Landscape format trade paperback.

    One hundred of hilarious and funny jokes ! Have fun and laugh!

    Though victorious, these exhausted men were nevertheless too grief-stricken over the loss of comrades, too guilt-ridden that they had survived, and too numbed by trauma to share in the country’s euphoria. Most never saw a ticker-tape parade, or stole a Times Square kiss. All they wanted was to settle back into quiet workaday lives without fear. How tragic that the forces unleashed by World War II made this simple wish impossible.Willie & Joe: Back Home brilliantly chronicles the struggles and disillusionments of these early postwar years and, in doing so, tells Bill Mauldin’s own extraordinary story of his journey home to a wife he barely knew and a son he had only seen in pictures. The drawings capture the texture and feel, the warp and woof, of this confusing time: the ubiquitous hats and cigarettes, the domestic rubs, the rising fear of another war, and new conflicts over Civil Rights, civil liberties, and free speech. This volume of Mauldin’s work identifies and restores the dozens of cartoons censored by Mauldin’s syndicate for their attacks on racial segregation and McCarthy-style “witch hunts.” Mauldin pleaded with his syndicate to let him out of his contract so that he could return to the simple quiet life so desired by Willie & Joe. The syndicate refused, so Mauldin did battle, as always, through pen and ink.(less)

    Is there really room for something as unpredictable as love? Oliver Clock has everything arranged just so. A steady job running the family funeral parlour. A fridge stocked with ready meals. A drawer full of colour-coded socks. A plan (of sorts) to stay trim enough for a standard-sized coffin. And in florist Marie, he’s even found the love of his life—not that she’s aware of it.When a terrible tragedy takes Marie out of his life but leaves him with her private journal, he discovers too late that she secretly loved him back. Faced now with an empty love life, a family funeral business in trouble, a fast-approaching fortieth birthday and a notebook of resolutions he’s never achieved, Oliver resolves to open himself up to love—and all the mess that comes along with it.But, with a habit of burying his feelings, can he learn to embrace his lovability and find the woman who will make him feel whole?

    But before he can make a start, he is suddenly reassigned by his boss, Terrance Singleton, to the cold case of Timothy Waters, who had served 20 years in prison for the murder of Elizabeth Mitchell, the daughter of the then mayor.A review of his conviction has set him free and as a friend of the family, Singleton wants to make sure Mallory finds more evidence to put him back behind bars.But the case is complex and before long Mallory discovers that there is a lot more to it than meets the eye; family tensions, a witness run out of town and the possibility the victim had a second boyfriend. It all points to a shoddy investigation and a blunder that sent an innocent man to prison.When Mallory’s investigation reveals a link between the girl in the alley, Elizabeth, and another murder victim from seven years ago, he can’t help but wonder if they are connected. With the motive unclear, and the perpetrator a mystery, Mallory must piece together the evidence that may solve three cases instead of one, overcome a miscarriage of justice and uncover a killer who may be closer than he thinks.

    You’ll be laughing out loud.” — Sarah Andersen, creator of Sarah's Scribbles"One of the most exciting and funniest webcomics in the world," — Bored Panda From the creators of the hugely popular Instagram comic War and Peas, this offbeat four-panel comic features a dark, fairy-tale aesthetic and a twist ending each time. War and Peas: Comics To Die For combines twisted humor with a beloved cast of characters including the grim reaper (seen here as an unintentionally lethal man of leisure), a robot in hopelessly in love with his scientist creator, and a promiscuous yet self-assured witch. Unlike most webcomic collections, this one tells a story using dozens of never-before-seen comics to chronicle the lives of several different characters and their follies during life, death, and their glorious reunions in the the afterlife (and the after-afterlife).

    Four mini-subs are sunk or captured. The fate of the fifth sub, I-16, is unknown.Late at night, nearly three quarters of a century later: Marine biologist Jack Ferrell sails into a mysterious fog off of Kauai’s Na Pali coast.Dense fog banks don’t form in Hawaii . . . or so he thought. They certainly don’t glow in the dark.Concealed within the mist is the sloop Julie Ann floundering in a rogue remnant of drift net. A young woman’s scream pierces the damp air, and he rushes to her rescue.The next morning, Jack dives to check the damage done to the reef by the net and discovers a sunken WWII Japanese mini-sub and the answer to a Pearl Harbor enigma: the fate of I-16. But in a depression in the coral, lies a greater mystery: a human skull the size of a grapefruit.Through a colleague, he learns the skull is from an extinct species of child-sized human being that lived 12,000 years ago on the remote Indonesian island of Flores. But this skull is no 12,000-year-old fossil.In search of answers, Jack, the woman from the Julie Ann, two close friends, and a select team of scientists plunge into a subterranean world deep within the rugged mountains of the mystical Na Pali coast. And what should have been a routine scientific excursion becomes a deadly encounter with the unknown and a race against time when the expedition battles the elements, personal fears, and even one of their own to unearth the key to the origin of the skull and the surprising truth behind one of Hawaii’s famous legends: The Menehune. This is a new release of a previously published edition.

    In this book I have set out prove that statement is completely untrue and in fact with customers like these then maybe the opposite could be said. So sit back, grab your self a drink perhaps an alcoholic one if you feel that way inclined and enjoy some of the strangest, ridiculous and most outrageous complaints and statements from all walks of life. The second volume is out now and is much longer and in my opinion even better than the first, though i would say that.

    Moving to the countryside of Tennessee, she finds the lifestyle to be ideal except that boredom eventually creeps in. A part-time job leads to discovering the joys of working as a volunteer EMT on an all-volunteer rescue Squad. From farm accidents and angry animals, to redneck fun, loneliness and love, Roxy’s life is unlike anything she ever knew growing up in Georgia. She gets a front seat to stupid things people do, as well as the kindnesses that people are capable of giving to others.

     Think that a day in the life of a London museum director is cold, quiet, and austere? Think again. Giles Waterfield brings a combination of intellectual comedy and knockabout farce to the subject in this story of one long day in a museum full of scandals, screw-upsŠand more than a few scalawags. At the beginning of The Hound in the Left-hand Corner, Auberon, the brilliant but troubled director of the Museum of British History, is preparing one midsummer's day for the opening of the most spectacular exhibition his museum has ever staged. The centerpiece is a painting of the intriguing Lady St. John strikingly attired as Puck, which hasn't been shown in London in a hundred years. As the day passes, the portrait arouses disquieting questions, jealousies, rivalries -- and more than a few strange affections -- in the minds of the museum staff. As guests and employees pour in, the tension rises -- and Auberon himself has the hilariously ridiculous task of keeping the peace, without losing his own sense of reality as well. For everyone who loves the farce of David Lodge and Michael Frayn, or even the Antiques Roadshow, the fast-paced, hilarious satire of The Hound in the Left-hand Corner is sure to delight and entertain.