In those days, the life of a woman, whether married or single, was one of unending drudgery and toil. Reward or recognition came only indirectly, through the success of the male members of the family.Thus, this novel is really two stories: on the one hand, the successful medical career of Hanaoka Seishu, the first doctor in the world to perform surgery for breast cancer under a general anesthetic; on the other hand, the lives of his wife and his mother, who supported him with stoic resignation, even to the extent of finally volunteering to be used as guinea pigs in his experiments.Kae, the wife, joins the household of the local doctor as the bride of his son, Hanaoka Seishu, who is still away pursuing his medical studies in Kyoto. Her mother-in-law, Otsugi, is both beautiful and extremely proud of the tradition of the doctor's family. Though their relationship is one of affection at first, it declines into tension and eventually into bitter competitiveness and hatred, fostered by the claustrophobic social customs of the time. The two women-the wife who struggles to adapt to a new household and gain the affection of her unfamiliar husband, and the over possessive mother-in-law dedicated to the fulfillment of her son's ambitions-vie with one another to serve one man. Kae suffers the most, for the new anesthetic that the doctor tries on her has devastating results.Readers of The Doctor's Wife will find a tender and compassionate tale about a woman of great strength and courage, as well as an impelling account of Japanese society and the role of women in it.

    Stephen Snyder offers the first English translation of the complete, uncensored text, which has long been celebrated as one of the most convincing and sensually rich portraits of the geisha profession.Rivalry tells a sweeping story in which sexual politics compete with sisterly affection in a world ruled by material transaction. Komayo is a former geisha who, upon the death of her husband, must return to the "world of flower and willow" to escape poverty. A chance encounter with an old patron, Yoshioka, leads to a relationship in which both lovers hope to profit: Yoshioka believes Komayo can restore his lost innocence; Komayo plans to use Yoshioka's patronage to compete in the elaborate music and dance performances staged by her fellow geisha.Yoshioka is eager to ransom Komayo, but as she considers his offer, Komayo falls in love with Segawa, a young actor who promises to turn the talented geisha into the finest dancer in the Shimbashi quarter. Though her feelings for Segawa are genuine, Komayo is eager to use her lover's position to become the lead performer among her peers. Her ambition even tempts her to take on a third patron known only as the "Sea Monster," a repellent but wealthy antiques dealer whose deep pockets promise to shoot Komayo to the height of celebrity.Though she finds herself at the pinnacle of a glittering career, Komayo nevertheless becomes the target of a bitter rivalry between her three lovers that leaves her both thrilled and exhausted, both brutalized and redeemed. Kafu's compelling tale takes readers from the intimate corners of the geisha house to the back rooms of assignation, from the dressing areas of the great kabuki theaters to the lonely country villa of a theater critic and connoisseur of Shimbashi women. His lush depictions of architecture and costumes and his incisive descriptions of urban life and individual motive provide a vivid backdrop for Komayo's struggle-one woman's absorbing quest to find fame, affection, and financial security in the refined but ruthless theater of Shimbashi.

    The translation by Ivan Morris is outstanding." —The New York Times**Winner of the 1952 Yomiuri Prize**This haunting novel explores the complete degradation and isolation of a man by war. Fires on the Plain is set on the island of Leyte in the Philippines during World War II, where the Japanese army is disintegrating under the hammer blows of the American landings. Within this broader disintegration is another, that of a single human being, Private Tamura. The war destroys each of his ties to society, one by one, until Tamura, a sensitive and intelligent man, becomes an outcast.Nearly losing the will to survive, he hears of a port still in Japanese hands and struggles to walk through the American lines. Unfazed by danger, he welcomes the prospect of dying, but first, he loses his hope, and then his sanity. Lost among his hallucinations, Tamura comes to fancy himself an angel enjoined by God to eat no living thing—but even angels fall.Tamura is never less than human, even when driven to the ultimate sin against humanity. Shocking as the outward events are, the greatness of the novel lies in its uplifting vision during a time of crushing horror. As relevant today as when it was originally published, Fires on the Plain will strike a chord with anyone who has lived through the horrors of war.

    The aims of the vivisection experiment were described as follows:1. Saline is to be injected into the blood stream. The quantitative limits of such a procedure before death occurs are to be ascertained.2. Air is to be injected into the veins and the volume at which death occurs is to be ascertained.3. The limit to which the bronchial tubes may be cut before death occurs is to be ascertained.From the author of Silence, soon to be a major film by Martin Scorsese starring Liam Neeson, Andrew Garfield and Adam Driver, The Sea and Poison is Shusaku Endo's most disquieting novel and a masterful study of individual and collective moral disintegration. Set in a Japanese hospital during the last days of the Second World War, the story centres on the medical staff who offer to assist in a series of vivisections, live experimental operations, on US prisoners of war.

    Musashi is a novel in the best tradition of Japanese story telling. It is a living story, subtle and imaginative, teeming with memorable characters, many of them historical. Interweaving themes of unrequited love, misguided revenge, filial piety and absolute dedication to the Way of the Samurai, it depicts vividly a world Westerners know only vaguely.

    They subtly merge the world of reason with the realm of the uncanny and exemplify the period's fascination with the strange and the grotesque. They were also the inspiration for Mizoguchi Kenji's brilliant 1953 film Ugetsu.The title Ugetsu monogatari (literally "rain-moon tales") alludes to the belief that mysterious beings appear on cloudy, rainy nights and in mornings with a lingering moon. In "Shiramine," the vengeful ghost of the former emperor Sutoku reassumes the role of king; in "The Chrysanthemum Vow," a faithful revenant fulfills a promise; "The Kibitsu Cauldron" tells a tale of spirit possession; and in "The Carp of My Dreams," a man straddles the boundaries between human and animal and between the waking world and the world of dreams. The remaining stories feature demons, fiends, goblins, strange dreams, and other manifestations beyond all logic and common sense.The eerie beauty of this masterpiece owes to Akinari's masterful combination of words and phrases from Japanese classics with creatures from Chinese and Japanese fiction and lore. Along with The Tale of Genji and The Tales of the Heike, Tales of Moonlight and Rain has become a timeless work of great significance. This new translation, by a noted translator and scholar, skillfully maintains the allure and complexity of Akinari's original prose.

    His people catch barely enough fish to live on, and so must distill salt to sell to neighboring villages. But this industry serves another, more sinister purpose: the fires of the salt cauldrons lure passing ships toward the shore and onto rocky shoals. When a ship runs aground, the villagers slaughter the crew and loot the cargo for rice, wine, and rich delicacies. One day a ship founders on the rocks. But Isaku learns that its cargo is far deadlier than could ever be imagined. Shipwrecks, the first novel by the great Japanese writer Yoshimura to be translated into English, is a stunningly powerful, Gothic tale of fate and retribution.

    The young heroine, Otama, is forced by poverty to become a moneylender's mistress. Her dawning consciousness of her predicament brings the novel to a touching climax.

    Flashbacks and multilayered stories reveal his life: an impoverished upbringing as an orphan, his eventual rise to wealth and success—despite racial and class prejudice—and an obsession with a girl from an affluent family that has haunted him all his life. A True Novel then widens into an examination of Japan’s westernization and the emergence of a middle class.   The winner of Japan’s prestigious Yomiuri Literature Prize, Mizumura has written a beautiful novel, with love at its core, that reveals, above all, the power of storytelling.

    The unthinkable had happened, a major urban transit system had become the target of a terrorist attack. In an attempt to discover why, Haruki Murakami, internationally acclaimed author of The Wind-Up Bird Chronicle and arguably Japan’s most important contemporary novelist, talked to the people who lived through the catastrophe—from a Subway Authority employee with survivor guilt, to a fashion salesman with more venom for the media than for the perpetrators, to a young cult member who vehemently condemns the attack though he has not quit Aum. Through these and many other voices, Murakami exposes intriguing aspects of the Japanese psyche. And as he discerns the fundamental issues leading to the attack, we achieve a clear vision of an event that could occur anytime, anywhere. Hauntingly compelling and inescapably important, Underground is a powerful work of journalistic literature from one of the world’s most perceptive writers.

    We have been constrained by unwritten rules not to do so, by the robes of tradition and by the sanctity of our exclusive calling...But I feel it is time to speak out."Celebrated as the most successful geisha of her generation, Mineko Iwasaki was only five years old when she left her parents' home for the world of the geisha. For the next twenty-five years, she would live a life filled with extraordinary professional demands and rich rewards. She would learn the formal customs and language of the geisha, and study the ancient arts of Japanese dance and music. She would enchant kings and princes, captains of industry, and titans of the entertainment world, some of whom would become her dearest friends. Through great pride and determination, she would be hailed as one of the most prized geishas in Japan's history, and one of the last great practitioners of this now fading art form.In Geisha, a Life, Mineko Iwasaki tells her story, from her warm early childhood, to her intense yet privileged upbringing in the Iwasaki okiya (household), to her years as a renowned geisha, and finally, to her decision at the age of twenty-nine to retire and marry, a move that would mirror the demise of geisha culture. Mineko brings to life the beauty and wonder of Gion Kobu, a place that "existed in a world apart, a special realm whose mission and identity depended on preserving the time-honored traditions of the past." She illustrates how it coexisted within post-World War II Japan at a time when the country was undergoing its radical transformation from a post-feudal society to a modern one."There is much mystery and misunderstanding about what it means to be a geisha. I hope this story will help explain what it is really like and also serve as a record of this unique component of Japan's cultural history," writes Mineko Iwasaki. Geisha, a Life is the first of its kind, as it delicately unfolds the fabric of a geisha's development. Told with great wisdom and sensitivity, it is a true story of beauty and heroism, and of a time and culture rarely revealed to the Western world.

    Tsuyoshi Manase learned his first geology lesson from a dying soldier in a cave at the end of World War II. The soldier, a corporal, is skeletal, his eyes swarming with maggots, but his voice is low and steady, as he tells Manase of how a small pebble contains the Earth's history in its ephemeral matter. When the war ends, Manase returns home and opens a bookstore. He marries, and becomes the father of two sons. But what consoles him the most is the collecting of stones, and he enjoys his quiet life. That is until horrible violence visits his family and Manase must face his past in order to survive the nightmares of the present. A darkly compelling tale of one man's struggle against his own memories, The Stones Cry Out is a formidable debut novel from an international writer with an unusually penetrating voice.

    Remarkable for its wit and frankness, the book is a moving record of a woman's survival on the margins of Japanese society -- in the words of the translator, "the superbly told tale of a woman whom fortune never favored yet never defeated."

    Simple in its fundamentals, infinitely complex in its execution, Go is an essential expression of the Japanese spirit. And in his fictional chronicle of a match played between a revered and heretofore invincible Master and a younger and more modern challenger, Yasunari Kawabata captured the moment in which the immutable traditions of imperial Japan met the onslaught of the twentieth century.

    Too impetuous to be satisfied as a subsidiary wife, this beautiful (and unnamed) noblewoman of the Heian dynasty protests the marriage system of her time in one of Japanese literature's earliest attempts to portray difficult elements of the predominant social hierarchy. A classic work of early Japanese prose, The Gossamer Years is an important example of the development of Heian literature, which, at its best, represents an extraordinary flowering of realistic expression, an attempt, unique for its age, to treat the human condition with frankness and honesty. A timeless and intimate glimpse into the culture of ancient Japan, this translation by Edward Seidensticker paints a revealing picture of married life in the Heian period.