The Stoddard girls—responsible Mayme, whip-smart tomboy Jeanine, and bookish Bea—know no life but an itinerant one, trailing their father from town to town as he searches for work on the pipelines and derricks; that is, when he's not spending his meager earnings at gambling joints, race tracks, and dance halls. And in every small town in which the windblown family settles, mother Elizabeth does her level best to make each sparse, temporary house they inhabit a home.But the fall of 1937 ushers in a year of devastating drought and dust storms, and the family's fortunes sink further than they ever anticipated when a questionable "accident" leaves Elizabeth and her girls alone to confront the cruelest hardships of these hardest of times. With no choice left to them, they return to the abandoned family farm.It is Jeanine, proud and stubborn, who single-mindedly devotes herself to rebuilding the farm and their lives. But hard work and good intentions won't make ends meet or pay the back taxes they owe on their land. In desperation, the Stoddard women place their last hopes for salvation in a wildcat oil well that eats up what little they have left . . . and on the back of late patriarch Jack's one true legacy, a dangerous racehorse named Smoky Joe. And Jeanine, the fatherless "daddy's girl," must decide if she will gamble it all . . . on love.

    A segregated town. A stolen fortune. A coming-of-age story full of hope and forgiveness When twelve-year-old Knot Crews, an African American boy growing up in the segregated south Georgia town of Statenville, discovers a bag of bank-robbed cash in an alley, he is nearly overcome with happiness and terror. All that money-a hundred thousand dollars-could be the ticket to everything he's ever wanted, but he knows he can't spend it, not only because his conscience won't let him, but for fear of being caught. He decides to do what he can for his needy neighbors, both black and white, and begins mailing them hundred dollar bills anonymously, but it irks Knot daily to discover that most of them squander it and don't use the money as he had intended, and that the money doesn't change their lives for the better. It turns out that the weight of Knot's world can't be lifted by cold hard cash alone. Set during the turbulent 1960's, The Little Known is a coming-of-age story full of hope and forgive "

    This edition has been updated and includes a new preface.

    She hasn’t got a troop or even a badge to call her own.  But she’s checked the Handbook out from the elementary school library so many times that her name fills all the lines on the card, and she pores over its surreal advice (Disposal of Outgrown Uniforms; The Right Use of Your Body; Finding Your Way When Lost) for tips to get off the Calle:  that is, Calle de los Flores, the Reno trailer park where she lives with her mother, Jo, the sweet-faced, hard-luck bartender at the Truck Stop.Rory’s been told she is “third generation in a line of apparent imbeciles, feeble-minded bastards surely on the road to whoredom.” But she’s determined to prove the County and her own family wrong. Brash, sassy, vulnerable, wise, and terrified, she struggles with her mother’s habit of trusting the wrong men, and the mixed blessing of being too smart for her own good. From diary entries, social worker’s reports, half-recalled memories, story problems, arrest records, family lore, Supreme Court opinions, and her grandmother’s letters, Rory crafts a devastating collage that shows us her world while she searches for the way out of it. Girlchild is a heart-stopping and original debut.

    Over those years, he has recorded the facts of his daily life, writing hundreds of thousands of words in a series of spiral-bound notebooks. Cadillac Man: My Life on the Streets distills those journals into a memoir of homeless life, full of indelible characters and packed with gripping stories. In a gritty, poignant, and funny voice, Cadillac narrates his descent into homelessness, the struggles and unexpected freedoms of his life, and the story of his love affair with a young runaway, whom he eventually (and tragically) reunites with her family. The United States has seven hundred thousand homeless people; ultimately, Cadillac's story is their story.

    A masterful blend of historical and modern fiction by a best-selling, award-winning author, THE BEST POLISH RESTAURANT IN BUFFALO chronicles a century of life in America for one humble Polish farm girl and three generations of her descendants in Buffalo, New York.

    It reveals one of our deepest and most painful conditions—not having a sense of belonging. However, Alan Graham, founder of Mobile Loaves & Fishes and Community First! Village, is improving the quality of life for a large quantity of people through sharing his personal story of becoming more human through humanizing others. Graham believes the more we can give people dignity, the power of choice, and genuine community, the better we’ll be able to offer solutions that will have impact on the world at large. And while his missionary work is focused on giving a home to the physically homeless, he also wants to transform the lives of every living person by shifting the paradigm in understanding what it means to be “home.” In Welcome Homeless, Graham delves deep into what it means to be connected to God, the earth, and each other. In doing so, he shows us the home we’ve all longed for but never had.Welcome Homeless is about becoming fully human by being fully present. It is about finally connecting with the disconnected and finding our identity through knowing the true identity of others. Graham wants to engrain the human story in you so deeply that you start being who you were made to be—that you start finally being like the image from which you were made and start empathizing instead of sympathizing with the people around you. Similar to how we can become 100 percent fully human by mimicking the ultimate image, we can shape a better world by mimicking the picture of the new heaven and the new earth—a picture that has reality at the heart of it but is beyond our imagination. Alan Graham also shares his personal story, the stories of the homeless, and the stories of those whose worldviews have been shifted by the homeless. Because of his raw, humorous, and honest voice, he achieves a rare and profound universality. Houses become homes once they embody the stories of the people who have made these spaces into places of significance, meaning, and memory. Home is fundamentally a place of connection and of relationships that are life-giving and foundational. Graham invites you to make everyone feel truly at home by finally inviting those living on the fringes of society into your heart.This is why Welcome Homeless is about doing, not saying. It is about taking the ultimate and forward-thinking vision of a new heaven and new earth and literally breaking the soil so that new earth can exist here today. It is about realizing that homelessness is not fundamentally a consequence of moral and spiritual inadequacies; but rather it is often the logical and economical outcome for a large part of our population.So, what does your vision of humanity and love look like? Whatever the vision, it should look like community. People should feel more alive after they meet you. When your consciousness changes from one of self-absorption to a consciousness aware of its human desire for connection, compassion, kindness, and beauty, you will start seeing things differently—and others will start seeing you made anew as well because the absolute greatest self-help occurs when you help others

    W. Bush explores exposes the economic, political, and cultural cracks that wealthy nations face and makes the case for transforming those same vulnerabilities into sources of strength—and the foundation of a national renewal.America and other developed countries, including Germany, Japan, France, and Great Britain are in desperate straits. The loss of community, a contracting jobs market, immigration fears, rising globalization, and poisonous partisanship—the adverse price of unprecedented prosperity—are pushing these nations to the brink. Acclaimed author, economist, hedge fund manager, and presidential advisor Todd G. Buchholz argues that without a sense of common purpose and shared identity, nations can collapse. The signs are everywhere: Reckless financial markets encourage people to gamble with other people’s money. A coddling educational culture removes the stigma of underachievement. Community traditions such as American Legion cookouts and patriotic parades are derided as corny or jingoistic. Newcomers are watched with suspicion and contempt. As Buchholz makes clear, the United States is not the first country to suffer these fissures. In The Price of Prosperity he examines the fates of previous empires—those that have fallen as well as those extricated from near-collapse and the ruins of war thanks to the vision and efforts of strong leaders. He then identifies what great leaders do to fend off the forces that tear nations apart. Is the loss of empire inevitable? No. Can a community spirit be restored in the U.S. and in Europe? The answer is a resounding yes. We cannot retrieve the jobs of our grandparents, but we can embrace uniquely American traditions, while building new foundations for growth and change. Buchholz offers a roadmap to recovery, and calls for a revival of national pride and patriotism to help us come together once again to protect the nation and ensure our future.

    Within a few years, however, what had been perceived as a national crisis came to be seen as a nuisance, with early sympathies for the plight of the homeless giving way to compassion fatigue and then condemnation. Debates around the problem of homelessness—often set in terms of sin, sickness, and the failure of the social system—have come to profoundly shape how homeless people survive and make sense of their plights. In Hobos, Hustlers, and Backsliders, Teresa Gowan vividly depicts the lives of homeless men in San Francisco and analyzes the influence of the homelessness industry on the streets, in the shelters, and on public policy. Gowan shows some of the diverse ways that men on the street in San Francisco struggle for survival, autonomy, and self-respect. Living for weeks at a time among homeless men—working side-by-side with them as they collected cans, bottles, and scrap metal; helping them set up camp; watching and listening as they panhandled and hawked newspapers; and accompanying them into soup kitchens, jails, welfare offices, and shelters—Gowan immersed herself in their routines, their personal stories, and their perspectives on life on the streets. She observes a wide range of survival techniques, from the illicit to the industrious, from drug dealing to dumpster diving. She also discovered that prevailing discussions about homelessness and its causes—homelessness as pathology, homelessness as moral failure, and homelessness as systemic failure—powerfully affect how homeless people see themselves and their ability to change their situation. Drawing on five years of fieldwork, this powerful ethnography of men living on the streets of the most liberal city in America, Hobos, Hustlers, and Backsliders, makes clear that the way we talk about issues of extreme poverty has real consequences for how we address this problem—and for the homeless themselves.

    Now the man known only as Logan has been forever transformed into "Weapon X" -- an unstoppable, indestructible killing machine, a bringer of mayhem with retractable harder-than-diamond-steel claws and the ability to recover from any wound.It has been months since Logan escaped the secret research complex in the Canadian Rockies where he was held captive, breaking through punishing psychological conditioning, slaughtering all those who stood in his way, and fleeing into the wilderness. Now, at the clandestine agency known as Department K, the director of the Weapon X program decides it's time to reclaim the most successful experiment for his group. But before Weapon X is to be brought in, the director opts to present Logan with a few more challenges to see how this modern-day Frankenstein's monster has adapted to its new abilities...and magnifies the intensity of external threat in order to gauge Logan's full potential....

    But they also shed light on a more complex issue. The killers were three drifters scrounging for a living among a burgeoning counterculture population. Soon this community of runaways and transients became vulnerable scapegoats of a modern witch hunt. The supposedly progressive residents of San Francisco’s Haight-Ashbury, only two generations removed from the Summer of Love, now feared all of society’s outcasts as threats.In Those Who Wander, Vivian Ho delves deep into a rising subculture that’s changing the very fabric of her city and all of urban America. Moving beyond the disheartening statistics, she gives voices to these young people—victims of abuse, failed foster care, mental illness, and drug addiction. She also doesn’t ignore the threat they pose to themselves and to others as a dangerous dark side emerges. With alarming urgency, she asks what can be done to save the next generation of America’s vagabond youth.

    They make their living scavenging recyclables from the trash. Life would be hard enough without the worry for their chronically ill child, Nisay, and the added expense of medicines that are not working. Just when things seem worst, Sang Ly learns a secret about the bad-tempered rent collector who comes demanding money--a secret that sets in motion a tide that will change the life of everyone it sweeps past. The Rent Collector is a story of hope, of one woman's journey to save her son and another woman's chance at redemption.

    Now and then he moved a little to quiet the protest of cramped muscles and stagnant blood, but most of the time he was as motionless as the heap of rags he resembled. Not once did he hear or see a Bohas agent, or, for that matter, anyone. The predawn darkness had hidden his panting flight from the transie jungle, his dodging across backyards while whistles shrilled and voices shouted, and his crawling on hands and knees down an alley into the high grass and bushes which fringed a hidden garden. For a while his heart had knocked so loudly that he had been sure he would not be able to hear his pursuers if they did get close. It seemed inevitable that they would track him down. A buddy had told him that a new camp had just been built at a place only three hours drive away from the town. This meant that Bohas would be thick as hornets in the neighborhood.

    Longing for afreedom of the soul that the world of capitalism cannot provide, Lazarus leaves all that he knows--including his wife and children--to achieve the ultimate level of peace and silence living as a possession-less man. When his quest causes him to cross paths with five wanderers, all of whom later call themselves "the family," a shocking, brutal act leaves Lazarus in a dire position and his newfound family must struggle to save him. By doing so, they learn the beauty of sacrificial love.

    As Dee, a single mother, struggles with the demons of her own childhood of neglect and abuse, Lisa has to quickly assume the role of an adult in an attempt to keep some stability in their lives. “Dee and Tiny” ultimately become underground celebrities in San Francisco, squatting in storefronts and performing the “art of homelessness.” Their story, filled with black humor and incisive analysis, illuminates the roots of poverty, the criminalization of poor families, and their struggle for survival.