But despite their talent, emotional scars from an incident with a homophobic classmate and their grandmother's spiraling dementia make it harder and harder for Carey to find their voice.Then Carey meets Cris, a singer/guitarist who makes Carey feel seen for the first time in their life. With the rush of a promising new romantic relationship, Carey finds the confidence to audition for the role of Elphaba, the Wicked Witch of the West, in the school musical, setting off a chain reaction of prejudice by Carey's tormentor and others in the school. It's up to Carey, Cris, and their friends to defend their rights--and they refuse to be silenced.Told in alternating chapters with identifying pronouns, debut author Steven Salvatore's Can't Take That Away is both a romance, and an affirmation of self-identity.

    But soon after, Mikaela and her fiancé are in a tragic car accident, resulting in her husband-to-be’s death. Then when Mikaela’s grandmother loses her life in a hiking accident one year later, an old man gives Mikaela another mysterious blue card at the funeral. After the service, Mikaela’s grandfather asks that she oversee the renovations on his bed & breakfast in New Zealand. When she arrives, Mikaela meets Tui Davies—the inn’s manager—and Brentin Williams, the man Tui expects her daughter to marry. Tui helps Mikaela retrieve a doll from the cellar vault, but the doll turns out to be an evil omen that Mikaela is told she must get rid of before someone is murdered. Meanwhile, the old man from the funeral is bent on revenge and is plotting against everyone who has ever wronged him, and Mikaela is next in line. But until she discovers the killer’s contact in New Zealand, whom can she trust? And while Brentin attempts to help Mikaela overcome her grief, she must decide—is she ready to love again?

    She's about to debut on The Tonight Show in America, hopefully a breakout performance for her career. But right now? She's in her fancy hotel, trying to fall asleep but dying for a hamburger.11 00 p.m.: Jack is sneaking into a fancy hotel, on assignment for his tabloid job that he keeps secret from his parents. On his way out of the hotel, he runs into a girl wearing slippers, a girl who is single-mindedly determined to find a hamburger. She looks kind of familiar. She's very cute. He's maybe curious.12:00 a.m.: Nothing will ever be the same.

    One HELLO can save a life.Tricia: A girl struggling to find her way after her beloved grandma's death.Emerson: A guy who lives his life to fulfill promises, real and hypothetical.Angie: A girl with secrets she can only express through poetry.Brenda: An actress and screenplay writer afraid to confront her past.Brian: A potter who sets aside his life for Tricia, to the detriment of both.Linked and transformed by one phone call, Hello? weaves together these five Wisconsin teens' stories into a compelling narrative of friendship and family, loss and love, heartbreak and healing, serendipity, and ultimately hope.Told from all five viewpoints: narration (Tricia), narration (Emerson), free verse poetry (Angie), screenplay format (Brenda), narration and drawings (Brian).

    Out of her house, where her stepfather wields fear like a weapon and her mother makes her scrub imaginary dirt off the floors. Out of her California town, too small to contain her big city dreams. Out of her life, and into the role of Parisian artist, New York director—anything but scared and alone.Enter Gavin: charming, talented, adored. Controlling. Dangerous. When Grace and Gavin fall in love, Grace is sure it's too good to be true. She has no idea their relationship will become a prison she's unable to escape. Deeply affecting and unflinchingly honest, this is a story about spiraling into darkness—and emerging into the light again.

    A place offering a shot at “normality” for Olive, a girl on the edge, and for the new friends she never expected to make – who each have their own reasons for being there. Luckily Olive has a plan to solve all their problems. But how do you fix the world when you can’t fix yourself?

    Chloe is forced to take on a meaningful project in order to pass, and so she joins her school’s struggling radio station, where the other students don’t find her too queenly. Ostracized by her former BFs and struggling with her beloved Grams’s mental deterioration, lonely Chloe ends up hosting a call-in show that gets the station much-needed publicity and, in the end, trouble. She also befriends radio techie and loner Duncan Moore, a quiet soul with a romantic heart. On and off the air, Chloe faces her loneliness and helps others find the fun and joy in everyday life. Readers will fall in love with Chloe as she falls in love with the radio station and the misfits who call it home.

    But when her low Alto 2 voice gets her shut out for the third straight year—threatening her future at Kensington-Blaine and jeopardizing her college applications—she’s forced to consider nontraditional options.In Jordan’s case, really nontraditional. A spot has opened up in the Sharpshooters, Kensington’s elite a cappella octet. Worshiped…revered…all male. Desperate to prove herself, Jordan auditions in her most convincing drag, and it turns out that Jordan Sun, Tenor 1, is exactly what the Sharps are looking for.Jordan finds herself enmeshed in a precarious juggling act: making friends, alienating friends, crushing on a guy, crushing on a girl, and navigating decades-old rivalries. With her secret growing heavier every day, Jordan pushes beyond gender norms to confront what it means to be a girl (and a guy) in a male-dominated society, and—most importantly—what it means to be herself.

    Life was beautiful and bright, and every day soared with music. Now Ingrid is on a summertime wilderness survival trek for at-risk teens: addicts, runaways, and her. She’s fighting to survive crushing humiliations, physical challenges that push her to her limits, and mind games that threaten to break her. Then When the curtain fell on Margot-Sophia’s singing career, they buried the past and settled into a small, painfully normal life. But Ingrid longed to let the music soar again. She wanted it so much that, for a while, nothing else mattered. Now Ingrid is never going to make it through this summer if she can’t figure out why she’s here . . . and why the music really stopped.

    But despite years of overachieving at her elite school, Mara didn't plan on having a total meltdown during her calculus exam. Like a rip-up-the-test-and-walk-out kind of meltdown. And she didn't plan on a video of it going viral. And she definitely didn't plan on never wanting to show her face again.Mara knows she should go back, but suddenly she doesn't know why she's been overachieving all these years. Impulsively, she tells her mom she wants to go live with her estranged dad in Tahoe. Maybe in a place like Tahoe, where people go to get away from everyday life, and with a dad like Trick McHale, a ski bum avoiding the real world, Mara can figure things out.Only Tahoe is nothing like she thought. There are awesome new friends and hot boys and a chance to finally get to know Trick, but there is also still massive amounts of schoolwork. Can Mara stopping planning long enough to see the life that's happening right now?

    But when her mother suddenly abandons the family, Madi finds herself struggling to keep up with all of her commitments.Fandom to the rescue! As her online fans band together to help, an online/offline flirtation sparks with Laurent, a French exchange student. Their internet romance—played out in the comments section of her MadLibs blog—attracts the attention of an internet troll who threatens the separation of Madi’s real and online personas. With her carefully constructed life unraveling, Madi must uncover the hacker’s identity before he can do any more damage, or risk losing the people she loves the most… Laurent included.

    So when their school’s art budget faces cutbacks, of course Natalie finds herself up against her nemesis once more. She’s fighting to direct the school’s first ever student-written play, but for her small production to get funding, the school’s award-winning band will have to lose it. Reid’s band. And he’s got no intention of letting the show go on.But when their rivalry turns into an all-out prank war that goes too far, Natalie and Reid have to face the music, resulting in the worst compromise: writing and directing a musical. Together. At least if they deliver a sold-out show, the school board will reconsider next year’s band and theater budget. Everyone could win.Except Natalie and Reid.Because after spending their entire lives in competition, they have absolutely no idea how to be co-anything. And they certainly don’t know how to deal with the feelings that are inexplicably, weirdly, definitely developing between them…

    To Hendrix and Corrina, both seventeen but otherwise alike only in their loneliness, that sounds like another line from a pop song that tries to promise kids that life doesn’t actually suck. Okay, so: love. Sure.The thing about Corrina—her adoptive parents are suffocating, trying to mold her into someone acceptable, predictable, like them. She’s a musician, itching for any chance to escape, become the person she really wants to be. Whoever that is.And Hendrix, he’s cool. Kind of a poet. But also kind of lost. His dad is dead and his mom is married to her job. Gpa is his only real family, but he’s fading fast from Alzheimer’s. Looking for any way to help the man who raised him, Hendrix has made Gpa an impossible promise—that he’ll get him back east to the hill where he first kissed his wife, before his illness wipes away all memory of her.One hot July night, Hendrix and Corrina decide to risk everything. They steal a car, spring Gpa from his assisted living facility, stuff Old Humper the dog into the back seat, and take off on a cross-country odyssey from LA to NY. With their parents, Gpa’s doctors, and the police all hot on their heels, Hendrix and Corrina set off to discover for themselves if what Gpa says is true—that the only stories that last are love stories.

    She has diehard fans across the globe, flashy tours, and steep advances. And now she's finally started to date her best friend and next-door-neighbor, Liam, the only one who knows her deep dark secret: she's not the real author of the Lemonade Skies books.Thistle's guilt about lying intensifies after she meets the surprisingly charming Oliver, who introduces her to his super-fan little sister--but how can she have friendships based on deception? All she wants is for this last book to be written so she can be done with the ruse for good.Then with just two weeks left to deliver the manuscript to her agent and editor, a dramatic turn of events puts everything in jeopardy, and Thistle must grapple with her own identity. Is she a victim, a fraudster, or both? On top of that, Liam is increasingly jealous of Thistle's budding friendship with Oliver--a friendship that leaves Thistle more than a little confused about her own heart.As the book deadline looms closer, the stakes ever higher, a startling family truth comes to light, and it's only a matter of time before something gives--and Thistle's world becomes undone.For fans of Rainbow Rowell and E. Lockhart, this YA is the perfect summer read for teen bookworms everywhere, with a love triangle, an insider's depiction of the publishing world, and nonstop, page-turning action.

    Or at least, that’s what the malicious website flying round the school says. Izzy can try all she wants to laugh it off – after all, her sex life, her terms – but when pictures emerge of her doing the dirty with a politician’s son, her life suddenly becomes the centre of a national scandal. Izzy’s never been ashamed of herself before, and she’s not going to start now. But keeping her head up will take everything she has...