Gooch presents an unforgettable story of a man who was struck down at the height of his powers. 55 photos.

    In the process, he creates an unrepentant, wholly unique account about learning to live with a consciousness all his own. Ranging from remembered events to inner states to full-blown fantasies, Sutin is at turns playful and somber, rhapsodic and mundane, funny and full of pathos. Here you'll find tales about science teachers and other horrors of adolescence, life in a comedy troupe, stepfathering--each illustrated with the postcard that triggered Sutin's muse--and presented in a mix so enticingly wayward as to prove that at least some of it really happened.

    A Bulgarian immigrant, Dimitrov writes as both observer of and fervent participant in this "American Youth," as his speakers navigate both the physical and emotional landscapes of desire, intimacy, and longing--whether for a friend, a lover, or a self, "Saint or stranger, I still recklessly seek you."

    Planisphere is a new collection by one of America’s most innovative and influential poets—an exceptional artist whose work stands alongside the finest of Whitman, Dickinson, Stevens, and Hart Crane. For more than half a century Ashbery has been producing timeless works such as Chinese Whispers, Hotel Lautréamont, A Wave, Self-Portrait in a Convex Mirror, and Where Shall I Wander. Planisphere is proof that the master only improves with age.

    What follows are raw and expertly crafted meditations on death, rituals of passage, translation, desire, diaspora, and personhood. What’s at stake is survival itself and the archiving of a lived and lyric history. Laughlin Award judge Tyehimba Jess says “bury it is lit with imagery and purpose that surprises and jolts at every turn. Exuberant, wild, tightly knotted mesmerisms of discovery inhabit each poem in this seethe of hunger and sacred toll of toil. A vitalizing and necessary book of poems that dig hard and lift luminously.” In this phenomenal second collection of poems, Sam Sax invites the reader to join him in his interrogation of the bridges we cross, the bridges we burn, and bridges we must leap from.

    alluring cultural world and someone whose life assumed an unbearably dramatic shape.

    Wenders brings to this collection of photographic essays the same literary and cinematic talents, the same command of the art of storytelling that we find in his films. In the tradition of "Paris, Texas" and "Faraway, So Close," the texts and pictures in "Once" weave ambiguous and moving narratives in fits of rhythmic prose and inventive imagery. Prefaced by Wenders' poetic meditations on the metaphysics of photography and film, "Once" consists of short, autobiographical sketches relating Wenders' experiences-both meaningful and apparently trivial-on his trips across the world scouting locations for his films, as well as photographs taken during these excursions. The resulting book is at once travel diary, photo album, and a series of short films or short stories-revealing the views and sentiments of an auteur inspired by the poetry of the eye and the melody of speech. Fascinating and revelatory, "Once" gives us a unique look at the universe Wenders has created out of the hidden pieces of everyday life.

    While a student at the School of Visual Arts, Chris Stein photographed the downtown New York scene of the early ’70s, where he met Deborah Harry and cofounded Blondie. Their blend of punk, dance, and hip-hop spawned a totally new sound, and Stein’s photographs helped establish Harry as an international fashion and music icon. In photos and stories direct from Stein, brilliant writer of hits like "Rapture" and "Heart of Glass," this book provides a fascinating snapshot of the period before and during Blondie’s huge rise, by someone who was part of and who helped to shape the early punk music scene—at CBGB, Andy Warhol’s Factory, and early Bowery. Stars such as David Bowie, the Ramones, Joan Jett, and Iggy Pop were part of Stein’s world, as were fascinating downtown characters like Jean-Michel Basquiat, Richard Hell, Stephen Sprouse, Anya Phillips, Divine, and many others. As captured by one of its greatest artists and instigators, and designed by Shepard Fairey, this book is a must-have celebration of the new-wave and punk scene, whose influence on music and fashion is just as relevant today as it was four decades ago.

    A passionate gardener from childhood, he combined his painter's eye, his horticultural expertise and his ecological convictions to produce a landscape which mixed the flint, shells and driftwood of Dungeness; sculptures made from stones; the area's indigenous plants; and shrubs and flowers introduced by Jarman himself. This book, the last he ever wrote, is his own record of how this garden evolved, from its beginnings in 1985 to the day of his death in 1994.

    From Robert Capa's stark photograph of a Loyalist soldier being shot in the head during the Spanish Civil War to Eve Arnold's astonishingly intimate portraits of well-known faces - from Joan Crawford to Malcolm X - Magnum has changed how we perceive our political leaders, social crises, and the communities next door.Magnum's photographers are some of the most talented, brave, and resourceful in the world: the founders, Robert Capa, David Seymour, George Rodger, and Henri Cartier-Bresson; and recruits, including Eve Arnold, Bruce Davidson, Mary Ellen Mark, Susan Meiselas, Inge Morath, James Nachtwey, Eugene Richards, and Sebastiao Salgado. Magnum follows them on assignment, facing bodyguards and visa troubles and taking to the risk-filled trenches of several wars for the perfect shot. Full of wonderful stories and heroic feats, Magnum is an essential volume for anyone interested in photography or photojournalism.

    It explores the use of art to survive abuse, incest, madness and depression, and the often deep-seated impulse toward self-destruction including cutting, eating disorders, and addiction. Here, some of our most compelling cartoonists, novelists, poets, dancers, playwrights, and burlesque performers traverse the pains and passions that can both motivate and destroy women artists, and mark a path for survival. Taken together, these artful reflections offer an honest and hopeful journey through a woman's silent rage, through the power inherent in struggles with destruction, and the ensuing possibilities of transforming that burning force into the external release of art. With contributions by Nan Goldin, bell hooks, Patricia Smith, Cristy C. Road, Carol Queen, Annie Sprinkle, Elizabeth Stephens, Carolyn Gage, Eileen Myles, Fly, Diane DiMassa, Bonfire Madigan Shive, Inga Muscio, Kate Bornstein, Toni Blackman, Nicole Blackman, Silas Howard, Daphne Gottleib, and Stephanie Howell.

    This fearless book observes this increasingly complex world by exploring drag's journey – from the surprising, to the sophisticated, to the utterly bizarre – through the twentieth century and up to the present day.With witty text, dazzling photography, and corralled into thematic chapters, this is the first flamboyant and poignant survey of drag culture. Drag is not just for fabulous queens and drag enthusiasts, but for anyone interested in gender fluidity and the culture surrounding it.

    This collection provides an overdue review of material that at one time could only be bought under the counter, beginning with the anonymous erotica of the 19th century. It features the pioneer homoerotic nude photographs of Baron Wilhelm von Gloeden, posing nude youths in classical postures at Taormina in Sicily. It includes illustrations from groundbreaking magazines such as Physique Pictorial, the leading organ of the mid-50s gay scene, and it covers the entire range from classic masters of male nude photography, such as Herbert List, George Platt Lynes or Robert Mapplethorpe, to the pin-up beefcake of the sex magazines.

    Young gay sex and super mundane details--two things I love, together."--Miranda July, author of The First Bad Man"Stephen van Dyck's meticulous sexual records reveal the true recent histories of America, the Internet, the nearly-defunct nuclear family and the author himself. Surprisingly touching, People I've Met From the Internet is a brilliantly written, taxonomic account of growing up queer in turn-of-the-millennium Albuquerque, Los Angeles, and beyond."--Chris Kraus, author of I Love Dick"This is an impressive work, modern, relevant, powerfully startling in its effect."--John Rechy, author of City of Night "Bold, brave, sexy. . .This annotated bibliography of encounters bridging the virtual and real worlds of desire feels like a nineteenth-century erotic novel transposed onto the present, filled with salacious stories and characters. A truly remarkable adventure."--D. A. Powell, author of Cocktails"A brilliant, deadpan account of sexualized youth. . . If it wasn't so effortlessly funny and wry, People I've Met From the Internet would horrify; as it stands, every sentence--every checked-off box of kissing? oral? anal?--brings on the warm flush a real writer gives you." --Dodie Bellamy, author of When the Sick Rule the World"As the internet transformed the gay world from a limited number of spaces to a virtually unlimited homotopia, things were gained and things were lost, but van Dyck was one of its argonauts. . . There's a new kind of queer text here, one needed for a new queer age." --Matias Viegener, author of 2500 Random Things About Me Too"A glowing diorama that is continuously unfolding with mountains, living, men, cities, and sex. I love the sense of absolute openness in Stephen van Dyck's People I've Met From the Internet, how direct it is, how witty, and at times how sweet." --Amina Cain, author of Creature"Stephen van Dyck's People I've Met From the Internet is a wholly original, brilliant and engrossing book. I couldn't put it down." --Kate Durbin, author of E! Entertainment "This is no ordinary memoir. It's a moving, funny and rigorous attending to technology, desire and community as experienced by a whole generation. . . A tour de force of post-internet life writing." --Janet Sarbanes, author of The Protester Has Been ReleasedStephen van Dyck's PEOPLE I'VE MET FROM THE INTERNET is a queer reimagining of the coming-of-age narrative set at the dawn of the internet era. In 1997, AOL is first entering suburban homes just as thirteen-year-old Stephen is coming into his sexuality, constructing selves and cruising in the fantasyscape of the internet. Through strange, intimate, and sometimes perilous physical encounters with the hundreds of men he finds there, Stephen explores the pleasures and pains of growing up, contends with his mother's homophobia and early death, and ultimately searches for a way of being in the world. Spanning twelve years, the book takes the form of a very long annotated list, tracking Stephen's journey and the men he meets from adolescence in New Mexico to post-recession adulthood in Los Angeles, creating a multi-dimensional panorama of gay men's lives as he searches for glimpses of utopia in the available world.

    Anticipating the expanded edition, Feral House placed Voluptuous Panic out of print, and for the past year buyers paid as much as $460 to online sellers for a used copy.This sourcebook of hundreds of rare visual delights from pre-Nazi, Cabaret-period “Babylon on the Spree” has the distinction of being praised both by scholars and avatars of contemporary culture, inspiring hip clubgoers, filmmakers, gay historians, graphic designers, and musicians like the Dresden Dolls and Marilyn Manson.Voluptuous Panic’s expanded edition includes the new illustrated chapter, “Sex Magic and the Occult,” documenting German pagan cults and their bizarre erotic rituals, including instructions for entering into the “Sexual Fourth Dimension.” The deluxe hardcover edition also includes sensational accounts of hypno-erotic cabaret acts, Berlin Fetish prostitution (“The Boot Girl Visit”), gay life (“A Wild-Boy Initiation!”), descriptions and illustrations of Aleister Crowley’s Berlin OTO Secret Society, and sex crime (“the Curious Career and Untimely Death of Fritz Ulbrich”).