938, tae kwon do began at the end of a poker game in a tiny village in a remote corner of what is now North Korea by Choi Hong-Hi, who began the martial art, and his nemesis, Kim Un-Yong, who developed the Olympic style and became one of the most powerful, controversial men in sports. The story follows Choi from the 1938 poker game where he fought for his life, through high-class geisha houses where the art was named, and into the Vietnam War where the martial art evolved into a killing art. The techniques cut across all realms—from the late 1960s when tae kwon do-trained Korean CIA agents kidnapped people in the U.S. and Europe, to the 1970s when Bruce Lee, Chuck Norris, and other Hollywood stars master the art’s new kicks. Tae kwon do is also a martial art for the 21st century, one of merciless techniques, indomitable men, and justice pumped on steroids.

    But in a Scarborough subdivision populated by newcomers from all over the world, a series of sudden catastrophic events reveals that not everyone’s dreams come true. Moving from house to house, Carrianne Leung explores the inner lives behind the tidy front gardens and picture-perfect windows, always returning to June, an irrepressible adolescent Chinese-Canadian coming of age in this shifting world. Through June and her neighbours, Leung depicts the fine line where childhood meets the realities of adult life, and examines, with insight and sharp prose, how difficult it is to be true to ourselves at any age.